RAWAX proudly presents the 3rd and last part of Ricardo Villalobos' Salvador "Trilogy"!
The three Masterpiece records which came out between 1998 - 2000 on Frisbee Tracks,
are part of Ricardo's own series on RAWAX - including new tracklistings!

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Split album from The Bug and Ghost Dubs, released on The Bug’s PRESSURE label.
Defines a new form of spectral dub: brutally minimal, hypnotic, and sub-quake heavy.
Features the original lead tracks from their recent "Imploded Versions" white-label single.
Mastered by Stefan Betke (POLE) at Scape Mastering for ultimate low-end clarity.
Fusing dub, techno, and doom into a sacred, narcotic whole.
CD version features 4 bonus tracks.
Description:
When Chuck D proclaimed "Bass, how low can you go?" on Public Enemy's anthemic 'Bring the Noise,' maybe he was pre-empting or inciting the 10,000 fathoms-deep, spine-bending basslines and sub-quake tremors of 'Implosion.'
Implosion is a crushing split album, appropriately released on The Bug's own PRESSURE label. Mapping out a new form of spectral dub, the sound is deliberately immersive, introverted, and yes, definitely implosive. In pursuit of heavy lids, blurred vision, and merciless bass bin punishment, it’s one part meditation, two parts low-end theory, and essentially a confession of devoted sound system addiction.
As expected from a tag team featuring British soundlab explorer and 'London Zoo' composer Kevin Martin, aka The Bug, and Michael Fiedler, aka Jah Schulz—a long-time graduate of Germany's new school of sound system reggae culture—the duo approaches their target differently yet share the goal of keeping their sound "raw" (Fiedler) and "brutally minimal" (Martin). This proves that opposites can attract, even if their tools are different and their methods sometimes diverge.
From such a disparate combo, hailing from different geographical and aesthetic backgrounds, contrasts are certainly on display, even within each artist's own contributions. From the melancholia and transcendence of 'Alien Virus (West Indian Centre, Leeds),' to the duality of ascension and descension on 'Hope,' or the Sunn 0))) in dub, visceral drone of 'Dread (The End, London),' to the tripped-out repetitions of 'Midnight,' which reinvents Chain Reaction for post-millennials, the result is both sacred and narcotic. Each track illuminates the emotional impact and atmospheric pressure being explored across this deceptively sparse album—a mastery of tone and texture.
This collection might be as reduced, minimal, and deep as The Bug has ever gone, perhaps echoing the solemnity of his recent Kevin Richard Martin Black release and invoking the futurist steppas self-pioneered on his previous Pressure album. Alternatively, Fiedler‘s Ghost Dubs project ventures into his most heavyweight direction yet, which is no mean feat considering his previous, the critically acclaimed album Damaged, was a monstrously massive triumph of analogue weight and enviable sound design.
Implosion is ice-cool, a stark contrast to the warmth and sociability of traditional Jamaican roots and the current trends in digi-dub. Instead, the mood is soaked in tension and intense dread, finding an unexpected melting point where classic dub's stark rhythm attack, isolationist ambience's eerie drift, dub techno's floatation strategies, and even the relentless riffs of doom metal collide. As the bass-obsessed pair drop what is arguably the heaviest ambient dub album to emerge from any electronic sector—a moody counterpoint to The Orb's fluffy clouds, etc, Martin has cited The Roots Radics, Black Jade, and On U Sound's Pounding System as heavily influencing his approach to the album, while Fiedler has expressed his admiration for Adrian Sherwood's productions and Rhythm & Sound's enchanting soundscape. Yet, the super heavyweight pulsations, emotive resonances, and bone-rattling vibrations detonated here effortlessly go far beyond these influences.
Shadowy and elusive, there’s a mysteriousness at this record's core. A haunting moodiness oscillating between nostalgia and future shock. Despite the deadly fixation with SLOW and HEAVY, the album maintains a totally hypnotic swing throughout. Implosion and its lead single 'Imploded Versions' are testaments to being enveloped in bass, seduced by bass, submerged in bass, and utterly crushed by bass, as The Bug and Ghost Dubs seek to craft a new form of dub for zonal headz and Babylon seekers.


Mastered by Stefan Betke (a.k.a. POLE) at Scape Mastering studio, this record is heavy as f-ck without resorting to continuous distortion. It’s low-end worship taken to an absolute extreme, yet remains highly listenable and definitely danceable, albeit at the slowest of paces. Sacred and narcotic, this is low-end worship amplified to the max. Dive in if you dare.

Tracklisting:

01. THE BUG – Hooked (Hyams Gym, Leytonstone)
02. GHOST DUBS – In The Zone
03. THE BUG – Believers (Imperial Gardens, Camberwell)
04. GHOST DUBS – Hope
05. THE BUG – Burial Skank (Arches, Vauxhall)
06. GHOST DUBS – Dub Remote
07. THE BUG – Alien Virus (West Indian Centre, Leeds)
08. GHOST DUBS – Down
09. THE BUG – Militants (The Rocket, Holloway)
10. GHOST DUBS – Into The Mystic
11. THE BUG – Dread (Mass Brixton)
12. GHOST DUBS – Midnight

https://soundcloud.com/the-bug-vs-ghost-dubs/sets/the-bug-vs-ghost-dubs/s-ZAkhMCyRUFs?mc_cid=92ab01d063&mc_eid=38fffc39d4

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Shining lights in London’s queer electronic underground, prolific duo FAFF make their de Drawing equally on peak-time club catharsis and the emotive experimentation of golden-era IDM and electro, these recordings meld the pair’s diverse DJ sets and ambient live work, which has captivated festivals including Draimollen, Field Maneuvers, and Body Movements. The title track, ‘A Few Good Days, ’ melds hypnotic percussion, snatches of vocal euphoria, and a stuttering break for instant post-rave afterglow. Its wandering but compelling arrangement subtly invokes and updates the pioneering aesthetic of One Dove, Sabres of Paradise, or even William Orbit. The tempo tilts skywards for ‘Tracy’s Night Out’, a peak-time display of FAFF’s studio prowess that fuses choral techno drama with a shamelessly bouncing bassline designed to tear up any respectable sound system. Emerging from the sweat and strobes for a wide-eyed stroll home, ‘Tracy’s Daydream’ wishes away the EP with delicate, textural delight, floating gently on pure analogue reverie.

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Insane authentic 90s Vaporware Jazz created for The Weather Channel by Paul Coleman , a Chicago band leader in the 60s & 70s, and bands, Fabulous Epics, Rasputin's Stash & Crystal Winds. "A Weather Channel exec was going with Corky Brown's daughter and promised a very large sum of money if I could write and submit original material to The Weather Channel. I immediately went into Superman mode and started writing and programming a song per day. I worked day into night creating these songs as quickly as I could possibly do. They got played a few time before The Weather Channel got bought over. but we never got paid." - Paul Coleman 2025

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RAWAX proudly presents the 3rd release by Ricardo Villalobos non his own series!
This time we have the honor to unveil "HEIKE", originally released on LOFI Stereo in 1998. This gem will be available only on Vinyl!

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The 8th opus of Positive Future is here.
Feel the rage of this spooky and trancy EP made by Colombian artist Samuel Jabba and follow your mind.
OUT ON OCTOBER 1rst

Mastered by Time Item Studio
Artwork by Stan Aghassian & Juliette Poggioli

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A true Balearic / Cosmic classic LP - Columbian brothers Elkin & Nelson's 1974 debut double album 'Angeles Y Demonios' is the perfect blend of traditional latin music, psychedelia, fuzz, glam, ethnic rhythms, progressive rock leanings and everything else in-between! The album had been received quite well on it's release, enabling the brothers to move to Spain and explore their ideas and melodies full-time, but it wasn't until the late 1980's Balearic explosion that the brothers unique musical vision struck a chord with those outside of Spain whose interests were rooted in the more esoteric corners of the record shop racks. Possibly the most well-known track from this LP was 'Jibaro (Enrolle)' that featured on the closing side of the set. This track was picked up and subsequently covered by Paul Oakenfold and the burgeoning wave of UK DJ's who had become enamoured with the white isle and her many sounds, thus birthing the term 'Balearic Beat'. 'Jibaro (Enrolle)' is perhaps one of the benchmarks of that particular microcosmic scene and sound but that doesn't mean the rest of this amazing LP should be ignored. A truly wondrous trip through the rock underground, not traditional by any means, if you dig the Balearic sound, psych-rock, funk and all of it's orbiting planets then this will certainly flip all the right switches for you. A very original set. This classic has been legally reissued by Above Board distribution in conjunction with the legal rights holders - Sony Music Entertainment. This high quality 2 x LP repress features original 1974 gatefold sleeve and label artwork and has been remastered from Sony's original sources by Optimum Mastering, Bristol UK.

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Tracklisting
A1 HUMAN SAFARI - TRAP DOOR
A2 LYSANDER - RIOT IN RIO
B1 KLBR - THUNDER DRUMS
B2 SYNDROM - NIKAIA NIGHTFALL

Sales Note
AnalyticTrail unveils the first chapter of its new series with Gems 0.1, a carefully curated snapshot of where the label's techno heart is today. Conceived by Markantonio and rooted in the Neapolitan
school of groove, this collection focuses on functional power, hypnotic motion, and forward momentum across seven cuts split between vinyl and digital.
On wax, the journey opens with Human Safari's Trap Door, mixing tight percussion with jazzy melodic touches. Lysander continues with Riot in Rio, bringing tribal rhythms and rolling basslines
that push the dancefloor. KLBR's Thunder Drums hits hard with analog weight and crisp drums, while SYNDROM's Nikaia Nightfall closes the side with deep, hypnotic grooves and cinematic
textures.
The digital edition adds three more highlights: The Groove Room's Bloom delivers a dubby, pulsing journey; Cri Du Coeur's Safre builds raw warehouse tension with powerful hits and Omis
(Italy) Collapse drives a stripped-back, high-intensity groove perfect for peak-time sets.
With Gems 0.1, AnalyticTrail shows its formula in action: rooted in groove, focused on the dancefloor, and always looking toward the future.

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