1
Felicity J Lord - FJL
2
Felicity J Lord - Royal Ballet School 2012
3
Felicity J Lord - Vleaned It
4
Felicity J Lord - Slideshow
5
Felicity J Lord - Brill Verb
6
Felicity J Lord - Pony Patronus
7
Felicity J Lord - Backstage
8
Felicity J Lord - Duet
9
Felicity J Lord - Kiss And Tell
10
Felicity J Lord - Simply Celine
11
Felicity J Lord - Stella Jenny
12
Felicity J Lord - Alex
13
Felicity J Lord - Haircut
14
Felicity J Lord - Astro Turf
15
Felicity J Lord - Everyday
16
Felicity J Lord - Sarah Jessica
17
Felicity J Lord - Seo An Sceal
18
Felicity J Lord - Restaurant
19
Felicity J Lord - Pub
20
Felicity J Lord - Glow
21
Felicity J Lord - £0rP
22
Felicity J Lord - Tanlined
23
Felicity J Lord - Roy 2025
24
Felicity J Lord - Pretty Pictures
25
Felicity J Lord - Brill Verb 2
26
Felicity J Lord - Remove Yourself
"Felicity J Lord is a band, a word which usually means a group of musicians (which is also true) but here means a group of misfits, internet lurkers, poets, polka-dotted ballerinas, CEOs, time travellers, and forever-kids. Felicity J Lord is a company, a family, a video game, a never-ending play in two acts. You are in Act I, welcome."
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Germany
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Germany
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More records from Stroom
1
Hiele - Brumaire
2
Hiele - No Further North
3
Hiele - Stringed Reeds
4
Hiele - La Chute Des Anges Rebels
5
Hiele - Pastiche
6
Hiele - Slink D Ivy
7
Hiele - Sea Foam
8
Hiele - Nog Molletje
9
Hiele - Tring Tella
10
Hiele - Sings Sing
11
Hiele - Typische Benadering
12
Hiele - Creeky
13
Hiele - Druiven
14
Hiele - Kleintje
"Roman Hiele (1991) is a Brussels-based musician and composer whose work explores the boundaries between improvisation and electronic composition. His music unfolds as a living system of shifting harmonies, fractured rhythms, and unexpected turns.
At the core of Hiele’s practice lies a deep fascination for contrast, where his soundscapes act as both anchor and disruption, sharpening the emotional depth of images and spaces, a sensibility that extends into his collaborations with filmmakers, visual artists, and designers.
Emo Inhaler is an emulsifying force, blending these threads into a single, fluid whole. The record condenses compositions born from improvisatory explorations and electro-acoustic experimentation. Recorded and concluded across various studios and train coupés, Emo Inhaler is expansive, yet tightly woven, creating a singular sonic identity that explores Hiele’s own world of musical off-key vignettes, balancing between light and sinister. With Emo Inhaler, Hiele reaffirms his place as one of Belgium’s most adventurous and distinctive contemporary voices."
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Germany
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At the core of Hiele’s practice lies a deep fascination for contrast, where his soundscapes act as both anchor and disruption, sharpening the emotional depth of images and spaces, a sensibility that extends into his collaborations with filmmakers, visual artists, and designers.
Emo Inhaler is an emulsifying force, blending these threads into a single, fluid whole. The record condenses compositions born from improvisatory explorations and electro-acoustic experimentation. Recorded and concluded across various studios and train coupés, Emo Inhaler is expansive, yet tightly woven, creating a singular sonic identity that explores Hiele’s own world of musical off-key vignettes, balancing between light and sinister. With Emo Inhaler, Hiele reaffirms his place as one of Belgium’s most adventurous and distinctive contemporary voices."
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DE - 22113 Hamburg
Germany
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1
Low Jack - Noctu
2
Low Jack - Aurora
3
Low Jack - Day Of Tears
4
Low Jack - Ardenti Solis
5
Low Jack - Yours
6
Low Jack - Vespera
7
Low Jack - Oculi Aperti
8
Low Jack - Solis
"Deeply tied to the composer’s own life, the narrative of Lacrimosa invites reflection in the face of loss. This sonic work draws inspiration from Alice Coltrane’s spiritual Eternity (1976) as well as the traditional structure of the Requiem, a mass for the dead. One of its sections, the Dies Irae, evokes Judgment Day and concludes with the Lacrimosa (literally, “full of tears”), depicting the weeping of souls in search of salvation.
In Lacrimosa, Low Jack transforms autobiographical elements into a messianic, polyglot form, unfolding across eight movements that chart the storms and serenity of grief. The piece unfolds from dawn to dusk, as the eyes open and then close. An initiatory solar cycle, from which one returns like Dante in his Divine Comedy, transcendent yet grief-stricken by the loss of a guiding presence.
Low Jack crafts one of his most intimate compositions, weaving together musical archetypes and universal narrative structures, drawing from both classical lyrical music and pop standards."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In Lacrimosa, Low Jack transforms autobiographical elements into a messianic, polyglot form, unfolding across eight movements that chart the storms and serenity of grief. The piece unfolds from dawn to dusk, as the eyes open and then close. An initiatory solar cycle, from which one returns like Dante in his Divine Comedy, transcendent yet grief-stricken by the loss of a guiding presence.
Low Jack crafts one of his most intimate compositions, weaving together musical archetypes and universal narrative structures, drawing from both classical lyrical music and pop standards."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Oko DJ - Exolition
2
Oko DJ - La Colline Au Ciel
3
Oko DJ - emai i den emai (feat. Onarrivenow)
4
Oko DJ - formentera
5
Oko DJ - je suis la terre qui absorbe dieu - 1644
6
Oko DJ - ivres
7
Oko DJ - erotic love triangle
8
Oko DJ - Parfois, Dans la Lumière...
"Feeding from countless hours of historically informed digging, being able to convey this knowledge to all sorts of audiences and understanding the very direct effects of sound, OKO DJ delivers an album that gives off this ecstatic feeling of travelling through very specific moods and soundscapes with the use of a wide range of production techniques. The listener is constantly stimulated by the spoken word narrative, the play on the tape hiss and dynamics, the out of field elements emerging erratically yet brilliantly included in the mix. Going from primitive DIY tape montage to modern day home-studio tricks and everything in between, As Above, So Bellow doesn’t show us anachronic references to different inspirations, but actually tells a timeless and hard to pin down story from a truly unique point of view."
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Germany
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DE - 22113 Hamburg
Germany
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1
Florian T M Zeisig - Life's A Spiral
2
Florian T M Zeisig - Thank You Pharoah
3
Florian T M Zeisig - Eternal Shore
4
Florian T M Zeisig - Diddy's Lament
5
Florian T M Zeisig - Earth Loop
6
Florian T M Zeisig - Die Große Natur
7
Florian T M Zeisig - Embody Source Energy
"A New Life is not an album. It does not belong to a ‘genre.’ Not aesthetic, not ironic, not for consumption. Not intellectual—it is felt. It speaks from coherence—structure beneath the noise. Grief, anger, stillness are not flaws here—they belong. Featuring harp and saxophone by Róisín and Cathal Berkeley. A return to truth. To be human without the mask. Integrated, not performed or bypassed."
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Paul Lowe - Let's Work It Out
2
Paul Lowe - Make Things Better
"Electronic soul / funk from 1979. Made in Guyana via Surinam!"
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Ben Bertrand - Microwave Background
2
Ben Bertrand - Event Horizon
3
Ben Bertrand - GW 150721
4
Ben Bertrand - Stereo A
5
Ben Bertrand - Big Bounce
6
Ben Bertrand - Stereo B
7
Ben Bertrand - GW 190905
The occasion of possibility runs through Ben Bertrand's new album Relic Radiation. It is all backdrops and layers. Hints of the emotive and the distant. Confronting the classical with what is new, looking for an expressive space. Melancholy, not melancholy. Contemplation on a midnight blizzard. Dust motes in a sunbeam. Sand dunes and microwaves.
Ever since 2018 and the release of his first solo album, Ben Bertrand has been working up his own interpretation of the bass clarinet as an instrument of the avant-garde. Touching upon ambient and cosmic as well as earthy sceneries, his is a gentle musical paradox come to life. Let go of explicit pleasantries, Relic Radiation is the polymathic interpretation of a frozen intercom, of a subdued intent of contact. The music is competent and familiar, distant without being distant. There is no predefined form or context here. It is a different kind of colour.
As musical moments and modi become enormous, things break down into exploration. On the crystal shores of perception, Relic Radiation leaves a lot of space for interpretation. It is never loud, although it works loud. An at times almost sequenced feel to treated and overdubbed bass clarinet and clarinet notes adds to a feeling of paradox. Every voice, every gesture indicates a way in. The electron is now an immeasurable wave."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ever since 2018 and the release of his first solo album, Ben Bertrand has been working up his own interpretation of the bass clarinet as an instrument of the avant-garde. Touching upon ambient and cosmic as well as earthy sceneries, his is a gentle musical paradox come to life. Let go of explicit pleasantries, Relic Radiation is the polymathic interpretation of a frozen intercom, of a subdued intent of contact. The music is competent and familiar, distant without being distant. There is no predefined form or context here. It is a different kind of colour.
As musical moments and modi become enormous, things break down into exploration. On the crystal shores of perception, Relic Radiation leaves a lot of space for interpretation. It is never loud, although it works loud. An at times almost sequenced feel to treated and overdubbed bass clarinet and clarinet notes adds to a feeling of paradox. Every voice, every gesture indicates a way in. The electron is now an immeasurable wave."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gajek - Dig it All Up Again
2
Gajek - Until It Was No More
3
Gajek - Phantom Memory
4
Gajek - Hardcore Dis-Continuum
5
Gajek - Postmodern Trippin
6
Gajek - Slightly Out of Joint
7
Gajek - Exist In A Soundless Room
8
Gajek - Never Been More Fearless
9
Gajek - Software For Ossis
"I imagine that one of the first things I heard in the world was theexplosion of a Russian ammunitions factory on the outskirts of myhometown. It blew up the night I was born a new GDR-citizen. I´m notsure I heard a noise when the Wall came down, but it still echoes in mybody. The echo contains many frequencies. Some of them sound like Gabberplaying in my childhood room over the speakers my grandfather once stolefrom a Leipzig radio station. Some of them sound like me and my friendsrunning through the streets. They sound like my mother laughing andconsoling women in the women´s shelter where she worked in 1992. Theysound like birds: my father swears after the Reunification the greatcrested grebes on the town lakes lost all fear of humans. Some of themsound like these recordings."
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Voice Actor & Squu - You
2
Voice Actor & Squu - Dyn
3
Voice Actor & Squu - Last Drop Rule
4
Voice Actor & Squu - Nekk
5
Voice Actor & Squu - Cut
6
Voice Actor & Squu - Lust Is Stronger Than Us
7
Voice Actor & Squu - Rattle
8
Voice Actor & Squu - Moving On Moving On
9
Voice Actor & Squu - Fields
10
Voice Actor & Squu - Da Em
11
Voice Actor & Squu - Look Nice
12
Voice Actor & Squu - Hle
13
Voice Actor & Squu - Flows
14
Voice Actor & Squu - Barbara
"Farming, often associated with toil and drudgery, can also be a surprisingly sensual and playful activity. The rhythm of the seasons, the tactile experience of working the land, and the shared sense of accomplishment can all contribute to a heightened sense of intimacy and pleasure. Consider the act of planting seeds. The gentle touch of fingers on delicate seedlings, the anticipation of growth, and the nurturing care required can create a deeply satisfying and sensual experience.
Harvesting, too, can be a sensual affair, as one plucks ripe fruits and vegetables from the earth, feeling their warmth and succulence. Beyond the physical aspects, farming can also foster emotional intimacy. Couples can work together in the garden, sharing laughter, sweat, and a sense of shared purpose. The feeling of accomplishment that comes from growing one's own food can also strengthen bonds and create a sense of shared pride."
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Germany
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Harvesting, too, can be a sensual affair, as one plucks ripe fruits and vegetables from the earth, feeling their warmth and succulence. Beyond the physical aspects, farming can also foster emotional intimacy. Couples can work together in the garden, sharing laughter, sweat, and a sense of shared purpose. The feeling of accomplishment that comes from growing one's own food can also strengthen bonds and create a sense of shared pride."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NSRD - Schwenn
2
NSRD - Karstvina Recepte
3
NSRD - Kaadaa Riitaa
4
NSRD - Plava
5
NSRD - Kastanis
6
NSRD - Decembra Sesija Part 2
7
NSRD - Baanuuzhi Part 2
8
NSRD - Sieviete Ar Casio
9
NSRD - Kurmja Aptuvenie Celji
10
NSRD - Kina
11
NSRD - Levadmuuzika Maskavas TV Programmai LAIKS
12
NSRD - Guia Expedit
Repress!
Juris Boiko (1954-2002) and Hardijs Ledi ¡ (1955-2004) were the core members of the NSRD, which is best known as Latvian avant-garde, postmodern, experimental and underground music group active in 1980s. BIG TIP! STROOM BRINGING IT...! comes with download code.
Their activities were widely multidisciplinary and they can not be considered as purely musicians since none of them had a professional musical education. Their creativity was manifested through variety of media – music, performance and action art, visual arts, poetry, samizdat, the introduction video art in Latvia etc. NSRD also made a significant contribution to the explanation of the theoretical aspects of art in the interpretation of the postmodernist movement, and developed the independent concept of “Approximate Art”. At the end of the 80s, NSRD got connected and performed with several artists and musicians living in West Germany, including Indulis BilzÄ“ns, Micky Remann and Maximilian Lenz aka Westbam and others.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Juris Boiko (1954-2002) and Hardijs Ledi ¡ (1955-2004) were the core members of the NSRD, which is best known as Latvian avant-garde, postmodern, experimental and underground music group active in 1980s. BIG TIP! STROOM BRINGING IT...! comes with download code.
Their activities were widely multidisciplinary and they can not be considered as purely musicians since none of them had a professional musical education. Their creativity was manifested through variety of media – music, performance and action art, visual arts, poetry, samizdat, the introduction video art in Latvia etc. NSRD also made a significant contribution to the explanation of the theoretical aspects of art in the interpretation of the postmodernist movement, and developed the independent concept of “Approximate Art”. At the end of the 80s, NSRD got connected and performed with several artists and musicians living in West Germany, including Indulis BilzÄ“ns, Micky Remann and Maximilian Lenz aka Westbam and others.
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DE - 22113 Hamburg
Germany
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1
Merope - Koumu Lil
2
Merope - Namopi Feat. Laraaji And Shahzad Ismaily
3
Merope - Lopsine Feat. Bill Frisell
4
Merope - Vija
5
Merope - Spindule
6
Merope - Aglala
7
Merope - O underhill Feat. Shahzad Ismaily
8
Merope - Rana
Merope's most experimental and open-minded full length to date, Vejula is a celebration of collaboration and playfulness, and features appearances from Shahzad Ismaily, Laraaji and Bill Frisell. Like its predecessors, the duo's fifth album still roots itself in Lithuanian folk forms, but sprouts out spiritedly from that point into unfamiliar landscapes, muddling ancient themes with contemporary philosophies, concepts and technology. Delicate instrumental sequences and ethereal vocals are woven into a rich tapestry of subtle synth work and evocative field recordings. On 'Kouma lil', Indre Jurgeleviciute and Bert Cools experiment with digital images of the kankles (a traditional Lithuanian chordophone), and Jurgeleviciute's voice, blurring the boundary between the organic and the artificial, while on 'Suiakmo, French percussionist Toma Gouband adds percussion from his custom-made sounding stones to Jurgeleviciute's gentle words and Cools' surreal, sensuous electronics. 'Vejula' is an album that reaches into the unknown without loosing its tight grip on the past. Merope are in a new creative phase of their career, and they've never sounded quite so universal, or so vital.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Milan W - I Wait
2
Milan W - All The Way
3
Milan W - Face To Face
4
Milan W - Wanda
5
Milan W - Days In My Arms
6
Milan W - Ballad
7
Milan W - Interlude
8
Milan W - The Healing
9
Milan W - Memories
10
Milan W - Blue Heron
11
Milan W - Wrong One
12
Milan W - Leave Another Day
180g vinyl + Silver Pantone print (Featuring a fragment from 'The Myth' (1896), a painting by Jos Dirks)
"agony, anguish, bitterness, despair, grief, heartache, pain,
remorse, sorrow, suffering, torment, woe. Another heartbreak album that is totally worth all of it."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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"agony, anguish, bitterness, despair, grief, heartache, pain,
remorse, sorrow, suffering, torment, woe. Another heartbreak album that is totally worth all of it."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Anton Friisgaard - Syrati
2
Anton Friisgaard - Havun
3
Anton Friisgaard - Cemille
4
Anton Friisgaard - Erantai
5
Anton Friisgaard - Kampaka
6
Anton Friisgaard - Lavitir
7
Anton Friisgaard - Kunyikke
8
Anton Friisgaard - Solesia
Teratai Åkande' explores electronic techniques transforming sounds, melodies, and rhythms from balinese gamelan. It's an interaction and synthesis of acoustic and electronic expressions, exploring an imagined territory between two otherwise separate cultural worlds.
On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene.
After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat.
Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.
Composed, edited and processed in Copenhagen, Denmark from 2018 - 2024.
Here, the recordings and compositions changed shape multiple times over the years, until finally reaching their current state.`
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene.
After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat.
Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.
Composed, edited and processed in Copenhagen, Denmark from 2018 - 2024.
Here, the recordings and compositions changed shape multiple times over the years, until finally reaching their current state.`
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Pablo's Eye - Breezes Were Polar Storms
2
Pablo's Eye - Stories Are What They Are
3
Pablo's Eye - Red Light Returning
4
Pablo's Eye - The Adventure
5
Pablo's Eye - The Mirror
6
Pablo's Eye - Nadar
7
Pablo's Eye - The Dog Days Are Long Gone
8
Pablo's Eye - The Girls From Peoria
9
Pablo's Eye - The Deep Dark Days Of September
10
Pablo's Eye - A Horn Heard Through Fog
11
Pablo's Eye - Locked Away
12
Pablo's Eye - Leonora Hotel
13
Pablo's Eye - Mysterious City
14
Pablo's Eye - Sonar Vestapol
*new material (2023) from the enigmatic, Pablo's Eye
A group of friends go sailing and one disappears. The others start
searching for her. But it gradually becomes apparent that she won’t
be found. So the friends return home one by one. Only the missing
girl’s lover and her best friend remain.They have begun an affair.
As the lovers come together the girl’s disappearance is all but
forgotten.
From Michelangelo Antonioni — “Auteur of eerie angst”
(L’Avventura) by Richard Skinner from Vade Mecum Essays,
Reviews & Interviews (Zero books, 2015).
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Germany
Contact: [email protected]More
A group of friends go sailing and one disappears. The others start
searching for her. But it gradually becomes apparent that she won’t
be found. So the friends return home one by one. Only the missing
girl’s lover and her best friend remain.They have begun an affair.
As the lovers come together the girl’s disappearance is all but
forgotten.
From Michelangelo Antonioni — “Auteur of eerie angst”
(L’Avventura) by Richard Skinner from Vade Mecum Essays,
Reviews & Interviews (Zero books, 2015).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sissi Rada - Lil
2
Sissi Rada - Epitelous
3
Sissi Rada - Sunnefo
4
Sissi Rada - Sappho
5
Sissi Rada - Little Party
6
Sissi Rada - Poso
7
Sissi Rada - Stasis
8
Sissi Rada - Sissi Rada
9
Sissi Rada - Lonely Plan
10
Sissi Rada - Delayed Mausoleum
LTD to 400 copies
Sissi Rada's humble manifestations of the miracle of life, the troubles of love, the thoughts that span through a human mind while performing simple tasks, educated by her love and natural inclination to poetry, read like small vignettes, or marginalia notes on a diary that is of constant flux.
Recorded, mixed and produced by Sissi alone, in her Athens’ home, using a spartan but powerful instrumentation of harp, a Prophet synthesizer, and first and foremost her intimate and enchanting voice, ‘
Aporia’ stands out with its simplicity and familiarity, like a page out of a diary, shared with a blush and a witty smile."
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WAS - Word and Sound Medien GmbH
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Germany
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Sissi Rada's humble manifestations of the miracle of life, the troubles of love, the thoughts that span through a human mind while performing simple tasks, educated by her love and natural inclination to poetry, read like small vignettes, or marginalia notes on a diary that is of constant flux.
Recorded, mixed and produced by Sissi alone, in her Athens’ home, using a spartan but powerful instrumentation of harp, a Prophet synthesizer, and first and foremost her intimate and enchanting voice, ‘
Aporia’ stands out with its simplicity and familiarity, like a page out of a diary, shared with a blush and a witty smile."
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1
W.A.T. - Les Enfants
2
W.A.T. - Summer And The Empty Playground
It's never too late to celebrate love.
"I could climb every mountain. Cross the mighty sea. Refuse water from the fountain. To have you here with me. And I know I'll endure it. I'll be waiting at your gate." A liminal love message between Ad & Frankie from W.A.T.. Both folk country'ish songs made in the mid 80's"
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"I could climb every mountain. Cross the mighty sea. Refuse water from the fountain. To have you here with me. And I know I'll endure it. I'll be waiting at your gate." A liminal love message between Ad & Frankie from W.A.T.. Both folk country'ish songs made in the mid 80's"
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Alex Deforce & Charlotte Jacobs are overtaking emptyness in shades of silence. Language has something to say here. Voices combined in poetic levels of belgitude. Poetry rewriting days and nights.
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Germany
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Germany
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1
Sonoko - Meditation
2
Sonoko - Un Homme Et Une Femme
"Two elevator bangers to get through the gloomy holiday season by Japanese artist, Sonoko, probably made somewhere in the 90's. Merry ye ye"
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
W.A.T. - Love Suspect
2
W.A.T. - Famous
3
W.A.T. - Wax
4
W.A.T. - Defreeze
5
W.A.T. - Thin Blue Notes
6
W.A.T. - The Captain
7
W.A.T. - Thx
8
W.A.T. - Art Lovers
9
W.A.T. - Ivanhoo
10
W.A.T. - Hossa
11
W.A.T. - Sangatte
12
W.A.T. - Conspiracy In The Dark
"An exciting and vulnarable compilation of the world according to W.A.T., a dutch pop / wave band who was active in the early to mid 80's. For fans of VAZZ & Ruins."
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Germany
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Germany
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Territories: WORLD EXCL UK,US,CA,BENELUX,NZ,AU
LP - Clear 180gram vinyl with Obi-strip and added Insert
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
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"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.
Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.
"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something [legendary hip hop producers] The Bomb Squad might make - if ambient music was the only material in their sample library."
Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.
Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.
"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."
Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP - Clear 180gram vinyl with Obi-strip and added Insert
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
File under: Ambient
Side 1:
Swaledale to Blakeney Straits
Side 2:
Laugharne Estuary to Welcombe Mouth
"This record and film are just lovely. You need this in your life. Moo-Moo!” Balearic Mike (Down To The Sea & Back)
"The album is a perfect companion to the KLF classic, utilising the British countryside as the setting, occasionally reminding you that Mother Nature is not to be messed with.” Strictly Kev (DJ Food)
"A beautiful ambient journey into the landscape, taking the listener from reality to dream state and back again. A mystical realm full of mysterious chanting, rattling trains and sounds from the very depths of the earth."
Lally MacBeth & Matthew Shaw (Stone Club)
Recorded in a remote cabin on the Devon coast, STILL OUT is an album-length collaboration between musician-filmmakers – and childhood friends – Will Cookson and Tom Haverly. A reflection on friendship, landscape and the passing of time, it inspired a road trip from North Yorkshire to North Devon they took together in the summer of 2024, and forms the soundtrack to a film of the same name which had its premiere screening as part of Stroud Film Festival in March 2025.
Like the film, STILL OUT is also an oblique homage to The KLF’s iconic 1990 album Chill Out, which the Gloucestershire-based pair revisited after it turned up unexpectedly a few years back in Tom’s dad’s record collection. Inspired to create their own recording using a similarly free-spirited process, Will and Tom relocated to the Devon coast in late summer 2023, splicing together a 40-minute mix from their personal archive of recordings and found sounds in a remote cabin with no electricity or mobile reception.
"It came together using cut-and-paste techniques, with ongoing shifts and tweaks,” says Will. “The final result was an audio collage that felt like something [legendary hip hop producers] The Bomb Squad might make - if ambient music was the only material in their sample library."
Using ‘ambient’ as a starting-point rather than an end in itself, they took inspiration from across the musical spectrum – classic-period Brian Eno, Philip Glass, Bill Evans, plus outliers such as 80s singer-songwriter Virginia Astley and the late DJ-producer Andrew Weatherall. The connections, though, are anything but obvious as the audio shifts seamlessly from field recordings and spoken-word interludes to mood pieces and snatches of vintage pop.
Edited and assembled using freely available open source programs, the source material was often radically altered using tools such as “PaulStretch”, a digital sound-morphing algorithm that allows users to stretch audio files to extreme lengths.
"When we found ourselves in a creative slump or unsure how to navigate a tricky part, we'd say, ‘Let's put some syrup on it and slow it down,’” says Tom. “That always helped us get back on track during late-night recording sessions at the cabin."
Part-soundtrack, part-meditative experiment, STILL OUT is intended as a reflection on the mental and emotional shift that occurs when stepping away from the routine of daily life – an album that forms a celebration of our ever-changing relationship to the world around us and the mystery of what it means to pass through time and space.
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Germany
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Label:Forever Living Originals
Cat-No:FLO00012LP
Release-Date:11.11.2024
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO00012LP
Release-Date:11.11.2024
Genre:Soul/Funk
Configuration:LP
Along with the likes of Today & Tomorrow and Untitled (God), Sault are giving their five-deep album drops from late 2022 a more ceremonious release now. The music is too deep and rich to vanish into the melee of digital data streams, and each album's distinct qualities benefits from its own space to inhabit. On a mission from God and steeped in a raw, 70s kind of sound which shirks studio slickness in favour of absolute reality, on Earth this British outfit take themselves into realms of spiritual jazz atop their keen instinct for funk. The drums tumble, the chants murmur, and there's just no arguing with the power of the ensemble and their in-the-room vibe.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Jan Jelinek - Moiré (Piano & Organ)
2
Jan Jelinek - Rock In The Video Age
3
Jan Jelinek - They, Them
4
Jan Jelinek - Them, Their
5
Jan Jelinek - Tendency
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Jan Jelinek - Moiré (Strings)
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Jan Jelinek - Do Dekor
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Jan Jelinek - Drift
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Jan Jelinek - Moiré (Guitar & Horns)
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Jan Jelinek - Poren
Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
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DE - 22113 Hamburg
Germany
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VINYL REPRESS
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet
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Germany
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01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Text
Cat-No:TEXT042LP
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Text
Cat-No:TEXT042LP
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
2025 REPRESS.
2 x LP 180gm Heavyweight Vinyl.
Gatefold Sleeve.
Black Poly-lined Inner.
A1 Angel Echoes 4:00 A2 Love Cry 9:13 B1 Circling 5:15 B2 Pablo's Heart 0:11 B3 Sing 6:48 C1 The Unfolds 7:47 C2 Reversing 2:40 D1 Plastic People 6:33 D2 She Just Likes To Fight 4:34
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Germany
Contact: [email protected]More
2 x LP 180gm Heavyweight Vinyl.
Gatefold Sleeve.
Black Poly-lined Inner.
A1 Angel Echoes 4:00 A2 Love Cry 9:13 B1 Circling 5:15 B2 Pablo's Heart 0:11 B3 Sing 6:48 C1 The Unfolds 7:47 C2 Reversing 2:40 D1 Plastic People 6:33 D2 She Just Likes To Fight 4:34
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Princess P presents:Fortran 5,Renegade Soundwave, Saint Etienne, S.Y.T. (Shave Your Tongue) /2x12"LP
Label:Princess P
Cat-No:princess3
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Princess P
Cat-No:princess3
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Various Artists - A. Fortran 5 – Heart On The Line (Moby's Bassline Mix) 4:58 129BPM
2
Various Artists - B. Renegade Soundwave – Women Respond To Bass (Vocal) 5:39 120BPM
3
Various Artists - C. Saint Etienne – Stoned To Say The Least 7:42 118BPM
4
Various Artists - D. S.Y.T. (Shave Your Tongue) – Pleasure (Dub) 6:51 115BPM
2x12" LP - Half-speed cutting and mastering by Sidney Claire Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon), pressed at 45rpm
Text:
Indulge in a delicious audiophile epilogue to Princess P's Infinite Sonore compilation with this 2x12" musical offering.
Swiss DJ Princess P, known for her wide-ranging selections, that resonates equally on the dancefloor and in immersive listening spaces, has been a dynamic presence in the Swiss electronic scene since the mid ’90s and has cultivated a genre-defying style. Her sets have become staples at clubs like Zukunft and festivals such as Watching Trees and Convenanza, where she showcases her iconoclastic musical knowledge and maverick flair.
Artist: Various Artists
Title: Princess P Presents
A. Fortran 5 – Heart On The Line (Moby's Bassline Mix) 4:58 129BPM
B. Renegade Soundwave – Women Respond To Bass (Vocal) 5:39 120BPM
C. Saint Etienne – Stoned To Say The Least 7:42 118BPM
D. S.Y.T. (Shave Your Tongue) – Pleasure (Dub) 6:51 115BPM
Half-speed cutting and mastering by Sidney Claire Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon), pressed at 45rpm—these tracks have never sounded better, have they?
Liner Notes by Joe Muggs (Bass, Mids, Tops – An Oral History of Soundsystem Culture)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Text:
Indulge in a delicious audiophile epilogue to Princess P's Infinite Sonore compilation with this 2x12" musical offering.
Swiss DJ Princess P, known for her wide-ranging selections, that resonates equally on the dancefloor and in immersive listening spaces, has been a dynamic presence in the Swiss electronic scene since the mid ’90s and has cultivated a genre-defying style. Her sets have become staples at clubs like Zukunft and festivals such as Watching Trees and Convenanza, where she showcases her iconoclastic musical knowledge and maverick flair.
Artist: Various Artists
Title: Princess P Presents
A. Fortran 5 – Heart On The Line (Moby's Bassline Mix) 4:58 129BPM
B. Renegade Soundwave – Women Respond To Bass (Vocal) 5:39 120BPM
C. Saint Etienne – Stoned To Say The Least 7:42 118BPM
D. S.Y.T. (Shave Your Tongue) – Pleasure (Dub) 6:51 115BPM
Half-speed cutting and mastering by Sidney Claire Meyer @ EBS Berlin Studios (formerly Deutsche Grammophon), pressed at 45rpm—these tracks have never sounded better, have they?
Liner Notes by Joe Muggs (Bass, Mids, Tops – An Oral History of Soundsystem Culture)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Shell Company - Gritty
2
Shell Company - Little Hooks
3
Shell Company - Salt Fields Ft. Richie Culver
4
Shell Company - Falling
5
Shell Company - Locket Ft. LINTD
6
Shell Company - Fires
Shell Company featuring Richie Culver, LINTD, Older Brother. Full artwork sleeves & label design by Ciaran Birch ///
Hazy & dark contemporary pop from Shell Company, drenched in spoken word dreamscapes...
Manchester / Glasgow trio Shell Company debut on Accidental Meetings with a record of dark hued, noise pop adjacent pieces. The trio is spearheaded by poet Rosabella Allen, whose misted balladry pierces through the textured backdrops of Chris and Rob Banks, all three complimenting and melding perfectly.
Following stand out releases for Glasgow imprint Numbers, and Rainy Miller's Fixed Abode, Locket sees the band push the boat out for AM which sees them unite with fellow collaborators Richie Culver & LINTD on the project. A deeply personal record that fuses fractured electronics, post-rock and spoken word, with the end product being a damp, noir masterpiece.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Hazy & dark contemporary pop from Shell Company, drenched in spoken word dreamscapes...
Manchester / Glasgow trio Shell Company debut on Accidental Meetings with a record of dark hued, noise pop adjacent pieces. The trio is spearheaded by poet Rosabella Allen, whose misted balladry pierces through the textured backdrops of Chris and Rob Banks, all three complimenting and melding perfectly.
Following stand out releases for Glasgow imprint Numbers, and Rainy Miller's Fixed Abode, Locket sees the band push the boat out for AM which sees them unite with fellow collaborators Richie Culver & LINTD on the project. A deeply personal record that fuses fractured electronics, post-rock and spoken word, with the end product being a damp, noir masterpiece.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:World Of Paint
Cat-No:WOP002
Release-Date:31.10.2025
Genre:Alternative/Electronic
Configuration:LP
Label:World Of Paint
Cat-No:WOP002
Release-Date:31.10.2025
Genre:Alternative/Electronic
Configuration:LP
1
Cindy - Another
2
Cindy - 2Y & 6M
3
Cindy - My Mother
4
Cindy - Never Let Me Go
5
Cindy - New Power
6
Cindy - Cousins Birthday Party
7
Cindy - Seaview Parking
8
Cindy - Justin
9
Cindy - Mary
10
Cindy - Boyfriend
11
Cindy - I Love You
12
Cindy - Voice Message
13
Cindy - Maybe Because Its Over Now
Repress!
Debut album by Cindy is aptly called I'm Cindy. Produced by Kai Hugo a.k.a. Palmbomen II. Who exactly is Cindy? If producer Kai Hugo used oblique strategies it would be this question that's been central to his past four years of musical output. First appearing on his 2015 LP Palmbomen II as the titular subject of the track Cindy Savalas, her life has become intertwined with the producer's. "Following that release, I made a music video for Cindy Savalas, where Cindy came to life through the portrayal by Blue LoLan,' Hugo explains. 'I really felt a connection with this character and went deeper into developing who she was and the world she lived in. The result was the creation of the LP Memories Of Cindy, where my goal was to reveal more about Carmel Vista, the town Cindy lived in. Afterwards, I imagined Cindy having her own 'lost' album, as if she had once released a record that was kind of forgotten.' I'm Cindy is altogether different though. It sits at an uncommonly explored intersection between Italo disco and shoegaze - Cocteau Twins and Slowdive are mentioned as influences and you can hear that in the blurred textures and hazy synths of the 13 tracks here. But Hugo also revels in a chance to use his self-created character as a conduit to explore his love of both mainstream pop and its more skewed forms. In many ways the record is as much LoL?n's. It was she who gave the character her voice - initially across 27 tracks recorded with the producer - but her own connection to Cindy runs deeper than that. 'It makes me really nostalgic thinking about everything Cindy went through, she and I have similar feelings' says the vocalist. 'Cindy is a mix of me and Kai so when I listen to the album I feel like I'm half entering Kai's head and half in mine, with a whole bunch of deep emotions, purity and loneliness that just makes me want to dance and cuddle with all my cats in a disco forest somewhere outside of Carmel Vista.'
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Germany
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Debut album by Cindy is aptly called I'm Cindy. Produced by Kai Hugo a.k.a. Palmbomen II. Who exactly is Cindy? If producer Kai Hugo used oblique strategies it would be this question that's been central to his past four years of musical output. First appearing on his 2015 LP Palmbomen II as the titular subject of the track Cindy Savalas, her life has become intertwined with the producer's. "Following that release, I made a music video for Cindy Savalas, where Cindy came to life through the portrayal by Blue LoLan,' Hugo explains. 'I really felt a connection with this character and went deeper into developing who she was and the world she lived in. The result was the creation of the LP Memories Of Cindy, where my goal was to reveal more about Carmel Vista, the town Cindy lived in. Afterwards, I imagined Cindy having her own 'lost' album, as if she had once released a record that was kind of forgotten.' I'm Cindy is altogether different though. It sits at an uncommonly explored intersection between Italo disco and shoegaze - Cocteau Twins and Slowdive are mentioned as influences and you can hear that in the blurred textures and hazy synths of the 13 tracks here. But Hugo also revels in a chance to use his self-created character as a conduit to explore his love of both mainstream pop and its more skewed forms. In many ways the record is as much LoL?n's. It was she who gave the character her voice - initially across 27 tracks recorded with the producer - but her own connection to Cindy runs deeper than that. 'It makes me really nostalgic thinking about everything Cindy went through, she and I have similar feelings' says the vocalist. 'Cindy is a mix of me and Kai so when I listen to the album I feel like I'm half entering Kai's head and half in mine, with a whole bunch of deep emotions, purity and loneliness that just makes me want to dance and cuddle with all my cats in a disco forest somewhere outside of Carmel Vista.'
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Life Recorder - Blues In Flight
2
Laak - Apophis
3
Life Recorder - Blues In Flight (Laak Retroflex Remix)
4
Laak - Apophis (LR House 2 Jazz Remix)
Miami-based house upstarts Sole Aspect Records welcome Life Recorder and Laak to take on their eighth EP. The former has been crafting deeply melodic and synth-laced house and techno soundscapes for some time and opens with 'Blues In Flight' which is all jacked-up beats and wispy, astral melodies and pads. Laak offers a more slinky and garage-infused sound on 'Apophis' and layers it up with twinkling modulations. Then comes a Laak Retroflex remix of the opener that reworks it into a deeper and more heads down sound before the Life Recorder House 2 Jazz mix of 'Apophis' explores cosmic jazz keys and shimmering deep house beats.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Earthly Measures & OKRAA - Que?
2
Earthly Measures & DJ Raff - Third Try
3
Earthly Measures & OKRAA - Que? (Olsvangèr Wildwood Dub)
4
Earthly Measures & Balam - Earth Groove
5
Earthly Measures & DJ Raff - Third Try (Sun Sone Remix)
6
Earthly Measures & Balam - Earth Groove (Jinje Edit)
Territories: World
Tracklist:
Tracklist:
A1 / Earthly Measures & OKRAA - Que?
A2 / Earthly Measures & DJ Raff - Third Try
A3 / Earthly Measures & OKRAA - Que? (Olsvangèr Wildwood Dub)
B1 / Earthly Measures & Balam - Earth Groove
B2 / Earthly Measures & DJ Raff - Third Try (Sun Sone Remix)
B3/ Earthly Measures & Balam - Earth Groove (Jinje Edit)
Info
London-based DJ duo, producers, and curators Earthly Measures announce their debut EP FROM EARTH, out October 3rd via Oath. The six-track release is a statement of rhythm, collaboration, and borderless sound.
Leading is the single 'QUE?' (feat. OKRAA), a fusion of Afro-Latin percussion, live textures, and UK breakbeat energy, anchored by a looping Fela Kuti sample.
Across FROM EARTH, Earthly Measures move through deep grooves, organic instrumentation, and global club culture. 'THIRD TRY' with DJ Raff blends warped synths, heavy bass, and Latin rhythms. 'EARTH GROOVE' with Balam hums with ancestral echoes and future-facing energy.
The EP also includes three remixes: Olsvanger's dubbed-out QUE?, Sun Sone's bright THIRD TRY, and Jinje's euphoric EARTH GROOVE.
With FROM EARTH, Earthly Measures step into the spotlight, weaving global rhythms into a cohesive release - a reflection of connection, community, and sound rooted in nature.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
Tracklist:
A1 / Earthly Measures & OKRAA - Que?
A2 / Earthly Measures & DJ Raff - Third Try
A3 / Earthly Measures & OKRAA - Que? (Olsvangèr Wildwood Dub)
B1 / Earthly Measures & Balam - Earth Groove
B2 / Earthly Measures & DJ Raff - Third Try (Sun Sone Remix)
B3/ Earthly Measures & Balam - Earth Groove (Jinje Edit)
Info
London-based DJ duo, producers, and curators Earthly Measures announce their debut EP FROM EARTH, out October 3rd via Oath. The six-track release is a statement of rhythm, collaboration, and borderless sound.
Leading is the single 'QUE?' (feat. OKRAA), a fusion of Afro-Latin percussion, live textures, and UK breakbeat energy, anchored by a looping Fela Kuti sample.
Across FROM EARTH, Earthly Measures move through deep grooves, organic instrumentation, and global club culture. 'THIRD TRY' with DJ Raff blends warped synths, heavy bass, and Latin rhythms. 'EARTH GROOVE' with Balam hums with ancestral echoes and future-facing energy.
The EP also includes three remixes: Olsvanger's dubbed-out QUE?, Sun Sone's bright THIRD TRY, and Jinje's euphoric EARTH GROOVE.
With FROM EARTH, Earthly Measures step into the spotlight, weaving global rhythms into a cohesive release - a reflection of connection, community, and sound rooted in nature.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ash Ra Tempel - Amboss_Excerpt1
2
Ash Ra Tempel - Amboss_Excerpt2
3
Ash Ra Tempel - Traummachine_Excerpt01
4
Ash Ra Tempel - Traummachine_Excerpt02
Back by Popular Demand in a 2025 Re Press Edition in /with Original 50th Anniversary Edition Art and Acessories:
LP, f irst-ever official reissue on vinyl since 1975, , 140G Transparent "Transcendent" Vinyl, 350gsm Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket,
A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970),
Sticker, 50th Anniversary RE-Edition, Re-Cut carefully overseen by Manuel Göttsching,
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP, f irst-ever official reissue on vinyl since 1975, , 140G Transparent "Transcendent" Vinyl, 350gsm Quadro Fold Out Sleeve, exactly replicates complex/original OHR die-cut jacket,
A2 Poster, 2x (German and English) A4 Inlay with Original Bio Sheet written by Manuel Göttsching (1970),
Sticker, 50th Anniversary RE-Edition, Re-Cut carefully overseen by Manuel Göttsching,
2. GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Electronics
3. TRACKLIST:
A. "Amboss" 19:40
B. "Traummaschine" 25:24
Personell:
Hartmut Enke - Gibson bass,
Manuel Göttsching - Electric guitar, Vocals, electronics,
Klaus Schulze - Drums, percussion, electronics
Engineered by: Conny Plank
Artwork: Bernhard Bendig
Recorded in March 1971, Star Studio Hamburg
4. INFO:
Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel.
It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.
This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label.
It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.
Much has been written about the record and band.
Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many,
became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":
Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".
"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.
"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)
AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."
Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:
"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.
…
On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.
Thank you for your attention."
(Taken from the original A-R-T Bio 1970)
Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.
www.manuelgoettsching.com
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Oko DJ - Exolition
2
Oko DJ - La Colline Au Ciel
3
Oko DJ - emai i den emai (feat. Onarrivenow)
4
Oko DJ - formentera
5
Oko DJ - je suis la terre qui absorbe dieu - 1644
6
Oko DJ - ivres
7
Oko DJ - erotic love triangle
8
Oko DJ - Parfois, Dans la Lumière...
"Feeding from countless hours of historically informed digging, being able to convey this knowledge to all sorts of audiences and understanding the very direct effects of sound, OKO DJ delivers an album that gives off this ecstatic feeling of travelling through very specific moods and soundscapes with the use of a wide range of production techniques. The listener is constantly stimulated by the spoken word narrative, the play on the tape hiss and dynamics, the out of field elements emerging erratically yet brilliantly included in the mix. Going from primitive DIY tape montage to modern day home-studio tricks and everything in between, As Above, So Bellow doesn’t show us anachronic references to different inspirations, but actually tells a timeless and hard to pin down story from a truly unique point of view."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More