Label:TEMPORAL DRIFT
Cat-No:DRFT 20
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:LP
Label:TEMPORAL DRIFT
Cat-No:DRFT 20
Release-Date:17.10.2025
Genre:Electronic, Electronica
Configuration:LP
1
KEIJI HAINO + SHUTA HASUNUMA - sky
2
KEIJI HAINO + SHUTA HASUNUMA - rest
3
KEIJI HAINO + SHUTA HASUNUMA - gush
4
KEIJI HAINO + SHUTA HASUNUMA - number
5
KEIJI HAINO + SHUTA HASUNUMA - pause
6
KEIJI HAINO + SHUTA HASUNUMA - drops
7
KEIJI HAINO + SHUTA HASUNUMA - scape
8
KEIJI HAINO + SHUTA HASUNUMA - people
9
KEIJI HAINO + SHUTA HASUNUMA - finger
10
KEIJI HAINO + SHUTA HASUNUMA - latency
Haino sings. Hasunuma plays. It’s a minimal framework, but what emerges is a boundary-blurring sonic exploration. Across the album, Haino’s voice threads through Hasunuma’s layered soundscapes built from analog synths, electric guitar, piano, field recordings, and more. Haino entered the studio with only lyrics in hand, improvising melodies in response to Hasunuma’s evolving arrangements. The result is a work of deep trust, intuition, and sonic tension.Keiji Haino and Shuta Hasunuma’’s creative connection began in 2017 with an impromptu performance in Shibuya—Hasunuma on a Buchla modular synthesizer, Haino responding with the Japanese national anthem, “Kimigayo.” That moment sparked their unlikely collaboration. In 2018 Haino appeared at the Hasunuma-organized event “MUSIC TODAY IN KYOTO” at Rohm Theater, alongside Nobukazu Takemura, Manami Kakudo, Elena Tutatchikova, Kukangendai among others. In September 2021 during the pandemic, the two performed "U TA" for the first time at WWW in Shibuya. They began planning the album soon afterwards. For the recording of U TA, Haino entered the studio with only the lyrics in hand, with no knowledge of what sounds Hasunuma would produce. Responding to Hasunuma’s music in real time, Haino composed the melodies and layered in his voice on the spot. With additional sessions at Hasunuma’s private studio and Haino’s preferred studio, the album was completed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from TEMPORAL DRIFT
1
Hiroshi Yoshimura - Over The Clover
2
Hiroshi Yoshimura - Flora
3
Hiroshi Yoshimura - Asagao
4
Hiroshi Yoshimura - Ojigisou
5
Hiroshi Yoshimura - Maple Syrup Factory
6
Hiroshi Yoshimura - Adelaide
7
Hiroshi Yoshimura - Wind Echo
8
Hiroshi Yoshimura - Trick Tree
9
Hiroshi Yoshimura - Kasumi
10
Hiroshi Yoshimura - Silence
11
Hiroshi Yoshimura - Satie On The Grass
Sky Blue Vinyl!
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hiroshi Yoshimura - Over The Clover
2
Hiroshi Yoshimura - Flora
3
Hiroshi Yoshimura - Asagao
4
Hiroshi Yoshimura - Ojigisou
5
Hiroshi Yoshimura - Maple Syrup Factory
6
Hiroshi Yoshimura - Adelaide
7
Hiroshi Yoshimura - Wind Echo
8
Hiroshi Yoshimura - Trick Tree
9
Hiroshi Yoshimura - Kasumi
10
Hiroshi Yoshimura - Silence
11
Hiroshi Yoshimura - Satie On The Grass
CD!
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hiroshi Yoshimura - Over The Clover
2
Hiroshi Yoshimura - Flora
3
Hiroshi Yoshimura - Asagao
4
Hiroshi Yoshimura - Ojigisou
5
Hiroshi Yoshimura - Maple Syrup Factory
6
Hiroshi Yoshimura - Adelaide
7
Hiroshi Yoshimura - Wind Echo
8
Hiroshi Yoshimura - Trick Tree
9
Hiroshi Yoshimura - Kasumi
10
Hiroshi Yoshimura - Silence
11
Hiroshi Yoshimura - Satie On The Grass
Black Vinyl!
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?app=desktop&v=lK7VeSI5ciI&
Flora is an album that is listened to perpetually,
Passed on from one listener to another,
And the charm of the sound- and music-loving figure
known as Hiroshi Yoshimura,
Just might come drifting through.
Like the scent of a small flower.
—Junichi Konuma
Announcing the worldwide reissue of Flora, Hiroshi Yoshimura’s underrated work originally recorded and completed in 1987 and first released on CD in 2006, three years after his passing in 2003.
Flora is chronologically and stylistically a follow-up to Hiroshi Yoshimura’s acclaimed 1986 works Green and Surround, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Listening to Flora is like taking a stroll in a park, absorbing the colors and textures of the natural environment—flowers, insects, the swaying of the leaves—as Yoshimura often did at his beloved Edo-era park near his home in Tokyo. As Junichi Konuma describes in his liner notes, Yoshimura’s music “only begins to emerge as it exists at the intersection of passive and active.” Yoshimura's approach to sound and melody invites the listener to hear the intricacies of the music with intent, while simultaneously allowing the aural textures to exist as part of the background of our everyday life.
This reissue marks the first time the album will be available on vinyl (2LP, 45 rpm) and cassette, and includes liner notes written by music scholar Junichi Konuma and remastered audio by Grammy-nominated engineer John Baldwin. Reissue design and layout was handled by Tiffanie Tran.
All composed and performed by Hiroshi Yoshimura
Photos by Hiroshi Yoshimura & Takeo Kubota
Recorded by Hiroshi Yoshimura at Hiroo 806 Studio, 1987
Produced for release by Yasushi Takamatsu & Tamiko Hohda
Original art direction by gift_lab (Toshikazu Goto & Fumiko Ikeda)
Original cover design by Takuu tuore Inc. (Masahito Suda)
Reissue produced by Yosuke Kitazawa & Patrick McCarthy
Remastered by John Baldwin
Reissue layout and design by Tiffanie Tran
Liner notes by Junichi Konuma
Special thanks to Yoko Yoshimura, Tsutomu Mizusawa, Saki Nagato
Selling Points:
- First ever official reissue
- Produced in full cooperation with Hiroshi Yoshimura’s estate
- Liner notes by contemporary music writer and professor Junichi Konuma
- Remastered from original sources by John Baldwin
- First time on vinyl
- 2xLP vinyl housed in gatefold jacket
- Discs cut at 45 rpm for optimal sound quality
- Vinyl pressed at Optimal Media (Germany)
- CD Digipak
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hiroshi Yoshimura - Time After Time
2
Hiroshi Yoshimura - Surround
3
Hiroshi Yoshimura - Something Blue
4
Hiroshi Yoshimura - Time Forest
5
Hiroshi Yoshimura - Water Planet
6
Hiroshi Yoshimura - Green Show
Repress!
If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated.
— Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.
In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.
A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.
* First-ever official reissue of the pioneering 1986 ambient work
* Produced in full cooperation with Hiroshi Yoshimura’s estate
* New liner notes by original album producer Hiroyoshi Shiokawa
* Includes Yoshimura’s original notes in Japanese & English
* Remastering and lacquer cutting by John Baldwin
* Vinyl pressed at Gotta Groove Records
Original credits:
COMPOSED & PERFORMED Hiroshi Yoshimura
RECORDED Hiroo 806 Studio, Kojima Recording Studio
RECORDING ENGINEER Yukio Kojima
DESIGN Toshikazu Ota
PHOTO Yoichi Nagata
PRODUCTION Misawa Homes Institute of Research and Development
Reissue credits:
REISSUE PRODUCERS Yosuke Kitazawa & Patrick McCarthy
REMASTERING & LACQUERING John Baldwin
VINYL PRESSING Gotta Groove Records
REISSUE DESIGN & LAYOUT Ella Gold
ARTWORK SCANNING Satomi Sugiyama
RETOUCHING Ward Long
REISSUE LINER NOTES Hiroyoshi Shiokawa
TRANSLATION Yosuke Kitazawa
SPECIAL THANKS Yoko Yoshimura
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated.
— Hiroshi Yoshimura
Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.
In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.
A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.
* First-ever official reissue of the pioneering 1986 ambient work
* Produced in full cooperation with Hiroshi Yoshimura’s estate
* New liner notes by original album producer Hiroyoshi Shiokawa
* Includes Yoshimura’s original notes in Japanese & English
* Remastering and lacquer cutting by John Baldwin
* Vinyl pressed at Gotta Groove Records
Original credits:
COMPOSED & PERFORMED Hiroshi Yoshimura
RECORDED Hiroo 806 Studio, Kojima Recording Studio
RECORDING ENGINEER Yukio Kojima
DESIGN Toshikazu Ota
PHOTO Yoichi Nagata
PRODUCTION Misawa Homes Institute of Research and Development
Reissue credits:
REISSUE PRODUCERS Yosuke Kitazawa & Patrick McCarthy
REMASTERING & LACQUERING John Baldwin
VINYL PRESSING Gotta Groove Records
REISSUE DESIGN & LAYOUT Ella Gold
ARTWORK SCANNING Satomi Sugiyama
RETOUCHING Ward Long
REISSUE LINER NOTES Hiroyoshi Shiokawa
TRANSLATION Yosuke Kitazawa
SPECIAL THANKS Yoko Yoshimura
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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2
Virgo - System For Zodiac
3
Virgo - Remains
4
Virgo - Stroma
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Virgo - Monochrome Sky
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Virgo - Proxima Scope
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Virgo - Diadem
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Virgo - Ancient Architects
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Virgo - Nostalgia
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Virgo - Last Moment
Territories: WORLD
Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment
Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.
- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment
Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.
- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Virgo - Falling Seed
2
Virgo - Round On Cirque
3
Virgo - Utia
4
Virgo - Prelude
5
Virgo - Mesa
6
Virgo - Tower Of the Dual World
7
Virgo - Lost In Blue
8
Virgo - Ivied Scupltuer
9
Virgo - Remnants
10
Virgo - Starlight
Territories: WORLD
Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight
Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.
- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight
Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.
- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Robert Leiner - Out Of Control
2
Robert Leiner - Visions Of The Past
3
Robert Leiner - Interval
4
Robert Leiner - To Places You've Never Been
5
Robert Leiner - Aqua Viva
6
Robert Leiner - Full Moon Ritual
7
Robert Leiner - Zenit
8
Robert Leiner - Dream Of Reality
9
Robert Leiner - From Beyond And Back
10
Robert Leiner - Northern Dark
Swedish producer Robert Leiner’s landmark 1994 album ‘Visions Of The Past’ finally gets a vinyl LP reissue on Apollo, the ‘ambient division’ of R&S Records. Long regarded as one of the pivotal ambient/electronic long players, the album has stood the test of time and serves as a reminder on how potent the early ambient techno releases were.
Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
BEAU WANZER - Cathartic Catapults
2
BEAU WANZER - Fumes are Fun
3
BEAU WANZER - Whistle When You’re Low
4
BEAU WANZER - Kitty Kauldron
5
BEAU WANZER - FU Klaxon
6
BEAU WANZER - Hamburger Hil
7
BEAU WANZER - The Database Demon
Beau Wanzer is back with another meaty morsel of undercooked music for the starving beat eaters. This slobbery slab serves up a mix of gothy goobers and techno toddlers....scavenging the dance floor for another hit to make it through the night. Who will win? His 7th release on his recently reactivated self-titled imprint. A conveyor belt of gurgles and spurts for the doomed dancer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ash Ra Tempel - 1. Freak ’n’ Roll (19:14)
2
Ash Ra Tempel - 2. Jenseits (24:14)
- LP , STICKER, 2022 RE CUT OVERSEEN BY MANUEL GÖTTSCHING
- 50th Anniversary Re-Edition
- Original Release: 1973
- It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze and is the last Ash Ra Tempel recording in it´s original
line-up.
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient.
TRACKLIST:
1. Freak ’n’ Roll (19:14)
2. Jenseits (24:14)
All tracks composed by Manuel Göttsching, Hartmut Enke and Klaus Schulze.
SHORT INFO:
After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly
announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series.
“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”
Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 50th Anniversary Re-Edition
- Original Release: 1973
- It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze and is the last Ash Ra Tempel recording in it´s original
line-up.
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient.
TRACKLIST:
1. Freak ’n’ Roll (19:14)
2. Jenseits (24:14)
All tracks composed by Manuel Göttsching, Hartmut Enke and Klaus Schulze.
SHORT INFO:
After the 2021 Re-Release of “Schwingungen” (MG.ART612) and together with “Seven Up” (MG.ART613) we proudly
announce “JOIN INN” as Part3 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series.
“JOIN INN” is the fourth album by Ash Ra Tempel. It was recorded at Studio Dierks and originally released on LP by Ohr
Musik-Produktion, catalogue number OMM 556032. Each side of the LP comprises one long track.
In 1972 ASH RA TEMPEL teamed up again with Klaus Schulze during the recording of Walter Wegmüller's Tarot album,
and after one of the recording sessions, ASH RA TEMPEL members: Enke, Göttsching and Rosi, together with Klaus
decided to "play it again" in a late night session. This recording led to the birth of the “JOIN INN” album, as well as two
legendary last concerts in February 1973 in Paris and Cologne.
Manuel Göttsching recalls Hartmut Enke on bass and Klaus Schulze on drums being a dream-team rhythm section for
him to play his guitar, especially here to hear on “Freak'n' Roll”, that was ingenious and not to replace ever since.
It was the last recording ever where Klaus Schulze (who sadly passed away this Year) played the Drums and also
Hartmut (the Hawk) Enke soon after quit the Bass and music forever.
Join Inn marks the end of the collaboration with Klaus Schulze.
However, together with Ash Ra Tempel, their eponymous first album, which will be released in 2023 as the final edition of
our Series, it is considered a highlight of the Krautrock movement.
As for the music itself we again refer to Julian Cope´s review from his book “Krautrocksampler” (published by Head
Heritage, 1st ed. 1995):
""Freak’n’roll” fades in like it never started - just was always there from the beginning of time, a dry wah-guitar freerock
riff-out unlike any of the other Ash Ra Tempel LPs, and not much like any other music. Yes, there are bluesy riff but none
of them have a blues context. Manuel Gottsching’s guitar is so confident that he sometimes drops down to a simple
major chord groove, whilst the Hawk pushes that round woody bass into strange overlapping rumbling melody. And ... it’s
the return of Klaus Schulze on drums which propels “Freak’n’roll” to its height. No-one but Klaus has the ability to
transcend rock’n’roll in such an on-the-beat non-groove-y way and still send sparks of light into the cosmos as he does it.
-> continued on page 2“Freak’n’roll” is so egoless that it even works at a quiet volume as meditational music. Themes rise from the high tempo
pulse beat, then are carried along the muscles of the song into the main area where the riff actually becomes real and
expressionist for just long enough before slipping back into the musical fabric of the song.
As usual with Ash Ra Tempel, the other side is an enormous drift piece called “Jenseits (The Next World)”, a beautiful
Klaus Schultze meditation of haunting synthesizer chords over which Rosi Muller tells the story of the Cosmic Couriers’
meeting with Timothy Leary. Gradually, the pulsing guitar becomes increasingly intense and turbulent, but Rosi never
sounds less than freaked out. Essentially, “Jenseits” is a precursor to Klaus Schulze’s later spacey minor-key grooves.
Unfortunately, this was the last Ash Ra Tempel album in its particular ‘series.
(…) After “JOIN INN”, Manuel Gottsching took over the Ash Ra Tempel mantle alone.”
Ashra Tempel – Join Inn
HARTMUT ENKE - Gibson bass
MANUEL GÖTTSCHING -guitar
KLAUS SCHULZE-drums, synthesizers & electronics
ROSI MÜLLER-voice
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sähkö Recordings
Cat-No:SAHKO037
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Sähkö Recordings
Cat-No:SAHKO037
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP
1
Ø (Mika Vainio) - Etude 1
2
Ø (Mika Vainio) - Etude 2
3
Ø (Mika Vainio) - Etude 3
4
Ø (Mika Vainio) - Etude 4
5
Ø (Mika Vainio) - Etude 5
6
Ø (Mika Vainio) - Sylvanus
7
Ø (Mika Vainio) - Etude 6
8
Ø (Mika Vainio) - Etude 7
9
Ø (Mika Vainio) - Kangastus
10
Ø (Mika Vainio) - T Bahn
11
Ø (Mika Vainio) - Uusikuu
12
Ø (Mika Vainio) - Pimennys
13
Ø (Mika Vainio) - Aine
14
Ø (Mika Vainio) - Anthem
15
Ø (Mika Vainio) - Dual
16
Ø (Mika Vainio) - Kohtalo
17
Ø (Mika Vainio) - Sysivalo
18
Ø (Mika Vainio) - Ursa
19
Ø (Mika Vainio) - Loputon
Mika Vainio started making a new Ø album in 2014. He almost finalized the record before his too early passing in 2017. The album Sysivalo is the 9th out of 8 full scale albums, released under the Ø alias by Vainio. Ø was his longest running project from 1993 to 2017. Sysivalo was recorded during 2014-2017 and is 60 min long album with 20 tracks, produced by Vainio. He described the record as a distinct Ø album that was going to include several shorter tracks, etudes. The title, Sysivalo, is invented by Vainio by combining the Finnish words sysi (dark or sinister) and valo (light).
Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.
The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.
Mika Vainio biography
Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.
Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.
As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.
Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.
The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.
Mika Vainio biography
Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.
Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.
As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.
Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Abstract Drumz - Just A Ride
2
Abstract Drumz - I Like The Rain
3
Abstract Drumz - Ethereal Remix
4
Abstract Drumz - Culture '24
Crashing into 2025, the elusive Abstract Drumz delivers 4 signature tracks…..the 4 tracker showcases his angry precise breaks and choppage, but also highlights his more mellow side with the jazzy lushness of I Like the Rain.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
splattered col. 2LP + insert
Since 2015, Bongo Joe Records have been exploring musical margins with passion and precision - from rare reissues to bold local projects and international collaborations.
To celebrate its 10th anniversary, the Geneva-based label releases 10 Years Of Sonic Explorations, a compilation that captures a decade of handcrafted work, collective vision, and sonic adventure
Tracklist
1.1Alain Peters - Plime La Misère
1.2Altin Gün - Goca Dünya
1.3Mauskovic Dance Band - Repeating Night
1.4Esplendor Geometrico - Moscu esta helado
1.5Hyperculte - Temps Mort
1.6Madalitso Band - Wandiputa Dala
1.7Meridian Brothers - Puya Del Empresario
1.8Derya Yildirim & Grup Simsek - Nem Kaldi
1.9Nordine Staifi - Zine Ezzinet
1.10Cyril Cyril - Les Gens (Radio Edit)
1.11Africa Negra - Zimbabwe
1.12Yin Yin - One Inch Punch
2.1Les Abranis - Chenar Le Blues
2.2Orchestre Tout Puissant Marcel Duchamp - Breath
2.3Coco Maria - Me Veo Volar
2.4Amami - Ivory
2.5Lalalar - Abla Deme Lazim Olur
2.6Nusantara Beat - Djanger
2.7Yalla Miku - Asmazate
2.8Chouk Bwa & The Ångströmers - Amounay
2.9Sami Galbi - Dakchi Hani
2.10Baby Berserk - What I Mean
2.11Dressed Up Animals - Mondtanz
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Since 2015, Bongo Joe Records have been exploring musical margins with passion and precision - from rare reissues to bold local projects and international collaborations.
To celebrate its 10th anniversary, the Geneva-based label releases 10 Years Of Sonic Explorations, a compilation that captures a decade of handcrafted work, collective vision, and sonic adventure
Tracklist
1.1Alain Peters - Plime La Misère
1.2Altin Gün - Goca Dünya
1.3Mauskovic Dance Band - Repeating Night
1.4Esplendor Geometrico - Moscu esta helado
1.5Hyperculte - Temps Mort
1.6Madalitso Band - Wandiputa Dala
1.7Meridian Brothers - Puya Del Empresario
1.8Derya Yildirim & Grup Simsek - Nem Kaldi
1.9Nordine Staifi - Zine Ezzinet
1.10Cyril Cyril - Les Gens (Radio Edit)
1.11Africa Negra - Zimbabwe
1.12Yin Yin - One Inch Punch
2.1Les Abranis - Chenar Le Blues
2.2Orchestre Tout Puissant Marcel Duchamp - Breath
2.3Coco Maria - Me Veo Volar
2.4Amami - Ivory
2.5Lalalar - Abla Deme Lazim Olur
2.6Nusantara Beat - Djanger
2.7Yalla Miku - Asmazate
2.8Chouk Bwa & The Ångströmers - Amounay
2.9Sami Galbi - Dakchi Hani
2.10Baby Berserk - What I Mean
2.11Dressed Up Animals - Mondtanz
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
MICK HARRIS - trench erosion
2
MICK HARRIS - drift and current
3
MICK HARRIS - existence of a deeper site
4
MICK HARRIS - abyssal zone
5
MICK HARRIS - swell
6
MICK HARRIS - the floor
7
MICK HARRIS - hadalpegagic
8
MICK HARRIS - complete lack of sunlight
The Birmingham master, Mick Harris, arrives with his first vinyl installment of his "Culvert Dub Sessions" series. Mick has taken to the studio desk with his live hands on mixing approach and conjured up 8 tracks of classic, deep, slow rolling dub techno in the traditions of the greats. Think heavy nautical dub outs, windswept delays, low ends to make you seasick, high freqs cutting through the scenery, this is Harris at his finest. No holds barred, sincere electronics from the gut in pure form. A perfect soundtrack for a chilly fall sunset on the river bank.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Emmanuel Top - Ecsta - Deal
2
Emmanuel Top - Cosmic Event
3
Emmanuel Top - Turkish Bazar
4
Emmanuel Top - Acid Phase
5
Emmanuel Top - So Cold
6
Emmanuel Top - Play It Loud
7
Emmanuel Top - Climax V 1.1
8
Emmanuel Top - Radio
9
Emmanuel Top - Tone
10
Emmanuel Top - Stress
2025 Edition - Clear Marbled Transparent Vinyl - Black Box Set!! New Price!
Emmanuel Top's Attack Records stands as a milestone in the 1990s techno-acid scene.
The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s.
Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Emmanuel Top's Attack Records stands as a milestone in the 1990s techno-acid scene.
The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s.
Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deepchord - Fog Hotel
2
Deepchord - Moving Lights
3
Deepchord - Wind in Trees
4
Deepchord - Lagonda
5
Deepchord - Varanasi
6
Deepchord - Portofino
7
Deepchord - Point Reyes
8
Deepchord - Underwater Galaxies
9
Deepchord - Azure
10
Deepchord - Devil Ray
11
Deepchord - Signals
12
Deepchord - Roca 9
Tracklisting
A1 Deepchord - Fog Hotel
A2 Deepchord - Moving Lights
A3 Deepchord - Wind in Trees
B1 Deepchord - Lagonda
B2 Deepchord - Varanasi
B3 Deepchord - Portofino
C1 Deepchord - Point Reyes
C2 Deepchord - Underwater Galaxies
C3 Deepchord - Azure
D1 Deepchord - Devil Ray
D2 Deepchord - Signals
D3 Deepchord - Roca 9
Sales Note
- 2025 repress
A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Deepchord - Fog Hotel
A2 Deepchord - Moving Lights
A3 Deepchord - Wind in Trees
B1 Deepchord - Lagonda
B2 Deepchord - Varanasi
B3 Deepchord - Portofino
C1 Deepchord - Point Reyes
C2 Deepchord - Underwater Galaxies
C3 Deepchord - Azure
D1 Deepchord - Devil Ray
D2 Deepchord - Signals
D3 Deepchord - Roca 9
Sales Note
- 2025 repress
A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Al Karpenter - 1. We Are All Karpenters
2
Al Karpenter - 2. Mundo Chabola
3
Al Karpenter - 3. Izugarrizko Buruak (Greatest Heads)
4
Al Karpenter - 4. A Brand New Astrophobia
5
Al Karpenter - 5. The Most Grudgeful Lie
6
Al Karpenter - 6. Tout Avant de Devenir Rein
7
Al Karpenter - 7. Stop The Genocide!
8
Al Karpenter - 8. Worm City
9
Al Karpenter - 9. Death Song
10
Al Karpenter - 10.Perfect Love
LP - territory: WW- UK/USA/CA/Benelux
LP LTD 300 with 8 page 12” booklet
Tracklist
1. We Are All Karpenters
2. Mundo Chabola
3. Izugarrizko Buruak (Greatest Heads)
4. A Brand New Astrophobia
5. The Most Grudgeful Lie
6. Tout Avant de Devenir Rein
7. Stop The Genocide!
8. Worm City
9. Death Song
10.Perfect Love
Released by Hegoa Records and Night School Records.
Greatest Heads is the fourth album by the radical Basque- Berlinesque group Al Karpenter. A
deconstruction of structured “rock” music, here Al Karpenter re-imagine “the band” to explore
the intersection between Free music, afro-beat, the avant garde and gonzo rock.
If Theodore Adorno wrote “To Write Poetry after Auschwitz is Barbaric” in 1949, Al Karpenter
attempts to answer the difficult question today; what kind of music can be done in the face of a
genocide? Álvaro Matilla, Marta Sainz, Enrique Zaccagnini & Mattin’s response to the planet’s
slipping into a vortex of hate is to create a music ecstatic, a music of protest bursting with multiple
musical languages and glossaries, full of overlapping histories and thrilling tensions.
Greatest Heads posits a plurality of musics both in opposition and intertwined: Al Karpenter play rock
instruments pulled apart in the studio in post-production. Distorted rhythm chunks bit-crushed and
dissipated, segments of freedom oppressed by waves of sound invading from every direction. The
interplay between the chief instrumentalists and renowned, storied sound artist Mattin creates
something akin to ESP freedom-seekers Cro Magnon playing in Miles Davis’ early 70s groups, The
Los Angeles Free Music Society tightening up into a clenched fist of plunderphonics and runaway
percussion.
We Are All Karpenters opens Greatest Heads with the most straight-forward song refrain of the record
accompanied by a band that soon crash into eruption, imagining Sun City Girls in full free rock mode.
The modulating synth sound soon sucks the band into its wake to create a spine-chilling climax of
distorted sound, made fully orgasmic with mastering engineer Rashad Becker’s attention to detail. On
Izugarrizko Buruak (Greatest Heads), Matilla intones in Basque over a mangled distorto-beat. A Brand
New Astraphobia creates a black space for a heavily processed guitar to blow up before falling to earth
at night, a gentle figure serenading the coming end.
On Side B, the band begins by being masticated by a brutal phaser, squelching and stretching the
music into new territories. The overt message of Stop The Genocide! is besieged by violence before
Worm City aggressively samples the ghosts of soul music, mixing in noise bursts, prepared piano and
swiping, abstracted sound. Epic closer Perfect Love feels like a beat poetry performance on a burnt
world, still grasping for community, for home, for some sort of human love. A Mad love, then; an angry
love fuelled by solidarity and collaboration.
The band’s cascading layers of references and polyglottal musics attempt to create the perfect lover,
alive with rage and disorientating ecstasy: Al Karpenter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP LTD 300 with 8 page 12” booklet
Tracklist
1. We Are All Karpenters
2. Mundo Chabola
3. Izugarrizko Buruak (Greatest Heads)
4. A Brand New Astrophobia
5. The Most Grudgeful Lie
6. Tout Avant de Devenir Rein
7. Stop The Genocide!
8. Worm City
9. Death Song
10.Perfect Love
Released by Hegoa Records and Night School Records.
Greatest Heads is the fourth album by the radical Basque- Berlinesque group Al Karpenter. A
deconstruction of structured “rock” music, here Al Karpenter re-imagine “the band” to explore
the intersection between Free music, afro-beat, the avant garde and gonzo rock.
If Theodore Adorno wrote “To Write Poetry after Auschwitz is Barbaric” in 1949, Al Karpenter
attempts to answer the difficult question today; what kind of music can be done in the face of a
genocide? Álvaro Matilla, Marta Sainz, Enrique Zaccagnini & Mattin’s response to the planet’s
slipping into a vortex of hate is to create a music ecstatic, a music of protest bursting with multiple
musical languages and glossaries, full of overlapping histories and thrilling tensions.
Greatest Heads posits a plurality of musics both in opposition and intertwined: Al Karpenter play rock
instruments pulled apart in the studio in post-production. Distorted rhythm chunks bit-crushed and
dissipated, segments of freedom oppressed by waves of sound invading from every direction. The
interplay between the chief instrumentalists and renowned, storied sound artist Mattin creates
something akin to ESP freedom-seekers Cro Magnon playing in Miles Davis’ early 70s groups, The
Los Angeles Free Music Society tightening up into a clenched fist of plunderphonics and runaway
percussion.
We Are All Karpenters opens Greatest Heads with the most straight-forward song refrain of the record
accompanied by a band that soon crash into eruption, imagining Sun City Girls in full free rock mode.
The modulating synth sound soon sucks the band into its wake to create a spine-chilling climax of
distorted sound, made fully orgasmic with mastering engineer Rashad Becker’s attention to detail. On
Izugarrizko Buruak (Greatest Heads), Matilla intones in Basque over a mangled distorto-beat. A Brand
New Astraphobia creates a black space for a heavily processed guitar to blow up before falling to earth
at night, a gentle figure serenading the coming end.
On Side B, the band begins by being masticated by a brutal phaser, squelching and stretching the
music into new territories. The overt message of Stop The Genocide! is besieged by violence before
Worm City aggressively samples the ghosts of soul music, mixing in noise bursts, prepared piano and
swiping, abstracted sound. Epic closer Perfect Love feels like a beat poetry performance on a burnt
world, still grasping for community, for home, for some sort of human love. A Mad love, then; an angry
love fuelled by solidarity and collaboration.
The band’s cascading layers of references and polyglottal musics attempt to create the perfect lover,
alive with rage and disorientating ecstasy: Al Karpenter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More