Repress !

MISS AT YOUR PERIL !!
There's a lot packed into this one.
A1. A solid jackin Bleep Techno/House werkout (updated from his 2005 I Love Acid EP)
A2. ***A special low slung House track with a classic 'Chicago Trax' feel***
B1. Diva Diva Diva Diva Diva. Big Breakdown. Rough and rugged Breakbeat.
B2. A haunting Acid track with weight in the right places.

Jerome Hill again delivers treats for the dancefloor, Keeping things typically underground and raw, channeling elements from all over into this peach of an EP.

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We welcome Orlando Voorn, a bonafide LEGEND of Techno with a career spanning over 3 decades for a brand new 4 track EP. Each track has that 'classic' sound that OV is so good at. Absolute class. 3 out there Techno tracks and one House masterclass, plus the vinyl is a very limited edition (only 250 copies exist) with special technology I've not seen for decades that means playback occurs 'INSIDE OUT' (Plays from the label outwards). DON'T SLEEP !!

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Fear-E returns to Super Rhythm Trax and pulls out 4 dance floor pummelling heavy hitters.

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Super Rhythm Trax kicks off 2025 with a really special project. It’s a split release between Yuri Suzuki and Pearl River Sound. They’ve both contributed outstanding tracks that go way beyond the normal ‘Acid’ cliches.

Yuri’s are extra deep and twisted, drenched in a foreboding atmosphere that conjures images of strobe lit smoke filled basements with people lost in the music while Pearl River Sound provides two of the most quirky breakbeat Acid excursions you’ll ever hear, full of personality and instantly loveable.
The sleeves have been individually hand stencilled with spray paint in a variety of colours so no two are the same.

This release is limited to 200 copies for the world so don’t sleep and grab a truly one off piece of vinyl.

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Germany
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Over a decade has past since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of cv313 mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape masters. This EP features two equally seductive cuts opening with "Fading Lights" which finds its pulse in the rhythmic elements while floating in a world of vaporous mist and resynthesized stardust. On the B side "Magenta" fills the space with ghostly apparitions and a rather hypnotic hook; pushing the boundaries of the spiritual principles found in the power of repetition. Close your eyes and drift into 14 minutes of endless flotation as modulating low frequencies massage your brain and mind, dive deep into a fathomless analogue world!

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Germany
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" It's like a more psychedelic , organic KLF Chill Out with deep roots and cosmic overtones" Richard Norris

" A beautiful trip " Jem Finer

D.E.N 01 LAND - Composer Danny Hammond
Land is the first in a series of earth inspired sonic journeys , part sound meditation , part immersive psychedelic nature trip. Incorporating field recordings , shack instruments and spoken words from cosmic adventurers .

It originated as an installation at the 14 Hour Technicolor Drone event in Sept 2025 whereby all listeners fell into a deep nature/dream slumber.

For fans of Pauline Olivieros ,Brian Eno , Terry Riley , Don Cherry , Barbara Hepworth , Alice Coltrane , John Betjemin and all other ambient adventurers.

D.E.N
Deep Earth Network is a long term sound project exploring deep-listening , drone and sonic adventure , all inspired by the earth in all its manifestations , land , water , space , consciousness. Initiated by Danny Hammond , D.E.N will present different sonic projects and collaborations from vinyl / audio releases to sonic installations with the aid of The Deep Earth Soundsystem and the Sonic Heads ( S.H ) a collection of sculpted head audio transmitters.

DANNY HAMMOND
Danny Hammond is a multi-instrumentalist composer and producer working with a diverse variety of bands , films ' artists and companies including Death in Vegas , TOPO , Jem Finer (The Pogues , Longplayer) , Heavenly Records , Caught by the River , Stone Club , ESPFC ,1 2on12 , Gimme 5 , A Number of Names.

Originally a professional touring musician ,Danny then moved onto sound design and music production for film, television ,and sound installations.

Inspired by nature , science , humanity and mysticism Danny initiated the project Deep Earth Network.

Danny is currently working on a short film about Longplayer - a sound art installation by Jem Finer at Trinity Bouy Wharf in London funded by Art Angel.

OTHER ACTIVITY: https://www.instagram.com/deepearthnetwork1/


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Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - a track that defined GAMM's identity and helped pave the way for everything we've achieved since.
Now, 24 years later, GAMM has reached its landmark 200th release.

To celebrate this anniversary and honoor our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers.

The third and final edition in the 'Follow Me' series comes from Brooklyn's finest, DJ Spinna.
With his trademark hip hop-soul sound, Spinna transforms this classic into a bumpy, park jam tune. Very NY, very uplifting...very much a spring tune. Oh btw, check that classic EWF sample ;)

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HOTMIX presents another timeless release by Deep88!
Italian House producer based in the province of Forlì-Cesena. He is the founder of Zomarec,
12Records, Juice Records Us, Ascii Records and WHAT ABOUT THIS LOVE.

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Simoncino returns to Skylax Records with Traxxx EP, a raw and hypnotic five-track collection built for the dancefloor. Known for his unmistakable analog approach and deep connection to the legacy of Chicago house and underground European club culture, the Italian producer delivers a set of stripped-down, highly functional DJ tools. Tight drum machine programming, rolling basslines and subtle synth movements drive each track forward with precision and efficiency. No gimmicks, no excess — just pure club energy designed for long mixes and late-night sessions. True to the Skylax philosophy, Traxxx EP focuses on timeless groove architecture rather than trends, offering DJs and collectors a record that will remain effective in the bag for years. Raw, hypnotic and direct, this is underground house music in its most essential form.

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Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.

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Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971.

At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.

The album features the original Philip Glass Ensemble – the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado – playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.

As Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings' initial release from the Hebrew Free Loan Society – an organization intended to help immigrants from the Old World upon arrival in the US. Though Glass was merely the grandson of immigrants, the venture wasn't far off the society's charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.

Chatham Square went on to release albums by other composers in Glass' circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.

Born in Baltimore in 1937, Glass first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.

This first-time vinyl reissue reproduces the original side-breaks and gatefold sleeve.

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Repress!
Widely available for the first time in forty-five years, featuring ‘It’s A New Day’, one of the most sample breaks in history. Official Mr Bongo reissue.

Record collectors, producers and crate diggers like a good creation myth, and Skull Snaps’ self-titled ‘debut’ had it all. A mysterious funk trio, who recorded one album under a curious name, housed it in a sleeve that looked more like a proto-metal album, and released it through a label (GSF Records) that folded shortly afterwards? Everything pointed towards the Skull Snaps album as a single totemic object, packaged in a way that predicted its own disinterment almost twenty-five years later.

For those who sampled it, myth maintenance was advantageous, both for their reputations and for their consciences. Likewise, an unsanctioned 1995 reissue on Charley Records removed the credits from the inner sleeve to further sever the record from its context - or perhaps because the label couldn’t quite face using the names of artists they had no intention of paying. Either way, owning the record was a right of passage, as Amir Abdullah once wrote: “If you don't have Skull Snaps in your collection, your collection is weak."

Featuring sleeve notes by Anton Spice. Licensed from Sam Culley.

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FIRST TIME REISSUE

KILLER BOOGIE ANTHEM

This single is extremely rare among collectors worldwide. A 1983 boogie funk gem.

In the vast universe of Black American music—where established names dominate the narrative—there are parallel stories built on rare records, limited pressings, and raw talent. Jefferson Ink is one of those cases: a group largely invisible to the general public, yet deeply respected among collectors and specialist DJs.



Hailing from Houston, Texas, Jefferson Ink was a family-based project led by Willie Jefferson Jr., rooted in a vibrant and self-sufficient local scene. Far removed from major labels, the group operated within the independent ethos that defined many African American acts of the 1970s and ’80s—where self-production was often the only path to getting music recorded and released.



Their discography is scarce, which has only increased its value over time. Releases on local imprints such as Houston International Records and B & B Records circulated in very limited quantities, often only within the region. Among these gems is the single “Fight The Pipe” and "Girl, you turn me on" now regarded as a cult classic in the rare groove circuit.



Musically, Jefferson Ink perfectly captures the transition from the analog funk of the 1970s to the rise of boogie and electro-funk in the following decade. Their recordings are defined by heavy basslines, mechanical grooves, and the tasteful use of synthesizers, forming a solid rhythmic foundation over which smooth, flowing melodies unfold. There is a constant tension between weight and lightness—between groove density and melodic elegance—that shapes the group’s identity.



What makes Jefferson Ink particularly compelling is the fact that they never achieved mainstream recognition. For decades, their music remained confined to local circles and discerning collectors. It was only with the rise of DJ culture and the rediscovery of boogie that their name began to resurface—appearing in compilations, DJ sets, and “hidden gems” lists.



Today, to speak of Jefferson Ink is to speak of a specific kind of legacy: music that survives outside the industry, preserved through passion, crate-digging, and collective memory. In a world where everything seems accessible, there is something profoundly special about records that still carry both the weight of obscurity and the glow of rediscovery.

Jefferson Ink is not just a rare group—it is a reminder that some of music’s best stories live on the margins.



Licensed by Bobby Jefferson.

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Over a decade has passed since this 12" was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of cv313 mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape masters while focusing on enriching every finite detail. While listening to these remasters you can feel the analog warmth of the original tape recordings, with a low end rumble in a way only POLE could pull off! On the A side we have cv313's classic "Lost Sequence" culled from the celebrated Japan exclusive "live" double CD album released back in 2009. On the B side there's a rare live version performed by intrusion at a loft event put on by the good folks over @ Little White Earbuds. This rare recording was reduced and stripped down, core traces of the original swim inside oceanic bass and modulated high end frequencies creating an atmosphere all of its own. This is one for the heads and a true lesson in space and bass!

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