Formats: 4LP Ltd Edition + insert

Tracklistings

4LP Ltd Edition

A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
G1. Rankine (Live At Bounce)
H1. Chemistry
H2. Rankine


The Label:

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.



The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.

Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.

Press response to Old Codes New Chaos:

"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.

"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.

"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.

"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.

“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.

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Formats: 3LP Regular Edition

Tracklistings

3LP Regular Edition

A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos

The Label:

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.



The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and Dave McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.

Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.

Press response to Old Codes New Chaos:

"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.

"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.

"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.

"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be fool to miss out this time around." Mandi James, Melody Maker, UK 1994.

“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.

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Territories: World

Genre: Jazz/Ambient/Meditative/Improvisation
DLP: Limited Edition, Heavy 350gsm Sleeve, Obi

Tracklisting DLP
A1. Live in Jura Pt. 1
B1. Live in Jura Pt. 2
C1. Live in Jura Pt. 3
D1. Live in Jura Bonus featuring The Voices of the Alpenglow

Info

We Release JAZZ is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Considered live experience at its most open, responsive, and elemental. From Idris Rahman (sax, flute), Liran Donin (bass), and Emre Ramazanoglu (drums), this is deep free improv built from intuition and heart - an ever-evolving conversation of groove, texture, and spirit. Whispered motifs bloom into towering climaxes; earthy bass surges meet shimmering cymbal work; woodwind lines move from meditative invocation to ecstatic release. It is music shaped by the audience, the environment, and the moment : alive, unrepeatable, and deeply organic.
The bonus D-side extends the album's world with a unique ambient composition made from field-recorded organic sounds of the forest surrounding the concert area. Re-composed into a drifting, luminous piece, it features The Voices of the Alpenglow, blurring the boundary between performance and landscape, human gesture and elemental presence.
Ill Considered - known for forging improvised music around simple themes or spontaneously created structures - here reach a new level of sensitivity and power. Live in Jura follows We Release JAZZ's release of Shoals by Ill Considered members Earth and Bones, continuing a line of exploratory, heart-forward music grounded in profound listening and spontaneous creation.

Points of interest
- For fans of live jazz, ambient-jazz, Jura, pasture, mountains, forests, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside, music shaped by environment and intuition
- First-ever vinyl release of Live in Jura, a stunning document of Ill Considered's 2023 Spiegelberg Festival performance.
- Includes a bonus D-side ambient piece built from forest field recordings featuring The Voices of the Alpenglow.
- Original artwork by Vincent de Boer.


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Formats: 2LP + 10” Ltd Edition (gatefold sleeve)

2LP + 10” Ltd Edition
a1. The Challenge (Part One)
a2. Linkage
b1. The Tides (They Turn)
b2. Obsidian
c1. Anathema Ov Jean Jacques Derrillard
c2. The Challenge (Part Two)
d1. The Key (Version)
d2. New Edge Mantra
e1. Connection
f1. Reach Out

The Label:

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.


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NO Snippets!

It premiered 25 years ago on the cult Solid Steel show on BBC Radio. It first appeared on a CD-R with a photocopied cover, followed by a cassette release via Blend Records.
Ninja Tune described it as the most important mixtape in the history of Polish electronic music-a release that fused the best of 90s trip-hop with the sounds of the future, carving out a new horizon.
"Virtual Cuts" by the polish duo Skalpel is arriving for the first time ever on vinyl, featuring newly designed artwork by Bartek Szymkiewicz.

Tracklist:

A. Mix Side A
B. Mix Side B



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With Dub Techno firmly back on the menu in clubs the world over, Deadbeat, at long last, resissues what is perhaps his greatest collaborative work with Paul St Hilaire aka Tikiman. A true genre masterclass, as the name suggests,. the album infinitely showcases 2 Titans of the form at their very best, and 10 years on, remains a stone-cold classic. Re-cut by their old friend Stefan Betke aka Pole at Scape Mastering who first cut it to wax so many years ago, this 1- year anniversary edition is a crucial showcase of 2 masters at work.


A1 Hold On Strong 6:32
A2 Dopa 5:36
B1 What The Heck Them Expect 6:12
B2 Working Every Day 6:22
C1 Rock Of Creation 6:07
C2 Little Darling 6:40
D1 Under Cover 6:17
D2 Peace And Love 6:15


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2LP

GENRE/S:
Techno

TRACKLIST:
A1 Chris Liebing - Unfold
A2 Chris Liebing, Charlotte de Witte - Symphonie des Seins
A3 Chris Liebing, The Advent - Subjective Immortality

B1 Chris Liebing - Roy Batty
B2 Chris Liebing - Evolver
B3 Chris Liebing - John Connor
B4 Chris Liebing, Luke Slater - Double Split

C1 Chris Liebing, The Alte Stuben Modular Ensemble - Entangled Circuits
C2 Chris Liebing - Higher Things
C3 Chris Liebing, Speedy J - Shaping Frequencies

D1 Chris Liebing - Brooks Ave
D2 Chris Liebing - Eye C
D3 Chris Liebing - Endtrack


SHORT INFO:

Chris Liebing's first full solo techno LP, 'Evolver' is released on 27th March 2026, via his own CLR imprint. The German techno don's LP features a host of collaborators across music, images, and artwork. Luke Slater, Charlotte De Witte, Speedy J, The Advent, Terence Fixmer, Pascal Gabriel, Daniel Miller contribute to the music, while long-time collaborators Studio Bergfors deliver design, and legendary photographer Anton Corbijn shot Liebing for the project.

The Evolver LP is the sum total of Chris Liebing's three decades at the beating heart of techno. It's the record only someone whose first break as a techno DJ was playing five hours at Sven Väth's infamous Omen in Frankfurt - and who has ridden out every twist and turn of life and subcultures since, while remaining rooted in the true school, dark, sweaty techno sweat pits of the world - could have made. It's the result of deep introspection, but it's about utter immediacy. It's the sound of someone previously driven along by compulsion and happenstance at last finding the confidence to be utterly intentional about their practice, allowing them to take the most classic, familiar, proven elements from the past and render them completely new.

Evolver is also Liebing's first completely solo album. There are collaborations, yes: with old friends from the OG techno generation, Luke Slater, Speedy J, and The Advent, all on uncompromising form, and with new generation figurehead Charlotte De Witte, who provides a thrilling narration of total surrender to the moment on acid clarion call "Symphonie des Seins". But unlike all Liebing's albums to date, there's no co-pilot. Every structure, every mixdown, every choice serves his singular vision of how his untold immersion in the surging currents of the world's greatest clubs should sound. The elements are all those forged in the white heat of Omen and Tresor in the mid 90s - brutal repetition, titanium kick drums, industrial atmospherics, but also dark rave euphoria, ever present surging acid lines just on the cusp of trance, and just enough human voices to remind you of bodies on the dance floor - but rendered with all the extraordinary accumulated skill and technological developments since then.

It's Chris's vision entirely, his musings on sound, technology, and life birthing tracks like "Roy Batty." Inspired by thoughts of AI becoming sentient and hungering for more life like Rutger Hauer's titular Blade Runner character, it was one of the first tracks to emerge and a foundation stone for the album. And in pursuit of that vision, it's built like a "proper album". The anticipation and menace of intro "Unfold" tip over into the glowing hot high drama psychedelia of "Symphonie…" then the breathless headlong rush of The Advent collab and on through an unfolding narrative that goes deep, goes dark, opens out into grand vistas, takes strange turns before finally landing on the alien landscape of… well… "Endtrack".

Not everything is pummelling on Evolver - the dazzling title track feels like you've been welcomed into the courtly dance of a higher dimension civilisation, and the audacious Speedy J collab "Shaping Frequencies" is a beatless flow that tests the boundaries between signal and noise. But for all its complexity, conceptualism, and stylistic branching out, every last part unmistakably powered by that dark techno-cavern energy above all else. All of it positively radiates the qualities of Liebing's greatest work and sets to date - but somehow even more so than before. Whether you're listening for aesthetic inspiration, cerebral stimulation or just that raw physical power, this album will sweep you up into its momentum and won't let go of you until it's done.

Chris Liebing's 'Evolver' LP is released via CLR on 27th March, 2026 on 2xVinyl and digital formats.


VITAL SALES POINTS:

Chris Liebing.: Facebook: 745k Twitter: 115k Instagram: 398k TikTok: 9.8k Soundcloud: 237k YouTube: 28k
Charlotte de Witte.: Facebook: 3.1 Million, Instagram: 4.4 Million, TikTok: 1.6 Million, Soundcloud: 490k YouTube: 930k
The Advent: Facebook: 141k, Instagram: 32k, Soundcloud: 52k
Luke Slater.: Facebook: 101k, Instagram: 105k, Soundcloud: 66.8k
Speedy J.: Facebook: 133k, Instagram: 45k, Soundcloud: 73.4k YouTube 9.5k
CLR: Instagram: 12.8k YouTube: 1.9k TikTok: 1.1k Facebook: 81k Twitter: 10k
CLR Podcast: Soundcloud: 237k Mixcloud 52k / 46 stations in 25 countries, estimated reach: 6 million listeners


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Artwork and Typography by Stefan Marx

Tracklist:
A1 Angels
A2 Ray
B1 Ocean Drive
B2 Poppies

Don't miss Lawrence revisiting familiar ground on Smallville with four timeless tracks, gently pushing his sound forward, restrained poetic and unmistakably his own.
Including a full Cover Artwork by Stefan Marx.


All tracks written & produced by Peter M. Kersten
Vinyl cut by Helmut Erler at Lathesville


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Tracklist:
(1) Sven Väth - Fusion (Wolfgang Haffner Jazz Version) (DE-Q20-25-00065)
(2) Sven Väth - L'Esperanza (Wolfgang Haffner Jazz Version) (DE-Q20-25-00066)
(3) Sven Väth - Barbarella (Wolfgang Haffner Jazz Version) (DE-Q20-25-00067)

Info:
Wolfgang Haffner is one of Europe's most respected jazz drummers, known for his impeccable sense of timing, groove, and atmosphere. Though rooted in jazz, his musical language transcends genre boundaries, guided by pulse and subtle nuance rather than tradition alone. For Cocoon Recordings, he now enters an entirely new dialogue, offering warm, organic reinterpretations that honor the spirit of the source material while opening a fresh sonic horizon. The result is a meeting of two artistic worlds where Sven Väth's timeless energy and Haffner's refined touch flow naturally into a new musical form, an encounter between two artistic universes, merging into something both unexpected and deeply musical.

Fusion is a groove driven piece built around a clear, flowing melody, allowing Haffner to reinterpret it acoustically through a jazz lens. Its straight, driving pulse lets him explore the track's rhythmic and melodic interplay with clarity and nuance.

L'Esperanza, originally a dreamy, trance like track, envelops listeners in strings, filtered downbeats, and a playful synth melody, a perfect canvas for Haffner's warm, organic touch. Its ethereal layers and subtle tension allow him to explore the track's emotional depth while preserving its entrancing charm.

Barbarella, emblematic of Sven Väth's early 90s vision, carries the energy and innovation of a club classic. Haffner's reinterpretation transforms it into a rich, acoustic exploration that honors its hypnotic essence. By emphasizing the track's iconic motifs and underlying drive, and by drawing out the track's essential elements, he bridges its electronic origins with a new, organic perspective.

Together, these three reinterpretations form a cohesive journey that celebrates the timeless essence of Sven Väth's music while revealing a new dimension through Haffner's masterful touch, a release that invites listeners to experience familiar classics in a completely new light.




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An extraordinary deep techno collaboration by renowned artists .VRIL and Pablo Bolívar. This project features four tracks of powerful hypnotic techno and includes remixes by notable artists such as Leiras, Nacho Sánchez, Luis León & Unseener. A release designed for the club, promising to elevate energy and intensity with every turn of the vinyl.

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Territories: World excl. UK

FORMAT: 12" vinyl, generic sleeve, dl card

TRACKLIST:
1. / A1 Mono Collapse 06:40
2. / A2 When Stars Remember 05:12
3. / B1 The Art Of Possible 07:38
4. / B2 Code Of The Forgotten 05:32

INFO:
Detroit original, Terrence Dixon, returns to Tresor Records to kick off 2026 with ‘When Stars Remember’. Despite his thirty-year career, Terrence has always managed to keep a lower profile than his peers; he has given few interviews, preferring instead to speak through his music, with
cryptic song titles hinting at the thoughts swirling around their creation.
However, ‘When Stars Remember’ finds him stepping forward. “I wanted to get closer to the dancefloor. I consciously made this one feel louder…made with Tresor specifically in mind.” And the EP does just that: whilst many of the hall marks of a Terrence Dixon production are
present, the drums are more forward; the synth arpeggios so bold that ‘monumental’ seems a better descriptor than ‘minimal’.
“I put three or four sounds together on the same track, layering to make something bigger”, he says of opening track ‘Mono Collapse’, though the statement could apply to any of the music appearing on the release as all four pieces fold in sonics to create something hypnotic; more
than the individual parts: “If you stick with the same layered tones, and repeat it over, after a while your brain changes it on its own; you hear a lot of things: things that you didn’t notice at first, things that maybe aren’t even there.”
The absence of things is another main theme of the EP, especially what Dixon sees as ‘The Forgotten’, a group of fundamental principles like common sense, trust, loyalty, honesty and respect that are missing from modern life. “This world is different…the love is gone. But I love
everybody, man. I think, secretly, everybody love everybody, but they just don’t know it.”

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