Label:Quiet Time Tapes
Cat-No:QTT31
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Quiet Time Tapes
Cat-No:QTT31
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:LP
1
Aris Kindt - Saichh Sequences
2
Aris Kindt - Now Claims My Timid Sight
3
Aris Kindt - Shake Loose And Fall
4
Aris Kindt - They Have The World Behind Them
5
Aris Kindt - Time Measures
6
Aris Kindt - Letters To Felice
7
Aris Kindt - Alter
8
Aris Kindt - Removal Plan
On Now Claims My Timid Heart, Harris and Hedrick continue the experiment started on Swann and Odette, crafting closed systems that promote a hushed correspondence between their sonic (Basic Channel, drone metal) and literary influences (Kafka, Sebald, Pynchon).
On this album (their first record since 2017 as well as their first release on NYC’s Quiet Time Tapes), Harris and Hedrick eliminated much of music’s normal dependence on physical space, instead creating hermetically sealed sonic ‘rooms’ where the songs can live by sending samples and loops through convolution reverb. Each of the eight tracks on Timid Heart is fundamentally, thus, a field recording from an inaccessible world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On this album (their first record since 2017 as well as their first release on NYC’s Quiet Time Tapes), Harris and Hedrick eliminated much of music’s normal dependence on physical space, instead creating hermetically sealed sonic ‘rooms’ where the songs can live by sending samples and loops through convolution reverb. Each of the eight tracks on Timid Heart is fundamentally, thus, a field recording from an inaccessible world.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Aris Kindt
Label:HFN Music
Cat-No:kds001lp
Release-Date:20.10.2017
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
Label:HFN Music
Cat-No:kds001lp
Release-Date:20.10.2017
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
LP, colored (grey marbeled) vinyl, Limited edition, download code + 2 Bonustracks
Tracklist LP:
A1. Swann and Odette
A2. New Gods of Prudence
A3. Several Wolves
B1. Taking 33
B2. Seagraves
B3. A Second Type of Problem
B4. Treatise
B5. Still Undivided
On October, 20, 2017, ambient shoegaze duo Aris Kindt launch the new Kingdoms imprint with their second album, Swann and Odette.
Picking up where their first record (2015's Floods) leaves off, Swann and Odette is an evolutionary leap forward for the duo. The sonic palette is deeper, the grooves more sparse and the melodies are given more room to seep deep within a mix so expansive it feels almost tactile.
This is heady, opulent stuff. The album is immaculately produced and cunningly arranged to sidestep easy classification while not sacrificing accessibility and authentic feeling.
Aris Kindt is the collaborative project of Gabe Hedrick and Francis Harris (Scissor and Thread). Harris has previously released the albums Leland (2012) and Minutes of Sleep (2014), both of which have been lauded "for (their) extensive use of live instruments, a contrasting feature to his work done before" (last.fm, 2016). Building on this approach, Hedrick adds his own sonic signature in effects-laden layers of electric guitar and modular synthesizer. Collectively, the album swells and reverberates to create a seamless interplay of synths and instrumentation cast loose from their origins and awash in oceanic delay.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist LP:
A1. Swann and Odette
A2. New Gods of Prudence
A3. Several Wolves
B1. Taking 33
B2. Seagraves
B3. A Second Type of Problem
B4. Treatise
B5. Still Undivided
On October, 20, 2017, ambient shoegaze duo Aris Kindt launch the new Kingdoms imprint with their second album, Swann and Odette.
Picking up where their first record (2015's Floods) leaves off, Swann and Odette is an evolutionary leap forward for the duo. The sonic palette is deeper, the grooves more sparse and the melodies are given more room to seep deep within a mix so expansive it feels almost tactile.
This is heady, opulent stuff. The album is immaculately produced and cunningly arranged to sidestep easy classification while not sacrificing accessibility and authentic feeling.
Aris Kindt is the collaborative project of Gabe Hedrick and Francis Harris (Scissor and Thread). Harris has previously released the albums Leland (2012) and Minutes of Sleep (2014), both of which have been lauded "for (their) extensive use of live instruments, a contrasting feature to his work done before" (last.fm, 2016). Building on this approach, Hedrick adds his own sonic signature in effects-laden layers of electric guitar and modular synthesizer. Collectively, the album swells and reverberates to create a seamless interplay of synths and instrumentation cast loose from their origins and awash in oceanic delay.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Scissor And Thread
Cat-No:sat024cd
Release-Date:20.11.2015
Genre:Alternative/Electronic
Configuration:CD Excl
Label:Scissor And Thread
Cat-No:sat024cd
Release-Date:20.11.2015
Genre:Alternative/Electronic
Configuration:CD Excl
1
Aris Kindt - Now Grey
2
Aris Kindt - Floods
3
Aris Kindt - Blue Sky Shoes
4
Aris Kindt - Snowbird
5
Aris Kindt - Every New Thing
6
Aris Kindt - Embers
7
Aris Kindt - Braids
Tracklist CD/LP :
01 / A1: Now Grey 02 / A2: Floods 03 / A3: Blue Sky Shoes 04 / A4: Snowbird 05 / B1: Every New Thing 06 / B2: Embers 07 / B3: Braids
Through dense layers of noise, brittle beats, found sounds and a general haze, Francis Harris returns to his own Scissor and Thread imprint, with the aid of frequent collaborator, and longtime friend, guitarist Gabe Hedrick, under the guise Aris Kindt. Following Harris' 2014 sophomore solo album, "Minutes of Sleep," (named Electronic Album of the Year by Mojo Magazine,) the duo's quintessential album debut, "Floods," takes as its focus, the late author W.G. Sebald's profound interpretation of Rembrandt's 1632 master work, The Anatomy Lesson of Dr. Nicolaes Tulp. "Floods" is a sonic journey into the heart of the body, a bold rejuvenation of Adriaan Adriaanszoon (Aris Kindt), once a mere cadaver on a cold metal slab, now a living breathing human at the heart of a creative shift in vantage point from object to active subject. Much in the same way Rembrandt intended with the painting itself, "Floods" attempts to subvert the listeners memory of a moment.
Written within a span of over a year using an 808, a modular eurorack and two guitars, "Floods" was mixed at Keyclub Recording Company in late August with Engineer Bill Skibbe. The album charts new territory for both Harris and Hedrick, melding a long history with electronic music and youthful love for indie noise, weaving in and out of near silence and sheering walls of sound with a gentle and constant heartbeat at its core.
The dream-like murk of album opener "Now Grey" sets the tone with thick pads, distant, ghostly guitar work and fragmented drums. On the title track, dubby chords set the tone, as subdued toms amble forward, with a crackling of fire nearby, as a dense sounds echo and swirl around into a climactic frenzy. "Blue Sky Shoes" hypnotizes with its submerged strings and subaquatic patterning, as synths rain down like streaks breaking the surface. "Snowbird" builds into a repressed fury as a blizzard of toms bounce around a heavy layer of noise while a morose and longing string arrangement emerges from despair into an ethereal moment. "Every New Thing" dives deep again into murky waters with entrancing drums and warped guitar lines swirling around like sirens. "Embers" with its quiet demeanor, slowly builds to an enlightened peak, while the closing track, "Braids", sees Harris and Co. touch upon a shoe gaze fog of churning guitar work and dense noise, as the sound of children swinging drifts in and out, as if trying desperately to recover a fragmented memory of lost time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
01 / A1: Now Grey 02 / A2: Floods 03 / A3: Blue Sky Shoes 04 / A4: Snowbird 05 / B1: Every New Thing 06 / B2: Embers 07 / B3: Braids
Through dense layers of noise, brittle beats, found sounds and a general haze, Francis Harris returns to his own Scissor and Thread imprint, with the aid of frequent collaborator, and longtime friend, guitarist Gabe Hedrick, under the guise Aris Kindt. Following Harris' 2014 sophomore solo album, "Minutes of Sleep," (named Electronic Album of the Year by Mojo Magazine,) the duo's quintessential album debut, "Floods," takes as its focus, the late author W.G. Sebald's profound interpretation of Rembrandt's 1632 master work, The Anatomy Lesson of Dr. Nicolaes Tulp. "Floods" is a sonic journey into the heart of the body, a bold rejuvenation of Adriaan Adriaanszoon (Aris Kindt), once a mere cadaver on a cold metal slab, now a living breathing human at the heart of a creative shift in vantage point from object to active subject. Much in the same way Rembrandt intended with the painting itself, "Floods" attempts to subvert the listeners memory of a moment.
Written within a span of over a year using an 808, a modular eurorack and two guitars, "Floods" was mixed at Keyclub Recording Company in late August with Engineer Bill Skibbe. The album charts new territory for both Harris and Hedrick, melding a long history with electronic music and youthful love for indie noise, weaving in and out of near silence and sheering walls of sound with a gentle and constant heartbeat at its core.
The dream-like murk of album opener "Now Grey" sets the tone with thick pads, distant, ghostly guitar work and fragmented drums. On the title track, dubby chords set the tone, as subdued toms amble forward, with a crackling of fire nearby, as a dense sounds echo and swirl around into a climactic frenzy. "Blue Sky Shoes" hypnotizes with its submerged strings and subaquatic patterning, as synths rain down like streaks breaking the surface. "Snowbird" builds into a repressed fury as a blizzard of toms bounce around a heavy layer of noise while a morose and longing string arrangement emerges from despair into an ethereal moment. "Every New Thing" dives deep again into murky waters with entrancing drums and warped guitar lines swirling around like sirens. "Embers" with its quiet demeanor, slowly builds to an enlightened peak, while the closing track, "Braids", sees Harris and Co. touch upon a shoe gaze fog of churning guitar work and dense noise, as the sound of children swinging drifts in and out, as if trying desperately to recover a fragmented memory of lost time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Scissor And Thread
Cat-No:sat024lp
Release-Date:20.11.2015
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
Label:Scissor And Thread
Cat-No:sat024lp
Release-Date:20.11.2015
Genre:Alternative/Electronic
Configuration:Vinyl Album Excl
1
Aris Kindt - Now Grey
2
Aris Kindt - Floods
3
Aris Kindt - Blue Sky Shoes
4
Aris Kindt - Snowbird
5
Aris Kindt - Every New Thing
6
Aris Kindt - Embers
7
Aris Kindt - Braids
Beatifully Made LP Vinyl Package: LP (160 gr colored vinyl, mp3 download code)
Tracklist CD/LP :
01 / A1: Now Grey 02 / A2: Floods 03 / A3: Blue Sky Shoes 04 / A4: Snowbird 05 / B1: Every New Thing 06 / B2: Embers 07 / B3: Braids
Through dense layers of noise, brittle beats, found sounds and a general haze, Francis Harris returns to his own Scissor and Thread imprint, with the aid of frequent collaborator, and longtime friend, guitarist Gabe Hedrick, under the guise Aris Kindt. Following Harris' 2014 sophomore solo album, "Minutes of Sleep," (named Electronic Album of the Year by Mojo Magazine,) the duo's quintessential album debut, "Floods," takes as its focus, the late author W.G. Sebald's profound interpretation of Rembrandt's 1632 master work, The Anatomy Lesson of Dr. Nicolaes Tulp. "Floods" is a sonic journey into the heart of the body, a bold rejuvenation of Adriaan Adriaanszoon (Aris Kindt), once a mere cadaver on a cold metal slab, now a living breathing human at the heart of a creative shift in vantage point from object to active subject. Much in the same way Rembrandt intended with the painting itself, "Floods" attempts to subvert the listeners memory of a moment.
Written within a span of over a year using an 808, a modular eurorack and two guitars, "Floods" was mixed at Keyclub Recording Company in late August with Engineer Bill Skibbe. The album charts new territory for both Harris and Hedrick, melding a long history with electronic music and youthful love for indie noise, weaving in and out of near silence and sheering walls of sound with a gentle and constant heartbeat at its core.
The dream-like murk of album opener "Now Grey" sets the tone with thick pads, distant, ghostly guitar work and fragmented drums. On the title track, dubby chords set the tone, as subdued toms amble forward, with a crackling of fire nearby, as a dense sounds echo and swirl around into a climactic frenzy. "Blue Sky Shoes" hypnotizes with its submerged strings and subaquatic patterning, as synths rain down like streaks breaking the surface. "Snowbird" builds into a repressed fury as a blizzard of toms bounce around a heavy layer of noise while a morose and longing string arrangement emerges from despair into an ethereal moment. "Every New Thing" dives deep again into murky waters with entrancing drums and warped guitar lines swirling around like sirens. "Embers" with its quiet demeanor, slowly builds to an enlightened peak, while the closing track, "Braids", sees Harris and Co. touch upon a shoe gaze fog of churning guitar work and dense noise, as the sound of children swinging drifts in and out, as if trying desperately to recover a fragmented memory of lost time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist CD/LP :
01 / A1: Now Grey 02 / A2: Floods 03 / A3: Blue Sky Shoes 04 / A4: Snowbird 05 / B1: Every New Thing 06 / B2: Embers 07 / B3: Braids
Through dense layers of noise, brittle beats, found sounds and a general haze, Francis Harris returns to his own Scissor and Thread imprint, with the aid of frequent collaborator, and longtime friend, guitarist Gabe Hedrick, under the guise Aris Kindt. Following Harris' 2014 sophomore solo album, "Minutes of Sleep," (named Electronic Album of the Year by Mojo Magazine,) the duo's quintessential album debut, "Floods," takes as its focus, the late author W.G. Sebald's profound interpretation of Rembrandt's 1632 master work, The Anatomy Lesson of Dr. Nicolaes Tulp. "Floods" is a sonic journey into the heart of the body, a bold rejuvenation of Adriaan Adriaanszoon (Aris Kindt), once a mere cadaver on a cold metal slab, now a living breathing human at the heart of a creative shift in vantage point from object to active subject. Much in the same way Rembrandt intended with the painting itself, "Floods" attempts to subvert the listeners memory of a moment.
Written within a span of over a year using an 808, a modular eurorack and two guitars, "Floods" was mixed at Keyclub Recording Company in late August with Engineer Bill Skibbe. The album charts new territory for both Harris and Hedrick, melding a long history with electronic music and youthful love for indie noise, weaving in and out of near silence and sheering walls of sound with a gentle and constant heartbeat at its core.
The dream-like murk of album opener "Now Grey" sets the tone with thick pads, distant, ghostly guitar work and fragmented drums. On the title track, dubby chords set the tone, as subdued toms amble forward, with a crackling of fire nearby, as a dense sounds echo and swirl around into a climactic frenzy. "Blue Sky Shoes" hypnotizes with its submerged strings and subaquatic patterning, as synths rain down like streaks breaking the surface. "Snowbird" builds into a repressed fury as a blizzard of toms bounce around a heavy layer of noise while a morose and longing string arrangement emerges from despair into an ethereal moment. "Every New Thing" dives deep again into murky waters with entrancing drums and warped guitar lines swirling around like sirens. "Embers" with its quiet demeanor, slowly builds to an enlightened peak, while the closing track, "Braids", sees Harris and Co. touch upon a shoe gaze fog of churning guitar work and dense noise, as the sound of children swinging drifts in and out, as if trying desperately to recover a fragmented memory of lost time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Quiet Time Tapes
1
Gi Gi - Wicker
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Gi Gi - Dreamliner
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Gi Gi - Omnibus
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Gi Gi - Plume
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Gi Gi - Thistle
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Gi Gi - Dizzying
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Gi Gi - Microbi
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Gi Gi - Far-Flung
Gi Gi returns to Quiet Time with a new album, Dreamliner. His last full-length for Quiet Time, Lumino Pleco, was built on familiar samples, melted into a skunky sludge. It evoked a heat-warped meditation cassette unearthed from a Goodwill located in a black hole. The Texas producer’s latest, Dreamliner, is comparably immediate and propulsive. Here, Gi Gi explores spacey, kosmische-laced trip-hop. At first, these eight tracks come across placid and twinkly — calling to mind glitter stars twinkling atop a navy canvas, or tropical sun beams cutting through crystal water. But a jaggedness becomes apparent when lended a focused ear. Beneath slow motion arpeggiations and lullaby melodies, dubby percussion and sound effects gnash and quiver.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ulla Straus - Nana
2
Ulla Straus - House
3
Ulla Straus - Net
4
Ulla Straus - Past
5
Ulla Straus - Billow
6
Ulla Straus - Sister
7
Ulla Straus - Oil
8
Ulla Straus - Petted
Repress!
Ulla’s productions reveal a discerning process of stripping tracks to their essence, letting space, silence, simplicity and repetition be her guide. They lend a magic touch to a difficult and minimal style of music, creating an album that is comforting and tranquil, yet hypnotizing and transportive. Most evidently, UIla’s music is inspired, by emotions and experiences unknown to us, but perhaps best represented in her own words:
“keeping pictures on a wall left there by someone else.
day dreaming about something not real.
hearing a friend walk through the front door.
letting a plant die.
the silence of a room when the box fan is turned off."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ulla’s productions reveal a discerning process of stripping tracks to their essence, letting space, silence, simplicity and repetition be her guide. They lend a magic touch to a difficult and minimal style of music, creating an album that is comforting and tranquil, yet hypnotizing and transportive. Most evidently, UIla’s music is inspired, by emotions and experiences unknown to us, but perhaps best represented in her own words:
“keeping pictures on a wall left there by someone else.
day dreaming about something not real.
hearing a friend walk through the front door.
letting a plant die.
the silence of a room when the box fan is turned off."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Quiet Time Tapes
Cat-No:QTT29
Release-Date:14.07.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Quiet Time Tapes
Cat-No:QTT29
Release-Date:14.07.2023
Genre:Alternative/Electronic
Configuration:LP
1
Bas Relief - The Water Fell
2
Bas Relief - Breathe As Breath Needed
3
Bas Relief - Lot
4
Bas Relief - River In A Lake
5
Bas Relief - Hung Round My Name
6
Bas Relief - Lot (Hospital Gown x Knife Girl Remix)
7
Bas Relief - Hung Round My Name (NNAMDI Remix)
Montreal duo Bas Relief present a collection of rough-cut IDM and pitch-corrected emo on Insulary, a five-song EP out June 2023 on Brooklyn imprint Quiet Time. Written and compiled long distance from threads of bass music-inspired alt pop and guitar recorded in isolation, Insulary is the duo’s first substantial release since 2018. Granulated microglitches fill out the digital drum arrangements, calling on influences Baths and Loraine James, overlaid with warm piano progressions, melancholic guitar loops, and collaged vocal production.
These self-reckoning, forlorn vocals form a patchwork narrative, hazed like a shapeshifted memory, long reconfigured with each conjuring, coherence inconsistent but still there. Recurring dreams find home among recursive passages, self-referencing lyrically and with samples churned through plugins, recorded on loop until you fall upon the most satisfying aha! moment and lock it to the grid. At certain moments all the pieces combine to reminisce in sentimental shards of Porter Robinson or The Postal Service, while never straying from Bas Relief’s own vernacular.
Visiting the past in person simply by walking the routes you took in a life long past, that reenactment of memory, that attempt to capture that which you can’t – it might even be a future – is a central bolt of Insulary’s lyrical content. It’s sentimental, it longs for some past which might not even have existed, and it’s hopeful too, never capitulating to traditional structures in its embrace of unusual stylistic combinations. Insulary – brim-packed with fragments of drum and bass, uptempo electronica, and emo – is but a preview of Bas Relief’s exciting near future
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These self-reckoning, forlorn vocals form a patchwork narrative, hazed like a shapeshifted memory, long reconfigured with each conjuring, coherence inconsistent but still there. Recurring dreams find home among recursive passages, self-referencing lyrically and with samples churned through plugins, recorded on loop until you fall upon the most satisfying aha! moment and lock it to the grid. At certain moments all the pieces combine to reminisce in sentimental shards of Porter Robinson or The Postal Service, while never straying from Bas Relief’s own vernacular.
Visiting the past in person simply by walking the routes you took in a life long past, that reenactment of memory, that attempt to capture that which you can’t – it might even be a future – is a central bolt of Insulary’s lyrical content. It’s sentimental, it longs for some past which might not even have existed, and it’s hopeful too, never capitulating to traditional structures in its embrace of unusual stylistic combinations. Insulary – brim-packed with fragments of drum and bass, uptempo electronica, and emo – is but a preview of Bas Relief’s exciting near future
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liai - Imprince
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Liai - Errata ZZ
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Liai - Four Directions In Flowers
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Liai - Sunsplit Overand
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Liai - 8 Tresses
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Liai - Rebach
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On their debut LP “Pome”, Liai has given us a stunning work of expertly crafted rhythmic ambience, inspired by the intimacy and solitude of the midwestern countryside. Having grown up in rural Missouri, Liai channels the mixed feelings that can accompany solo contemplation in nature - expansiveness, sentimentality, vulnerability and eeriness. This deeply personal set of tracks took 3 years to make, revealed in the precision of sound design and use of space. The work feels at once familiar and organic, yet technical and futuristic, almost alien - a product of digital melodies, granular processing and frequent sampling of their own previous works.
Bio:
By way of rural Missouri to Chicago to New York, Liai melds sonic elements of each city from pastoral, expansive drones to Chicago experimentalism and the rhythmic ambient that’s arriving on both coasts of the US. With two albums forthcoming, their work marks the meeting point of experimental sound design with emotional pop-like melodies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Bio:
By way of rural Missouri to Chicago to New York, Liai melds sonic elements of each city from pastoral, expansive drones to Chicago experimentalism and the rhythmic ambient that’s arriving on both coasts of the US. With two albums forthcoming, their work marks the meeting point of experimental sound design with emotional pop-like melodies.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Rødhåd and Vril return with the third chapter of their ongoing collaboration, OUT OF PLACE ARTEFACTS III, released on WSNWG.
While the preceding volumes laid out the duo‘s ongoing investigation into the numinous aspects of sound and texture, this chapter can be conceived as a clearing of sonic space. The compositions appear more deliberate, their architecture more explicit. Yet beneath the surface, the familiar tension between disorder and clarity shapes the record’s structural framework.
What emerges is an album of uncanny cinematic melancholia, the traces of which were already present in the earlier volumes, now coming to full bloom. The evoked landscapes appear widescreen in scope, although the record’s feel remains oddly intimate. It is never clear whether one expands into the furthest realms of outer-space loneliness or navigates through the densest of earthly topographies.
The heightened presence of acoustic instruments and human voice expands the project’s sonic spectrum. In the convergence of the organic and the synthethic, esoteric melodies rise and vanish, as obscured rhythms break into precision, resonating motion-picture nostalgia while remaining uniquely modern and anticipatory. What we encounter is OOPA‘s true aesthetic nature: a deeply human sense of playfulness and curiosity fused with a strangely alien and otherworldly detachment.
1. Intergalactic Announcement
2. Calar Infinitos
3. Closed Loop Grids
4. Panopticum
5. Biomath
6. Wunschmaschine
7. Healing Of A Ghost feat. Sara Clarke
8. Secular System
9. My Battery Is Low And It’s Getting Dark
10. Datasette
11. Quand Le Temps S´Arrête
12. Help Is On The Way
13. Quantum Waltz feat. Peryl
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
While the preceding volumes laid out the duo‘s ongoing investigation into the numinous aspects of sound and texture, this chapter can be conceived as a clearing of sonic space. The compositions appear more deliberate, their architecture more explicit. Yet beneath the surface, the familiar tension between disorder and clarity shapes the record’s structural framework.
What emerges is an album of uncanny cinematic melancholia, the traces of which were already present in the earlier volumes, now coming to full bloom. The evoked landscapes appear widescreen in scope, although the record’s feel remains oddly intimate. It is never clear whether one expands into the furthest realms of outer-space loneliness or navigates through the densest of earthly topographies.
The heightened presence of acoustic instruments and human voice expands the project’s sonic spectrum. In the convergence of the organic and the synthethic, esoteric melodies rise and vanish, as obscured rhythms break into precision, resonating motion-picture nostalgia while remaining uniquely modern and anticipatory. What we encounter is OOPA‘s true aesthetic nature: a deeply human sense of playfulness and curiosity fused with a strangely alien and otherworldly detachment.
1. Intergalactic Announcement
2. Calar Infinitos
3. Closed Loop Grids
4. Panopticum
5. Biomath
6. Wunschmaschine
7. Healing Of A Ghost feat. Sara Clarke
8. Secular System
9. My Battery Is Low And It’s Getting Dark
10. Datasette
11. Quand Le Temps S´Arrête
12. Help Is On The Way
13. Quantum Waltz feat. Peryl
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1
Jordan Fields - And Don't You
2
Jordan Fields - Things Are Gonna Get Better
3
Jordan Fields - What Love Can Bring
4
Jordan Fields - Yes Yes
5
Jordan Fields - Everybody's Temperature's Rising
6
Jordan Fields - Dub You Remember
7
Jordan Fields - Keep On Dubbin The Groove
Legendary trax from the DUB MASTER himself, freshly compiled for MOOD GROOVE MUSIC! The bass is heavy, the drums are crispy and the vocals tell a story we all hear differently. Fans of JEREMY SYLVESTER, TODD EDWARDS and SMACK take notice. Full color sleeve, limited pressing.
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Germany
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1
Floorplan - Eternal Life
2
Floorplan - Eternal Life (Mix 2)
3
Robert Hood - God Flow
4
Robert Hood - The Throne
Tracklist
A1. Floorplan - Eternal Life
A2. Floorplan - Eternal Life (Mix 2)
B1. Robert Hood - God Flow
B2. Robert Hood - The Throne
"Eternal Life EP" is a double A-side release featuring two mixes of the title track by father-daughter duo, Floorplan alongside two new solo tracks by Robert Hood.
The glorious "Eternal Life" is an infectious track to raise the roof as only Floorplan can, whether it's Lyric and Robert's tough House A1 version or the more stripped back Mix 2. Flipping to the AA-side Robert delivers his signature "real" minimal Techno sound on the shimmering "God Flow" before closing out with the darker tones of "The Throne". It's an essential release that can take you all the way from daytime festival fields through to late night warehouse dance floors on one EP.
Floorplan x Robert Hood "Eternal Life EP" will follow the vinyl release of Robert Hood's "Art Project EP" which will hit record stores from 13 June.
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DE - 22113 Hamburg
Germany
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A1. Floorplan - Eternal Life
A2. Floorplan - Eternal Life (Mix 2)
B1. Robert Hood - God Flow
B2. Robert Hood - The Throne
"Eternal Life EP" is a double A-side release featuring two mixes of the title track by father-daughter duo, Floorplan alongside two new solo tracks by Robert Hood.
The glorious "Eternal Life" is an infectious track to raise the roof as only Floorplan can, whether it's Lyric and Robert's tough House A1 version or the more stripped back Mix 2. Flipping to the AA-side Robert delivers his signature "real" minimal Techno sound on the shimmering "God Flow" before closing out with the darker tones of "The Throne". It's an essential release that can take you all the way from daytime festival fields through to late night warehouse dance floors on one EP.
Floorplan x Robert Hood "Eternal Life EP" will follow the vinyl release of Robert Hood's "Art Project EP" which will hit record stores from 13 June.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Label:Astral Industries
Cat-No:AI-41
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Astral Industries
Cat-No:AI-41
Release-Date:06.02.2026
Genre:Electronic, Electronica
Configuration:2LP
1
Robert Henke - Layer 001/002
2
Robert Henke - Layer 003/004
3
Robert Henke - Layer 005/006/007
4
Robert Henke - Layer 008/009/010
2x12" 180g black vinyl//re-mastered by Robert Henke//original artwork by Theo Ellsworth.
For AI-41 Astral Industries presents a vinyl reissue of Robert Henke's multifaceted concept album 'Layering Buddha'. An erudite masterclass on sampling and composition, 'Layering Buddha' encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself.
Originally released in 2006, 'Layering Buddha' began with a curious encounter with the 'Buddha Machine' - a pocket-sized, battery powered playback device that, over the past two decades, has quietly achieved a cult status around the world. Conceived by the Beijing-based group FM3 (Christiaan Virant, Zhang Jian), the machine takes inspiration from Tibetan Buddhist prayer boxes and consists of nine sound loop compositions of varying length, which can be toggled with a single switch. Due to low production cost and manufacturing imperfections, each Buddha Machine is unique, giving slight variations in sound, pitch and duration.
Using a state of the art A/D converter Henke made high quality recordings from a single machine, providing the source material for the album. Through various processing and arrangement methods, new pieces emerged, most of them all deriving from a single source loop. The pieces were then set up on the computer as generative arrangements, living as continuously permutating structures that could theoretically go on forever - just as the loops do within the Buddha Machines…
The final pieces featured on the album are rendered excerpts of these infinite permutations, and therefore exist as momentary views on a perpetual machinery, as opposed to closed works. Upon initial exploration, it also became a natural development to format the work into an immersive multi-speaker performance - which premiered on January 31, 2007.?
Within the music, subtle artefacts and idiosyncrasies are transmuted into new realms of texture and timbre. Through the extractive hand of subtle augmentations, an array of ethereal dimensions emerge from the vast unseen ocean. Suspended in a sense of timelessness, their undulating rhythms point to a pool of endless mysteries.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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For AI-41 Astral Industries presents a vinyl reissue of Robert Henke's multifaceted concept album 'Layering Buddha'. An erudite masterclass on sampling and composition, 'Layering Buddha' encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself.
Originally released in 2006, 'Layering Buddha' began with a curious encounter with the 'Buddha Machine' - a pocket-sized, battery powered playback device that, over the past two decades, has quietly achieved a cult status around the world. Conceived by the Beijing-based group FM3 (Christiaan Virant, Zhang Jian), the machine takes inspiration from Tibetan Buddhist prayer boxes and consists of nine sound loop compositions of varying length, which can be toggled with a single switch. Due to low production cost and manufacturing imperfections, each Buddha Machine is unique, giving slight variations in sound, pitch and duration.
Using a state of the art A/D converter Henke made high quality recordings from a single machine, providing the source material for the album. Through various processing and arrangement methods, new pieces emerged, most of them all deriving from a single source loop. The pieces were then set up on the computer as generative arrangements, living as continuously permutating structures that could theoretically go on forever - just as the loops do within the Buddha Machines…
The final pieces featured on the album are rendered excerpts of these infinite permutations, and therefore exist as momentary views on a perpetual machinery, as opposed to closed works. Upon initial exploration, it also became a natural development to format the work into an immersive multi-speaker performance - which premiered on January 31, 2007.?
Within the music, subtle artefacts and idiosyncrasies are transmuted into new realms of texture and timbre. Through the extractive hand of subtle augmentations, an array of ethereal dimensions emerge from the vast unseen ocean. Suspended in a sense of timelessness, their undulating rhythms point to a pool of endless mysteries.
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Germany
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1
Skee Mask - The Usual Suspects
2
Skee Mask - Primotiv
3
Skee Mask - Nights & Music
4
Skee Mask - Highkey Phasing
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DE - 22113 Hamburg
Germany
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1
Soulwax - Run Free (Nite Version)
2
Soulwax - All Systems Are Lying (Nite Version)
Following the release of their album, Soulwax return with ‘All Systems Are Lying / Run Free (Nite Versions)’. A reimagined evolution of their sound. Driven by deep basslines, hypnotic synths, and the duo’s signature sound, these Nite Versions transform the originals into electrifying, immersive soundscapes built for the nightclub.
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DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
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1
Skee Mask - TR Nautila
2
Skee Mask - Panic Button
3
Skee Mask - MD25
4
Skee Mask - LCC Rotation
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1
Deetroit - It's From A Dream
2
Deetroit - Circa 92
3
Deetroit - Epiphany
4
Deetroit - The Rhythim
5
Deetroit - People Mover To The Phuture
6
Deetroit - 56K And The Fax Machine
Imagine a secret warehouse with MIKE HUCKABY, ROY AYERS & MR. FINGERS in a jam session and you'd get "IT'S FROM A DREAM." Reaching back to the early Detroit Techno and Chicago House with a raw spirit throughout. Full pic sleeve. Limited pressing. Don't miss it.
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1
Mark De Clive-Lowe, Tommaso Cappellato, - Terra De Luz
2
Mark De Clive-Lowe, Tommaso Cappellato, - Kaze No Michi
3
Mark De Clive-Lowe, Tommaso Cappellato, - Raise It Up
4
Mark De Clive-Lowe, Tommaso Cappellato, - Back Channels
5
Mark De Clive-Lowe, Tommaso Cappellato, - Pam
6
Mark De Clive-Lowe, Tommaso Cappellato, - Lucid Dreams
7
Mark De Clive-Lowe, Tommaso Cappellato, - The Bass That Don't Stop
8
Mark De Clive-Lowe, Tommaso Cappellato, - Sakura Fubuki
Dreamweavers II sees Mark de Clive-Lowe reunited with Italian rhythm masters Andrea Lombardini and Tommaso Cappellato for the next chapter in their electro-acoustic trio journey.
Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.
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Germany
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Recorded at Sotto il Mare Recording Studios in Verona, Italy in summer 2024, the album builds on the cosmic, hypnotic language established on Dreamweavers (2020) while pushing deeper into groove-driven terrain, dancefloor jazz and textural improvisation. Across eight tracks, the trio explore the elastic space between jazz tradition, beat culture, and club-influenced momentum – without samples or looping – relying purely on live interaction, feel and shared intuition.Opening with the Azymuth-inspired “Terra de Luz,” the album immediately signals its global outlook. “Kaze no Michi” follows with late-night Tokyo energy – dancefloor jazz that feels equally at home in jazz clubs or after-hours rooms. Two intentional reinterpretations bridge jazz and beat culture: J Dilla’s “Raise It Up” (from Slum Village – Fantastic Vol. 2) is reimagined with its original groove and bass line as the launch pad, while “The Bass That Don’t Stop” becomes a lush house-jazz tribute to the late Phil Asher, originally co-created by Asher and de Clive-Lowe in 2002 under the moniker musiclovelife.Bassist Andrea Lombardini’s “Pam” brings the album inward – introspective, spacious, and deeply melodic; while “Lucid Dreams” draws on the trio’s shared love of jungle, drum’n’bass and the exploratory spirit of greats like Chick Corea, amplifying the journey with forward motion and harmonic curiosity.Dreamweavers II is a concisely intentional sound narrative: a trio record rooted in jazz lineage, shaped by beat culture and guided by a collective curiosity for texture, rhythm, and movement.
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1
Chez Damier & Stacey Pullen - "Forever Monna"
2
Chez Damier & Stacey Pullen - "Forever Monna" (Deep mix)
3
Chez Damier & Stacey Pullen - "Forever Monna" (Ron & Chez remastered mix)
4
Chez Damier & Stacey Pullen - "Forever Monna" (Rex club mix)
Finally, after a long time, a new edition of this timeless classic of deep house music.
Back to Life together with Chez Damier has done a long research work: for the first time all versions of the original EP are repressed on the same vinyl with accurate version names and some hidden gems.
Don't miss it! For true collectors!
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Back to Life together with Chez Damier has done a long research work: for the first time all versions of the original EP are repressed on the same vinyl with accurate version names and some hidden gems.
Don't miss it! For true collectors!
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Label:Forever Living Originals
Cat-No:FLO00022CD
Release-Date:24.04.2026
Genre:Soul/Funk
Configuration:CD
Label:Forever Living Originals
Cat-No:FLO00022CD
Release-Date:24.04.2026
Genre:Soul/Funk
Configuration:CD
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1
Placid Angles - Sainte Anne
2
Placid Angles - I Want What I Want (ft. Sophia Stel)
3
Placid Angles - We Cry With You
4
Placid Angles - Canada
5
Placid Angles - Reminds Me of the Rain
6
Placid Angles - Sun
7
Placid Angles - Tides Alternate (ft. Tom VR)
8
Placid Angles - Wildfire (ft. Yushh)
9
Placid Angles - Hero
10
Placid Angles - Hands of Love
11
Placid Angles - Sweet Morning Dream
Territory: World ex US & CA
Tracklist:
A1 / Sainte Anne
A2 / I Want What I Want (ft. Sophia Stel)
A3 / We Cry With You
B1 / Canada
B2 / Reminds Me of the Rain
C1/ Sun
C2/ Tides Alternate (ft. Tom VR)
C3/ Wildfire (ft. Yushh)
D1/ Hero
D2/ Hands of Love
D3/ Sweet Morning Dream
Info
With over 20 albums under his belt, John Beltran returns to his much-loved Placid Angles project with one of his strongest albums to date. Years of experience have brought a deep focus and awareness of textures, space and emotion that reveal a producer at the top of his game.
From the sound of slowly moving mountains that is the title track "Canada" to the breakbeat-laden "Hero BK" and collaborations with Sophia Stel, Tom VR, and Yussh, it's easy to hear why this album is special.
Beltran notes, "Everything from the scenery to the people just made sense, so I decided to dedicate this record to them and that beautiful country." He adds, "I think you'll hear a little bit of all of the Placid records in this one. I encapsulated what the project has always been and will continue to be moving forward."
On "Canada", the past is present in a joyous way, a record full of emotion and ambience connecting nostalgia with the now.
"That's what Placid Angles is," Beltran says. "A peek back into that wonderful era of music."
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Tracklist:
A1 / Sainte Anne
A2 / I Want What I Want (ft. Sophia Stel)
A3 / We Cry With You
B1 / Canada
B2 / Reminds Me of the Rain
C1/ Sun
C2/ Tides Alternate (ft. Tom VR)
C3/ Wildfire (ft. Yushh)
D1/ Hero
D2/ Hands of Love
D3/ Sweet Morning Dream
Info
With over 20 albums under his belt, John Beltran returns to his much-loved Placid Angles project with one of his strongest albums to date. Years of experience have brought a deep focus and awareness of textures, space and emotion that reveal a producer at the top of his game.
From the sound of slowly moving mountains that is the title track "Canada" to the breakbeat-laden "Hero BK" and collaborations with Sophia Stel, Tom VR, and Yussh, it's easy to hear why this album is special.
Beltran notes, "Everything from the scenery to the people just made sense, so I decided to dedicate this record to them and that beautiful country." He adds, "I think you'll hear a little bit of all of the Placid records in this one. I encapsulated what the project has always been and will continue to be moving forward."
On "Canada", the past is present in a joyous way, a record full of emotion and ambience connecting nostalgia with the now.
"That's what Placid Angles is," Beltran says. "A peek back into that wonderful era of music."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More