1
Sylford Walker - They Don't Know
2
Sylford Walker - They Don't Know (feat. The Poor Man's Friend)
Poor Man's Friend Recordsproudly welcomes the legendarySylford Walkerto the label with a powerful roots debut single:"They Don't Know." True to form, this track delivers exactly what you'd expect — and crave — from one of reggae's most iconic and unmistakable Rasta voices. Aheavily saturated drum and bass groovesets the foundation, locked tight with atough, swung Nyahbinghi section. The rhythm is sparse but deeply textured, featuring carefully placedguitars, percussion, and saxophonethat leave room for the message to breathe.
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Germany
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Germany
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More records from Sylford Walker
1
Sylford Walker - Love and Happyness
2
Sylford Walker - Love and Happyness (Dub 1)
3
Sylford Walker - Love and Happyness (Dub 2)
4
Sylford Walker - Love and Happyness (Dub 3)
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More records from Poor Man's Friend Records
1
Icho Candy, Prince Alla & The Viceroys - Jah Rules the World
2
Icho Candy, Prince Alla & The Viceroys - Jah Love
3
Icho Candy, Prince Alla & The Viceroys - Do You Think (feat. Martin Melody)
4
Icho Candy, Prince Alla & The Viceroys - Pave the Way
5
Icho Candy, Prince Alla & The Viceroys - Music Will Never Die (feat. Martin Melody)
6
Icho Candy, Prince Alla & The Viceroys - Pressure Dem
7
Icho Candy, Prince Alla & The Viceroys - Way over There
8
Icho Candy, Prince Alla & The Viceroys - I Love You
9
Icho Candy, Prince Alla & The Viceroys - King of Kings
Icho first emerged under the guidance of legendary producer and soundman Jack Ruby, but it was his haunting rendition of Cat Stevens' "Where Do the Children Play?"—featured in a BBC documentary—that introduced his voice to the world beyond Jamaica. Equal parts soulful and haunting, Icho's voice echoes the spirit of a bygone era, reminding us of the roots and depth of classic Jamaican music. A mysterious figure from reggae's golden era, Icho Candy has always stood apart. A devout Rastafarian with a gift for prophetic songwriting, he joins forces here with some of his closest musical allies. Prince Alla appears on the title track "Pressure Them" and contributes two solo performances, while the legendary Viceroys collaborate on "Pave the Way" and "King of Kings." This album is a tribute to Icho Candy's, Prince Alla's and The Viceroys legacies. Icho and Prince Alla first recorded together in 1976, andPressure Themseeks to fill a long-standing gap in Icho's discography. The Viceroys are also longtime friends and as expert harmony singers they are the ideal collaborators for those big roots records. Pressure Themis more than just an album—it's a restoration and a celebration of one of reggae's most powerful yet under-recognized voices.
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1
Icho Candy & The Viceroys - Pave the Way (feat. Yakka)
2
Icho Candy & The Viceroys - Pave the Dub (feat. Yakka)
A truly enigmatic character from the golden era of Jamaican roots music, Icho Candy is an artist that has, to me, always been shrouded in mystery. A devout rastafarian born with a gift for prophetic songwriting, Candy always writes in a way that is true to himself and his deep seated beliefs, regardless of the external pressures he endures as a veteran artist, an incredible feet for an independent artist with a career that spans fifty years. First recording for the great Joe Gibbs and Jack Ruby in the late seventies, Icho's big break in the industry came with the hit record "Captain Selassie", a track that is widely considered to be one of the greatest rastafari anthems in dancehall. During this time Icho also recorded for labels such as Jah Life, Rockers International, Tesfa, Jah Shaka and many more. Like so many of the great artists in the eighties Icho recorded and toured in America for an extended period alongside Sugar Minott, Nicodemus, Nitty Gritty, King Kong before returning to Jamaica to record two amazing albums for the late Jah Shaka. The A side of this latest seven inch gives us the classic writing style of Icho Candy. Pairing his lyrical depth with an early 70's Phil Pratt style production. An eerie horns line meets the clean sharp, older school backing vocals provided by The Mighty Viceroys to create something magical, the type of record we thought we may have already heard on some scratchy 45 deep in a soundmans crate. Yakka once again returns to the label on B side duties, providing another Tubby inspired voyage into dusty fx units and quick draw fades. The bassline increases, the vocal decreases but the vibe never ceases.
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1
Cornell Campbell - Change Your Ways
2
Yakka - Change That Dub
Poor Man’s Friend Records is proud to present a brand new 7” featuring the legendary Cornell Campbell. This 45 delivers a powerful message from The Gorgon, a prolific artist whose recording career spans over 60 years. First recording for the venerable Coxone Dodd at Studio one, Mr Campbell has built a cult following with his trademark Falsetto voice. Equally adept at writing beautiful love songs as he is deep spiritual roots cuts, It's fair to say many of his works have become Iconic milestones in the evolution of the genre. In the year 2025 Cornell Campbell warns us of the pitfalls of living our life in an egotistical way, “ Just try sweeping up your backyard, before you find fault with people's yard.” A searing condemnation of those that judge others based on their wealth, this mid seventies style roots production was cut by the Poor Man’s Friend Rhythm section at their studio in Bristol. The B side dub was masterfully orchestrated by label stalwart Yakka, whilst the horns were played by Cornerstone Horn section.
This one is super limited, only 300 copies have been printed.
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This one is super limited, only 300 copies have been printed.
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Customers who bought this also bought this
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
Label:Far Out Recordings
Cat-No:FARO255LP
Release-Date:27.02.2026
Genre:Brazil, Bossa, Salsa
Configuration:LP
1
Fabiano Do Nascimento & Vittor Santos Or - O Tempo (Foi O Meu Mestre)
2
Fabiano Do Nascimento & Vittor Santos Or - Spring Theme
3
Fabiano Do Nascimento & Vittor Santos Or - Tema Em, Harmonicos
4
Fabiano Do Nascimento & Vittor Santos Or - Uirapuru
5
Fabiano Do Nascimento & Vittor Santos Or - Trenzinho Imaginario
6
Fabiano Do Nascimento & Vittor Santos Or - Prelude 5
7
Fabiano Do Nascimento & Vittor Santos Or - Floresta Dos Sonhos
8
Fabiano Do Nascimento & Vittor Santos Or - Plateau
9
Fabiano Do Nascimento & Vittor Santos Or - Valsa
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Fabiano Do Nascimento & Vittor Santos Or - Vittor E Fabi
Hidden away amidst the bustle of Rio de Janeiro’s Catete neighbourhood is a small alleyway behind a cast iron gate. At its end is Bairro Saavedra, the courtyard surrounded by Neo-colonial houses where Brazilian guitar virtuoso Fabiano do Nascimento spent much of his childhood. Built in 1928, this secluded neighbourhood with its wooden shutters, tiled floors and tranquil benches, provides the inspiration for the title of Do Nascimento’s new album VILA, a collaborative project with a sixteen piece orchestra led by trombonist and arranger Vittor Santos.
Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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Germany
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Recorded between Rio de Janeiro and Los Angeles, VILA is grand, tender, warm, playful and nostalgic. On this stunningly ambitious work, the delicate compositions led by Nascimento's guitar, which sits central in the mix, are surrounded by Santos’ breathtaking orchestral arrangements which swirl in all directions: complimenting, questioning, responding; in constant conversation.
Like the eclecticism of the architecture Do Nascimento grew up surrounded by, his music straddles many worlds at once. He is known as a Brazilian acoustic guitar master and as such has collaborated with Arthur Verocai, Airto Moreira and Itibere Zwarg. But equally at home in Los Angeles's jazz and experimental music scenes, Do Nascimento is also known for his work with artists like Sam Gendel and Carlos Nino.
Vittor Santos is an arranger and Trombonist who has worked extensively with many of the greats of Brazilian music, including João Donato, Marcos Valle, Toninho Horta, and Elza Soares.
=====================================
Credits:
Fabiano do Nascimento – 6, 7 and soprano guitars.
All orchestral arrangements and production by Vitor Santos.
Recorded at Electro-Sound studio, Los Angeles and Estúdio Fibra, Rio de Janeiro
Engineered by Jason Hiller and Garbiel Lucchini
Mastered by Mike Bozzi
Oboe – Francisco Gonçalves
Contrabaixo – Rodrigo Villa
Drums – Márcio Bahia
Violino - Ricardo Amado
Violino – Thiago Teixeira
Violin – Daniel Albuquerque
Violin – Márcio Sanches
Viola – Ivan Zandonade
Viola – Dhyan Toffolo
Cello - Hugo Pilger
Cello – Janaína Salles
Double Bass – Rômulo Gomes
Clarinet – José Batista
French Horn – Philip Doyle
Trombones - Vittor Santos
Violin – Daniel Guedes
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Resavoir - Far Cry
2
Resavoir - Dream Theme (feat. Marta Sofia Honer)
3
Resavoir - Lilacs
4
Resavoir - Tea (feat. William Corduroy)
5
Resavoir - Time (feat. William Corduroy)
6
Resavoir - Leaves (feat. Irvin Pierce & Andrew Toombs)
7
Resavoir - Life Lessons
8
Resavoir - Froggy Meadow
9
Resavoir - Alone With Guitar
10
Resavoir - Dormir Très Bien
11
Resavoir - Deep Sleep ( Jeremiah Chiu, Marta Sofia Honer, Matt Gold & Macie Stewart)
12
Resavoir - Life Goes On
13
Resavoir - Memories of Dreams
Themes For Dreams marks another left turn, finding Chicago-born and based musician, composer, and producer Will Miller at his most meditative, patient, and intentional. Across 13 gorgeous and strikingly cohesive tracks, the album eschews drums in favor of immersive melodies that float, dissipate, and linger. It's an album meant for rest, with arrangements so welcomely enveloping they feel like a warm blanket. While it's Miller's sparsest record yet, it still keeps his wildly collaborative ethos, enlisting guests like Marta Sofia Honer, Jeremiah Chiu, Macie Stewart, Matt Gold, William Corduroy, Molly Rife, and others. Themes for Dreams marks the first self-released LP from Resavoir's new imprint L'UNIVERS, following three critically acclaimed releases on International Anthem. With over 9,000 vinyl units sold and 82M+ cumulative streams across their catalog, Resavoir has established a proven track record with both listeners and record buyers. The band's 2019 self-titled debut earned an 8.2 from Pitchfork and widespread international acclaim, supported by ongoing radio and editorial backing from tastemakers including Gilles Peterson, Lefto, Anthony Valadez, Somewhere Soul, Andrew Jervis, and Lovie, with airplay across BBC 6 Music, KEXP, and NPR. The group continues to see strong editorial momentum, with placements across Apple Music, Spotify, TIDAL, and Delicieuse Musique, alongside recent accolades including NPR Best Songs of 2025, KMHD Best Albums of 2025, and New Commute Best Albums of 2025. Known for their compelling live presence, Resavoir has toured extensively across the EU/UK, opened for Khruangbin, BADBADNOTGOOD, and Kassa Overall, and will headline a major 18-piece Orchestra Resavoir performance at Millennium Park, Chicago in 2025, with US and EU/UK touring planned for Fall 2026—positioning Themes for Dreams as a high-confidence title for jazz-forward, cross-genre vinyl customers.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Black Flower - Diagonal Walk
2
Black Flower - Trip to the Store
3
Black Flower - Out of One, Many
(Limited edition of 300 copies) With Motions, Black Flower presents a unique EP, a compact collection of musical organisms that simply insisted on coming into the world. During the creation of their latest LP Kinetic, an abundance of ideas emerged, far more than could fit on the album. Among these half-formed sketches were a few striking pieces with such a strong character that they refused to be left behind, and some even grew into band favourites.
Diagonal Walk, for instance, has long opened the Kinetic live set while on tour in Europe, despite not appearing on the record itself. The band loved playing it so much that they decided to bring it to its full potential: mixing it, mastering it, and ultimately giving it a physical release. The result is a track where energy swells and breaks in waves, offering groove, colour and deft counterpoint.
That momentum also elevated Out of One, Many, a meditation on polyrhythm and shimmering harmony, as well as Trip to the Store. Both pieces were further developed and now complete this new collection of tracks. The time between full studio albums has proved creatively rich for Black Flower. Motions stands as a vibrant statement of kinetic energy, and the band is thrilled to finally share it with the world.
Tracklist
A1. Black Flower - Diagonal Walk
A2. Black Flower - Trip to the Store
B. Black Flower - Out of One, Many
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Germany
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Diagonal Walk, for instance, has long opened the Kinetic live set while on tour in Europe, despite not appearing on the record itself. The band loved playing it so much that they decided to bring it to its full potential: mixing it, mastering it, and ultimately giving it a physical release. The result is a track where energy swells and breaks in waves, offering groove, colour and deft counterpoint.
That momentum also elevated Out of One, Many, a meditation on polyrhythm and shimmering harmony, as well as Trip to the Store. Both pieces were further developed and now complete this new collection of tracks. The time between full studio albums has proved creatively rich for Black Flower. Motions stands as a vibrant statement of kinetic energy, and the band is thrilled to finally share it with the world.
Tracklist
A1. Black Flower - Diagonal Walk
A2. Black Flower - Trip to the Store
B. Black Flower - Out of One, Many
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1
Helen Ripley-Marshall - Green Chaos
2
Helen Ripley-Marshall - Feathers
3
Helen Ripley-Marshall - Bodø
4
Helen Ripley-Marshall - Pyramidal Tract
5
Helen Ripley-Marshall - Kodiak Sound
6
Helen Ripley-Marshall - Under The Sun
7
Helen Ripley-Marshall - Ma Bohème
Reissue of Helen Ripley-Marshall's highly sought after 1988 Australian private press release "Green Chaos".
GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
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GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
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1
mess/age - Nandake
2
mess/age - House
3
mess/age - Oda Yaka
4
mess/age - Anpan
5
mess/age - Chemical
6
mess/age - Akarui
7
mess/age - Hadaka
8
mess/age - Meditation
9
mess/age - Uma Hitsuji Inu
10
mess/age - Street Fighter
11
mess/age - Jungle
12
mess/age - Oisepop
companion album to their 2024 debut on PPU.
mess/age is the music of Kyoto-based friends Khan Brown and Ohhki.?
artwork by Munguni.
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mess/age is the music of Kyoto-based friends Khan Brown and Ohhki.?
artwork by Munguni.
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1
Unknown Mobile - Touriga Nacional
2
Unknown Mobile - Basalt
3
Unknown Mobile - Quartz Road
4
Unknown Mobile - Setophaga Coronata
5
Unknown Mobile - Galterö (Ft. Rob Dickson)
6
Unknown Mobile - Dachgeschosswohnung
7
Unknown Mobile - Jilkaat Heeni
8
Unknown Mobile - Korv Kiosk
Levi Bruce returns to Pacific Rhythm under his Unknown Mobile moniker for the first time since 2019 with a project entitled Field Work. The project is focused around field recordings taken during the winter and spring of 2025.
These recordings come from both his travels abroad while on tour and areas near his home in Whitehorse, Yukon Territory, located on the traditional lands of the Ta’an Kwäch’än Council and Kwanlin Dün First Nation.
Each field recording acts as the basis for a journal entry taken at the location. Raw data was used to reflect on the people, actions, and environmental elements connected to the site through additional production and manipulation.
The Following is the list of field recordings:
- Vineyard - Dao, Portugal
- Basalt Beach - Marin County, California, USA
- Yukon River - Whitehorse, Yukon Territory, Canada
- Mt Mcintyre - Yukon Territory, Canada
- Island Nature Preserve - Sweden
- Rooftop - Berlin, Germany
- Chilkat River - Alaska, USA
- Hotdog Stand - Gothenburg, Sweden
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These recordings come from both his travels abroad while on tour and areas near his home in Whitehorse, Yukon Territory, located on the traditional lands of the Ta’an Kwäch’än Council and Kwanlin Dün First Nation.
Each field recording acts as the basis for a journal entry taken at the location. Raw data was used to reflect on the people, actions, and environmental elements connected to the site through additional production and manipulation.
The Following is the list of field recordings:
- Vineyard - Dao, Portugal
- Basalt Beach - Marin County, California, USA
- Yukon River - Whitehorse, Yukon Territory, Canada
- Mt Mcintyre - Yukon Territory, Canada
- Island Nature Preserve - Sweden
- Rooftop - Berlin, Germany
- Chilkat River - Alaska, USA
- Hotdog Stand - Gothenburg, Sweden
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DE - 22113 Hamburg
Germany
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1
Nené Vasquez - Calypso Blues (Mo' Horizons Remix)
2
Super Oud - Zala (Mo' Horizons Remix)
This 7" record by Agogo Records features two remixes by Mo' Horizons. Track one is a cover of Nat King Cole's "Calypso Blues", performed by percussionist and singer Nené Vasquez, who is part of the Mo' Horizons family and used to play in Shakira's band in a former life. Super Oud is a musical project from Bremen, Germany, combining traditional Middle Eastern sounds with modern electronic grooves.
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Germany
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Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who"s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
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Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Mobile - Medicine Man
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Unknown Mobile - Ravers Sojourn
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Unknown Mobile - A Windless March Quest Ft. CFCF
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Unknown Mobile - Resting In Jupiters Garden
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Unknown Mobile - Oenology Ft. CFCF
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Unknown Mobile - Looping Truths And Expecations
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Whitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who"s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1Dawn / Pulse
1.2Laundry / Blood
1.3Chewing Gum
1.4Door / Watch
1.5Stone / Piece
1.6Burning / Counting (Sleeping)
1.7Shadow / Mess
1.8Paper Folding / Disappearing
1.9Cough / Laugh
1.10Snow / Touch
1.11Fog / Mirror
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More