Tracklist
A1. R-Zoner (Groover Klein milk! Mix)
A2. Jungle Raver (Mix 2)
A3. Jungle Raver (Down-E Mix 2)
B1. Nrg Zone (Moody Re-Mix)
B2. Nrg Zone (Moody Again Mix)
B3. Nrg Zone (Happy Again Mix)

Info:
What once slipped out under a veil of anonymity now steps into the light: the original mystery record was, in fact, Tuff City Kids. The duo’s playful fingerprints are all over it— equal parts homage and mischief.
Fast forward to today, and the circle closes with an EP that reimagines the spirit of that covert release, pushing it into sharper, modern focus. Where the first outing thrived on secrecy, this one thrives on revelation—same DNA, but recut for the present tense.



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Territories ww -fr -benelux

Format
• 2LP, limited, one pink & one black vinyl

For the 25th anniversary of the release of Strange Attitude on Sony, TMS Records has decided to re-release the album in a deluxe version (new artwork by H5) on vinyl, as well as digitally on October 24, 2025.

The album will feature an acoustic version of "You Were Born" and an original remix of "Little Scare" by Todd Edwards.

Tracklist

A1 – Intro
A2 – Love Will Bring Us Back (Little Scare)
A3 – 18 and Over
A4 – Strange Attitude

B1 – U Were Born
B2 – Joyride
B3 – The Rain
B4 – Just a Little Time

C1 – Playin’ with Myself
C2 – In Your Arms (We Gonna Make It)
C3 – Rich Personality

D1 – Read in Your Mind
D2 – Little Scare (Remixed by Todd Edwards – Main Vocalized Version)
D3 – You Were Born (Sunday Night Mix)




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DE - 22113 Hamburg
Germany
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LP (+ poster)

Tracklist:
A1. Rabenstein, Maria Stock, 10:10min
A2. Improperly Planned Experience 6:45min
A3. Hole in the Heart 6:32min
B1. Zimomriavky 6:16min
B2. Slightly Silly Story That Is Invisible to You 12:09min
B3. Berlin Unfulfilled 7:25min

Aitcher Clark steps out from his work as one half of LOFN (Veyl, 2021) with a first solo long-player that draws a sharp line between the club and the cinema.
The 6-track LP moves with intent across ambient space, industrial techno frameworks, and restrained neoclassical harmony. It favors patience over peaks, detail over spectacle, and a narrative arc that rewards a
start-to-finish listen.
The campaign begins September 19th with the lead single “Improperly Planned Experience”, an industrialleaning cut driven by a relentless drum pattern and an eerie, immersive atmosphere. Stark and physical, it sets the tone for the album with its focus on tension, texture, and shadow rather than melody. On the same day, Clark will debut a new live and visual show at Lunchmeat Festival in Prague in collaboration with visual artist OXOO, translating the record into an immersive set where sound design and reactive visuals lock to the micro-gestures that run through the album. The performance is built around custom stems, live resampling, and dynamic lighting cues that mirror the music’s push and pull.
Across the LP, Clark threads field-recorded texture with precision drum programming and layered harmonies, avoiding predictable drops in favor of pressure that accumulates over time. The palette is cool and tactile: detuned pads, clipped low-end, and percussive details at the edge of audibility. Moments of clarity, strings, voice-like synths, negative space, arrive as structural markers rather than ornaments.
For Veyl, the album sits comfortably within a catalog that values forward motion and atmosphere, while opening a more composition-driven lane. For listeners who followed LOFN’s 2021 release, this solo debut widens the frame: less collaborative call-and-response, more solitary architecture, with the same focus on tension and timbre. The live show with OXOO extends that idea beyond the record, using visual rhythm and color to render the music’s internal logic in real time.


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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Format: Cassette

Tracklist
1 Offshore
2 Worlds apart
3 Dee4 (Beats)
4 Solution
5 Broadway 727
6 Range
7 Roboco
8 Guide
9 Guide (Dub)
10 Double
11 Fuselage
12 Choirs
13 Rotate
14 S8
15 Ignition
16 Dee4
17 Robotland
18 Question & Answer
19 Waves
20 Kilometer One
21 Earth Station
22 Flywheel
23 Meta4
24 Outdistance

Info:
What began as a nostalgic nod to Camden Market’s bootleg culture has become the next chapter of in the Running Back Mastermix series. At once deeply personal and openly communal, it shows how a lifetime of production can be condensed into 90 minutes without losing its edge — proof that the mixtape, even in 2025, still has stories left to tell.
What followed was a patient excavation. Old DATs were pulled out of storage, forgotten files surfaced from hard drives, and new material was written to sit alongside them.
Together, these fragments revealed a body of work stretching back more than 25 years — tracks that moved across the spectrum of house and techno but shared a common thread of character and atmosphere.
In May of this year, the archive finally found its form. Recorded live on three decks using Serato, the resulting mix brings together 24 tracks: unreleased material from the past and brand new productions, all stitched together into a continuous narrative. It’s equal parts retrospective and statement of intent — less a museum piece than a living document.


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DE - 22113 Hamburg
Germany
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ww / excl UK

lim. handstamped 180 Gr. Vinyl Edition / UK Garage

We are back at it again, proud to welcome our next release...
4 tracks from 4 various artists who are helping define the new UK Garage sound!

A1. SINCERITY - L&F
A2. GET LOOSE (DUB) - PAUL 90
B1. THINKIN 'BOUT - EASE UP GEORGE
B2. PUCARA - FARA-83



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DE - 22113 Hamburg
Germany
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LP

Tracklist:

1. Houdini's Plane
2. Incident at Westall
3. Aspen Blues
4. On the Mountain
5. Solar Flare
6. Valley of Sorrows
7. The Loneliest Astronaut
8. To the Lighthouse
9. I've Got a Buzz


Short info:

A Place In My Memory Is All I Have To Claim is the new album by Australian atmospheric pop trio Hydroplane, the storied 'offshoot' formed by three quarters of independent pop group, The Cat's Miaow. On this, their first music after two decades plus of radio silence, Andrew Withycombe, Kerrie Bolton and Bart Cummings return to the gentle, close-quarters musical world they shared around the turn of the century.

Recorded during 2024 in Melbourne and Ballarat, A Place In My Memory… picks up the thread Hydroplane set down with its precursor, 2001's The Sound Of Changing Places, though you can hear echoes of their other releases, too, with Withycombe noting a through-line from the group's 1998 "Failed Adventure" single. There's little quite like A Place In My Memory…, then or now, though. Maybe you can draw some connections between Hydroplane and their sister group, The Cat's Miaow, while fellow travellers might include Empress, The Ah Club, and further back, Young Marble Giants, Veronique Vincent (the muffled, ticking drum machine also makes me think of Robin Gibb's Robin's Reign).

There's also an umbilical to the bedroom-crafted electronica doing the rounds in the late nineties and early noughties. Hydroplane hint at this through their approach to songwriting, which often builds creatively around loops as structural devices. Through all this, the trio achieve an effortless, organic weightlessness across these nine lovely songs. Many feature Bolton's clear singing voice, drifting along, while guitars, keyboards, drum machines and loops tickertape away. The constituent parts fit together, but they also have a curiously detached quality - think of abstract cloud formations sharing the same sky.

Hydroplane and The Cat's Miaow often dealt in emotional ambiguity and uncertainty, and the uncertainty of the nostalgic. This was always one of the most appealing facets of their music, and A Place In My Memory… is thus named perfectly. I couldn't dream up a better title for the album and its reflections on history, lived experience, and the inevitable tangle between these two phenomena. These reflections variously address such concerns as human cruelty, flight, space travel, adventurism and spiritualism. There's also "To the Lighthouse", not a direct reference to the Virginia Woolf book, but a great title, nonetheless. (They've always had excellent titles, often borrowed, for songs and albums.)

A beautiful collection of drowsy, sleepy pop, humble and quiet, but resolute in its craft, A Place In My Memory Is All I Have To Claim is dream work in practice; a lovely reintroduction. Welcome back, then.





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LP - orange, blue and white smashed vinyl

GENRE/S: 8-Bit, Chiptune, Electro

TRACKLIST:
A1 Sixfold Radianz (3:45)
A2 Boktay (2:10)
A3 4d-TögTägTüu (1:23)
A4 Exosphear (4:07)
A5 Maurodius-Papeda (1:11)
A6 Dondoli (the NPC) (3:20)
A7 ...LeftRightBA (0:56)
B1 Lygöphobiä (1:49)
B2 Flossbite (1:36)
B3 Chipppps (3:32)
B4 DodgedoG (2:33)
B5 Bogeygirl (2:16)
B6 Laserzimmer 1, Raum 3.16 (1:54)
B7 Binäry Gatoraders On Acid (2:06)

SHORT INFO:
"I live in the arcades. Reality was never an option!"

The 85-year-old video game queen and film composer pdqb (born on November 14, 1939) delivers a beautiful love letter to your boomer childhood, a wild ride through the golden age of video gaming. Hear how she dodges bullets, jumps over cosmic chasms, beats bosses, reaches bonus stages, uses cheat codes and even her last continue...just to stay in a world of pixels and vectors forever. pdqb will bring you back all those fond memories of unburdened joy that you might have lost while growing up. She could be your savior.

Synaptic Cliffs is filled with otherworldly pride to present these 14 timeless masterpieces to its beloved listeners.


VITAL SALES POINTS:
" orange, blue and white smashed vinyl
" mastered by the infamous Mike Grinser
" two uplifting messages inscribed in the dead wax
" locked groove with a motivational message



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More