Eli Escobar returns for his 9th full length LP. While his last few projects found him exploring downtempo beats, EBM and ambient influences, this latest offering of Eli's studio craftsmanship marks a return to the sound of his early releases like Up All Night and Happiness. Warm samples expertly woven into classic drum machine rhythms and searing synth lines, The Beach Album takes listeners on a journey through golden era hip hop beats, feel-good NY-styled house grooves into sweaty techno bangers. Similar to Eli's DJ sets, the 16 track long player has something for everyone. Created during the uncertainty of the pandemic when as Eli put it, "It didn't feel like the right time to release dance music," The Beach album celebrates the return of NY nightlife and optimism for the future.

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Full length album from NYC DJ/producer ELI ESCOBAR, out on his own NIGHT PEOPLE label. 9 dance tracks plus beat interludes with a distinct New York vibe. Fans of his releases on PLANT, MONEY STUDIES and R'N'T will love it. 180g black double vinyl, first pressing limited to 400 copies.
Tracklisting:
A1. Intro
A2. Flashing Lights
A3. Interlude
B1. All Night Rhythm
B2. Rain
C1. Last Night
C2. Tonight (Boy)
C3. Interlude 2
D1. Blu (Holdin’ On)
D2. Sensation
D3. Interlude 3
D4. Get Over Reprise

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Just over a year on since he released his stunning LP ‘Happiness’ on Classic Music Company, Eli Escobar returns to the label with an album which couldn’t be further removed in sentiment. Whereas ‘Happiness’ radiated sublime house/disco hybrid bliss throughout, ‘Shout’ is a heartfelt rage against America’s developing political disasters. The quintessential New York City DJ, Eli is a devoted collector, explorer and connoisseur of all kinds of music from his hip-hop roots. He is hugely well-respected in the New York club circuit after over two decades of mutual love for the city and the house scene. Having been switched on to Eli by his debut album ‘Up All Night’, Classic Music Company is now his creative home. ‘Shout’ starts robustly with ‘Nightmare Rag’, police sirens ringing out in the background while a disgruntled voice repeats “ode to America” and a dream-like piano riff gathers momentum, turning into a punchy acid beat. Giving way to tangible heartbreak in ‘Interlude (American Sorrow)’ with lamenting saxophone and light percussion, Eli maintains the political message in ‘The People’, urging the listener to wake up by using crafty vocal samples and hypnotic chords. Further highlights include heavier tracks like ‘Muzik’ which picks up the pace of the record, before ‘City Song’ brings back the New York house vibe with vocal cuts and warm synths. ‘City Song Part 2’ and ’Body and Soul’ show Eli’s disco influences while ‘Goin’ On?’ flickers with hope.
A stormy departure from the glowing balminess of his previous LPs, ‘Shout’ addresses Eli’s anguish over his country hitting self-destruct, while still putting his own twist on his city’s house and disco soundtrack, joining the dots between yesterday’s golden era classics and today’s club anthems. Underpinning it all is Eli’s acute musical sensitivity; whether it’s a straight-up party jam or a crafty disco cut-up, warmth and soul are poured in.

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It’s been a couple of years since Classic released an original artist album, the last one being Luke Solomon’s critically praised ‘Timelines’. This time round Classic brings a relative newcomer into the fold. Eli Escobar has slowly been building a credible reputation out of his home in New York, releasing his first single back in the late nineties and moving more recently from hip hop into dance music. As a DJ, he harks back to a golden era of disco and early house music, graduating through the 90s during which he was brought up on a diet of underground house including Classic’s early output. In recent years Classic’s head was turned by his wonderful album ‘Up All Night’ that was released on Night People, a label from New York that Eli (pronounced ‘EL-EE’) has a vested interest in. Following up the album with a series of singles, the label swiftly became a cult dance classic. ‘Happiness’ continues from where ‘Up All Night’ left off, championing the disco cut-up ethos from lesser known staples. Eli also enlists the vocal talents of Nomi Ruiz and the legendary Vanessa Daou, who most notably featured on the classic Danny Tenaglia and Peter Daou’s, ‘Surrender Yourself’ back in the 90s. Moving from straight up house party jams such as the title track, ‘Happiness Pt 2’ into raw Chicago work outs like ‘Chaka Khan’, Mood II Swing inspired deepness such as ‘Winters Anthem’ and ‘I Need U’, before wrapping it all up with straight up disco floor fillers like ‘Phreeky’ and ‘Can’t Stop Dancing’. ‘Happiness’ will surely solidify Eli Escobar’s place as more than a “one to watch” producer, this will take him into the realms of a torch bearer for a new generation of underground dance acts.

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Philadelphia producer DJ Matpat delivers his third release of the year with a 12” on NYC's Off Track Recordings. Dropping November 21th “Lucky Strike” is a 4 track raw house EP that delivers a timeless feel full of club-ready grooves that are made to keep energy high on the dance floor. From Deeper Love’s belting vocals to ‘Lucky Strike’s’ chunky drums, ‘Falsettos’ minimalist approach & ‘Underground Sounds’ looped up jack, this EP hits a few different sounds for any house music head.

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Tilman is back on Off Track with a four tracker for your dancefloor pleasure. Raw and ready, these cuts will take you back to the good ol’ days. The Mainz based producer has been on fire with a string of 90’s Italo-House styled records on his Pleasant Systems imprint and they just keep getting better and better.

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Eli Escobar returns for his 9th full length LP. While his last few projects found him exploring downtempo beats, EBM and ambient influences, this latest offering of Eli's studio craftsmanship marks a return to the sound of his early releases like Up All Night and Happiness. Warm samples expertly woven into classic drum machine rhythms and searing synth lines, The Beach Album takes listeners on a journey through golden era hip hop beats, feel-good NY-styled house grooves into sweaty techno bangers. Similar to Eli's DJ sets, the 16 track long player has something for everyone. Created during the uncertainty of the pandemic when as Eli put it, "It didn't feel like the right time to release dance music," The Beach album celebrates the return of NY nightlife and optimism for the future.

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New EP From Malik Hendricks, Brooklyn-based purveyor of raw and
soul-infused House sounds previously found on labels such as Bliss
Point, Coloring Lessons and Darker Than Wax. On the B-Side is a remix
from Eli Escobar, one of New York’s most iconic DJs of the city's
contemporary House and Disco scene.

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John Barera (Allergy Season, Dolly, Sorry Records) joins the roster of Will Buck’s Off Track Recordings this September with his four-track ‘Message In The Air’ EP. New York based producer, DJ and Cross Street Music label boss John Barera has long been a highly acclaimed artist in the world of underground House and Techno. In 2022, he scored his first film as well, Marc17 in the House. His material has graced many taste making labels, while his DJ sets have taken him to hotspots like Panorama Bar, Fabric, Smart Bar, Razzmatazz, Floyd, Video Club, Tangent Gallery and many more. Here we see Barera, a prolific collaborator who drops solo albums as well, delivering his first solo ep in six years via the fledgling Off Track Recordings. On this record, Barera steps up with his trademark raw house, now infused with live instruments or even a vocal across four soul drenched house cuts.

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Off Track is back with a scorcher of an EP from Brooklyn’s Will Buck. Four 90’s styled deep house grooves stripped back and ready for the floor!

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Underground legend Orlando Voorn joins Craigie Knowes for his label debut EP ‘Navigate’. Quintessential Orlando Voorn house journeys on the A-side accompanied by 2 slappin’ house trax on the B-Side. A rounded EP of tracks for DJs in need of something to get the party started or to trip the dancefloor out when space for breathing is required.

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Repress!

A timeless classic - coming up on nearly 20 years since the original 12's were released and the very first time this LP has collectively been available on wax. (over 15 years since last in circulation) This edition was remastered to analog perfection from the legendary Stefan Betke (POLE) sonically sculpting the original work into a true masterpiece - this album has never sounded so alive! This is truly a multidimensional sound experience; it's like taking a swim in an analogue ocean and being immersed into the deepest end of the Marianas Trench. This edition features two cuts, "A Night To Remember" (as featured on Richie Hawtin's ENTER: Ibiza 4XCD mix) & "Under The Ocean" from the original 2009 edition of the album. The remaining tracks were selected from CD2 including "Tswana Dub" (Phase90 Restructure) as featured on Deadbeat's classic mix "Radio Rothko" on NYC's theAgriculture. Also included is a "live" (recorded from the house booth) performance at "dub echoes" in NYC (a screening for the feature film).

Pure analogue bliss -- sonic submersion of the highest order!

CREDITS:
Written & Produced by Steven Hitchell. Additional Mastering, Mixing and Engineering by Mark Richardson @ PrairieCat/Metropolis Mastering, Chicago, USA. (2007-2009)
Remastering and Lacquer cutting by Stefan Betke (POLE) @ ~scape mastering.

OCEAN BLUE/BLACK TRANSPARENT VINYL


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Cromby delivers a four-track EP built for the dancefloor, each cut hitting a different shade of club energy. On the A-side, Love on Tenderhooks kicks things off with a high-octane bassline, euphoric builds, driving organ and haunting vocal hook. It's followed by All Night, a deeper, darker roller driven by sub bass, dubby textures and a relentless groove. Flip it over and On Target takes a more trippy turn, riding a warm, bumping bassline with swirling, psychedelic vocals drifting across the mix. Closing things out is The Beat, a percussion-led groover that locks into a hypnotic rhythm and keeps the floor moving.

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Luke Hess invites four artists to reimagine his latest ARKEO album on DeepLabs, each bringing their own unique perspective to the label’s sound.

Handpicked for their shared friendship, history, and the lasting impact of their music in his DJ sets, every contributor delivers a remix that resonates with authenticity and depth.

Together, these tracks form a cohesive body of work that captures the essence of DeepLabs and the timeless spirit of Detroit techno.

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Ltd Edition 10"

Budapest based concept label Blue Sun welcomes formerly independent local afrobeat-jazz ensemble to its catalogue with a nuanced 4 tracker EP. The release not only marks the beginning of the collaboration, but a definite new musical direction in the band’s life.

Written in a one week jam session retreat in the Hungarian countryside, and recorded at one of the highest peaks of Hungary after a year of global touring, The Garden becomes an amalgamation of the band's personal and artistic experiences. The material conveys a more jazzier approach, with complex harmonies, and an almost cinematic, dreamlike atmosphere, somewhat distancing from (but not completely forgetting) the previously emphasized, dance-oriented Afro- and Latino roots. Song for Ramon serves as the EP’s emotional climax inspired by the passing of a close friend and local underground chef pioneer.

Formed in 2019 in Budapest, Hakumba is a staple of the Hungarian festival circuit, with a growing international presence (SXSW London, SHIP, PIN Music Showcase). They’ve recently finished a tour in Australia this January.

The groove-driven ensemble blends afrobeat, jazz, and various strands of world music into a sound that is both rhythmically powerful and harmonically adventurous. With an eleven-piece lineup featuring an expansive horn section, multiple vocalists, percussion, and keys, the band moves effortlessly between dancefloor energy and more intricate, jazz-influenced musical ideas.

Like the band’s previous album, the EP was again recorded, mixed, and mastered by András Weil, the producer behind The Qualitons, the only hungarian band ever performed Live at KEXP. This continuity preserves Hakumba’s recognizable sonic identity while giving space for new colors and more complex musical ideas to emerge.

Written & performed by:

Soma Számel – drums
Endre Szép – bass
Imre Hegedus – guitar
Zalán Bendegúz Huff – guitar, vocals
Csongor Mari – keys
Noel Nagy – percussion, vocals
Dorka Foster – flute, vocals
Kristóf Szabó – alto sax
Alpár Sikó – tenor sax
Gáspár Simon – trumpet
András Téglásy – baritone sax

Produced, recorded, mixed and mastered by Andras Weil
Artwork by Eszter Lukács
Graphic design by Péter Tóth
Manufactured by AD Records
Distributed by Rush Hour

Recorded at Galyateto, Hungary

Released under the Blue Sun

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Happy Today is the third album from guitarist/bandleader’s Jeff Parker’s long-running ETA IVtet, recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures the instantly recognizable group sound of Parker and the band—including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson—on record outside of the now-shuttered Highland Park micro-club ETA for the first time ever.

Tracklist:
A: Like Swimwear
B: Happy Today

https://listen.k7.com/b3b26dc1-7f37-4bbf-9b1d-9a067e6677bd

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Big heart US deep house figurehead Chez Damier has opened his studio up to new school collaborators once again, with Italy's Nico Lahs and Adeen chief Camille getting back to work on a new series of tunes inspired by jazz-fusion and the sounds broadcast on legendary radio station WJZZ. 'Dragon Breath' opens with tense rhythmic interplay and expressive horns and vibraphones, while 'Tunita' offers shimmering rhythms. 'Third World Wave' is a busy broken beat with weighty kicks and brilliantly loose percussion all run through with off-kilter horns. The 12" expands the palette, from the lighter touch of 'Haiku' to the driving force of 'Bullet Train'. Another majestic collaboration.

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Alt Dub boss Federsen once again joins forces with cv313 and Echospace Detroit to deliver a second instalment in their ‘Altering Dimension’ series, once again merging hazy textural sonics with delicate dub leaning aesthetics.

Detroit’s dub techno lineage continues to evolve as cv313, Stephen Hitchell of Echospace, teams up with Federsen for Altering Dimensions Part Two, another collaborative EP set to land on Federsen’s Alt Dub imprint.

A defining figure in the genre, cv313 has long shaped its language through seminal works like Seconds to Forever and the Dimensional Space LP, fusing enveloping atmospheres with tactile rhythmic structures. Alongside him here,

Federsen whose music can also be found on Echospace Detroit as well as Grayscale, Synchrophone, Lempuyang and Avant Roots, has carved out a distinct voice rooted in precision and analogue-rich depth. Altering Dimensions Part Two again captures the intersection of these two perspectives, linking Detroit’s enduring sonic heritage with a refined, forward-facing approach to dub techno.

‘First Dimension’ opens the release, laying down heavy doses of sub bass, bubbling percussion and ever evolving, murky dub echoes amidst a crisp, stripped-down rhythm section.

‘Second Dimension’ follows and leans into vacillating atmospherics, a swaying bottom end groove and hypnotic, subtle evolution that’s synonymous with the cv313 sound.

‘Third Dimension’ kicks off the b-side next, further embracing this introspective and immersive style as textural elements shift and mutate atop intricately modulating percussive hits, bubbling synth tones and weighty low-end percussion.

‘Fourth Dimension’ then concludes the release, reducing things down to bare bones of hypntic dub, embracing a beatless construction the composition relies on spatial depth, nuanced delays and an underlying tension that decays

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There are sounds that are hard to recognize,
Others whose initial hisses awaken memories,
sensations.

We are in between,
In a no man's land,
In a memory without a master,
In a face without light.

We scratch at the secrets of our souls,
Hoping for redemption.

We carve, without any remorse,
Words of hate into our hearts,
To guide us, to dominate us,
Unaware of their effect on ourselves.

We flee without destination, without reason.
We find ourselves among slabs of ice,
Of which our minds become the prison.

- Utopian Soul -


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RAWAX welcomes Jay Tripwire & Maher Daniel to the artist Family!
happy to present you this with their fabulous release called "Low and Slow".
Subtile minimal techno at it's best.

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