Tracklisting
A1 SND & RTN feat. Vale - Feedback in Dub
A2 SND & RTN - Istari
B1 SND & RTN - The Orb
B2 SND & RTN - Hear a Man

Sales Note
2026 repress on black 180g vinyl in black disco sleeve.


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Tracklisting
A1 SND & RTN - Deep Sea Diver
A2 SND & RTN - Resilient
B1 SND & RTN - Quantum Noise
B2 SND & RTN - Zafiro

Sales Note
SND & RTN dives to the utmost depths on ECHOLTD015. Mastered on a reel to reel tape machine cut on 12" 180g aquamarine colored vinyl.

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Tracklisting
A1 SND & RTN - The Mole
A2 SND & RTN - The Vacuum of Space
B1 SND & RTN - Rhudaur
B2 SND & RTN - Noise Factory

Sales Note
ECHOLTD013: Mastered on a reel to reel tape machine cut on 12" 180g Gold marbled vinyl.

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Tracklisting
A1 SND & RTN - Stampersgat
A2 SND & RTN - D55
A3 SND & RTN - Black Sun
B1 SND & RTN - Stardust
B2 SND & RTN - Rhydonium
B3 SND & RTN - 1309

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Tracklisting
A1 SND & RTN - Starlight
A2 SND & RTN - Untold Perils
B1 SND & RTN - Badman
B2 SND & RTN - World Between Worlds

Sales Note
Mastered on a reel to reel tape machine cut on 12" 180g black vinyl.

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Tracklisting:
A1 SND & RTN - Voice From The Outerworld
A2 SND & RTN - Unknown Depths
B1 SND & RTN - Clouds
B2 SND & RTN - Deep Space

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Tracklisting:
A1 SND & RTN - Pyke
A2 SND & RTN - Defiled
A3 SND & RTN - #H1317
B1 SND & RTN - Unknown Regions
B2 SND & RTN - Chord Marauder
B3 SND & RTN - The Outer Rim

Sales Note
ECHOLTD006: 12" LP 180g black / slightly silver vinyl.
2 stickers included.


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- 2022 repress -

blue vinyl / 180 grams / stickered sleeve

Tracklisting:
A1 SND & RTN - Dub Sorcerer
A2 SND & RTN - Mad Organ
A3 SND & RTN - Struisvogel
B1 SND & RTN - Down The Rabbit Hole
B2 SND & RTN - 28.7
B3 SND & RTN - Send and Return

Sales Note
ECHOLTD003 Blue Repress: 12" LP 180g solid blue vinyl.

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Tracklist:
Tracklisting:
A1 SND & RTN - Chain Reaction
A2 SND & RTN - TH.12.9.
A3 SND & RTN - Floating Echoes
B1 SND & RTN - Ice
B2 SND & RTN - Locked
B3 SND & RTN - 77

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Tracklisting
A1 Uakoz - Sloth
A2 Uakoz - Patience
A3 Uakoz - Pride
B1 Uakoz - Land Of Many
B2 Uakoz - Just Like
B3 Uakoz - Greed

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Tracklisting
A1 Xqte - Voz Del Ritmo
A2 Xqte - Voz Del Ritmo - Loop 1
A3 Xqte - Voz Del Ritmo - Loop 2
A4 Xqte - Voz Del Ritmo - Loop 3
A5 Xqte - Groove Farm
A6 Xqte - Groove Farm - Loop 1
A7 Xqte - Groove Farm - Loop 2
A8 Xqte - Groove Farm - Loop 3
A9 Xqte - Spiral Drive
A10 Xqte - Spiral Drive - Loop 1
A11 Xqte - Loose Fit
B1 Xqte - Mono Conga
B2 Xqte - Pulsework
B3 Xqte - Cyclic Motion
B4 Xqte - Root Sync
B5 Xqte - Spin 9
B6 Xqte - Spin 9 - Loop 1

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Tracklisting
A1 Kodama - Humanoid
A2 Dawn Razor & Confluence - Spring Tube
B1 Kodama - Humanoid (JSPRV35 remix)
B2 Marco Effe & Dario Mass - The Light Was Silent
B3 JSPRV35 - Scarf

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Tracklisting:
A1 Mattia Dambrosio - Flatline
A2 Mattia Dambrosio - Fondamenta
B1 Mattia Dambrosio - Surface
B2 Mattia Dambrosio - Dust
B3 Mattia Dambrosio - Rust

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Tracklisting
A1 Unknown Artist - Calinda
B1 Unknown Artist - Shake that Ass
B2 Unknown Artist - Madan

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Tracklisting
A1 Mython - Translate
A2 Mython - Swift
A3 Mython - Two For One
B1 Mython - Hertsmere Road
B2 Mython - LFOverload
B3 Mython - OFF

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Lapalux (Stuart Howard) is a UK-based experimental electronic music producer known for his emotionally charged sound design, intricate textures, and immersive sonic storytelling. With releases on Brainfeeder and widespread critical acclaim, Lapalux has built a loyal global following and earned consistent airplay on BBC Radio 1, BBC 6 Music, and NTS. His work has been championed by DJs including Mary Anne Hobbs, Benji B, and Tom Ravenscroft, and praised by outlets such as The Guardian, Resident Advisor, XLR8R, and Clash. Lapalux's music occupies a unique space between IDM, ambient, and leftfield electronica — rich in atmosphere, detail, and feeling.On the Grid is Lapalux's latest EP — a deeply intricate, hardware-driven exploration of rhythm and emotion that fuses fragmented IDM with warm analogue tones and deep dynamics. The EP showcases Lapalux's continued evolution as a producer, balancing intricate sound design with powerful melodic undercurrents. It follows years of refinement in the studio, drawing on his signature use of modular synthesis, Digital and analogue hardware and organic imperfections. With a limited vinyl pressing and strong fan demand, On the Grid stands as a key release in Lapalux's catalogue and a compelling addition to any store's forward-thinking electronic selection.

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French DJ/producer Simo Cell is gearing up to drop a new 4-track EP on his label TEMET. He reimagines the Blog House/French Touch 2.0 movement, presenting a futuristic evolution of its iconic sound with a distinct Simooo twist and the raw energy of contemporary club music. It's a big day! Meet FL Louis, a (real) puppet designed by Simo Cell and the robotic voice behind the music. Stay tuned, clips coming soon!

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Balmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.

Hrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.

Wolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.

But Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.


Artist’s Statement:
Edward and I have been friends for years, but we really started to get to know one another better after I hired him to make music videos for my songs “Woodland Encounter” and “The Culmination Of.” For those projects we got to spend a lot of time hiking in various locations around the Pacific Northwest with his camera, very nice lenses, and tripod. Keeping quiet, hidden, and vigilant we searched for wildlife, good light on the trees, meadows, lakes, rivers, and skies. Edward was already an appreciator of my music and I was already in awe of his filmmaking talents so it felt like a great fit. Although we work in different areas of art our styles compliment one another. We both tend toward slow and careful pacing, with a focus on emotion and introspective reflections on life and the landscapes around us. For this reason, Iknew that I could trust Edward to create videos for my music. We saw so many beautiful and unexpected things on our filming days, but I was moved to tears once I saw how magnificent and poetic it all was. His video work from the cinematography, to the editing, and color correction helped bring my inner vision to life.

A few months after that, Edward surprised me with an invitation to work on the soundtrack for his new film, Hrafnamynd. I enthusiastically said yes. I had always wanted to work on a film, and I knew that his filmmaking style would be inspiring to write music for. I had recently acquired an UDO Super 6 synthesizer but hadn't used it much. I decided that this would be the synth that I'd use for the film. It has the ability to sound very modern, but can also sound so warm and fuzzy, like a synth from the 1970s. It turned out to be the perfect instrument for this project as the film itself straddles time from the ’70s to today.

When Edward sent me the rough cut of the film, he used placeholder music to help give me an idea of the emotion and energy that he was hoping to achieve for each scene. For many of the scenes, Edward used music from my albums as temporary tracks. This told me that he trusted my work and style and therefore I should just trust my intuition with how to proceed. I wanted to make sure that everything that I made was a direct reflection of what was happening on screen, a mirror of its emotion and energy so people could really lock into the film psychologically. This process took my composing to unexpected places—like being led by a strange cat or a raven that seemed to have something to show me. I found that the approach made the music so much more dynamic than my usual style. I really enjoyed being influenced by the action and dialog on the screen. Thankfully, Edward was very happy with the work. I made sure to handle this project with the utmost care because this is about his life and his family, and an exploration of the experiences that made him an artist and filmmaker. While watching the film many times over, I found myself thinking about my own family and my early memories with them and how the place where I grew up has influenced who I have become. I found that his film invites the viewer to reflect on their own lives in a similar way. I hope that this music and film can guide others to contemplate on the history of their beingness and the people and places that shaped them.

Another aspect to this project is the splendor and wonder of Iceland itself. I had the opportunity to visit Iceland for the first time in 2023. I got to play a show there for the Extreme Chill Festival and met many friendly and brilliant Icelanders. I also got to collect field recordings that I used in the film. It's a fascinating place and culture that easily captures the hearts and imaginations of anyone who visits. Whether you spend your time in the city immersed in its impressive arts scene, or venture out into the wilderness to behold its wondrous landscape, it will leave a lasting impression. The soundtrack is also a love letter to Iceland itself.

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Tracklisting
A1 OBEDEYA - BEMINE
A2 DJ FRANKIE - MACUMBA
B1 OBZERV - ANNIHILATOR
B2 DJ SACRED - SWIRL ON 20s

Sales Note
The long awaited first release of ULTRALOW has finally arrived, on wax! A four track VA, each one a different style (for the real ones that can handle). Featuring artists from London, Argentina and Ukraine, always in support of the underground, ULTRALOW
MOTHERFUCKERS will take up space in your collection

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Second offering from Leo Gibbon’s MUDLINE imprint sees the producer reunite with grime’s perennial wild card, Trim, for a two-sided pressure test that flexes both restraint and raw power in equal measure.

On Side A – Orbit Step, Gibbon leans into the emotive end of the 140 spectrum — all reflective pads, sci-fi shimmer, and subbed-out swing — with Trim delivering a rare, inward-facing performance. It’s grime as meditation, anchored by subtle tek textures and lyrical ambiguity. The accompanying acapella, exclusive to the vinyl, is a potent bonus.

Side B – Danny and Darren flips the script entirely. It’s a no-frills, floor-ready juggernaut — grime at its most ballistic. Trim in full yardman mode here, riding the riddim with relentless intent. It’s sweaty, chaotic, made for late sets and soundsystem abuse.

Instrumentals included on both sides, giving extra room for exploration and dubplate mischief.

A bold second chapter from MUDLINE, Orbit Step builds on the promise of Happy Lovers and underlines Gibbon’s growing prowess in crafting versatile 140 tools with personality — while Trim, as ever, shapeshifts with ease.

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New Environments & Rhythm Studies finds Andrew Pekler returning to the humid zones he explored on previous albums such as Sounds From Phantom Islands and Tristes Tropiques. Split between longer immersive compositions and shorter glimpse-like sketches, these 12 tracks feature new juxtapositions of Pekler's familiar palette of synthetic field recordings, warm, undulating electronic textures, shifting percussion patterns and serene melodies.

As with much of his recent work, Pekler's compositions here are structured around the beguiling effect of synthetic and non-synthetic sounds mirroring, mimicking and modulating one another. The teeming atmospheres within tracks such as Globestructures, Cymbals In The Mist or Globestructures: Option II are, despite their seemingly anthropogenic nature, entirely synthetic. Elsewhere, the lopsided grooves of Cumbia Para Los Grillos or Fabulation For K are derived from recordings of crickets and other insects which Pekler loops and uses to trigger electronic percussion – producing a pleasantly skewed rhythmic base for the fragments of melody which are layered on top. The six Rhythm Studies also follow the same principle – a playful interweaving of the organic and synthetic.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

Written and produced by Andrew Pekler, mastered by Giuseppe Ielasi, artwork by Morgan Cuinet, graphic design by Dmytro Nikolaienko.

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FM Pause is back on ROW Records with wonky rhythms, rough textures and sounds that feel unstable yet precise. This 3-track EP is all about deconstructing sounds, exploring chaos, and discovering what emerges. An over-compressed, pulsating machine that builds itself up, glitches out and slowly self-destructs.

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Tracklisting
A1 Wagon Christ - Planet Roll
A2 Wagon Christ - Snatch
A3 Wagon Christ - Get It?
A4 Wagon Christ - Boy Zero
B1 Wagon Christ - Bitch (Original Ruler)
B2 Wagon Christ - I'm Sorry
B3 Wagon Christ - Can't Stop (Don't Stop)
B4 Wagon Christ - Supagroovy
C1 Wagon Christ - THIS
C2 Wagon Christ - Boom Bip
C3 Wagon Christ - Acid
C4 Wagon Christ - Housin'
D1 Wagon Christ - Sidney Groovey
D2 Wagon Christ - Unsure
D3 Wagon Christ - Style
D4 Wagon Christ - Wake Up

Sales Note
Welcome aboard captain, long-serving funkadelic maestro Luke Vibert returns to De:tuned with his first new Wagon Christ album in 5 years entitled 'Planet Roll'. Genre-bending as ever, this 16 track collection of electronic lushness sees Luke creating his own innovative take on a multi-diverse sonic world interspersed with rare breakbeats and groovy melodies. Expertly executed by a true pioneer of electronic music. Lay back and see you in an hour!

Animation Director and Illustrator Celyn Brazier created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!

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Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.

Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.

This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.

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