Preview: https://www.youtube.com/watch?v=y9ycFyakiBk
Tracklist:
1.In Search of Yang
2.Spirit Adapter
3.Lecker Song
4.Yata Yata
5.Night in Taipei
6.Golden Lion
7.Elma
8.Kasumi's Quest
9.Slow Burner
10.Pattaya Wrangler
11.Mooncake Melody
On their fourth album Yatta!, the celebrated Dutch quartet YIN YIN extends, bends, and ignites a joyous mix of disco, funk, surf, psychedelia, and Southeast Asian motifs. UNCUT magazine previously dubbed their highly addictive sound “cosmic disco”—a fitting starting point—but as Yatta! proves, the band's sonic footprint is an ever-evolving kaleidoscope of sounds, textures, and beats.
As with their breakthrough album Mount Matsu (2024), their devotion to getting the dance floor moving remains front and center. That impulse, already strong, has intensified — Yatta! lifting it to an ecstatic next level.
The result? An album that reveals a band whose groove just keeps getting deeper.
---------------------------------
The opening track on YIN YIN’s new album, Yatta!, begins with a sample of the philosopher Alan Watts expounding: “There is no Yang without Yin and no Yin without Yang.”
Appropriately enough, the track – a jubilantly upbeat slice of disco action – is called “In Search of Yang,” and begs a question about the meaning of the group’s name. The group’s drummer and co-founder, Kees Berkers, explains: “Yin Yang is about balance between two different forces and Yin Yin would essentially mean two negative forces that cannot reach a common ground. So, YIN YIN is about finding a balance in the unbalanced.”
Certainly, over the last six years, the quartet from Maastricht in the south of the Netherlands has built a reputation for balancing an eclectic range of influences and using them to forge something that is affectionately retro and, at the same time, fresh and forward-facing.
The group’s origins lie in an experimental jam session in a remote village ballet school in 2017, leading to the release of the single, “Dion Ysiusk,” the following year. The debut album, The Rabbit That Hunts Tigers was released in 2019, followed by The Age of Aquarius in 2022. After a few personnel changes, the quartet’s line-up had, by 2023, arrived at its current form of Kees Berkers (drums), Remy Scheren (bass), Jerôme Scheren (keyboards) and Erik Bandt (guitar). 2024 saw the release of Mount Matsu, now followed by the group’s most complete statement to date, Yatta!
From the beginning, YIN YIN have been devoted to exploring global sounds with an emphasis on getting the dance floor moving – an impulse that reaches its peak on Yatta!
One major influence is the sound of Italo Disco – the spacey brand of disco music that arose in Italy in the late 1970s. “It has something of a mystique,’ says Berkers. “All the producers were using new recording techniques and effects, but there are not many pictures or videos of how they were creating things in the studio. You have to use your own fantasy and create your own story about how that music is created.” You can hear that sense of mystery on tracks like “In Search of Yang,” with its endless groove and trippy backwards guitar effects.
Across the album, YIN YIN specialise in creating the soundtracks to dream journeys, opportunities for the listener to visit places that exist in realms of the imagination.
“That’s a big reason why the music’s instrumental,” Berkers confirms. “It leaves a lot of room for the listener to fill in the gaps. You can really make your own trip of it. It’s very movie-like.” And it’s not just the movies we get to visit. “Kasumi’s Quest” is built around a mysteriously ascending and descending synth figure, coming come across like the music to a lost computer game – “an imaginary quest of an imaginary character in an imaginary world,” says Berkers. “It could be like a difficult quest in a dungeon, and Kasumi could be the character that you’re playing.”
If there’s a general direction of travel in YIN YIN’s expeditions, it’s towards the east, with Asian influences coming through loud and clear. “Lecker Song” feels like a 1960s Japanese soul-funk spy movie theme with a sample of a koto buried in the mix. “Yata Yata” could be the throbbing disco soundtrack to a Thai spaghetti western. “Night in Taipei” is an atmospheric ballad summoning a fragrant evening in the Taiwanese capital, and “Pattaya Wrangler” suggests a sundown stroll on the Thai city’s golden beaches.
It's a fascination that has suffused YIN YIN’s sound since, in the early days, they stumbled upon a couple of compilation albums of psychedelic 60s and 70s guitar music from Southeast Asia. “Those albums had the most influence on that East Asian route we took,” Berkers recalls. “Via those compilations, we got to YouTube channels where we couldn't read anything because everything was in Thai letters or in Chinese symbols – and that felt like we found the treasure!’”
Adopting Eastern tunings has imparted an unusual feel to YIN YIN’s music and challenged them as songwriters.
Berkers explains: “If you're making music for a long time you get to some points where you think ‘I'm always doing the same thing.’ And then a simple YouTube channel or a compilation can give you that spark you need!”
There’s no shortage of sparks in Yatta!’s blend of dancefloor fillers and laidback soundscapes. Guitarist Erik Bandt explains: “We tried to make a mix of songs that are very energetic, danceable party starters, but also have songs that take you on trips and are more easy.”
Underpinning all of this is a welcoming, natural feel, with everything recorded directly to tape.
“It’s our most organic album to date,” says Bandt. “We recorded together as a team in the studio instead of recording separate tracks for drums, guitar, bass – it’s all live and that adds a certain feel.”
All of which explains the album’s title. Bandt says: “Yatta is a Japanese phrase meaning ‘We did it, we accomplished it!’ After we finished the album, we thought this simple phrase actually ties it all together.” Berkers continues: “It also speaks for a more general idea that we, as a band, succeeded to really become a band on a professional level. So, it's also, ‘We finally are true musicians now. We have arrived.’ Basically, we made the dream come true.”
Yatta! Is the sound of four musicians finding their own globe-trotting groove, and having the time of their lives exploring it. Lucky for us, we’re invited too.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1.In Search of Yang
2.Spirit Adapter
3.Lecker Song
4.Yata Yata
5.Night in Taipei
6.Golden Lion
7.Elma
8.Kasumi's Quest
9.Slow Burner
10.Pattaya Wrangler
11.Mooncake Melody
On their fourth album Yatta!, the celebrated Dutch quartet YIN YIN extends, bends, and ignites a joyous mix of disco, funk, surf, psychedelia, and Southeast Asian motifs. UNCUT magazine previously dubbed their highly addictive sound “cosmic disco”—a fitting starting point—but as Yatta! proves, the band's sonic footprint is an ever-evolving kaleidoscope of sounds, textures, and beats.
As with their breakthrough album Mount Matsu (2024), their devotion to getting the dance floor moving remains front and center. That impulse, already strong, has intensified — Yatta! lifting it to an ecstatic next level.
The result? An album that reveals a band whose groove just keeps getting deeper.
---------------------------------
The opening track on YIN YIN’s new album, Yatta!, begins with a sample of the philosopher Alan Watts expounding: “There is no Yang without Yin and no Yin without Yang.”
Appropriately enough, the track – a jubilantly upbeat slice of disco action – is called “In Search of Yang,” and begs a question about the meaning of the group’s name. The group’s drummer and co-founder, Kees Berkers, explains: “Yin Yang is about balance between two different forces and Yin Yin would essentially mean two negative forces that cannot reach a common ground. So, YIN YIN is about finding a balance in the unbalanced.”
Certainly, over the last six years, the quartet from Maastricht in the south of the Netherlands has built a reputation for balancing an eclectic range of influences and using them to forge something that is affectionately retro and, at the same time, fresh and forward-facing.
The group’s origins lie in an experimental jam session in a remote village ballet school in 2017, leading to the release of the single, “Dion Ysiusk,” the following year. The debut album, The Rabbit That Hunts Tigers was released in 2019, followed by The Age of Aquarius in 2022. After a few personnel changes, the quartet’s line-up had, by 2023, arrived at its current form of Kees Berkers (drums), Remy Scheren (bass), Jerôme Scheren (keyboards) and Erik Bandt (guitar). 2024 saw the release of Mount Matsu, now followed by the group’s most complete statement to date, Yatta!
From the beginning, YIN YIN have been devoted to exploring global sounds with an emphasis on getting the dance floor moving – an impulse that reaches its peak on Yatta!
One major influence is the sound of Italo Disco – the spacey brand of disco music that arose in Italy in the late 1970s. “It has something of a mystique,’ says Berkers. “All the producers were using new recording techniques and effects, but there are not many pictures or videos of how they were creating things in the studio. You have to use your own fantasy and create your own story about how that music is created.” You can hear that sense of mystery on tracks like “In Search of Yang,” with its endless groove and trippy backwards guitar effects.
Across the album, YIN YIN specialise in creating the soundtracks to dream journeys, opportunities for the listener to visit places that exist in realms of the imagination.
“That’s a big reason why the music’s instrumental,” Berkers confirms. “It leaves a lot of room for the listener to fill in the gaps. You can really make your own trip of it. It’s very movie-like.” And it’s not just the movies we get to visit. “Kasumi’s Quest” is built around a mysteriously ascending and descending synth figure, coming come across like the music to a lost computer game – “an imaginary quest of an imaginary character in an imaginary world,” says Berkers. “It could be like a difficult quest in a dungeon, and Kasumi could be the character that you’re playing.”
If there’s a general direction of travel in YIN YIN’s expeditions, it’s towards the east, with Asian influences coming through loud and clear. “Lecker Song” feels like a 1960s Japanese soul-funk spy movie theme with a sample of a koto buried in the mix. “Yata Yata” could be the throbbing disco soundtrack to a Thai spaghetti western. “Night in Taipei” is an atmospheric ballad summoning a fragrant evening in the Taiwanese capital, and “Pattaya Wrangler” suggests a sundown stroll on the Thai city’s golden beaches.
It's a fascination that has suffused YIN YIN’s sound since, in the early days, they stumbled upon a couple of compilation albums of psychedelic 60s and 70s guitar music from Southeast Asia. “Those albums had the most influence on that East Asian route we took,” Berkers recalls. “Via those compilations, we got to YouTube channels where we couldn't read anything because everything was in Thai letters or in Chinese symbols – and that felt like we found the treasure!’”
Adopting Eastern tunings has imparted an unusual feel to YIN YIN’s music and challenged them as songwriters.
Berkers explains: “If you're making music for a long time you get to some points where you think ‘I'm always doing the same thing.’ And then a simple YouTube channel or a compilation can give you that spark you need!”
There’s no shortage of sparks in Yatta!’s blend of dancefloor fillers and laidback soundscapes. Guitarist Erik Bandt explains: “We tried to make a mix of songs that are very energetic, danceable party starters, but also have songs that take you on trips and are more easy.”
Underpinning all of this is a welcoming, natural feel, with everything recorded directly to tape.
“It’s our most organic album to date,” says Bandt. “We recorded together as a team in the studio instead of recording separate tracks for drums, guitar, bass – it’s all live and that adds a certain feel.”
All of which explains the album’s title. Bandt says: “Yatta is a Japanese phrase meaning ‘We did it, we accomplished it!’ After we finished the album, we thought this simple phrase actually ties it all together.” Berkers continues: “It also speaks for a more general idea that we, as a band, succeeded to really become a band on a professional level. So, it's also, ‘We finally are true musicians now. We have arrived.’ Basically, we made the dream come true.”
Yatta! Is the sound of four musicians finding their own globe-trotting groove, and having the time of their lives exploring it. Lucky for us, we’re invited too.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from YIN YIN
1
YIN YIN - Nata Ni Thale
2
YIN YIN - Pingpxng
3
YIN YIN - One Inch Punch
4
YIN YIN - Lotus
5
YIN YIN - Thom Ki Ki
6
YIN YIN - On Yiep
7
YIN YIN - Alpaca
8
YIN YIN - Kroy Wen
9
YIN YIN - Sui Ye
10
YIN YIN - The Rabbit That Hunts Tigers
11
YIN YIN - A Ballad For Chong Wang
12
YIN YIN - The Sacred Valley Of Cusco
13
YIN YIN - Disco
Repress!
"Where to place YIN YIN on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of discogrooves, powerful “thaï beat” tunes and experimental tropi-synths. After two remarkable singles on Les Disques Bongo Joe, they’re back with « The Rabbit That Hunts Tigers ». Made of groovy tunes and dance killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea.
Yin Yin passed last months burning scenes and make people dance around Europe. But they found just enough time to record this first tape in a ballet school in a remote village near the Alpaca Mountain. Kees Berkers and Yves Lennertz were the puppet masters of this in-studio experience. The result is a landscape where rabbits chase after tigers, an upside-down world were you'll definitely dance for ever."
It’s one of the coolest things to emerge from the Dutch Deep South in quite a while: the debut album by Yin Yin (not counting last year’s cassette only ‘Pingpxng’). The Maastricht outfit pairs a deep appreciation of South East Asian sixties and seventies instrumental music with a slick modern funk and disco groove, tied together by a solid understanding of timeless cinematic sounds, as exemplified perfectly by the opening track, a laidback Thai funk groove that ends in psychedelic turmoil. ‘One Inch Punch’ (released as a single earlier this year) is one of the many standout tracks here - a luscious Asian space disco affair that sounds like the soundtrack of a Shaw Brothers movie that never happened. Yin Yin show off their instrumental skills on the freeflowing ‘Alpaca Mountain’ and go straight for the dancefloor with the infectious disco stomper ‘Sui Ye’. Their all-encompassing open-mindedness is perhaps best illustrated by the title track - a strange concoction of spaghetti western sounds, cheeky disco and Thai funk. ‘The Rabbit that Hunts Tigers’ is another winner for Bongo Joe and mandatory listening for fans of Khruangbin, Altin Gün and Jungle by Night. (Ro)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Where to place YIN YIN on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of discogrooves, powerful “thaï beat” tunes and experimental tropi-synths. After two remarkable singles on Les Disques Bongo Joe, they’re back with « The Rabbit That Hunts Tigers ». Made of groovy tunes and dance killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea.
Yin Yin passed last months burning scenes and make people dance around Europe. But they found just enough time to record this first tape in a ballet school in a remote village near the Alpaca Mountain. Kees Berkers and Yves Lennertz were the puppet masters of this in-studio experience. The result is a landscape where rabbits chase after tigers, an upside-down world were you'll definitely dance for ever."
It’s one of the coolest things to emerge from the Dutch Deep South in quite a while: the debut album by Yin Yin (not counting last year’s cassette only ‘Pingpxng’). The Maastricht outfit pairs a deep appreciation of South East Asian sixties and seventies instrumental music with a slick modern funk and disco groove, tied together by a solid understanding of timeless cinematic sounds, as exemplified perfectly by the opening track, a laidback Thai funk groove that ends in psychedelic turmoil. ‘One Inch Punch’ (released as a single earlier this year) is one of the many standout tracks here - a luscious Asian space disco affair that sounds like the soundtrack of a Shaw Brothers movie that never happened. Yin Yin show off their instrumental skills on the freeflowing ‘Alpaca Mountain’ and go straight for the dancefloor with the infectious disco stomper ‘Sui Ye’. Their all-encompassing open-mindedness is perhaps best illustrated by the title track - a strange concoction of spaghetti western sounds, cheeky disco and Thai funk. ‘The Rabbit that Hunts Tigers’ is another winner for Bongo Joe and mandatory listening for fans of Khruangbin, Altin Gün and Jungle by Night. (Ro)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Glitterbeat
Tracklist:
1.1Neredesin Sen
1.2Gönül Dagi
1.3Öldürme Beni
1.4Nigde Baglari
1.5Benim Yarim
1.6Sucum Nedir
1.7Gel Yanima Gel
1.8Zülüf Dökülmüs Yüze
1.9Gel Kacma Gel
1.10Bir Nazar Eyledim
Altin Gün, the Grammy-nominated Turkish psych-groove quintet from Amsterdam, return with their sixth studio album Garip — their most ambitious and diverse release to date, and a heartfelt tribute to the legendary Turkish folk bard Neset Ertas.
Neset Ertas (1938–2012) was a beloved icon of Anatolian music; a gifted singer, lyricist, and baglama virtuoso who carried the spirit of the ashik folk tradition into the modern era. Garip ("Strange" in English) features ten of his compositions, each reimagined and richly expanded through Altin Gün’s distinctive lens.
An electrifying live band with an ever-growing global following, Altin Gün push their sonic boundaries even further on Garip — weaving in lush Arabesque string arrangements, bursts of saxophone, glimmering synth balladry, and a fresh surge of tightly wound rock ’n’ roll.
-----------------------------------
Since bursting onto the scene in 2018 with their debut album, On, Amsterdam-based Altin Gün have been at the vanguard of the 21st century revival of Turkish-influenced psychedelic grooves.
Coming straight out of the gate with a wah-wah and organ heavy sound that effortlessly captured the spirit of Anatolian 70s psych-funk masters like Baris Manço and Erkin Koray, they deepened and expanded their palette with 2021’s Yol, which brought synths and drum machines into the mix for a more 80s-influenced dream-pop vibe.
But no matter how far out they’ve gone, they’ve always maintained a strong link to the same Anatolian folk traditions that inspired those early pioneers. Founder and bassist, Jasper Verhulst says: “We’re doing the same thing a lot of those artists were doing, which is playing Turkish traditionals and songs written by folk artists.”
Now, with their sixth album, Garip, they’ve brought that connection to the folk source front and centre, showcasing a collection of songs all originally written by Turkish folk legend Neset Ertas.
Ertas (1938-2012) was a revered and much-loved Turkish singer, lyricist and baglama player, and a modern-day embodiment of the ancient ashik tradition of the folk-bard-troubadour. Throughout his long career, he recorded more than 30 albums and wrote hundreds of songs – some of which were famously recorded by the likes of Baris Manço and Selda Bagcan.
For Altin Gün's vocalist, keyboardist and baglama player, Erdinç Eçevit, interpreting a suite of Ertas’s tunes is a chance to get back to his roots.
“Both of my parents are from Turkey, from the same area he is from,” he says. “It's the music that I grew up with. When I was five, six years old, my grandfather always had cassettes by Neset Ertas and I used to listen to it all day long. Then I was too young to really understand the lyrics and the meaning, but I really liked the melodies.
Now, years later, Eçevit has fully immersed himself in Ertas’s lyrics – messages from the heart that are, he says, “stories about what he’s facing in life. The Turkish traditional music is the blues of the Turkish people.”
Nowhere is this better exemplified than on ‘Gönul Dagi,’ one of Ertas’s most famous compositions, here brought to life by Eçevit’s yearning, sensitive vocals.
“‘Gönul Dagi’ is about the pain of love, the storms of the heart and the loneliness of longing,” says Eçevit. “He’s expressing what rural Anatolia has always felt – that love is both sacred and sorrowful, a force of nature.”
In Altin Gün's hands, the tune becomes a languid funk-rock crawl with watery guitar, a loping bassline and a palpable hint of mystery deepened by luxuriant string arrangements provided by the Stockholm Studio Orchestra.
The strings feature on several tracks, touching on influences including Egyptian popular music, Bollywood soundtracks and Turkish Arabesque. But, as Verhulst explains, there’s another touchstone underpinning the sound. “There’s definitely a French Italian influence in those arrangements,” he says.
It's a prime example of Altin Gün's urge to cast their net wide and incorporate a far-reaching set of magpie musical directions.
Album opener, ‘Neredesin Sen,’ is a throbbing, bass led vamp with a strong early-80s Indie flavour that showcases the fluid chemistry between drummer Daniel Smienk and percussionist Chris Bruining. The closing track, ‘Bir Nazar Eyeldim,’ is a breathtaking ballad with Eçevit’s pleading vocals playing out over lush synth arpeggios and a sparse electronic rhythm. Along the way, the band also touches on proggy vibes, with Eçevit getting down and dirty on the synth’s pitch-bend, and a laid-back west coast ambiance. Check out Thijs Elzinga’s gorgeous slide guitar on the smouldering ‘Gel Kaçma Gel’ to dig just how relaxed they can sound.
Fans of Altin Gün's past work will find much to love too.
The Anatolian element is still strong – and not just in Eçevit’s aching vocals. Eçevit’s tight baglama figures are woven throughout, making a direct link back to those earliest influences on tracks like the smoky ‘Nigde Baglari,’ with its off-kilter folk rhythm and cavernous sense of the Anatolian steppes stretching out for miles.
“It’s our most eclectic album,” says Verhulst. “There’s a little bit of everything. The songs are harder to label. We wanted to do something different than what we’ve done before. Less in your face, less poppy, less obviously psych-rock. More just vibing.”
Garip is the sound of a band that’s constantly evolving. A mature musical unit with nothing to prove. A band that’s having a whole lot of fun.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1.1Neredesin Sen
1.2Gönül Dagi
1.3Öldürme Beni
1.4Nigde Baglari
1.5Benim Yarim
1.6Sucum Nedir
1.7Gel Yanima Gel
1.8Zülüf Dökülmüs Yüze
1.9Gel Kacma Gel
1.10Bir Nazar Eyledim
Altin Gün, the Grammy-nominated Turkish psych-groove quintet from Amsterdam, return with their sixth studio album Garip — their most ambitious and diverse release to date, and a heartfelt tribute to the legendary Turkish folk bard Neset Ertas.
Neset Ertas (1938–2012) was a beloved icon of Anatolian music; a gifted singer, lyricist, and baglama virtuoso who carried the spirit of the ashik folk tradition into the modern era. Garip ("Strange" in English) features ten of his compositions, each reimagined and richly expanded through Altin Gün’s distinctive lens.
An electrifying live band with an ever-growing global following, Altin Gün push their sonic boundaries even further on Garip — weaving in lush Arabesque string arrangements, bursts of saxophone, glimmering synth balladry, and a fresh surge of tightly wound rock ’n’ roll.
-----------------------------------
Since bursting onto the scene in 2018 with their debut album, On, Amsterdam-based Altin Gün have been at the vanguard of the 21st century revival of Turkish-influenced psychedelic grooves.
Coming straight out of the gate with a wah-wah and organ heavy sound that effortlessly captured the spirit of Anatolian 70s psych-funk masters like Baris Manço and Erkin Koray, they deepened and expanded their palette with 2021’s Yol, which brought synths and drum machines into the mix for a more 80s-influenced dream-pop vibe.
But no matter how far out they’ve gone, they’ve always maintained a strong link to the same Anatolian folk traditions that inspired those early pioneers. Founder and bassist, Jasper Verhulst says: “We’re doing the same thing a lot of those artists were doing, which is playing Turkish traditionals and songs written by folk artists.”
Now, with their sixth album, Garip, they’ve brought that connection to the folk source front and centre, showcasing a collection of songs all originally written by Turkish folk legend Neset Ertas.
Ertas (1938-2012) was a revered and much-loved Turkish singer, lyricist and baglama player, and a modern-day embodiment of the ancient ashik tradition of the folk-bard-troubadour. Throughout his long career, he recorded more than 30 albums and wrote hundreds of songs – some of which were famously recorded by the likes of Baris Manço and Selda Bagcan.
For Altin Gün's vocalist, keyboardist and baglama player, Erdinç Eçevit, interpreting a suite of Ertas’s tunes is a chance to get back to his roots.
“Both of my parents are from Turkey, from the same area he is from,” he says. “It's the music that I grew up with. When I was five, six years old, my grandfather always had cassettes by Neset Ertas and I used to listen to it all day long. Then I was too young to really understand the lyrics and the meaning, but I really liked the melodies.
Now, years later, Eçevit has fully immersed himself in Ertas’s lyrics – messages from the heart that are, he says, “stories about what he’s facing in life. The Turkish traditional music is the blues of the Turkish people.”
Nowhere is this better exemplified than on ‘Gönul Dagi,’ one of Ertas’s most famous compositions, here brought to life by Eçevit’s yearning, sensitive vocals.
“‘Gönul Dagi’ is about the pain of love, the storms of the heart and the loneliness of longing,” says Eçevit. “He’s expressing what rural Anatolia has always felt – that love is both sacred and sorrowful, a force of nature.”
In Altin Gün's hands, the tune becomes a languid funk-rock crawl with watery guitar, a loping bassline and a palpable hint of mystery deepened by luxuriant string arrangements provided by the Stockholm Studio Orchestra.
The strings feature on several tracks, touching on influences including Egyptian popular music, Bollywood soundtracks and Turkish Arabesque. But, as Verhulst explains, there’s another touchstone underpinning the sound. “There’s definitely a French Italian influence in those arrangements,” he says.
It's a prime example of Altin Gün's urge to cast their net wide and incorporate a far-reaching set of magpie musical directions.
Album opener, ‘Neredesin Sen,’ is a throbbing, bass led vamp with a strong early-80s Indie flavour that showcases the fluid chemistry between drummer Daniel Smienk and percussionist Chris Bruining. The closing track, ‘Bir Nazar Eyeldim,’ is a breathtaking ballad with Eçevit’s pleading vocals playing out over lush synth arpeggios and a sparse electronic rhythm. Along the way, the band also touches on proggy vibes, with Eçevit getting down and dirty on the synth’s pitch-bend, and a laid-back west coast ambiance. Check out Thijs Elzinga’s gorgeous slide guitar on the smouldering ‘Gel Kaçma Gel’ to dig just how relaxed they can sound.
Fans of Altin Gün's past work will find much to love too.
The Anatolian element is still strong – and not just in Eçevit’s aching vocals. Eçevit’s tight baglama figures are woven throughout, making a direct link back to those earliest influences on tracks like the smoky ‘Nigde Baglari,’ with its off-kilter folk rhythm and cavernous sense of the Anatolian steppes stretching out for miles.
“It’s our most eclectic album,” says Verhulst. “There’s a little bit of everything. The songs are harder to label. We wanted to do something different than what we’ve done before. Less in your face, less poppy, less obviously psych-rock. More just vibing.”
Garip is the sound of a band that’s constantly evolving. A mature musical unit with nothing to prove. A band that’s having a whole lot of fun.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there"s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn"t record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we"ve gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freakbeat stomper from a world where Istanbul"s Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn"t sound out of place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places. All you have to do is strap yourself in
TRACKLIST
1.1 Badi Sabah Olmadan
1.2 Su Siziyor
1.3 Leylim Ley
1.4 Dere Geliyor
1.5 Çit Çit Çedene
1.6 Rakiya Su Katamam
1.7 Canim Oy
1.8 Kalk Gidelim
1.9 Güzelligin On Para Etmez
1.10 Doktor Civanim
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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TRACKLIST
1.1 Badi Sabah Olmadan
1.2 Su Siziyor
1.3 Leylim Ley
1.4 Dere Geliyor
1.5 Çit Çit Çedene
1.6 Rakiya Su Katamam
1.7 Canim Oy
1.8 Kalk Gidelim
1.9 Güzelligin On Para Etmez
1.10 Doktor Civanim
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Repress!
"Where to place YIN YIN on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of discogrooves, powerful “thaï beat” tunes and experimental tropi-synths. After two remarkable singles on Les Disques Bongo Joe, they’re back with « The Rabbit That Hunts Tigers ». Made of groovy tunes and dance killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea.
Yin Yin passed last months burning scenes and make people dance around Europe. But they found just enough time to record this first tape in a ballet school in a remote village near the Alpaca Mountain. Kees Berkers and Yves Lennertz were the puppet masters of this in-studio experience. The result is a landscape where rabbits chase after tigers, an upside-down world were you'll definitely dance for ever."
It’s one of the coolest things to emerge from the Dutch Deep South in quite a while: the debut album by Yin Yin (not counting last year’s cassette only ‘Pingpxng’). The Maastricht outfit pairs a deep appreciation of South East Asian sixties and seventies instrumental music with a slick modern funk and disco groove, tied together by a solid understanding of timeless cinematic sounds, as exemplified perfectly by the opening track, a laidback Thai funk groove that ends in psychedelic turmoil. ‘One Inch Punch’ (released as a single earlier this year) is one of the many standout tracks here - a luscious Asian space disco affair that sounds like the soundtrack of a Shaw Brothers movie that never happened. Yin Yin show off their instrumental skills on the freeflowing ‘Alpaca Mountain’ and go straight for the dancefloor with the infectious disco stomper ‘Sui Ye’. Their all-encompassing open-mindedness is perhaps best illustrated by the title track - a strange concoction of spaghetti western sounds, cheeky disco and Thai funk. ‘The Rabbit that Hunts Tigers’ is another winner for Bongo Joe and mandatory listening for fans of Khruangbin, Altin Gün and Jungle by Night. (Ro)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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"Where to place YIN YIN on the map ? Maybe somewhere between Netherlands and South-East Asia, on an imaginary tropical island. That’s where they brew a strange cocktail made of discogrooves, powerful “thaï beat” tunes and experimental tropi-synths. After two remarkable singles on Les Disques Bongo Joe, they’re back with « The Rabbit That Hunts Tigers ». Made of groovy tunes and dance killers, this album could be the crazy soundtrack of a 60s hippie village on the South China Sea.
Yin Yin passed last months burning scenes and make people dance around Europe. But they found just enough time to record this first tape in a ballet school in a remote village near the Alpaca Mountain. Kees Berkers and Yves Lennertz were the puppet masters of this in-studio experience. The result is a landscape where rabbits chase after tigers, an upside-down world were you'll definitely dance for ever."
It’s one of the coolest things to emerge from the Dutch Deep South in quite a while: the debut album by Yin Yin (not counting last year’s cassette only ‘Pingpxng’). The Maastricht outfit pairs a deep appreciation of South East Asian sixties and seventies instrumental music with a slick modern funk and disco groove, tied together by a solid understanding of timeless cinematic sounds, as exemplified perfectly by the opening track, a laidback Thai funk groove that ends in psychedelic turmoil. ‘One Inch Punch’ (released as a single earlier this year) is one of the many standout tracks here - a luscious Asian space disco affair that sounds like the soundtrack of a Shaw Brothers movie that never happened. Yin Yin show off their instrumental skills on the freeflowing ‘Alpaca Mountain’ and go straight for the dancefloor with the infectious disco stomper ‘Sui Ye’. Their all-encompassing open-mindedness is perhaps best illustrated by the title track - a strange concoction of spaghetti western sounds, cheeky disco and Thai funk. ‘The Rabbit that Hunts Tigers’ is another winner for Bongo Joe and mandatory listening for fans of Khruangbin, Altin Gün and Jungle by Night. (Ro)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
A. Parker / W. Parrish - The Hawk
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S. Haseley - The Happening
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S. Haseley - Hogan Baby
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S. Haseley - Sidewinder Version 2
Territories: Worldwide no restrictions
Format Notes:
First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.
A1 A. Parker / W. Parrish The Hawk 2:56
A2 S. Haseley The Happening 2:14
A3 A. Parker / W. Parrish Main Chance 3:04
A4 S. Haseley Hogan Baby 3:39
A5 G. Grant Dirty John Crown 2:54
A6 A. Parker / W. Parrish Swarf 2:27
A7 R. Tilsley Turnover 2:29
A8 A. Parker / W. Parrish Tarantula 2:31
B1 S. Haseley Precinct 3:32
B2 S. Haseley Sidewinder Version 1 2:08
B3 A. Parker / W. Parrish Pressure 2:45
B4 A. Parker / W. Parrish Call Me 2:56
B5 G. Grant Scorch 2:10
B6 A. Parker / W. Parrish Digger 2:10
B7 R. Tilsley Marianne 4:08
B8 S. Haseley Sidewinder Version 2 1:55
Release Notes:
This is that absolute stank-face filth: hard, espionage drama-soul and tough, jazzy street-funk. Hogan, The Hawk & Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early 70s and, packed with funky fusion and smoother orchestral numbers, it is basically that.
Featuring a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant - it's not hard to see how this commands over £350 on secondary markets.
This beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue.
Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener "The Hawk" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's "The Happening" is a carefree, rhythmic builder with strings and horns. Let's face it, it doesn't prepare us for the monster that follows...
Hawkshaw and Parker's amazing "Main Chance" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. Just sensational - you'll want to play it again and again and again.
The cool AF "Hogan Baby" has a soft, rounded, bluesy feel - it's a lighter number and Haseley's work here sounds more than a little indebted to Burt Bacharach. It's melancholic, reflective and contains ace breaks with beautiful flutes and wistful horns. It's just gorgeous. Grant's pounding "Dirty John Crown" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Sublime. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of "Swarf" with killer basslines underpinning slow-mo high-class flute-funk.
Reg Tilsley enters the fray with the bright, snappy, carefree "Turnover". It's lightweight but still retains some nice orchestral movements. The brief “Tarantula” gets us back on track - from the pen and chops of Hawkshaw and Parker, are we surprised? - with the driving crime funk breaks, super clean yet brooding. Synths, sax and 'nuff guitars. YES.
Side 2 opens with the car chase swag of Haseley's dramatic, driving "Precinct". Jazzy, instrumental flute funk over great percussive breaks. We love this. Haseley's rolling "Sidewinder Version 1" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense "Pressure" and the deeply soulful "Call Me", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled "Scorch" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of "Digger" precede the light, melodic and romantic themes of Tilsley's "Marianne" whilst "Sidewinder Version 2", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion.
The audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes:
First time vinyl reissue of this incredible library record, as part of Be With Records's crucial Music De Wolfe reissue campaign. 140g vinyl. Limited to just 750 worldwide.
A1 A. Parker / W. Parrish The Hawk 2:56
A2 S. Haseley The Happening 2:14
A3 A. Parker / W. Parrish Main Chance 3:04
A4 S. Haseley Hogan Baby 3:39
A5 G. Grant Dirty John Crown 2:54
A6 A. Parker / W. Parrish Swarf 2:27
A7 R. Tilsley Turnover 2:29
A8 A. Parker / W. Parrish Tarantula 2:31
B1 S. Haseley Precinct 3:32
B2 S. Haseley Sidewinder Version 1 2:08
B3 A. Parker / W. Parrish Pressure 2:45
B4 A. Parker / W. Parrish Call Me 2:56
B5 G. Grant Scorch 2:10
B6 A. Parker / W. Parrish Digger 2:10
B7 R. Tilsley Marianne 4:08
B8 S. Haseley Sidewinder Version 2 1:55
Release Notes:
This is that absolute stank-face filth: hard, espionage drama-soul and tough, jazzy street-funk. Hogan, The Hawk & Dirty John Crown sounds like the soundtrack of a blaxploitation movie from the early 70s and, packed with funky fusion and smoother orchestral numbers, it is basically that.
Featuring a veritable who's who of killer library break snakes - Alan Parker, Alan Hawkshaw (under sneaky alias William Parrish), Simon Haseley, Reg Tilsley and Gordon Grant - it's not hard to see how this commands over £350 on secondary markets.
This beautifully presented reissue, part of Be With's fresh campaign with the legendary library label Music De Wolfe, is well overdue.
Recorded for De Wolfe in 1972, Hogan, The Hawk, Dirty John Crown is a fantastic start-to-finish listen. The flute-funk of Hawkshaw and Parker's opener "The Hawk" comprises driving, fuzzy, wah-wah-drizzled bell-laced breaks with synths and basslines to murder for. Up next, Haseley's "The Happening" is a carefree, rhythmic builder with strings and horns. Let's face it, it doesn't prepare us for the monster that follows...
Hawkshaw and Parker's amazing "Main Chance" is likely the reason you're here; it's a moody, beaty proto-hip-hop banger; all rolling drums and flute-laced, organ-drenched, synth-funk breaks. Just sensational - you'll want to play it again and again and again.
The cool AF "Hogan Baby" has a soft, rounded, bluesy feel - it's a lighter number and Haseley's work here sounds more than a little indebted to Burt Bacharach. It's melancholic, reflective and contains ace breaks with beautiful flutes and wistful horns. It's just gorgeous. Grant's pounding "Dirty John Crown" brilliantly conjures swirling string-swept serenity atop driving, incisive drama-funk breaks. Sublime. Hawkshaw and Parker come roaring back with the murky, creeping crime-funk of "Swarf" with killer basslines underpinning slow-mo high-class flute-funk.
Reg Tilsley enters the fray with the bright, snappy, carefree "Turnover". It's lightweight but still retains some nice orchestral movements. The brief “Tarantula” gets us back on track - from the pen and chops of Hawkshaw and Parker, are we surprised? - with the driving crime funk breaks, super clean yet brooding. Synths, sax and 'nuff guitars. YES.
Side 2 opens with the car chase swag of Haseley's dramatic, driving "Precinct". Jazzy, instrumental flute funk over great percussive breaks. We love this. Haseley's rolling "Sidewinder Version 1" is robust and exuberant with bouncy horns before a cracking Parker-Hawkshaw one-two featuring the tense "Pressure" and the deeply soulful "Call Me", a relaxed, medium-tempo organ feature. With building piano and strings Gordon Grant's excellently titled "Scorch" is as aggressive and dramatic as you'd hope. Hawkshaw and Parker's furtive flute-funk of "Digger" precede the light, melodic and romantic themes of Tilsley's "Marianne" whilst "Sidewinder Version 2", a faster iteration of Track B2 sees Haseley close out this remarkable set in bouncy, bright fashion.
The audio for Hogan, The Hawk, Dirty John Crown has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Linkwood - Citrus
Repress.
Neroli reaches release number 50 during its 20th anniversary and celebrates with a special project, an album of songs by some of the label artists and friends. The title reference goes back to 20 years ago when label’s honcho Volcov decided to give the label the name of Brian Eno’s Neroli album, an hour long ambient opus inspired by the oil derived by the flowers of the Seville orange. So after 20 years and 50 releases the label goes full circle and offers an album of delicate and heartwarming melodies and atmospheric songs. The talent of original UK dons Kirk Degiorgio, Dego and Ian o’Brien is enrolled once again to guarantee sophistication and depth. Patrice Scott and Fred P, who had recently released eps on Neroli, are joined here by fellow spacecadet Aybee…all delivering warm futuristic pieces! K15 and Linkwood debut on the label, opening and closing the album with class. And there is even a lost composition by Volcov himself with Detroit’s Gerald Mitchell and Pirahnahead as part of some 2010 sessions that might resurface soon…THE FIRST CIRCLE is complete!
Design by Al White.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Neroli reaches release number 50 during its 20th anniversary and celebrates with a special project, an album of songs by some of the label artists and friends. The title reference goes back to 20 years ago when label’s honcho Volcov decided to give the label the name of Brian Eno’s Neroli album, an hour long ambient opus inspired by the oil derived by the flowers of the Seville orange. So after 20 years and 50 releases the label goes full circle and offers an album of delicate and heartwarming melodies and atmospheric songs. The talent of original UK dons Kirk Degiorgio, Dego and Ian o’Brien is enrolled once again to guarantee sophistication and depth. Patrice Scott and Fred P, who had recently released eps on Neroli, are joined here by fellow spacecadet Aybee…all delivering warm futuristic pieces! K15 and Linkwood debut on the label, opening and closing the album with class. And there is even a lost composition by Volcov himself with Detroit’s Gerald Mitchell and Pirahnahead as part of some 2010 sessions that might resurface soon…THE FIRST CIRCLE is complete!
Design by Al White.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DoomCannon - Vain
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DoomCannon - Fallen Horse
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DoomCannon - Untouched (feat. Tahn Solo)
4
DoomCannon - Fight Well Fought
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DoomCannon - Chroma
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7
DoomCannon - Real Love (feat. Lizzie Berchie)
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DoomCannon - Today's Prayer (feat. Tiny Man)
Doomcannon Announces Powerful New Album 'Somewhere In Between' Capturing The Quiet Turbulence Of Transformation. New Single 'the Truth' Out Now Is A Soulful Prelude To A Record About Healing, Growth & Self-Belief. DoomCannon is the alter ego of South London native Dominic Canning, a musical force who cut his teeth as part of genre-pushing groups TriForce and Project Karnak. A proud graduate of Kinetika Bloco and Tomorrow's Warriors, he has shared stages with Celeste (as her musical director), and has graced platforms from the BRIT Awards to 'Later… with Jools Holland'. His 2022 debut album 'Renaissance'on Brownswood Recordings earned critical acclaim for its expansive sound and political urgency. Now, with 'Somewhere In Between', DoomCannon turns the lens inward—exploring personal growth, emotional honesty, and the hard-earned lessons found in transition.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marcal - Manta Ray
2
Marcal - Nevoa
3
Marcal - Robotic Thinking
4
Marcal - Seroto
For the first time ever, Marcal's "Thought Control" is available on vinyl to commemorate Enemy Records' 20th anniversary. Previously only available digitally, the EP figures some of Marcal's biggest tracks such as "Seroto"and "Manta Ray." This ep is part of a limited series of reissues and first pressings from the label's back catalog, headed by Dustin Zahn.
"Thought Control" takes on a slightly deeper and heady direction than his previous output for Rekids or Uncage. However, the drums are still slammin' and every detail is crystal-clear. Marcal's natural progression shows he is more in control of his sound than ever before.
Manta Ray starts the EP with swinging drums and shots in the dark that will keep people marching through the night. Nevoa is the most melodic cut on the record. It's moody, wandering, and tripped out enough to disassociate you from reality. Robotic Thinking is as rigged as it is funky. The strong, pedaling, unified groove is laced with vowel formants and pulsing sinewaves. Closing out the EP is Seroto, a steady headsdown tribal workout for those trying to find their way through the late-night fog.
Tracklist
A1. Marcal - Manta Ray
A2. Marcal - Nevoa
B1. Marcal - Robotic Thinking
B2. Marcal - Seroto
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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"Thought Control" takes on a slightly deeper and heady direction than his previous output for Rekids or Uncage. However, the drums are still slammin' and every detail is crystal-clear. Marcal's natural progression shows he is more in control of his sound than ever before.
Manta Ray starts the EP with swinging drums and shots in the dark that will keep people marching through the night. Nevoa is the most melodic cut on the record. It's moody, wandering, and tripped out enough to disassociate you from reality. Robotic Thinking is as rigged as it is funky. The strong, pedaling, unified groove is laced with vowel formants and pulsing sinewaves. Closing out the EP is Seroto, a steady headsdown tribal workout for those trying to find their way through the late-night fog.
Tracklist
A1. Marcal - Manta Ray
A2. Marcal - Nevoa
B1. Marcal - Robotic Thinking
B2. Marcal - Seroto
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Trancefeld - Love Song
2
Trancefeld - Echoes Within Silence
territories : ww -fr -benelux -uk
Genre
• Electronic, deep-house
A true hidden gem from the early days of the internet, TRANCEFELD’s “Love Song” finally resurfaces more than twenty years after its creation.
Originally composed in 2002 by the underground German producer, this cult deep house track, defined by its unforgettable bassline, psychedelic vocals, and delicate violins, now receives a long-awaited official re-release. It arrives alongside a brand-new single, “Echoes Within Silence,” a hypnotic tech-house journey that immerses listeners in a world of rhythm and emotion. TRANCEFELD’s timeless, Berlin-infused sound is back.
Tracklist
A1. Love Song
B1. Echoes Within Silence
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre
• Electronic, deep-house
A true hidden gem from the early days of the internet, TRANCEFELD’s “Love Song” finally resurfaces more than twenty years after its creation.
Originally composed in 2002 by the underground German producer, this cult deep house track, defined by its unforgettable bassline, psychedelic vocals, and delicate violins, now receives a long-awaited official re-release. It arrives alongside a brand-new single, “Echoes Within Silence,” a hypnotic tech-house journey that immerses listeners in a world of rhythm and emotion. TRANCEFELD’s timeless, Berlin-infused sound is back.
Tracklist
A1. Love Song
B1. Echoes Within Silence
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Germany
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1
Stella - Plus Vite
2
Stella - Réalité
3
Stella - Pourquoi (Why)
4
Stella - Détends-toi
5
Stella - Sentimentale
6
Stella - Détends-toi (Dub)
Détends-Toi is the debut EP of the Parisian-born, berlin-based singer & DJ Stella Zekri.
Produced and co-written by Ed Longo, Détends-Toi is a sunny collection of four original songs, one dub version and one special cover, heavily influenced by zouk, boogie and the sound of the mid-80s French underground.
Coming to you in advance of summer ‘22 the record marks also the first release of Berlin label Cosmic Romance.
A1 - Plus Vite
A2 - Réalité
A3 - Pourquoi (Why)
B1 - Détends-toi
B2 - Sentimentale
B3 - Détends-toi (Dub)
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DE - 22113 Hamburg
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Produced and co-written by Ed Longo, Détends-Toi is a sunny collection of four original songs, one dub version and one special cover, heavily influenced by zouk, boogie and the sound of the mid-80s French underground.
Coming to you in advance of summer ‘22 the record marks also the first release of Berlin label Cosmic Romance.
A1 - Plus Vite
A2 - Réalité
A3 - Pourquoi (Why)
B1 - Détends-toi
B2 - Sentimentale
B3 - Détends-toi (Dub)
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DE - 22113 Hamburg
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1
Paul St. Hilaire & Mala - Like It’s Always Been
2
Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
3
Paul St. Hilaire & Cousin - Back Inna Business
4
Paul St. Hilaire & Priori - Send Them On
5
Paul St. Hilaire & Shinichi Atobe - Time to Wake Up
6
Paul St. Hilaire & Batu - Free Your Mind
7
Paul St. Hilaire & Azu Tiwaline - Let The Night Start
8
Paul St. Hilaire & Gavsborg - Confidential
9
Paul St. Hilaire & Russell E.L. Butler - What’s This
Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records
Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.
Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.
The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.
w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds
Tracklist
A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business
B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up
C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start
D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.
Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.
The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.
w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds
Tracklist
A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business
B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up
C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start
D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP, Gatefold Jacket,Black Vinyl
About:
In 1995 The Roots burst onto the scene with their seminal debut album, Do You Want More?!!!??! that garnered critical acclaim and cemented them as a powerhouse group fusing elements of various genres with their signature live instrumentation. Thirty years later in March of 2025, The Roots played a three day, six show residency at the legendary Blue Note Jazz club in New York City where they celebrated their debut by playing it in full - performing many tracks that hadn't been performed live in decades. The performance also brought out special guest appearances from long-time collaborators, Ursula Rucker, Dice Raw and Rahzel, Godfather of Noise.
To cap off the 30 Year Anniversary, The Roots will release the full performance on vinyl. The 2xLP, gatefold package is pressed Black vinyl, and features 21 tracks. ?uestlove spent tireless hours perfecting the mixing and mastering with Glen Forrest and Colin Mohnacs to ensure all elements of the performance were represented on the vinyl.
Key Marketing/Selling:
- The Roots are an American hip hop band formed in 1987 by singer Tariq "Black Thought" Trotter and drummer Ahmir "Questlove" Thompson
- 30th Anniversary live recording of their second studio album, Do You Want More??!??
- Recorded during a three day, six show residency at the legendary Blue Note Jazz Club in New York City
- 2xLP, Gatefold Jacket, Pressed on Black vinyl
- Art by renowned artist, FWMJ
- The Roots are the house band for The Tonight Show with Jimmy Fallon
- Mixed and Mastered by Glen Forrest and Colin Mohnacs
Tracklist:
Side A
18. Bass Intro/There's Something Goin' On/Love
35. Respond/React
36. Section
24. Lazy Afternoon pt 1
20. Distortion To Static
Side B
19. Proceed
51. One Shine
21. Mellow My Man
38. It Just Don't Stop
37. Panic!!!!!
22. I Remain Calm
Side C
24. Lazy Afternoon pt 2
23. Datskat
43. Concerto Of The Desperado
26. Do You Want More?!!!??!
29. Swept Away
24. Lazy Afternoon pt 3
Side D
31. Silent Treatment
33. The Unlocking (feat Ursula Rucker)
182. Proceed 2
32. The Lesson Pt. 1 (feat Dice Raw)
Socials:
Twitter: 248.7k followers
IG: 929k followers
FB: 1.7M followers
YT: 587k subs / 326.7M views
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About:
In 1995 The Roots burst onto the scene with their seminal debut album, Do You Want More?!!!??! that garnered critical acclaim and cemented them as a powerhouse group fusing elements of various genres with their signature live instrumentation. Thirty years later in March of 2025, The Roots played a three day, six show residency at the legendary Blue Note Jazz club in New York City where they celebrated their debut by playing it in full - performing many tracks that hadn't been performed live in decades. The performance also brought out special guest appearances from long-time collaborators, Ursula Rucker, Dice Raw and Rahzel, Godfather of Noise.
To cap off the 30 Year Anniversary, The Roots will release the full performance on vinyl. The 2xLP, gatefold package is pressed Black vinyl, and features 21 tracks. ?uestlove spent tireless hours perfecting the mixing and mastering with Glen Forrest and Colin Mohnacs to ensure all elements of the performance were represented on the vinyl.
Key Marketing/Selling:
- The Roots are an American hip hop band formed in 1987 by singer Tariq "Black Thought" Trotter and drummer Ahmir "Questlove" Thompson
- 30th Anniversary live recording of their second studio album, Do You Want More??!??
- Recorded during a three day, six show residency at the legendary Blue Note Jazz Club in New York City
- 2xLP, Gatefold Jacket, Pressed on Black vinyl
- Art by renowned artist, FWMJ
- The Roots are the house band for The Tonight Show with Jimmy Fallon
- Mixed and Mastered by Glen Forrest and Colin Mohnacs
Tracklist:
Side A
18. Bass Intro/There's Something Goin' On/Love
35. Respond/React
36. Section
24. Lazy Afternoon pt 1
20. Distortion To Static
Side B
19. Proceed
51. One Shine
21. Mellow My Man
38. It Just Don't Stop
37. Panic!!!!!
22. I Remain Calm
Side C
24. Lazy Afternoon pt 2
23. Datskat
43. Concerto Of The Desperado
26. Do You Want More?!!!??!
29. Swept Away
24. Lazy Afternoon pt 3
Side D
31. Silent Treatment
33. The Unlocking (feat Ursula Rucker)
182. Proceed 2
32. The Lesson Pt. 1 (feat Dice Raw)
Socials:
Twitter: 248.7k followers
IG: 929k followers
FB: 1.7M followers
YT: 587k subs / 326.7M views
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The next instalment in the classic DJ-Kicks series is a selection of rapturous house, blissed-out breaks, and transcendent rave from the high priestess of the motherbeat herself, Chicago’s Eris Drew.
Listen LP: https://listen.k7.com/820f2d6c-6165-442d-86b5-0ff0e2b39115
VINYL TRACKLIST
A1 Zen Experience - People Won't You Come Along
A2 Motion Blue - Scream
B1 Direct 2 Disc - Excuse Me (Stab Mix) B2 Darwin Chamber & DJ Utopia - Tribute (DJ Utopia’s Mix)
B3 Octo Octa - Cabin Dance
C1 Eris Drew - Hope In a Smoke Filled Room
C2 Toka Project - Toka Love Project D1 Eskimos & Egypt - Fall from Grace (Moby Mix - Distressed Version)
D2 Eris Drew - Momentary Phase Transition
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen LP: https://listen.k7.com/820f2d6c-6165-442d-86b5-0ff0e2b39115
VINYL TRACKLIST
A1 Zen Experience - People Won't You Come Along
A2 Motion Blue - Scream
B1 Direct 2 Disc - Excuse Me (Stab Mix) B2 Darwin Chamber & DJ Utopia - Tribute (DJ Utopia’s Mix)
B3 Octo Octa - Cabin Dance
C1 Eris Drew - Hope In a Smoke Filled Room
C2 Toka Project - Toka Love Project D1 Eskimos & Egypt - Fall from Grace (Moby Mix - Distressed Version)
D2 Eris Drew - Momentary Phase Transition
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Neue Grafik - Rachael Pt. I
2
Neue Grafik - Narcissus 909
3
Neue Grafik - Voight Kampff 808
4
Neue Grafik - Bold
5
Neue Grafik - 1200 Prophecy
6
Neue Grafik - Rachael Pt. 2
7
Neue Grafik - Romantic Chlamydia
8
Neue Grafik - Childhood Memories
9
Neue Grafik - Lullaby For Crackheads
10
Neue Grafik - Rise Of A.
Neue Grafik has steadily built a strong reputation in recent years with releases on esteemed labels such as Rhythm Section, 22a, CoOp Presents, and Wolf Music. His sound is a distinctive fusion of jazz, house, and hip hop, infused with his African heritage, Parisian background, and a deep appreciation for London genres like broken beat and grime.
Neue Grafik first made a lasting impression on the community at Total Refreshment Centre (TRC)—the heart of London’s thriving jazz scene—during a spontaneous after-hours jam. Since then, there has been collaborations with notable artists including Nubya Garcia, Emma-Jean Thackray, Brother Portrait, Lord Apex and Allysha Joy.
The new album, ”Rachael”, is set for release on January 30th 2026. It stands as Neue Grafik's most ambitious project to date. Developed over the past year, the album explores themes inspired by the character of Rachael from the movie Blade Runner, representing the journey of love in all means, intimate, raw, tough, organic and honest offering a rich, emotional journey that balances lightness with depth—an introspective dive into the artist's evolving musical identity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Neue Grafik first made a lasting impression on the community at Total Refreshment Centre (TRC)—the heart of London’s thriving jazz scene—during a spontaneous after-hours jam. Since then, there has been collaborations with notable artists including Nubya Garcia, Emma-Jean Thackray, Brother Portrait, Lord Apex and Allysha Joy.
The new album, ”Rachael”, is set for release on January 30th 2026. It stands as Neue Grafik's most ambitious project to date. Developed over the past year, the album explores themes inspired by the character of Rachael from the movie Blade Runner, representing the journey of love in all means, intimate, raw, tough, organic and honest offering a rich, emotional journey that balances lightness with depth—an introspective dive into the artist's evolving musical identity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
musclecars & Toribio - A1. That’s My Story (Featuring Roland Clark)
2
musclecars & Toribio - A2. That’s My Story (Breakthrough Dub)
3
musclecars & Toribio - B1. Be Honest
4
musclecars & Toribio - B2. Agua de Florida
Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.
To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!
The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.
‘
Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.
Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!
The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.
‘
Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.
Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More