1
Nadyne Rush - Sad Lady (Ladies On Mars Extended Remix)
2
Massimo Berardi - Dem Vibez (Extended Remix)
3
D Lewis - Time (Da Lukas Remix)
4
Tojura - Live Your Sex With Love (Jago Remix)
5
Kano - Street Funky
6
System Olympia & P Nut - Shy Shy (Original)
...
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More records from Full Time
1
Kano - Can't Hold Back (Your Loving) (Brian Tappert Rework)
2
Electric Mind - Let Me Love Tonight (Tojura Remix)
3
Maurice Mc Gee - Do I Do (Angelo Ferreri 'Jackin House' Remix Extended)
4
DFX - Vougue With Me (Jago Remix)
...
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1
Tony Black Feat. O-Jay - Jump Right On (Da Lukas Afrodisco Remix)
2
Tony Black Feat. O-Jay - Jump Right On (Souls Groove Remix)
3
Tony Black Feat. O-Jay - Jump Right On (Original Mix)
4
Tony Black Feat. O-Jay - Jump Right On (Da Lukas Remix)
...
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1
Maurice McGee - Do I Do
2
Maurice McGee - Do I Do (Instrumental)
Reissue of this (italo)disco classic from 1983
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1
Rainbow Team - Bite The Apple (Da Lukas Remix Extended)
2
Michael Baker - Don't You Want My Lovin' (Massimo Berardi Re Work)
3
Say When! - Save Me (Souls Groove Revibe Mix)
4
Ma.gi.c. - Shampoo (Black Truffle Instrumental Edit)
After the great success of the 9 volumes, FullTime Production returns with a new vinyl in the "FullTime Factory" series!
Four gems from our catalogue by Rainbow Team, Michael Baker, Say When! and MA.GI.C. remixed by our artists Da Lukas, Massimo Berardi, Souls Groove and Black Truffle, who revolutionise big hits through their musical experience with current sounds disco, nu-disco and funk! This vinyl can't miss into the collection!
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Four gems from our catalogue by Rainbow Team, Michael Baker, Say When! and MA.GI.C. remixed by our artists Da Lukas, Massimo Berardi, Souls Groove and Black Truffle, who revolutionise big hits through their musical experience with current sounds disco, nu-disco and funk! This vinyl can't miss into the collection!
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1
Tony Black - Sexy Lady (Da Lukas Remix)
2
Tony Black - Sexy Lady (Souls Groove Mix)
3
Tony Black - Sexy Lady (Da Lukas Vocalize Remix)
4
Tony Black - Sexy Lady (Original Mix)
After the last vinyl “Put Your Dancin’ Shoes On” “Tony Black” returns on FullTime Production with a new single “Sexy Lady”!
The track is a multi-genre of sounds between disco, funk and house music, you only need to listen to it once to remember the beat!
The participation of the great singer and our friend “Nadyne Rush” with “Jacob A” give the final touch to a great production. The remixes of this track was taken care of by a talented Italian producer “Da Lukas” who gave us two powerful remix versions, a particular groove of great quality for a club and our friend “Souls Groove” which marked the most funk and soul part of the song with his musical experience.
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The track is a multi-genre of sounds between disco, funk and house music, you only need to listen to it once to remember the beat!
The participation of the great singer and our friend “Nadyne Rush” with “Jacob A” give the final touch to a great production. The remixes of this track was taken care of by a talented Italian producer “Da Lukas” who gave us two powerful remix versions, a particular groove of great quality for a club and our friend “Souls Groove” which marked the most funk and soul part of the song with his musical experience.
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1
Kano - It's A War
2
Kano - Now Baby Now
3
Kano - Cosmic Voyager
4
Kano - Ahjia
5
Kano - Super Extra Sexy Sign
6
Kano - I'm Ready
Straight from the immense shelves of the Full Time Production warehouse, here’s a new must-have gem for the Italo disco lovers. Eponymous album ”Kano ” is remastered for vinyl for the first time since 1980 and is given an incredible new life through this remastered version pressed on limited edition hand-numbered vinyl that is deep in grooves and inspiration. The first successful pioneer and ambassadors of the newly-minted ”italo disco”, Stefano Pulga and Luciano Ninzatti formed the core of Kano forging a consistent and memorable sound maintened throughout. This is the sound of an army of buzzing, mini-computers and thickly-slapped bass guitars igniting neon squares across dancefloors worldwide. As such, it sort of straddles the line between italo disco and synth funk. Each of the six songs provides 6 to 7 minutes of danceable delights with lengthy instrumental stretches perfect for nightclubs. With vocals that are a mix of natural, falsetto and robotic, this is an album for boys, girls and androids alike.
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1
Kano - Can't Hold Back (Your Loving)
2
Jimmy Ross - Fall In To Trance
USA mixes of these classic disco cuts!
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1
Easy Going - Baby I Love You
2
Easy Going - Little Fairy
3
Easy Going - Suzie Q
4
Easy Going - Do It Again
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above. For the first time ever repressed on Full Time.
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1
Peter Richard - Walking In The Neon
2
Peter Richard - Walking In The Neon (Dub Version)
3
Peter Richard - Strange Desires (Instrumental)
4
Peter Richard - Strange Desires (Vocal)
Incredible “Walking In The Neon”‘s arpeggio, considered one of the best in Italo Disco, lands on wax, with the Dub and the Club versions, on this new repress on limited edition vinyl! Peter Richard at his best, with the B-Side highlighting his other 1981 classic “Strange Desires”!
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1
Jago - I'm Going To Go (Frankie Knuckles Instrumental Plant Mix)
2
Jago - I'm Going To Go (Instrumental)
3
Jago - I'm Going To Go (Original Mix)
Classic italo track including a Frankie Knuckles remix!
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1
Electric Mind - Can We Go (Extended Original Version)
2
Electric Mind - Zwei (Extended Dub Version)
Remastered reissue of this italo electro classic!
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1
Kano - I'm Ready (Mousse T Remix)
2
Kano - I'm Ready (FrescoEdits Groovy Mix)
3
Kano - I'm Ready (Original Mix)
4
Kano - I'm Ready (Mousse T Instrumental)
FullTime Production is honored to presents Kano “I’m Ready” featuring remixes by Mousse T. and FrescoEdits!
“I’m Ready” published in 1980 on FullTime Production, among the first success, also peaked at #21 on the R&B and hip hop songs in the United States and at 8# on the most popular songs being played in nightclubs across the United States.
Kano combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals inspired by United States and European disco, from Chic and Giorgio Moroder.
The great producer Mousse T. gave us his great musical experience, he wanted to make the song a real hit in the house music and disco music genres.The piano, the voice and harmony were transformed into something softer and less computerized and metallic.Mousse T. made us glimpse the immensity behind a remix and the most diverse musical facets that only an excellent producer can astound and leave the listener speechless. The musical break of the “extended club remix” at minute 03:24 makes us
raise our arms to the sky and clap our hands!
FrescoEdits introduced his more afro side to the remix by expertly marking the percussion and resulting in a funk and tribal remix. FrescoEdits is an artistic project that has based its success from the love and art of sampling big hits as well as a label and a community, is among the most highly regarded artists in the disco edits
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“I’m Ready” published in 1980 on FullTime Production, among the first success, also peaked at #21 on the R&B and hip hop songs in the United States and at 8# on the most popular songs being played in nightclubs across the United States.
Kano combining elements of 1970s disco, funk and R&B while extensively using synthesizers and percussive handclaps as well as raw-processed and vocoderized vocals inspired by United States and European disco, from Chic and Giorgio Moroder.
The great producer Mousse T. gave us his great musical experience, he wanted to make the song a real hit in the house music and disco music genres.The piano, the voice and harmony were transformed into something softer and less computerized and metallic.Mousse T. made us glimpse the immensity behind a remix and the most diverse musical facets that only an excellent producer can astound and leave the listener speechless. The musical break of the “extended club remix” at minute 03:24 makes us
raise our arms to the sky and clap our hands!
FrescoEdits introduced his more afro side to the remix by expertly marking the percussion and resulting in a funk and tribal remix. FrescoEdits is an artistic project that has based its success from the love and art of sampling big hits as well as a label and a community, is among the most highly regarded artists in the disco edits
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1
Tom Hooker - Come Back Home
2
Tom Hooker - Love Attack
3
Tom Hooker - Only One (Disco Version)
4
Tom Hooker - Talk With Your Body
5
Tom Hooker - Falling Into Your Love (Jago Remix)
6
Tom Hooker - Indian Girl
Tom Hooker is one of the world’s leading artists of the Italo Disco genre that marked the 1980s.
A talented singer and songwriter, he has performed on television programs and music festivals around the world, and his many productions have topped the charts in the United States and England.
FullTime Production is honored to present the remastered 1986 debut album “Only One” and in addition to the original tracks “Talk With Your Body”, “Come Back Home”, “Love Attack”, “Only One”, “Indian Girl” and it will also contain remixe of “Falling Into Love” by artist Jago already featured other releases on FullTime Production.
Track “Talk With Your Body” is among the most special and important productions of 1982.
The title is the best explanation of the track.
Talking with your body, listening to the vibrations of every muscle that can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.
The song still continues to communicate with the body to all generations today and to make us dance.
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A talented singer and songwriter, he has performed on television programs and music festivals around the world, and his many productions have topped the charts in the United States and England.
FullTime Production is honored to present the remastered 1986 debut album “Only One” and in addition to the original tracks “Talk With Your Body”, “Come Back Home”, “Love Attack”, “Only One”, “Indian Girl” and it will also contain remixe of “Falling Into Love” by artist Jago already featured other releases on FullTime Production.
Track “Talk With Your Body” is among the most special and important productions of 1982.
The title is the best explanation of the track.
Talking with your body, listening to the vibrations of every muscle that can feel these slow and romantic but with a disco rhythm sounds that we can imagine in a hot summer of 1982 among those lights, colors and fashions.
The song still continues to communicate with the body to all generations today and to make us dance.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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1
Kano - Turn It Up (Danny Krivit Extended Edit)
2
Kano - Turn It Up (Les Inferno Dude Boogie Remix)
3
Kano - Turn It Up (Frescp Edits Remix)
4
Kano - Unconditional Lover (Dr Packer Remix)
FullTime Production is honored to present the new vinyl of "Kano - Turn It Up/Unconditional Lover" featuring remixes by Danny Krivit, Les Inferno, FrescoEdits and Dr Packer!
Pages and pages of music culture and clubbing packed into one vinyl!
Danny Krivit the living history of a world that no longer exists and thanks to him we listen to its vibes and imagine dancefloors on the edge of the underground.
Dr Packer Australian artist who boasts major collaborations, has released singles and albums for international labels and is also already featured in FullTime Production's catalog.
Les Inferno established Italian DJ and producer, mine of knowledge of Italian clubbing and vinyl connoisseur of the afrobeat, funk and disco genres.
FrescoEdits is an artistic project that has based its success from the love and art of sampling big hits as well as a label and a community.
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Pages and pages of music culture and clubbing packed into one vinyl!
Danny Krivit the living history of a world that no longer exists and thanks to him we listen to its vibes and imagine dancefloors on the edge of the underground.
Dr Packer Australian artist who boasts major collaborations, has released singles and albums for international labels and is also already featured in FullTime Production's catalog.
Les Inferno established Italian DJ and producer, mine of knowledge of Italian clubbing and vinyl connoisseur of the afrobeat, funk and disco genres.
FrescoEdits is an artistic project that has based its success from the love and art of sampling big hits as well as a label and a community.
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1
Kano - It's A War (Purple Disco Machine & Lorenz Rhode Remix)
2
Kano - It's A War (Purple Disco Machine & Lorenz Rhode Instrumental)
3
Kano - It's A War (2022 Original Mix)
4
Kano - I'm Ready (2022 Original Mix)
Italo classic with new remixes!
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1
Rainbow Team - Dreaming
2
Rainbow Team - Tell Me
3
Rainbow Team - Let Your Body
4
Rainbow Team - An There Where Stars
5
Rainbow Team - You Are Beautiful
6
Rainbow Team - Around Me
7
Rainbow Team - Get Down
Reissue of this disco classic from 1981. Remastered in 2022 and pressed on green vinyl.
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1
Jimmy Ross - Fall Into A Trance
2
Jimmy Ross - Sad Sam
3
Jimmy Ross - Chocolate Ice
4
Jimmy Ross - Love Will Never Die
5
Jimmy Ross - First True Love Affair
6
Jimmy Ross - My Life
7
Jimmy Ross - S.O.S. Of Love
Official reissue of this disco classic from 1981. Remastered in 2022 and pressed on yellow vinyl.
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1
Kano - I Need Love
2
Kano - Mad In Love
3
Kano - Dance School
4
Kano - Another Life
5
Kano - Ikeya-Seki
6
Kano - China Star
Official reissue of this italo disco classic from 1983. Remastered in 2022.
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"Jéroboam are back with their 4th release on Space Grapes. Night Away is a boogie jam with sharp synths and compelling melodies, while Dive into Darkness turns out to be a beautiful contemplative piece of music."
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1
Bhairavi Raman & Nanthesh Sivarajah - Awakening
2
Bhairavi Raman & Nanthesh Sivarajah - Elemental
3
Bhairavi Raman & Nanthesh Sivarajah - Unfolding
4
Bhairavi Raman & Nanthesh Sivarajah - Thunbam Nergayil
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Bhairavi Raman & Nanthesh Sivarajah - Guardian
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Bhairavi Raman & Nanthesh Sivarajah - Kindling
LP
Tracklist:
1. Awakening
2. Elemental
3. Unfolding
4. Thunbam Nergayil
5. Seven
6. Guardian
7. Kindling
Short info:
Syncretic marks the debut full-length from Australian duo Bhairavi Raman, a Western and Carnatic violinist, and Nanthesh Sivarajah, a mridangam player and versatile percussionist. Both artists share a Tamil heritage, a current that hums across the album. Raman, from South India, and Sivarajah, from Sri Lanka, draw lines that connect Western practice and Carnatic tradition. This hybrid is central to Raman’s approach as a violinist, an instrument itself caught between East and West since the late 18th century. Her playing folds history, lineage and experimentation into music that acknowledges inheritance while gently rewiring its circuitry.
Expanding on traditional music can be a precarious practice, but Syncretic never feels heavy-handed. Raman and Sivarajah exercise measured restraint, letting the Carnatic framework breathe even as it is refracted through contemporary tools. Delays, looping, subtle layering and synthesized harmonies tilt tradition into a new light without disguising it.
Even within a contemporary framework, Raman’s rigorous Carnatic training under gurus Sri S. Varadarajan (India), Sri Murali Kumar (Australia) and Sri Gopinath Iyer (Australia) is unmistakable. She captures the spiritual and emotional essence of each raga: on Seven, the playful raga Bahudari becomes both centrepiece and conduit, while on the traditional piece Thunbam Nergayil, drawn from a Tamil poem, we hear a deeply personal iteration, a weeping euphony of mixed emotions hitting all at once. Tradition here is absorbed, expanded and reframed.
Sivarajah’s command of the mridangam, honed by his gurus Sri Jambunathan (Sri Lanka), Sri Balasri Rasiah (Australia) and Sri T. R. Sundaresan (India), is central to his original composition Guardian. He sustains tradition while extending it through layering and sound-spatialisation. The mridangam here functions as both a structural and ornamental force, mapping continuity between inherited form and contemporary sonic architecture.
Syncretic resonates as a space where Tamil heritage, diasporic memory and contemporary practice coalesce. Culture, like sound, circulates, transforms and persists. Tradition is not an archive but living material, a soundworld that lingers in the ears and the imagination.
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Tracklist:
1. Awakening
2. Elemental
3. Unfolding
4. Thunbam Nergayil
5. Seven
6. Guardian
7. Kindling
Short info:
Syncretic marks the debut full-length from Australian duo Bhairavi Raman, a Western and Carnatic violinist, and Nanthesh Sivarajah, a mridangam player and versatile percussionist. Both artists share a Tamil heritage, a current that hums across the album. Raman, from South India, and Sivarajah, from Sri Lanka, draw lines that connect Western practice and Carnatic tradition. This hybrid is central to Raman’s approach as a violinist, an instrument itself caught between East and West since the late 18th century. Her playing folds history, lineage and experimentation into music that acknowledges inheritance while gently rewiring its circuitry.
Expanding on traditional music can be a precarious practice, but Syncretic never feels heavy-handed. Raman and Sivarajah exercise measured restraint, letting the Carnatic framework breathe even as it is refracted through contemporary tools. Delays, looping, subtle layering and synthesized harmonies tilt tradition into a new light without disguising it.
Even within a contemporary framework, Raman’s rigorous Carnatic training under gurus Sri S. Varadarajan (India), Sri Murali Kumar (Australia) and Sri Gopinath Iyer (Australia) is unmistakable. She captures the spiritual and emotional essence of each raga: on Seven, the playful raga Bahudari becomes both centrepiece and conduit, while on the traditional piece Thunbam Nergayil, drawn from a Tamil poem, we hear a deeply personal iteration, a weeping euphony of mixed emotions hitting all at once. Tradition here is absorbed, expanded and reframed.
Sivarajah’s command of the mridangam, honed by his gurus Sri Jambunathan (Sri Lanka), Sri Balasri Rasiah (Australia) and Sri T. R. Sundaresan (India), is central to his original composition Guardian. He sustains tradition while extending it through layering and sound-spatialisation. The mridangam here functions as both a structural and ornamental force, mapping continuity between inherited form and contemporary sonic architecture.
Syncretic resonates as a space where Tamil heritage, diasporic memory and contemporary practice coalesce. Culture, like sound, circulates, transforms and persists. Tradition is not an archive but living material, a soundworld that lingers in the ears and the imagination.
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1
Asha Puthli - Flying Fish
2
Asha Puthli - The Devil Is Loose
3
Asha Puthli - Hello Everyone
4
Asha Puthli - Wonder Why
5
Asha Puthli - My Buddy And Me
6
Asha Puthli - Say Yes
7
Asha Puthli - Space Talk
8
Asha Puthli - Our Love Is Making Me Sing
9
Asha Puthli - Good Night
Official replica re-issue of the album that features the disco-funk classic ‘Space Talk’, an anthem at David Mancuso’s LOFT, and sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde.
We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more.
Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic.
Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.
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We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60's psych, free-jazz, pop, rock, disco, and more.
Asha's 1976 album 'The Devil Is Loose' is maybe her most well-known record. Featuring the beautiful disco-funk-classic 'Space Talk’, Asha's ethereal soaring vocals take us on a journey that almost mirrors Asha's eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own. You would hear it played by David Mancuso at the now ‘mythical’ underground New York party 'The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ’Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic.
Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it's the first time you've heard of Asha Puthli and you're just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha's world.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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1
EX GENERATION - More Saiyaan
2
EX GENERATION - Aao Naa
3
EX GENERATION - Jung Chid Hai
4
EX GENERATION - Pancha Bhuta (The Five Elements)
5
EX GENERATION - Shringara
6
EX GENERATION - Lady of the Lake
7
EX GENERATION - Bandra Hustle
8
EX GENERATION - Dunes of Thar
9
EX GENERATION - Sochti Hun, O Mere Jaanam (Thinking of You)
Moody and Zeitgeist have had the utmost privilege to bring onboard a team of some of the most accomplished musicians/wordsmiths India has to offer for this album. Working out of Island City Studios in Khar West, Mumbai, the duo assembled a team of musicians including acclaimed and awarded vocalists Vinay Sugatha Ramadasan and Anuja Zokarkar. The pair bring a lyrical depth to the music informed by millennia of North-Indian classical poetry and melody. Metaphor and imagery is intermingled with EX GENERATION's unapologetic rhythm and production style to form something that is profound and complex, whilst also accessible and innate in the way it confronts the listener.
VITAL SALES POINTS:
-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …
SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)
SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)
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VITAL SALES POINTS:
-The Mumbai Exchange was fully recorded and produced in the heart of Mumbai with local talents
-First opus of the project the Napoli Exchange received support from Coco Maria, Gilles Peterson, …
SIDE A
A1. More Saiyaan
A2. Aao Naa
A3. Jung Chid Hai
A4. Pancha Bhuta (The Five Elements)
SIDE B
B1. Shringara
B2. Lady of the Lake
B3. Bandra Hustle
B4. Dunes of Thar
B5. Sochti Hun, O Mere Jaanam (Thinking of You)
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DE - 22113 Hamburg
Germany
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1
Ramon Morris - First Come, First Serve
2
Ramon Morris - Wijinia
3
Ramon Morris - Sweet Sister Funk
4
Ramon Morris - Sweat
5
Ramon Morris - Don't Ask Me
6
Ramon Morris - Lord Sideways
7
Ramon Morris - People Make The World Go Round
Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s jazz-funk sound, later sampled by the likes of DJ Premier, The Alchemist and DJ Shadow.
Originally released on Sonny Lester's iconic Groove Merchant record label and produced by Lester himself, Sweet Sister Funk is a jazz-funk masterclass. It features a slick line-up including Cecil Bridgewater on trumpet, Mickey Roker on drums, and Albert Dailey on electric piano. Rich and beautiful, the seven songs ebb and flow in energy, fusing jazz funk and soul jazz with style and swagger. There are bags of groove with Ramon and Cecil trading off on sax and trumpet in an effortless conversation throughout the LP, supplemented by brilliant solos from the rest of the players.
A gold mine of sampling material, the album includes a sublime cover version of The Stylistics' much-loved 'People Make The World Go Round', which was sampled by DJ Shadow on Blackalicious's 'Swan Lake' in 1994. Elsewhere, the percussion and bass intro of the opening track 'First Come, First Serve' is a sampler's delight - a deep, heavy groove with a fine saxophone workout by Ramon. Head to 'Don't Ask Me' and you’ll find the swinging horn intro that formed the basis of 'You Came Up' by Big Pun featuring Noreaga from 1998, whilst 'Wijinia' has echoes of ‘70s indie jazz by labels such as Strata East & Black Jazz.
Here at Mr Bongo, we are proud to be delving into the vaults of Groove Merchant Records once again, reissuing this iconic LP from Ramon Morris.
Housed in a tip-on sleeve.
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Germany
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Originally released on Sonny Lester's iconic Groove Merchant record label and produced by Lester himself, Sweet Sister Funk is a jazz-funk masterclass. It features a slick line-up including Cecil Bridgewater on trumpet, Mickey Roker on drums, and Albert Dailey on electric piano. Rich and beautiful, the seven songs ebb and flow in energy, fusing jazz funk and soul jazz with style and swagger. There are bags of groove with Ramon and Cecil trading off on sax and trumpet in an effortless conversation throughout the LP, supplemented by brilliant solos from the rest of the players.
A gold mine of sampling material, the album includes a sublime cover version of The Stylistics' much-loved 'People Make The World Go Round', which was sampled by DJ Shadow on Blackalicious's 'Swan Lake' in 1994. Elsewhere, the percussion and bass intro of the opening track 'First Come, First Serve' is a sampler's delight - a deep, heavy groove with a fine saxophone workout by Ramon. Head to 'Don't Ask Me' and you’ll find the swinging horn intro that formed the basis of 'You Came Up' by Big Pun featuring Noreaga from 1998, whilst 'Wijinia' has echoes of ‘70s indie jazz by labels such as Strata East & Black Jazz.
Here at Mr Bongo, we are proud to be delving into the vaults of Groove Merchant Records once again, reissuing this iconic LP from Ramon Morris.
Housed in a tip-on sleeve.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Don Cherry & Latif Khan - Untitled Inspiration From Home
2
Don Cherry & Latif Khan - Air Mail
3
Don Cherry & Latif Khan - One Dance
4
Don Cherry & Latif Khan - Rhythm 58 1/4
5
Don Cherry & Latif Khan - Sangam
180 Gram, 2025 REPRESS
This album was recorded in 1978 in Paris and released only in France in 1981.
That was the first meeting between Don Cherry and Indian percussionist Latif Khan and the result is an incredible mixture of jazz and Indian music. This unsung album is only known by hardcore fans of Don cherry who considered it as one of his best efforts.
Don Cherry, armed with a voracious musical appetite and boundless imagination, first made a name for himself — though not always fully understood — alongside Ornette Coleman, playing trumpet or cornet. In Los Angeles and then New York, he stood at the heart of a revolutionary approach to improvisation based on melody rather than harmony, later baptized "Free Jazz," the final structural development of American jazz. Over time, he became a champion of improbable fusions — gradually integrating into his style a whole array of “exotic” instruments, and more importantly, the cultures from which they originated. Among them: India, Brazil, Africa, Indonesia, and even China.
The time had come for the emergence of “world music”: in hindsight, a patchwork rich in imagination and seduction, but once the novelty wore off, often lacking in substance. In Don Cherry’s case, however, the commitment ran deep — tied to his personal engagement with a global vision of art and the human condition. Nothing anecdotal. One might speculate on how his family background shaped this extraordinary openness of spirit. But the talent? That was entirely his own.
Ustad Ahmed Latif Khan, from the Delhi gharana (a musical lineage), was part of a new generation of accompanists — percussionists, sarangi players, flutists, etc. — who had extended both the technical and conceptual possibilities of their predecessors to gain recognition as soloists and soon to venture onto the international scene. Among them, Latif stood out for his taste for irregular, highly syncopate d rhythmic patterns — rich in variety and originality.
Don and Latif had never met before the recording session, but the two quickly recognized one another as kindred spirits — calm, focused… and full of laughter. Don clearly knew what he wanted to create, and nothing seemed to pose a challenge for Latif, who grasped the American’s intentions immediately, warmed up his fingers at astonishing speed, and with his perfect pitch, naturally took on the role of tuning Don’s diverse instrument collection to match whatever was found in the studio — from concert piano and Hammond B3 organ to chromatic orchestral timpani.
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Germany
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This album was recorded in 1978 in Paris and released only in France in 1981.
That was the first meeting between Don Cherry and Indian percussionist Latif Khan and the result is an incredible mixture of jazz and Indian music. This unsung album is only known by hardcore fans of Don cherry who considered it as one of his best efforts.
Don Cherry, armed with a voracious musical appetite and boundless imagination, first made a name for himself — though not always fully understood — alongside Ornette Coleman, playing trumpet or cornet. In Los Angeles and then New York, he stood at the heart of a revolutionary approach to improvisation based on melody rather than harmony, later baptized "Free Jazz," the final structural development of American jazz. Over time, he became a champion of improbable fusions — gradually integrating into his style a whole array of “exotic” instruments, and more importantly, the cultures from which they originated. Among them: India, Brazil, Africa, Indonesia, and even China.
The time had come for the emergence of “world music”: in hindsight, a patchwork rich in imagination and seduction, but once the novelty wore off, often lacking in substance. In Don Cherry’s case, however, the commitment ran deep — tied to his personal engagement with a global vision of art and the human condition. Nothing anecdotal. One might speculate on how his family background shaped this extraordinary openness of spirit. But the talent? That was entirely his own.
Ustad Ahmed Latif Khan, from the Delhi gharana (a musical lineage), was part of a new generation of accompanists — percussionists, sarangi players, flutists, etc. — who had extended both the technical and conceptual possibilities of their predecessors to gain recognition as soloists and soon to venture onto the international scene. Among them, Latif stood out for his taste for irregular, highly syncopate d rhythmic patterns — rich in variety and originality.
Don and Latif had never met before the recording session, but the two quickly recognized one another as kindred spirits — calm, focused… and full of laughter. Don clearly knew what he wanted to create, and nothing seemed to pose a challenge for Latif, who grasped the American’s intentions immediately, warmed up his fingers at astonishing speed, and with his perfect pitch, naturally took on the role of tuning Don’s diverse instrument collection to match whatever was found in the studio — from concert piano and Hammond B3 organ to chromatic orchestral timpani.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Label:Melodies International
Cat-No:MEL24
Release-Date:05.12.2025
Genre:Dub/Reggae
Configuration:7" Excl
Label:Melodies International
Cat-No:MEL24
Release-Date:05.12.2025
Genre:Dub/Reggae
Configuration:7" Excl
Melodies International’s next record features a previously unreleased collaboration between the Ariwa camp (Mad Professor’s label and studio) and rising UK R&B artist Abel Miller — a Lovers Rock cover of the classic 1960s Philadelphia soul track “Everytime I See My Baby” by The Delfonics.
A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
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A few years ago, Mad Professor teamed up with frequent collaborator and multi-instrumentalist virtuoso Black Steel — who regularly records bass, guitar, keys, and vocals for Ariwa Studios (“he can play anything” Mad Professor tells us) — to record a series of Lovers Rock covers of songs by The Delfonics. Mad Professor’s love for 60s and 70s US soul is no secret and shines through much of his production, but he realised he had never heard this particular song, originally written by Thom Bell and William Hart. For the session, they brought in Ashanti Selah on keys and Horseman on drums, with Abel Miller delivering the lead vocals. Mad Professor and his son Joe Ariwa recorded and produced the track.
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As the world sinks deeper into screens and algorithms blur the line between creation and imitation, Nubiyan Twist return with "Chasing Shadows", a record that reclaims the pulse, warmth and spontaneity of human connection. The band"s fifth studio album is a rich and restless blend of jazz, afrobeat, hip hop and electronic textures, exploring the space between the organic and the digital. It"s music that moves, sweats, and breathes, made by real people in real rooms with heavyweight features bringing together varied voices from the music community which they inhabit. Following 2024"s acclaimed "Find Your Flame", "Chasing Shadows" pushes the band"s sound further into new soulful territory under Excell"s expert guidance, featuring bright new vocalist Eniola and a glowing cast of icons and innovators. On "Chasing Shadows", Nubiyan Twist continue to look outwards with their music but keep the focus firmly on humanity and positivity. It is an album which crosses continents and which shamelessly celebrates our collective strength.
Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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Over the course of 2025 IARC will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
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TRACKLIST
Side A
1. Visit Croatia
2. What’s Missing
3. Song of the Foundling
4. Whisky Story Time
5. Not Now Jesus
6. If You’re Sure You Want To
Side B
7. The Lucky Ones (feat. Danalogue)
8. Why, Buzzardman Why
9. Not My Ask
10. Turpentine
11. I Hope
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1
Bobby Matos And The Combo Conquistadores - Nadie Baila Como Yo
2
Bobby Matos And The Combo Conquistadores - En Casa De Alfredo
3
Bobby Matos And The Combo Conquistadores - Caliente Y Grasoso
4
Bobby Matos And The Combo Conquistadores - Te Adoro A Ti
5
Bobby Matos And The Combo Conquistadores - La Cosa De Ritchie
6
Bobby Matos And The Combo Conquistadores - Me Tienes Loco
7
Bobby Matos And The Combo Conquistadores - Tema De Alma Latina
8
Bobby Matos And The Combo Conquistadores - Mambo Maxims
9
Bobby Matos And The Combo Conquistadores - One Mint Julep
10
Bobby Matos And The Combo Conquistadores - Raices
11
Bobby Matos And The Combo Conquistadores - Trailo A Casa
When it comes to Latin soul, Bobby Matos And The Combo Conquistadores 'Tema De Alma Latina', has to be up there as one of the heaviest tracks ever recorded. This much-loved Latin workout has been rocking dancefloors for years with its infectious, driving energy and pulsating rhythms. Released in 1968, the 'My Latin Soul' album on Philips Records now receives a welcome reissue on Mr Bongo. It’s a sheer delight throughout and a premier example of the Nu Yorican sound that was thriving in New York in the ‘60s.
From a young age, the Bronx, New York-born Latin jazz percussionist Bobby Matos found inspiration through the conga drum masters Mongo Santamaría and Patato Valdez (who he had informal backstage lessons with) and timbales legends Willie Bobo and Tito Puente. Bobby was drawn into New York's club scene and began playing in the vibrant ‘60s beat / bohemian Greenwich Village cafes, followed by stints in a wide range of different venues. These included Bronx dance halls and after-hours clubs in El Barrio, through to the elegance of Carnegie Hall, Central Park concerts, and off-Broadway theatres.
Later relocating to Los Angeles, Bobby played an important role in spreading Latin music far and wide. He became an inspiration to many on the jazz dance and acid jazz scenes in the ‘80s / '90s where his recordings were picked and played, becoming prized collector items amongst DJs. The track 'Tema De Alma Latina' was immortalised as a classic for many, after being featured on the Gilles Peterson’s Street Sounds Jazz Juice 5 compilation in 1987. A captivating listen from start to finish, the album features other treats such as the dynamic album opener ‘Nadie Baila Como Yo’, the blazing flute led 'Mambo Maxims', and the blistering piano shuffler 'Raices'.
A truly iconic Latin classic whether you’re being reunited with it like an old friend or discovering it as a fresh new find.
Vinyl LP features a tip-on sleeve.
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From a young age, the Bronx, New York-born Latin jazz percussionist Bobby Matos found inspiration through the conga drum masters Mongo Santamaría and Patato Valdez (who he had informal backstage lessons with) and timbales legends Willie Bobo and Tito Puente. Bobby was drawn into New York's club scene and began playing in the vibrant ‘60s beat / bohemian Greenwich Village cafes, followed by stints in a wide range of different venues. These included Bronx dance halls and after-hours clubs in El Barrio, through to the elegance of Carnegie Hall, Central Park concerts, and off-Broadway theatres.
Later relocating to Los Angeles, Bobby played an important role in spreading Latin music far and wide. He became an inspiration to many on the jazz dance and acid jazz scenes in the ‘80s / '90s where his recordings were picked and played, becoming prized collector items amongst DJs. The track 'Tema De Alma Latina' was immortalised as a classic for many, after being featured on the Gilles Peterson’s Street Sounds Jazz Juice 5 compilation in 1987. A captivating listen from start to finish, the album features other treats such as the dynamic album opener ‘Nadie Baila Como Yo’, the blazing flute led 'Mambo Maxims', and the blistering piano shuffler 'Raices'.
A truly iconic Latin classic whether you’re being reunited with it like an old friend or discovering it as a fresh new find.
Vinyl LP features a tip-on sleeve.
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1
Marcia Griffiths - Here I Am Baby (Come And Take Me)
2
Marcia Griffiths - Everything I Own
3
Marcia Griffiths - Green Grasshopper
4
Marcia Griffiths - Play Me
5
Marcia Griffiths - Children At Play
6
Marcia Griffiths - Sweet Bitter Love
7
Marcia Griffiths - Gypsy Man
8
Marcia Griffiths - There’s No Me Without You
9
Marcia Griffiths - The First Time Ever I Saw Your Face
10
Marcia Griffiths - I Just Don’t Want To Be Lonely
11
Marcia Griffiths - Mark My Word
12
Marcia Griffiths - The First Cut Is The Deepest
13
Marcia Griffiths - Melody Life
14
Marcia Griffiths - Working To The Top (My Ambition) (Part 1)
15
Marcia Griffiths - Don’t Let Me Down
16
Marcia Griffiths - Band Of Gold
17
Marcia Griffiths - Put A Little Love In Your Heart
18
Marcia Griffiths - I See You, My Love
19
Marcia Griffiths - It’s Too Late
20
Marcia Griffiths - Baby If You Don’t Love Me
21
Marcia Griffiths - Love Walked In
22
Marcia Griffiths - When Will I See You Again
23
Marcia Griffiths - Play Me (Part 2)
Territory: Worldwide no exceptions
2026 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2026 repress, 140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.
Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.
The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.
Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.
“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.
“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.
Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
TRACKLISTING
A1 : Here I Am Baby (Come And Take Me)
A2 : Everything I Own
A3 : Green Grasshopper
A4 : Play Me
A5 : Children At Play
B1 : Sweet Bitter Love
B2 : Gypsy Man
B3 : There’s No Me Without You
B4 : The First Time Ever I Saw Your Face
B5 : I Just Don’t Want To Be Lonely
C1 : Mark My Word
C2 : The First Cut Is The Deepest
C3 : Melody Life
C4 : Work And Slave
C5 : Working To The Top (My Ambition) (Part 1)
C6 : Don’t Let Me Down
C7 : Band Of Gold
D1 : Put A Little Love In Your Heart
D2 : I See You, My Love
D3 : It’s Too Late
D4 : Baby If You Don’t Love Me
D5 : Love Walked In
D6 : When Will I See You Again
D7 : Play Me (Part 2)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eduardo Araújo & Silvinha - Sou Filho Desse Chão
2
Eduardo Araújo & Silvinha - Círculo Vicioso
3
Eduardo Araújo & Silvinha - Girassol
4
Eduardo Araújo & Silvinha - Capoeira
5
Eduardo Araújo & Silvinha - O Tempo Que Esse Tempo Tem
6
Eduardo Araújo & Silvinha - Manda Embora A Tristeza
7
Eduardo Araújo & Silvinha - Misturando Rock Com Baião
8
Eduardo Araújo & Silvinha - Ter O Que Eu Tenho Sem Você
9
Eduardo Araújo & Silvinha - Capoeira
10
Eduardo Araújo & Silvinha - Opanigê
Brazil is a treasure trove of inspirational music from the past, present, and future. Here we head back to 1976 for a one-of-a-kind kaleidoscopic journey, melding Brazilian regional rhythms with funk, rock, soul, and psychedelia by the married couple Eduardo Araújo and Silvinha. A cult classic and beloved record for some of the scene’s biggest DJs including Floating Points, it was further immortalised when Madlib sampled ‘Opanigê’ for his track ‘São Paulo’.
Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More