Absolute Body Control is back with new material after more than ten years. The legendary minimal-synth-wave duo formed in 1980 by Dirk Ivens (The Klinik, Dive, Sonar) and joined a bit later by Eric van Wonterghem (Insekt, Monolith) has been working together again and got finished a new EP. Six songs that fuse their classic sound with a theme that reflects the times of change that humanity is going through.

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Advanced Art was formed in Tampere, Finland, in 1985 by Jana, Pete, and Vince. Too young to be part of the first wave of Finnish groups inspired by German synth pioneers and New Romantics, they instead forged their own path and soon became pioneers themselves. For the next ten years, Advanced Art defined and dominated Finland’s small but growing electronic underground. They inspired a new generation of Finns to experiment with synthesizers, built an international cult following, and were deeply involved in the local scene—running clubs, organizing events, and performing at some of the very first warehouse parties in the country.

Although the line-up shifted over time, the group’s creative drive consistently came from the partnership between Jana, who supplied the voice and words, and Vince, who shaped the music with his machines. Together they defined the band’s distinctive blend of sharp electronics and lyrical vision.

After several cassette demos and two 7-inch singles, Advanced Art signed to Poko Rekords in 1991. The EPs Scar and Time raised their profile both at home and abroad, especially thanks to valuable exposure on MTV Europe’s 120 Minutes. Known for their perfectionism, they finally released their debut album Product in January 1993. On Product the line-up was Jana (lyrics, vocals), Vince (music, production), and Factor (percussion, studio work). Having moved through phases of synth pop, EBM, and industrial, the album showcased Vince’s vision of a unified sound and style more clearly than ever before.

Force followed in 1994, conceived as a multi-part concept album (Update / Live / Retro). Recorded with live percussionist PW joining Jana and Vince, it expanded on the groundwork of Product with new beats, ideas, and a sharper, more defined identity.

By 1995, exactly ten years after their founding, Jana and Vince decided to bring Advanced Art to a close on the band’s birthday, 13 October. Their run had been precise: one decade of creative output, ending with a legacy that laid foundations for Finland’s electronic scene.

Now, conveniently coinciding with the band’s 40th anniversary, Advanced Art present Forced Product. This double-LP set, fully remastered, features Product in its entirety, alongside the Update and Retro sections of Force, plus additional EP tracks and remixes recorded between 1991 and 1994 at “Audible Art” – less a studio than a concept, existing wherever machines and people met.

Limited to 450 copies, Forced Product comes in a gatefold sleeve with poster and sticker, offering a definitive document of Finland’s pioneering electronic cult heroes — a band that helped invent their country’s scene and left a lasting influence far beyond it.

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Originally released only on CD in 1995 and long out of print, Scraping Tokyo ’95 captures the raw, visceral energy of Belgian industrial legend Dive during a powerful live performance in Tokyo. This intense set features a selection of classic Dive tracks alongside three cover versions by Joy Division, Suicide and The Klinik—all reimagined in Dive’s signature minimalist and abrasive style.

Available for the first time on vinyl, this limited edition of 350 copies is pressed on white vinyl and comes packaged with an insert featuring archival photos and Japanese-style OBI strip.

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Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels—primarily based in Tokyo and Osaka—began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own.

This movement, often referred to as the "Nippon-wave" scene, remained largely hidden from the outside world. Many of its releases—on cassette tapes, flexi-discs, and privately pressed vinyl—were never distributed beyond Japan’s borders, making them rare treasures for the few who managed to discover them. “Nihon No Wave” presents a selection of these long-overlooked recordings, making them accessible to listeners beyond Japan for the first time.

This re-issue is limited to 500 copies and comes on a double vinyl set, accompanied by a bonus 7” featuring four additional tracks. It also includes printed inner sleeves and an insert with photos and credits, all housed in a deluxe silk-screened and sewn synthetic paper jacket.

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After the success of the first volume, “Nihon No Wave 2” continues to unearth the hidden history of Japan’s underground electronic scene from the ’80s. This second installment digs even deeper into the archives, showcasing more rare tracks from obscure artists who operated on the fringes of Japan’s independent music world.

Like its predecessor, “Nihon No Wave 2” captures the raw energy and experimental spirit of the “Nippon-wave” era—where lo-fi synths, minimal rhythms, and post-punk aesthetics converged into a uniquely Japanese take on global sounds. Many of these recordings, originally released on cassette compilations or small-run vinyl with no international reach, have remained virtually unknown outside Japan.

Double vinyl limited to 550 copies with printed inner sleeves and insert with photos and full credits. Housed in a deluxe silk-screened and sewn synthetic paper jacket.

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Art Academy was a short-lived but impactful project masterminded by Stephan Kessler (of Aircrash Bureau), releasing just one single in 1990 on the iconic Suck Me Plasma imprint, a sub-label of Music Research. “The Banker”, co-produced by Holger Wick (Konzept), delivers a sharp fusion of techno and EBM, capturing the gritty, forward-pushing energy of early ’90s German electronic music.

Limited edition of 300 copies on black vinyl, offering all original tracks along with the highly sought-after HWSK Mix of “The Banker”, previously only available on CD.

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Trust in 6 was a one-off project by Torsten Stenzel, produced in collaboration with André Fischer (Recall IV, Technoline, Scope) and Lars Janzik (Scrot). Their sole release, “Life in Ecstasy”, came out in 1991 on Techno Drome International, a sub-label of ZYX Records, and earned a spot on the first volume of the legendary Techno Trax compilation series. The track fuses techno and EBM with a dark, driving energy-layering classic trance arpeggios, eerie pizzicato samples, and haunting, hypnotic vocals into a standout piece of early ’90s electronic music.?

Limited edition of 300 copies on black vinyl, including both original mixes, the renowned Digital Mix (also known as Razormaid Mix), and a radio edit.?

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Repress!

“The Techno Wave” was the debut single released in 1990 by the iconic project founded by Jens Lissat and Ramon Zenker (Hardfloor). It quickly became one of the defining anthems of the so-called Frankfurt techno scene that swept across Germany in the early ’90s, capturing the raw energy and rebellious spirit of the movement.

Limited edition of 300 copies on black vinyl, featuring the original “Castle Mix”, the b-side “The Bass is on Fire”, and two bonus tracks: “T.D.S.” (originally the b-side of the “No Control” single) and “The Techno Wave (Bluehouse Version)”.?

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Negrosex was a project conceived by Luden Barnemünde and Johanna Cosmo Fetsch. Their debut single, “God and Evil”, dropped in 1989 on their own label, Bit Bites Brain. It gained a measure of notoriety due to its provocative cover art, which depicted a suggestive image of Pope John Paul II being “assisted” by an altar boy. The attention surrounding this release caught the eye of the legendary label New Zone, leading to the 1991 release of their next single, “Teknó La Drôga”. The track exploded, becoming an underground anthem and earning its place as a cornerstone of German techno history.

Limited edition of 300 copies on black vinyl, accompanied by a postcard, presenting both remixes from the original edition and two bonus tracks: ” Teknó La Drôga v. 4.0" (originally appeared on Technopolis 4) and “Space Balls” (previously available only on the CD single).

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Yellow Vinyl Repress.

New Scene was a project created in the late 80’s by Arno Müller and Markus Barth. They were part of the roaster of the German label BOY Records together with acts like Time Modem, Cybex Factor and “O”. New Scene released in 1989/90 two singles/mega-mixes under the title of “Out of Control”, becoming both classics in the German Techno scene. Their third single “Tonight” also turned to a big success in the clubs and pushed New Scene to release their debut and only full-length album “Waves” in 1992.

Limited edition re-release with remastered audio and expanded double vinyl including as bonus the b-side “The Fog”.

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Aircrash Bureau was formed in the late 80’s in the greater Frankfurt area. They released their first double A-side single “Exhibition”/ “Machine” in 1989 on the legendary Zoth Ommog label and became at no time a tip in the EBM/Aggrepo scene along with acts like Leæther Strip, X-Marks The Pedwalk and Armageddon Dildos.

This re-release includes both tracks from the original release together with the classic A.B. Remix of “Exhibition” and two bonus tracks: “120 BPM” and “Time to Die”. Limited edition of 350 copies with a postcard.

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Boytronic was founded in the early 80’s in Hamburg by Holger Wobker (aka Bryllyant Berger) and Peter Sawatzki. At the beginning, under the moniker of Kapitän Sehnsucht, they were in charge of making the soundtrack for some seedy sex shows on Hamburg’s famous ‘Mile of Sin’. After a while, the boys found that not so satisfying and, through it was a well-paid job, they decided to leave hoping to break into the world of pop music as Boytronic. They already had some demo songs that got the attention of Mercury Records. The first single “You” was recorded highly influenced by the sound of New Order and Patrick Cowley. It didn’t go very well at the beginning. It was just a moderate club hit, but soon after they got lucky and performed “You” on a German TV Show. Just after this, sales reached 80,000 copies in the first week and had a major hit in the German charts reaching position 10. This sudden success was followed by the recordings of the debut album “The Working Model” that was finished in only fourteen days and released at the end of 1983. “The Working Model” is considered as one of the best techno-pop releases coming from Germany in the 80’s. An album more than 40 years old and still sounding so fresh and authentic.

Limited edition of 400 copies on black vinyl with gatefold sleeve, A2 poster and sticker. Includes all tracks from the original album plus some classic remixes of “You”, “Diamonds and Loving Arms”, “Trigger Track” and “Bryllyant”.

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Debut album by the harsh-industrial project of Dirk Ivens originally released in 1990 by Body Records (Antler-Subway). Just after leaving The Klinik, Dirk focused to develop his own ideas with Dive creating a perfect melting between early industrial and noise with minimal electronics and Belgian Electronic Body Music. This first work is considered as groundbreaking and highly influential for the EBM and electro-industrial scene.

Limited edition of 555 copies on red vinyl with gatefold sleeve, printed inner sleeves and numbered card. Includes all tracks from the original edition plus some bonus from the CD edition (1992), “Final Report” EP (1991) and “Images” EP (1993).

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40th anniversary edition of this seminal work by the multi-talented musician and producer Carlos Perón. After the release of “Impersonator” and the score of the film “Die Schwarze Spinne”, “Nothing Is True; Everything Is Permitted” is his third album released in the beginning of 1984. While still being an active member of Yello, it was around the start of the recording of “You Gotta Say Yes To Another Excess” that Carlos met the American musician Chris Lunch in Hamburg. He invited Chris to Zurich and together played with projects such as Romantic Rubber, Heavymetallen and recorded some sessions that become the basis of “Nothing Is True; Everything Is Permitted”. After the release of “You Gotta Say Yes To Another Excess”, Carlos decided to leave Yello and focused to finish the recording and mixing of his new solo album.

“Nothing Is True; Everything Is Permitted” has gone down in music history as a dark soundtrack without a film, influenced many artists and helped to develop diverse genders of electronic experimental and dance music.

Limited edition of 300 copies including all original tracks and new artwork.

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Cetu Javu was a German synth-pop band lead by singer Javier Revilla Diez and synth wizard and composer Chris Demere. They started with the band in 1984 and in the spring next year surprisingly reached the third place in a young talent festival in Hanover. Several other shows followed but the highlight was a concert in December of 1986 as the opening act of Erasure. Their first maxi single “Help Me Now” was released in the spring of 1987 on their own label’s. Through the mediation of Talla 2XLC, Cetu Javu got a record contract with major company ZYX Records and released their debut album “Southern Lands” in 1990.

When the song “A Dónde”, a B-side sung in Spanish included on the single “So Strange”, hit number two in Spain, the band surprisingly achieved a great success and toured all this country. The second full-length, “Where Is Where”, was released in 1992 in Spain. The success did not stop here and led Cetu Javu became very popular in some other countries such as Argentina and Mexico. Unfortunately, in 1994, between problems and having to make decisions about the future, the group withdrew from the music scene and each member moved to focus to other activities.

“Where is Where” is re-released contains the original album along with some extended versions and remixes from the singles “¿Por Qué?”, “Dame Tu Mano” and “Una Mujer”. Limited edition of 500 copies on gatefold sleeve and a poster.

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Javier Revilla and Chris Demere, both from Hanover and inspired by electronic music of Kraftwerk and Jean-Michel Jarre, started to experiment with sounds since the late 70’s. The arrival of New Wave with bands like Heaven 17, The Human League, Soft Cell and Depeche Mode influenced these teenagers to began Cetu Javu in 1984 with Javier on vocals, Chris on synths, guitar, programming, Torsten Engelke on keyboards and Stefen Engelke on bass. In 1985, the band won the third place in a contest, a year later opened for Erasure and released their first single “Help Me Now!” in 1987 on their own label Deme Records.

Like their compatriots Camouflage, Cetu Javu were unapologetically Depeche Mode-like in their sound, but with a fairly original twist on their synth pop formula. Their extremely catchy 1988 singles “Situations” and “Have in Mind” were instant hits on dance clubs and even received airplay on U.S. alternative radio stations. The band signed a contract with ZYX Records and released their debut album “Southern Lands” in 1990 followed by a tour together with Wolfsheim and Blind Passengers as supporting acts.

“Southern Lands” is re-released including all original songs plus some extended versions, remixes and bonus tracks from the accompanying singles “Situations”, “Have in Mind” and “So Strange”. Limited edition of 500 copies on gatefold sleeve with a sticker.

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Formed by high school buddies Andreas Gregor and David Rout, Techniques Berlin started in 1984 experimenting with synthesizers, drum machines and guitars. In the early stages, the band was heavily influenced by UK new romantic acts The Human League, Visage, Yazoo, OMD and Depeche Mode, as well as rising Canadian synth-pop bands Rational Youth, Men Without Hats and Trans-X. It took them a few years to master their electronic toys and create a unique blend of addictive electro-pop melodies and beautifully crafted alternative beats.

In the late 80s, Techniques Berlin played live on a regular basis and their 3 self-released tapes received frequent local airplay in Canada. Despite their moderate success, the band failed to secure a record deal. Eventually both members had developed a strong interest in the burgeoning electro-industrial scene. Dave and Andreas founded !Bang Elektronika and were working with Digital Poodle as live drummers. Both of these projects were soon picked up by record labels. Techniques Berlin played their last show in November of 1991 at the University of Toronto, debuting the last track they had recorded, fittingly called ‘Time Fades to Nothing’. Or so they thought…

The proliferation of Internet radio and streaming music platforms introduced the band to a new generation of fans, enabling Techniques Berlin to stage a remarkable comeback. Within the next years they released the compilation “Suburban Playgrounds and Concrete Beaches” (Fabrika Records), recorded a new album “Breathing” (Nadanna) in 2018 and offered a series of shows in Toronto, Montreal, Mexico City and Leipzig.

“The Language of Machines” compiles a selection of original recordings between 1985 and 1991, including some favourite tunes like ‘Dancing to the Fall of the Berlin Wall’, ‘Metropolis’, ‘Watching You’ and a few unreleased tracks/versions. Limited edition of 500 copies on double vinyl with gatefold sleeve.

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Recall IV is the project created by Andre Fischer that reached a massive success in the German techno scene in 1990 with the release of the single “Contrast” on Techno Drome International / ZYX Records. This was shortly followed by two more releases in 1991 (“Contrast – Part 2” and the extended play “Aesthetic”) and contributions to various compilations.

Andre has been a very active techno composer and producer since the late 80’s working with people like Lars Janzik, Carlos Perón, Giora Schein & Holger Wick (Konzept), Volker Then (Friends Of Carlotta) on countless projects including Scope, Scrot, Technoline, Trust in 6, ADSX, etc.

“Interstate” compiles tracks from all Recall IV singles, some old compilations and a selection of unreleased cuts and remixes. Limited edition of 500 copies on double vinyl with insert (thick black cardboard with die-cut logo) and sticker.

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Re-release of this timeless electronic anthem. A track that defies any classification. The perfect mix between Belgian techno, trance and EBM. “Sundown” was released as single in 1991 and instantly became a techno classic in Germany and all over the globe selling over 200,000 copies.

‘The Sunshine And The 909’ is without any doubt the most famous mix and a master piece remixed by Kenneth Baker, one of the pioneers of techno & house music movement in Denmark and founder of labels like Coma Records and Flex Records.

“…when I played Sundown for the first time at the Techno-Club in Dorian Gray, more than 25 people came to the DJ box and asked what it was…” (Talla 2XLC)

Limited edition of 500 copies including three classic remixes and one new re-edit.

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A soulful rework story – from an edit to an official releasev Berlin’s own Delfonic kicks off a very special series of Roy Ayers reworks with this four-track EP on BBE Music. Originally sparked by a spontaneous edit of “What’s the T?”, which Delfonic shared with BBE’s Pete Adarkwah, the project quickly gained momentum. With listeners asking for a vinyl version, this initial idea soon grew into an official release – and the beginning of a larger tribute.
Drawing from BBE’s 2004 compilation Virgin Ubiquity—a treasure trove of previously unreleased Roy Ayers recordings from 1976 to 1981—Roy Ayers – Delfonic Reworked #1 offers a fresh take on the legendary vibraphonist’s sound, rooted in soul, jazz and groove. The EP opens with Green and Gold, followed by the original spark What’s the T? featuring the incredible Merry Clayton. Also featured are Sugar with Carla Vaughan and Oh What a Lonely Feeling, again showcasing Clayton’s emotive vocals—all reimagined with Delfonic’s signature flair for rhythmic depth and dancefloor flow.
Known for his extensive output of remixes and EPs on respected disco and edit labels, Delfonic brings a deep understanding of groove and arrangement to these respectful yet
forward-thinking versions. His connection to Roy Ayers’ musical universe is evident in every bar. Mastered by Frank Merritt at the Grammy-nominated The Carvery, Roy Ayers – Delfonic
Reworked #1 is available on vinyl and digital download—a must for fans, collectors and groove connoisseurs alike.

Vinyl tracklist:
A1. Green and Gold (Delfonic Rework)
A2. What's The T? (Delfonic Edit)
B1. Sugar (Delfonic Rework)
B2. Oh What A Lonely Feeling (Delfonic Rework)

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Hell Yeah series File Under Balearic Gabba continues its mission to bring some vital, previously digital-only Balearic Gabba weaponry to vinyl for the first time. This second volume has artwork by Planet Luke and features Wallace next to new school stars SIRS and Pedro Bertho.

Tartan Records label head and British talent Wallace opens up with a remix of Sewell And The Gong's 'Better Words' that has been a real summer hit for label head Marco Gallerani.

The original came on Jason Boardman's fine Before I Die label and is one of those jams that transcends genre and wins over techno heads, Adriatic beach groovers and festival main stages alike. It is 'proper Balearic Gabba' says Marco with its tropical percussion, humid pads and watery droplets all adding lush atmosphere to the dubby drums. The chords and reedy leads are beautifully delicate but get floors in a blissed-out, loved-up trance.

SIRS is an artist on fire right now and already impressed on this label with his remix of Aura Safari which is one of the year's standout Balearic house jams. He has a new single on the way for Hell Yeah but first flips label mate My Friend Dario's 'Tellaro' into a wobbly, psyched-out dub disco and breakbeat chugger. The zippy synths and shimmering keys are underpinned with a taught bassline and playful vocals that bring great fun and irresistible party vibes to any set.

Hell Yeah mainstay Verdo then has his 'Boulevardier' remixed by Pedro Bertho, a rising talent from Brazil with a steamy South American style. This one is a modern beach classic that unites both young and old heads with its frayed analogue drums and snappy percussion joining the dots between 80s Chicago house, new age and Balearic with its big piano chords and phased bass all getting hands the air.

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2 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

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Following on from the super-fast stock sell-outs of the 2LP of joyous Alfredo selections, Rebirth follow up with the first of the sample EPs of rare, cherished and formerly unreleased gems. Deep Joy of Brainiak (and Mo Wax) fame had their stunning “Fall” track remixed by lord Sabre, Andrew Weatherall himself; an often-missed indie-chug delight from the early 90’s. The Thrashing Doves and their scene stamping classic Je$u$ on the Payroll, needs very little introduction, but this Unreleased Instrumental Version, like it states, has never been on vinyl before. Flip over for another hip hop/club hybrid of a track with KC Flightt’s “Lets get Jazzy”, and its iconic sound which was remixed by the legendary Blaze; then finishing up with sunrise/sunset jamm, “Blinky Blue Eyed Sunrise”, by The Metaluna Mutant. A must for any lover of the white isle and it’s heritage.

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Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mytra, and her brother Arash Khalatbari, who were second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records, the cult outlet of Rimarimba’s Robert Cox. Like most of Vox Populi’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre DePastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi member Fr6 Man. Each copy includes an insert with photos and notes by the band. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.

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