Repressed! Special edition for Urban Outfitters in USA with different cover.



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A collection of early beat creations from DETROIT'S J DILLA aka JAY DEE (circa 95-98). Originally recorded to cassette now remastered for a special vinyl release. The 928 LP includes 14 raw tracks in a magnificent jacket of artwork perfect for any collection. More copies now back in stock.

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Repress!

Another collection of early cassette recordings from J DILLA feat. more raw unreleased DILLA originals. "GENIUS" includes 13 remastered tracks showcasing DILLA's sonic growth in the late 90s--including some with him rhyming (not just beats). Full picture sleeve.

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Reissue
Jay Dee needs no introduction. Widely regarded as the most important man in hip-hop
along with Pete Rock and DJ Premier, and Dr. Dre. Having laced tracks and remixed for the
likes of Janet Jackson, Daft Punk, Tribe Called Quest, Brand New Heavies, Busta Rhymes,
Common, Erykah Badu, Guru, The Pharcyde, The Roots, De La Soul, Royce Da '59... the list
goes on and on. There is no questioning Jay Dee's talents and abilities. Many have tried but
can't duplicate.
The Shining marked the reunion of J Dilla & BBE, who had released Welcome 2 Detroit, J
Dilla's debut album.
The Shining serves as showcase of J Dilla's talents which features him not only as a
producer, but also as a rapper, singer and musician.
Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D'Angelo,
Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.
"Dilla's pristine blend of live instrumentation and sample loops
earned him status as the quintessential "producer's producer."
- XXL
"Mr. Yancey was celebrated for the beats he made, which tended to be
warm and slightly off-kilter... He never quite stormed the pop
charts, which seemed to suit him fine. He loved abstract, smudgy base
lines, woozy samples, tricky rhythms that deemphasized backbeats."
- New York Times
"Yancey's unique style, blending claps, drum machines and samples
helped change the sound of modern hip hop."
- Associated Press
Tracklist
DISC 1
SIDE A
1. Geek Down feat. Busta Rhymes
2. E=MC2 feat. Common
3. Love Jones
SIDE B
4. Love
5. Baby feat. Guilty Simpson & Madlib
6. So Far To Go feat. Common & D'Angelo
DISC 2
SIDE C
1. Jungle Love feat. MED & Guilty Simpson
2. Over The Breaks
3. Body Movin' feat. J. Rocc & Karriem Riggins
SIDE D
4. Dime Piece feat. Dwele
5. Love Movin' feat.

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Repressed! Special edition for Urban Outfitters in USA with different cover.



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Electronic experimentalist James Pants returns with his first full-length release since his 2011 self-titled album. Savage is inspired inspired by Martin Denny flourishes, royalty-free breakbeats, Gary Wilson, and Hamburg’s infamous Golden Pudel club. It’s been four years since James Pants' last record, and accordingly it sounds different to what has come before: Savage adds more of a lo-fi digital sheen compared to Welcome (2008), Seven Seals (2009) and James Pants (2011). Over those four years, he’s honed his skills as a webmaster – check rds.zone for his latest creations – and stockpiled new music. In fact, there are more than 100 tracks that were considered for the release. As Pants explains, “Instead of labouring months over one song, I like to move quickly onto the next.”

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Four new tracks including a cover of Prince's "17 Days" / 1- I Don't Want to Be A Star 2- 17 Days 3- Fadin 4- New Knock

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Back by popular demand, the limited-edition repress of one of Joe Claussell's most cherished compositions has returned. Originally released in 1999 and created in collaboration with Afro-dance innovator Jephte Guillaume and the late music legend Boyd Jarvis, Agora É Seu Tempo first appeared on the Trip do Brazil compilation in France. It was later issued as a highly sought-after promotional 12" on Spiritual Life Music-quickly becoming a defining release in the rise of Brazilian-influenced dance music from the late '90s onward.
In 2018, Joe Claussell revisited the piece, crafting two entirely new versions inspired by the musical spirit of New York City's barrios. Released as a limited 7", these remixes sold out within weeks. Now, answering the overwhelming demand, we're pleased to announce a new limited repress of this timeless and deeply soulful classic. Warm music for the heart and soul.


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Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial.

Each track is an emotional fragment, a bite that leaves its mark: from the electric tension of Vivere Distaccati to the feverish rush of Trasmissione, from the rawness of Decadente to the hypnotic title track Tarantola, which embodies the beating heart of the album. Side B unfolds into more nocturnal and intimate landscapes, from Chiang Mai to the disenchanted sincerity of Lavoro Troppo, closing with a party that carries the bittersweet taste of reality.

Tarantola is a journey into the chaos of human emotions, an album that doesn’t just narrate but pulls you deep into its sonic labyrinth, giving noise back its vulnerable yet powerful soul.

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Format:
- Limited edition Cool Grey 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.

Will heralded a disarming, groove-based return to deep house. A wild melange of bumping beats, freestyle samples and esoteric goodness. Recorded over the same period as Grinning Cat this anomaly within the Skintone catalogue was seen as a way to circumvent the swirling politics of his club-oriented releases elsewhere. In itself Will was a reminder of Yokota’s ability to deliver a complex array of sounds within a more recognisable format.

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Joaquin Joe Claussell Presents the Second Installment of His Acclaimed Alias: BlackSalsoul
Brooklyn, New York City - Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across Spiritual Jazz, Soulful Disco, and African Dance traditions.
Following the success of the debut 7" (Cat# CIRCUIT.7), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7" and 12" vinyl-a tribute to the physicality and ritual of true record culture.
Blending the warmth of analog production with Claussell's signature spiritual energy, this release bridges eras and continents-honoring the roots of soulful expression while speaking directly to today's dance floors.
For fans of Fusion Jazz, Soulful Disco, and Afro-inspired Edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.


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Introducing: Temporary Blessings, the new project by stalwart Naarm / Melbourne trumpet player and composer Liam McGorry. Assembled to realise McGorry's compositions drawing on 1960s Italian & French soundtrack music, Temporary Blessings brings together trusted instrumentalists and fellow travelers from Melbourne's rich enclave of cinematic soul. With Liam at the helm, the group is composed of members of Surprise Chef, Karate Boogaloo, Saskwatch and Let Your Hair Down. The resulting recordings realise McGorry's sonic visions of film noir, giallo, library music and cinematic soul, captured live in one room with what the maestro describes as "a shared spirit". The recordings, produced by paragon Henry Jenkins, bring together emotive string arrangements, tough horns and a steadfast rhythm section with an acute attention to detail McGorry has developed over years in the saddle.

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Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records



Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.



Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.



The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.



w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds



Tracklist

A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business

B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up

C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start

D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This


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Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mytra, and her brother Arash Khalatbari, who were second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records, the cult outlet of Rimarimba’s Robert Cox. Like most of Vox Populi’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre DePastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi member Fr6 Man. Each copy includes an insert with photos and notes by the band. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.

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The Oganesson Remixes EP follows the March 2025 release of “Oganesson”, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney,
indie music icons Broken Social Scene, and International Anthem labelmate
Makaya McCraven. The Oganesson Remixes EP is released ahead of a new album
by Tortoise, which will be announced and released this fall via International Anthem.

This very limited 12” record features artwork by Tortoise’s John Herndon.

Trackliste
1.1Oganesson
1.2Oganesson (Saul Williams Remix)
1.3Oganesson (Heba Kadry Remix)
1.4Oganesson (Patrick Carney Remix)
1.5Oganesson (Broken Social Scene Remix)
1.6Oganesson (Makaya McCraven Remix)

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JKriv’s much-loved Bedits series is now getting the vinyl treatment with a few choice selects from previously digi-only releases, as well as some fresh unheard heat. From 90s dance to low-slung R&B, loopy disco and bouncey house, this 4 tracker is a party from beginning to end. Straight from the bed and into the bag!

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Repress!

“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?

What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?

The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.

Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.

Hmm sound familiar?

As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.

There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,

Nation 2 Nation a work inspired and that inspired what’s next.

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