1
Sonnenspot - Figurescene
2
Sonnenspot - Liquorice Paper
3
Sonnenspot - Soft In The Middle
4
Sonnenspot - Slow Blinker
5
Sonnenspot - Madrugada
6
Sonnenspot - Motorway
7
Sonnenspot - Ghosts In The Maze
8
Sonnenspot - Planets
9
Sonnenspot - Time Zones
Manchester based trio, Sonnenspot have unashamedly taken their favourite records from the Kosmische Musik landscape and fused these to inform their own spontaneous sonic constructions. Motorik drums, pulsating flutes, wah guitar and almost excessive use of space echo make this a dense and dreamy listen, with a hint of the rainy pensiveness of their home town.
Notable inspiration from Neu!, Manuel Gottsching, Sonic Youth and Yo La Tengo is all clearly audible in the various recordings on this album and minimal effort was made to shy away from this. The longest track 'Motorway' is an epic homage to the space rock art form and 'Madrugada' takes both John Martyn's 'Small Hours' and Gottsching's 'Inventions' as a starting point. Others include the tobacco lovers art-rock-ear-worm ('Liquorice Paper'), a dub laden celestial synth jam ('Slow Blinker') and the album opens with the first thing the band ever recorded, as a meaningless improvisation to tune their synths up to ('Figurescene'). Turned out it had a killer bass line and drum part.
Initial sessions were mostly just an excuse for the three long standing friends to get together musically for the first time, and after knowing each other for many full moons, it was long overdue.
They all bring some peripheral musical heritage to the table. Ian Smith was the guitarist in Alfie and the The Beep Seals and played on Badly Drawn Boy's 'The Hour of Bewilderbeast'. Pete Philipson played in Jane Weaver's band for ten years and has made his own ambient guitar albums. Dan Hope plays in the jazz folk band Mother Sky and promotes events around the city under the Rainy Heart banner.
They were joined by another long term musical friend Sam Kynaston who added heavenly flute to much of the album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Notable inspiration from Neu!, Manuel Gottsching, Sonic Youth and Yo La Tengo is all clearly audible in the various recordings on this album and minimal effort was made to shy away from this. The longest track 'Motorway' is an epic homage to the space rock art form and 'Madrugada' takes both John Martyn's 'Small Hours' and Gottsching's 'Inventions' as a starting point. Others include the tobacco lovers art-rock-ear-worm ('Liquorice Paper'), a dub laden celestial synth jam ('Slow Blinker') and the album opens with the first thing the band ever recorded, as a meaningless improvisation to tune their synths up to ('Figurescene'). Turned out it had a killer bass line and drum part.
Initial sessions were mostly just an excuse for the three long standing friends to get together musically for the first time, and after knowing each other for many full moons, it was long overdue.
They all bring some peripheral musical heritage to the table. Ian Smith was the guitarist in Alfie and the The Beep Seals and played on Badly Drawn Boy's 'The Hour of Bewilderbeast'. Pete Philipson played in Jane Weaver's band for ten years and has made his own ambient guitar albums. Dan Hope plays in the jazz folk band Mother Sky and promotes events around the city under the Rainy Heart banner.
They were joined by another long term musical friend Sam Kynaston who added heavenly flute to much of the album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Before I Die
1
Klangkollektor - Ferry From Torkwrith
2
Klangkollektor - Morning Hour
3
Klangkollektor - Starlings
4
Klangkollektor - Isle Of Stonsey
"...When I make music, I'm always trying to create a temporary refuge for myself, a refuge from the increasingly frightening world out there. A kind of remote island where I can hide, switch off for a while, feel at peace. In any case, I feel inner peace when making this music, and I hope, in some way, it does the same for you..."
Review Banbantonton.com (JP/UK):
"Dub Tapes. Volume 2 picks up exactly where its predecessor left off, employing a very similar sonic palette, drawn from analog instruments and effects. All 4 tracks are driven by Lars' live B-line virtuosity. He's played bass for a host of jazz bands and it shows. The bottom-end throughout is a constant, reassuring, warm, womb-like presence, that packs a deceptively powerful pulse. The subtle splashes of studio trickery might have their root in Basic Channel-esque techno, but the results reside somewhere far less minimal, more relaxed, more melodic and musical.
The reverb and delay twisted into soothing, rather than room-shaking shapes. Resembling birdsong and mountain streams.
Lars' piano improvisations are also integral to everything...Stuffed with rich, diverting detail for stoners and siesta seekers, the EP is certainly a set that you're supposed to sit back, settle into and savour." Review baggingarea.blogspot.com (UK):
"All four tracks are superb, the opener 'Ferry From Torkwrith' setting the scene - languorous, beatific Balearic dub from Berlin, music to hide inside, to temporarily block the outside world with.
Second track 'Morning Hour' is slightly more sunlit, a guitar joining the mix. 'Starlings' sets off with birdsong and the thud of a kick drum, a wave of synth chord and some bass guitar, unhurried and mellow.
Fourth track 'Isle Of Stonsey' drifts in, a nine minute excursion into a chilled-out version of space, Hawaiian guitar and dub bass prodding us gently into the cosmos."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Review Banbantonton.com (JP/UK):
"Dub Tapes. Volume 2 picks up exactly where its predecessor left off, employing a very similar sonic palette, drawn from analog instruments and effects. All 4 tracks are driven by Lars' live B-line virtuosity. He's played bass for a host of jazz bands and it shows. The bottom-end throughout is a constant, reassuring, warm, womb-like presence, that packs a deceptively powerful pulse. The subtle splashes of studio trickery might have their root in Basic Channel-esque techno, but the results reside somewhere far less minimal, more relaxed, more melodic and musical.
The reverb and delay twisted into soothing, rather than room-shaking shapes. Resembling birdsong and mountain streams.
Lars' piano improvisations are also integral to everything...Stuffed with rich, diverting detail for stoners and siesta seekers, the EP is certainly a set that you're supposed to sit back, settle into and savour." Review baggingarea.blogspot.com (UK):
"All four tracks are superb, the opener 'Ferry From Torkwrith' setting the scene - languorous, beatific Balearic dub from Berlin, music to hide inside, to temporarily block the outside world with.
Second track 'Morning Hour' is slightly more sunlit, a guitar joining the mix. 'Starlings' sets off with birdsong and the thud of a kick drum, a wave of synth chord and some bass guitar, unhurried and mellow.
Fourth track 'Isle Of Stonsey' drifts in, a nine minute excursion into a chilled-out version of space, Hawaiian guitar and dub bass prodding us gently into the cosmos."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
J-Walk - Bubbles On The Line
2
J-Walk - Janky Waltz
3
J-Walk - Spring Well, Wellspring
4
J-Walk - Black Lion Passage
5
J-Walk - A Vision In Jade
6
J-Walk - African Custard
7
J-Walk - Botox Fomo
8
J-Walk - Walking In The Sunshine
9
J-Walk - Siz Pap Brick
10
J-Walk - Monotropicalia
As with most things, this project started with a conversation in the pub between me and Martin.
As we discussed what J-Walk and BiD could do next we chatted about our mutual love of DIY, Post Punk, Reggae, Digital & Dub, how about using that feel as an initial jump off on the next thing and see how you get on? I suggested.
As is his way Martin considered the suggestion, then promptly disappeared, 6 weeks later something landed in my inbox, it was titled Broken Beauty and the music contained embraced all those symbiotic ideals and culture.
Nailed it!
Recorded entirely in Stockport using a mixed kit bag of cheap forgotten keyboards, guitar, bass and effects pedals, this LP takes the J-Walk aesthetic and applies the wider palette of these influences to create something unique, those past and present influences forged together to bring you something truly DIY - instructions below.
How To Make Such A Thing...
Deactivate social media. Ignore the internet, don't answer text messages, avoid other music, the telly and other people. This is a process where it's only you in the room with whatever's in your mind. You will be there for some time and the loneliness can hurt a little.
Forget any predetermined ideas. Forget everything you've ever done before. This is an opportunity to start from scratch, but with years of accumulated knowledge and craftsmanship. Trust yourself.
Be scared. Be excited about not knowing what will happen and what will result.
Don't use midi sequencing, virtual instruments or samples. Just plug a toy instrument into an amp, press a rhythm and play around to see what happens. If it sounds good and fresh then record it. Plug a bass in to jam around and you'll soon hear and feel what sits in the pocket of the beat. Record it as it is. Dirty is real and good. Cleanliness equals sterility. Loop the bassline. Plug a guitar in and do the same.
Don't think when doing any of this. Just experiment with interest and curiosity and the music will take care of itself. You will now have a groove which is also about half a song minimum. Play some keys from the toys on top of what you have. Put 'em through effects pedals. Again, don't overthink it and don't try to get it clean. Add sound effects in right and random places.
There you go. Something you've never made before. But more importantly, it's something you've never heard before.
You don't have to die to be reincarnated.
BROKEN BEAUTY...You can't be either without also having been the other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As we discussed what J-Walk and BiD could do next we chatted about our mutual love of DIY, Post Punk, Reggae, Digital & Dub, how about using that feel as an initial jump off on the next thing and see how you get on? I suggested.
As is his way Martin considered the suggestion, then promptly disappeared, 6 weeks later something landed in my inbox, it was titled Broken Beauty and the music contained embraced all those symbiotic ideals and culture.
Nailed it!
Recorded entirely in Stockport using a mixed kit bag of cheap forgotten keyboards, guitar, bass and effects pedals, this LP takes the J-Walk aesthetic and applies the wider palette of these influences to create something unique, those past and present influences forged together to bring you something truly DIY - instructions below.
How To Make Such A Thing...
Deactivate social media. Ignore the internet, don't answer text messages, avoid other music, the telly and other people. This is a process where it's only you in the room with whatever's in your mind. You will be there for some time and the loneliness can hurt a little.
Forget any predetermined ideas. Forget everything you've ever done before. This is an opportunity to start from scratch, but with years of accumulated knowledge and craftsmanship. Trust yourself.
Be scared. Be excited about not knowing what will happen and what will result.
Don't use midi sequencing, virtual instruments or samples. Just plug a toy instrument into an amp, press a rhythm and play around to see what happens. If it sounds good and fresh then record it. Plug a bass in to jam around and you'll soon hear and feel what sits in the pocket of the beat. Record it as it is. Dirty is real and good. Cleanliness equals sterility. Loop the bassline. Plug a guitar in and do the same.
Don't think when doing any of this. Just experiment with interest and curiosity and the music will take care of itself. You will now have a groove which is also about half a song minimum. Play some keys from the toys on top of what you have. Put 'em through effects pedals. Again, don't overthink it and don't try to get it clean. Add sound effects in right and random places.
There you go. Something you've never made before. But more importantly, it's something you've never heard before.
You don't have to die to be reincarnated.
BROKEN BEAUTY...You can't be either without also having been the other.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Khartomb - Swahili Lullaby
2
Khartomb - Teekon Warriors
3
Khartomb - Daisy High
4
Khartomb - Swahili Lullaby (Synkro's Balearic Dub Mix)
5
Khartomb - Swahili Lullaby (Talking Drums Redub)
Khartomb's Post-Punk/Reggae tinged masterpiece Swahili Lullaby/Teekon Warriors influenced by contemporaries of the time The Slits & The Raincoats was originally released on 45, 23rd June 1983.
Despite initial interest following their Peel Session & support from Melody Maker and Zig Zag the band were unable to capitalise & Swahili Lullaby/Teekon Warriors remains their only vinyl release, until now.
40 years later, the tracks have been exclusively licensed by BiD alongside the previously unreleased Pat Nevin favourite 'Daisy High'.
Complementary remixes of Swahili Lullaby are provided by fans of the original version Synkro & Talking Drums.
Swahili Lullaby - Under the radar post punk jam with killer drums, dubby bassline and spidery guitar, topped off by a haunting melancholic vocal.
Teekon Warriors - Deep ode to the fallen, dope drums, angular guitar, tribal drums and a sweet vocal.
Daisy High - Peel dubbed Daisy High "Subversive MOR" who are we to disagree, haunting flute peppered slow jam with a bossa feel & a sick guitar lick.
Synkro's Balearic Dub takes the original version and sends it to a transcendental spiritual realm, creating a future classic for Sunrises and Sunsets for the next millennium.
The Talking Drums Redub tweeks, extends & amps up the Dub Pressure to maximum psychedelic levels.
JD Twitch (Optimo) - "Khartomb package is most excellent"
Michael Kuyck (Essential Space) - "Goddamn this Khartomb release is supreme!"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Despite initial interest following their Peel Session & support from Melody Maker and Zig Zag the band were unable to capitalise & Swahili Lullaby/Teekon Warriors remains their only vinyl release, until now.
40 years later, the tracks have been exclusively licensed by BiD alongside the previously unreleased Pat Nevin favourite 'Daisy High'.
Complementary remixes of Swahili Lullaby are provided by fans of the original version Synkro & Talking Drums.
Swahili Lullaby - Under the radar post punk jam with killer drums, dubby bassline and spidery guitar, topped off by a haunting melancholic vocal.
Teekon Warriors - Deep ode to the fallen, dope drums, angular guitar, tribal drums and a sweet vocal.
Daisy High - Peel dubbed Daisy High "Subversive MOR" who are we to disagree, haunting flute peppered slow jam with a bossa feel & a sick guitar lick.
Synkro's Balearic Dub takes the original version and sends it to a transcendental spiritual realm, creating a future classic for Sunrises and Sunsets for the next millennium.
The Talking Drums Redub tweeks, extends & amps up the Dub Pressure to maximum psychedelic levels.
JD Twitch (Optimo) - "Khartomb package is most excellent"
Michael Kuyck (Essential Space) - "Goddamn this Khartomb release is supreme!"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Klangkollektor - Garden Pond
2
Klangkollektor - Lake Lounge
3
Klangkollektor - Midnight Express
4
Klangkollektor - Tabarca
5
Klangkollektor - Evening Post
6
Klangkollektor - Globulus
7
Klangkollektor - Baund
BiD are back with a new selection in a relaxed & spectacular fashion.
Introducing KlangKollektor aka Lars Fischer a solo project by the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg.
This debut release from KlangKollektor has been developing for some time, liberated from Lars' hard drive and mastered by the Franconian Conny Plank - Frank Mollena (Bambi Davidson) the release channels the pioneering spirit of Dub and places it in a present context.
A stellar collection of seven dubwise tracks over 4 sides with a Techno and Balearic influence that's been on heavy rotation here for the past year and now available for all to feel.
All synths, programming, pianos, bass, percussion, dub mixing, editing & mixing by Lars Fischer.
Cover image courtesy of renowned German photographer - Thomas Bergner @thomas.bergner
Sleeve Design by Yasmin - Small Press @smallpressstudio
Final Mix and Mastering by Frank Mollena
Across the board five star reviews from those that received the very limited promo.
"Deep evocative and meditative modern dubtronica. Beautiful"
"A deep and truly mesmerising album, Love this"
"A fine late night mix of jazz / electronica / Detroit all rolled into one"
"Immersive soundscapes for the head, a very nice collection"
"Ooofffftttttt, this is lush, beautiful stuff!"
"Very nice indeed . Atmospheric dub magic"
"Nice Krautrock-balearic-psych all rolled into one with dubby elements"
"Super deep balearic dub leanings"
"Wow! Incredible work!"
"s u b l i m e !!!!!!"
"This is so good, really refreshing and sweet for the ears."
"Lovely dubbly"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Introducing KlangKollektor aka Lars Fischer a solo project by the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg.
This debut release from KlangKollektor has been developing for some time, liberated from Lars' hard drive and mastered by the Franconian Conny Plank - Frank Mollena (Bambi Davidson) the release channels the pioneering spirit of Dub and places it in a present context.
A stellar collection of seven dubwise tracks over 4 sides with a Techno and Balearic influence that's been on heavy rotation here for the past year and now available for all to feel.
All synths, programming, pianos, bass, percussion, dub mixing, editing & mixing by Lars Fischer.
Cover image courtesy of renowned German photographer - Thomas Bergner @thomas.bergner
Sleeve Design by Yasmin - Small Press @smallpressstudio
Final Mix and Mastering by Frank Mollena
Across the board five star reviews from those that received the very limited promo.
"Deep evocative and meditative modern dubtronica. Beautiful"
"A deep and truly mesmerising album, Love this"
"A fine late night mix of jazz / electronica / Detroit all rolled into one"
"Immersive soundscapes for the head, a very nice collection"
"Ooofffftttttt, this is lush, beautiful stuff!"
"Very nice indeed . Atmospheric dub magic"
"Nice Krautrock-balearic-psych all rolled into one with dubby elements"
"Super deep balearic dub leanings"
"Wow! Incredible work!"
"s u b l i m e !!!!!!"
"This is so good, really refreshing and sweet for the ears."
"Lovely dubbly"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sewell & The Gong - Tonight We Fly
2
Sewell & The Gong - Passing Oort Clouds
3
Sewell & The Gong - The Stars In The Sky And The Stones In The Earth
4
Sewell & The Gong - Better Words
For BiD006 we're very pleased to announce that renowned Artist Matt Sewell has agreed to release his fledgling audio project, Sewell & The Gong on the label.
4 guitar led mystical meanderings and deep meditations of cosmic transcendental psychedelic folk.
Matt's acoustic guitar has been a fixture of his studio for many years, although nobody would ever of known as he kept it pretty much to himself.
Over the years he developed a self taught, repetitive, finger picked style in hushed tones to not bother anybody. Just a quiet little part of his studio practise, calming looping melodies.
Like his art, his music is very much inspired by nature, earth magic and cosmic wanderings. His 'A Crushing Glow' compilations are pretty much a defining list of inspirations.
Never heard by anybody outside of the family home that all changed after Matt started working with Newcastle based multi-instrumentalist, fellow pathfinder and astral traveler Chris Tate.
Combining forces Chris helped build a beautiful world for Matt's melodies to wander in, deep and lush and always, always positive.
It only feels right that this music now gets to stretch its legs in the outside world...>
mattsewell.co.uk
instagram.com/mattsewell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
4 guitar led mystical meanderings and deep meditations of cosmic transcendental psychedelic folk.
Matt's acoustic guitar has been a fixture of his studio for many years, although nobody would ever of known as he kept it pretty much to himself.
Over the years he developed a self taught, repetitive, finger picked style in hushed tones to not bother anybody. Just a quiet little part of his studio practise, calming looping melodies.
Like his art, his music is very much inspired by nature, earth magic and cosmic wanderings. His 'A Crushing Glow' compilations are pretty much a defining list of inspirations.
Never heard by anybody outside of the family home that all changed after Matt started working with Newcastle based multi-instrumentalist, fellow pathfinder and astral traveler Chris Tate.
Combining forces Chris helped build a beautiful world for Matt's melodies to wander in, deep and lush and always, always positive.
It only feels right that this music now gets to stretch its legs in the outside world...>
mattsewell.co.uk
instagram.com/mattsewell
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
KONFORMER - Noris Noire
2
KONFORMER - Konformer
3
KONFORMER - Jazzy
4
KONFORMER - Reunion
5
KONFORMER - Noris Blance
Konformer are a band from Nuremberg in Germany.
Their members are;
Andreas Berg (Drums)
Kristian Krauß (Synthesizer)
Rainer Ruder (Bass)
Initially Konformer was not a project for the public, far away from expectations their sound was developed, with focus on only the essential, but that takes time.
The creation of their minimalist, rhythmic and repetitive groove patterns commence with bass loops and develop into modified strophic form.
Comparison with the likes of Early Kraftwerk and the output of cult German labels such as Brain and Sky are inevitable but Konformer sound a little bit like none of the above.
The record was produced and mastered by the 'Franconian Conny Plank' Frank Mollena at his Lonestar Studios in Nuremberg, Bavaria.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Their members are;
Andreas Berg (Drums)
Kristian Krauß (Synthesizer)
Rainer Ruder (Bass)
Initially Konformer was not a project for the public, far away from expectations their sound was developed, with focus on only the essential, but that takes time.
The creation of their minimalist, rhythmic and repetitive groove patterns commence with bass loops and develop into modified strophic form.
Comparison with the likes of Early Kraftwerk and the output of cult German labels such as Brain and Sky are inevitable but Konformer sound a little bit like none of the above.
The record was produced and mastered by the 'Franconian Conny Plank' Frank Mollena at his Lonestar Studios in Nuremberg, Bavaria.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Falk & Klou - U.F.O (Andi Hanley Rework)
2
Falk & Klou - U.F.O (Original Version)
U.F.O was one of the many highlights of the Swedish Library Grooves Vol 2 LP which was released in 2022.
These explorations of the mid-70's sounds of rare grooves and library music, were all reimagined, recorded and produced by a Swedish duo consisting of multi-instrumentalists Carl Johan Fogelklou and Fredrik Segerfalk aka Falk & Klou.
U.F.O was Jason Boardman's (Before I Die) go to psychedelic jazz-funk party starter so he approached the FK Library about a release on vinyl, with an expanded version.
BiD knew there was only one person for the role and were delighted when Andi Hanley (Misadventures/Nu Northern Soul/Ruf Kutz) accepted and consequently turned out a superb 7-and-a-half-minute psychedelic funk workout, expanding on the original arrangement and taking it to another cosmos.
Falk & Klou: Bass, Fender Rhodes, synthesizers, guitar, flute, percussion, vocals
Daniel Hanson Cederskr: Saxophones.
Jakob Gudmundsson: Trumpet and flugelhorn
Andreas Psson, Drums
Rework Andi Hanley
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
These explorations of the mid-70's sounds of rare grooves and library music, were all reimagined, recorded and produced by a Swedish duo consisting of multi-instrumentalists Carl Johan Fogelklou and Fredrik Segerfalk aka Falk & Klou.
U.F.O was Jason Boardman's (Before I Die) go to psychedelic jazz-funk party starter so he approached the FK Library about a release on vinyl, with an expanded version.
BiD knew there was only one person for the role and were delighted when Andi Hanley (Misadventures/Nu Northern Soul/Ruf Kutz) accepted and consequently turned out a superb 7-and-a-half-minute psychedelic funk workout, expanding on the original arrangement and taking it to another cosmos.
Falk & Klou: Bass, Fender Rhodes, synthesizers, guitar, flute, percussion, vocals
Daniel Hanson Cederskr: Saxophones.
Jakob Gudmundsson: Trumpet and flugelhorn
Andreas Psson, Drums
Rework Andi Hanley
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tungusku - Shorts Weather
2
Tungusku - Embers
3
Tungusku - Catch A Fly
4
Tungusku - Skywriting
5
Tungusku - Reverie
This is the first release from new micro label 'Before I Die' curated by Jason Boardman (Aficionado Recordings).
Tungusku are a guitar based instrumental project inspired by hypnotic grooves from around the world. The duo behind the band are Phil Ratcliffe (Guitar) and James Defty (Bass) who are longtime collaborators of Manchester live hip-hop collective The Mouse Outfit.
Influenced by artists such as Khruangbin, Skinshape and Tommy Guerrero, Tungusku explore a sonic landscape that takes in stoner soul, jazzy psychedelia and low-end beats.
The five tracks on the EP were released on digital format and subsequently came to Jasons attention who remastered and collated them for vinyl release on this edition.
Before I Die commissioned MMU graduate @deedoubleyoo to provide fine art direction for the first release to complete the package.
Call it Balearic, Jazz, Funk, Soul or whatever you like, this is an accomplished debut from emerging Mancunian artists highly aware of their direction of travel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tungusku are a guitar based instrumental project inspired by hypnotic grooves from around the world. The duo behind the band are Phil Ratcliffe (Guitar) and James Defty (Bass) who are longtime collaborators of Manchester live hip-hop collective The Mouse Outfit.
Influenced by artists such as Khruangbin, Skinshape and Tommy Guerrero, Tungusku explore a sonic landscape that takes in stoner soul, jazzy psychedelia and low-end beats.
The five tracks on the EP were released on digital format and subsequently came to Jasons attention who remastered and collated them for vinyl release on this edition.
Before I Die commissioned MMU graduate @deedoubleyoo to provide fine art direction for the first release to complete the package.
Call it Balearic, Jazz, Funk, Soul or whatever you like, this is an accomplished debut from emerging Mancunian artists highly aware of their direction of travel.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
J-Walk - City Slicker
2
J-Walk - Hypercruiser
3
J-Walk - Underwarter Galaxy
4
J-Walk - A World Someplace
5
J-Walk - Winter Moon Rendezvous
6
J-Walk - Hologram Jam
7
J-Walk - Chill Bien
8
J-Walk - Equinox Desire
9
J-Walk - Fait Accompli
10
J-Walk - The Night Machine
Lovingly recorded at home in lockdown during 2020/21 by Martin 'Brew' Fisher and receiving a very limited cassette release in September 2021.
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mellotronique was on heavy rotation on Jason's Bluetooth speaker, Jason gave his Stockport based compatriot and friend a call to see if they could collaborate to do a vinyl release of the LP via Before I Die and a plan was agreed over tasty Noodle dishes at The Mekong Cat on Hillgate.
The LP is a collection of inspired pieces which wears its influences on its sleeve but is uniquely J-Walk, elements of Art Of Noise's bohemian electronica, 1980's Japanese video game cues, electro funk, street soul, slow motion disco and melodic synth jams all with the crisp percussion, meaty basslines and the spacious production Martin is renowned for.
As Martin states on the original release notes:
Someplace in the scheme of things, this world must touch another...a world where a mutant fantasy strange brew of street soul, electronic funk, slow motion disco and ambient rave can be found and heard, a place of perpetual twilight where the sun and the stars both shine bright...
For further information, please listen.
All songs written, arranged, produced and mixed by Martin Fisher
Martin Fisher: synthesizers, electric guitar and drum programming
Mastered by Joseph Reiser
Mastering coordination by Rik Walker
Artwork and design by Dylan Woodall.
"Great musicianship...it's all really excellent...sounds like a lost pen-friend from Lille who moved to the Pacific Ocean and sent back paintings..." (Mark Rae)
"Not many producers have been dropping lush laidback beats for as long or as reliably as J-Walk.
In his latest LP, cosmic soulfulness meets low gravity grooviness in this NASA approved synth soaked space station soundtrack.
One for all you space rangers" (The Slow Music Movement)
IF YOU LIKE THIS MAKE SURE TO ALSO CHECK BiD001!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
1
Susumu Yokota - Saku
2
Susumu Yokota - Uchu Tanjyo
3
Susumu Yokota - Hagoromo
4
Susumu Yokota - Genshi
5
Susumu Yokota - Gekkoh
6
Susumu Yokota - Kirakiraboshi
7
Susumu Yokota - Kodomotachi
8
Susumu Yokota - Hisen
9
Susumu Yokota - Tobiume
10
Susumu Yokota - Naminote
11
Susumu Yokota - Shinsen
12
Susumu Yokota - Azukiiro No Kaori
Repress coming on the 19th of December!
Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
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DE - 22113 Hamburg
Germany
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Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
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Germany
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1
Junior Khadaffy - Rampers Music
2
Junior Khadaffy - Version
A mythical tune for all serious digital reggae collectors, finally reissued. The obscure Junior Khadaffy (various spellings!) released only a handful of tunes in the mid-late '80s, but all are fantastic. This one was cut for E&F Studios in the Bronx, ran by the late artist I-Plee. Stereo Fletcher happens to be family to I-Plee, producing several records by the artist for his own labels. But the works went both ways, and Stereo produced this one for release on E&F's in-house label. Slick but killer digital reggae, this one has always reminded us of the production style of Little Kirk's "Weed Them Out", a fantastic arrangement, great vocals and a complex head-nodding rhythm. The original press is extremely rare and the tune is simply too good to remain that way, so here it is, top top top shelf '80s digital, now available for all.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Germany
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1
Love From San Francisco - Keep Rockin' (Thumpin House Mix)
2
Love From San Francisco - Keep Rockin' (Re-Edit)
3
Love From San Francisco - Keep Rockin' (Unreleased Mix)
Love From San Francisco – 'Keep Rockin' (+ Unreleased mixes). A true underground classic returns via Mint Condition — 'Keep Rockin' by Love From San Francisco (aka Charles Webster) is back on wax in this freshly remastered 2025 edition. Originally released in the mid-'90s and long out of print, this deep house essential defined a generation of smoky after-hours and West Coast groove. This deluxe 12" reissue stays true to the original deep, dubby sound but adds extra value for crate diggers and collectors alike with two previously unreleased mixes, recovered from the original DATs. These alternate takes give a new dimension to an already timeless track — stripped-down, hypnotic, and primed for modern floors. Pure vinyl heat from the golden era of deep house.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Wagon Christ - Planet Roll
2
Wagon Christ - Snatch
3
Wagon Christ - Get It?
4
Wagon Christ - Boy Zero
5
Wagon Christ - Bitch (Original Ruler)
6
Wagon Christ - I'm Sorry
7
Wagon Christ - Can't Stop (Don't Stop)
8
Wagon Christ - Supagroovy
9
Wagon Christ - THIS
10
Wagon Christ - Boom Bip
11
Wagon Christ - Acid
12
Wagon Christ - Housin'
13
Wagon Christ - Sidney Groovey
14
Wagon Christ - Unsure
15
Wagon Christ - Style
16
Wagon Christ - Wake Up
Tracklisting
A1 Wagon Christ - Planet Roll
A2 Wagon Christ - Snatch
A3 Wagon Christ - Get It?
A4 Wagon Christ - Boy Zero
B1 Wagon Christ - Bitch (Original Ruler)
B2 Wagon Christ - I'm Sorry
B3 Wagon Christ - Can't Stop (Don't Stop)
B4 Wagon Christ - Supagroovy
C1 Wagon Christ - THIS
C2 Wagon Christ - Boom Bip
C3 Wagon Christ - Acid
C4 Wagon Christ - Housin'
D1 Wagon Christ - Sidney Groovey
D2 Wagon Christ - Unsure
D3 Wagon Christ - Style
D4 Wagon Christ - Wake Up
Sales Note
Welcome aboard captain, long-serving funkadelic maestro Luke Vibert returns to De:tuned with his first new Wagon Christ album in 5 years entitled 'Planet Roll'. Genre-bending as ever, this 16 track collection of electronic lushness sees Luke creating his own innovative take on a multi-diverse sonic world interspersed with rare breakbeats and groovy melodies. Expertly executed by a true pioneer of electronic music. Lay back and see you in an hour!
Animation Director and Illustrator Celyn Brazier created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!
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DE - 22113 Hamburg
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A1 Wagon Christ - Planet Roll
A2 Wagon Christ - Snatch
A3 Wagon Christ - Get It?
A4 Wagon Christ - Boy Zero
B1 Wagon Christ - Bitch (Original Ruler)
B2 Wagon Christ - I'm Sorry
B3 Wagon Christ - Can't Stop (Don't Stop)
B4 Wagon Christ - Supagroovy
C1 Wagon Christ - THIS
C2 Wagon Christ - Boom Bip
C3 Wagon Christ - Acid
C4 Wagon Christ - Housin'
D1 Wagon Christ - Sidney Groovey
D2 Wagon Christ - Unsure
D3 Wagon Christ - Style
D4 Wagon Christ - Wake Up
Sales Note
Welcome aboard captain, long-serving funkadelic maestro Luke Vibert returns to De:tuned with his first new Wagon Christ album in 5 years entitled 'Planet Roll'. Genre-bending as ever, this 16 track collection of electronic lushness sees Luke creating his own innovative take on a multi-diverse sonic world interspersed with rare breakbeats and groovy melodies. Expertly executed by a true pioneer of electronic music. Lay back and see you in an hour!
Animation Director and Illustrator Celyn Brazier created all the graphic work. Mastered by Matt Colton at Metropolis. A separate digital release will also be available at the usual digital shops. Stay tuned!
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DE - 22113 Hamburg
Germany
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1
Barrington Levy - One Foot Jojo
2
Barrington Levy - One Foot Jojo Dub
3
Barrington Levy - To Love Someone
4
Barrington Levy - To Love Someone Dub
Both sides with dub.
Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
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DE - 22113 Hamburg
Germany
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Comes in Bond Export company sleeve.
One of the most requested Jah Life releases, finally here. Killer 1983 Barrington Levy single, only ever released once on a UK 12 inch. These tunes also appeared on the "Teach Me Culture" album, sans dubs of course. Perfect new pressing from the original mothers, identical to the original. Play loud.
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1
Mohinder Kaur Bhamra - Disco Wich Aa
2
Mohinder Kaur Bhamra - Nainan Da Pyar De Gaya
3
Mohinder Kaur Bhamra - Par Toon Ki Janay
4
Mohinder Kaur Bhamra - Pyar Mainu Kar
5
Mohinder Kaur Bhamra - Aye Deewane
6
Mohinder Kaur Bhamra - Soniya Mukh Tera
7
Mohinder Kaur Bhamra - Mainu Apne Pyar Wich
8
Mohinder Kaur Bhamra - Chum Chum Dil Nal
9
Mohinder Kaur Bhamra - Ve Tu Jaldi Jaldi Aa
10
Mohinder Kaur Bhamra - Dohai Ni Dohai
11
Mohinder Kaur Bhamra - Disco Wich Aa (Peaking Lights Remix)
12
Mohinder Kaur Bhamra - Turbotito & Ragz featuring Piya Malik - Nainan Da Pyar De Gaya
13
Mohinder Kaur Bhamra - Par Toon Ki Janay (Danger Boys Remix)
14
Mohinder Kaur Bhamra - Nainan Da Pyar De Gaya (Psychemagik Remix)
15
Mohinder Kaur Bhamra - Par Toon Ki Janay (Dexter+Franz Remix)
16
Mohinder Kaur Bhamra - Mainu Apne Pyar Wich (Mystic Jungle Remix)
17
Mohinder Kaur Bhamra - Disco Wich Aa (Baalti Remix)
Naya Beat is incredibly excited to announce the release of an astonishing lost “holy grail”, Mohinder Kaur Bhamra’s 1982 masterpiece ‘Punjabi Disco’. Unknown and inaccessible to even the deepest of diggers, it is the first British Asian electronic dance album recorded and a true lost relic. A chance find of the original multitrack masters during the Covid lockdown led to ‘Punjabi Disco’ being rediscovered. Lovingly mixed down and remastered from these very studio recordings, the reissue also includes remixes by Peaking Lights, Baalti, Mystic Jungle, Psychemagik, and Danger Boys, as well as a cover by Say She She’s Piya Malik and Turbotito & Ragz and a previously unreleased track. It is available for pre-order and out on x2LP vinyl and all digital platforms on October 31st, 2025.
Released the same year and into equal obscurity as ‘Ten Ragas To A Disco Beat’, Charanjit Singh’s acid house opus, the reissue of ‘Punjabi Disco’ is set to have similar reverberations in the world of dance music. Produced by Mohinder’s eldest son and legendary bhangra pioneer Kuljit Bhamra using a recently acquired Roland SH-1000 synthesizer and a CR-8000 CompuRhythm drum machine played by his then 11-year-old brother, the album was recorded at Roxy Music bass player Rick Kenton’s studio in London. The concept for a Punjabi disco album was subsequently stolen from the Bhamra’s by the very record label that had agreed to distribute the album. Eventually self-released with no label support, ‘Punjabi Disco’ vanished into complete obscurity.
A pivotal figure in British Asian music, West London-based vocalist and first-generation immigrant Mohinder Kaur Bhamra became the first woman to sing at Punjabi weddings and other community events in the UK. Her son, Kuljit, would accompany her, playing tabla at her events from the age of six. Wedding music was traditionally a tame, segregated affair: men and women seated and separated on opposite sides of the room. ‘Punjabi Disco’ was born out of a desire to create an unsegregated dancefloor and inspired by the sounds of disco from the era. A tapestry of electric drum rhythm, warbling bass, and psychedelic siren-like Roland synth melodies provide a vehicle for Mohinder’s powerful voice. Part disco, part funk, part acid house, and infused with Punjabi folk melodies, the sound of ‘Punjabi Disco’ is as mesmerising as it is undefinable.
Featuring an incredible gatefold package and exhaustive liner notes by the Guardian’s Global Music Critic, Ammar Kalia, the x2LP release has been cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.
This is Naya Beat’s ninth release in a series of reissues, remixes, and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.
A1 Disco Wich Aa
A2 Nainan Da Pyar De Gaya
A3 Par Toon Ki Janay
A4 Pyar Mainu Kar
A5 Aye Deewane
B1 Soniya Mukh Tera
B2 Mainu Apne Pyar Wich
B3 Chum Chum Dil Nal
B4 Ve Tu Jaldi Jaldi Aa
B5 Dohai Ni Dohai
C1 Disco Wich Aa (Peaking Lights Remix)
C2 Turbotito & Ragz featuring Piya Malik - Nainan Da Pyar De Gaya
C3 Par Toon Ki Janay (Danger Boys Remix)
D1 Nainan Da Pyar De Gaya (Psychemagik Remix)
D2 Par Toon Ki Janay (Dexter+Franz Remix)
D3 Mainu Apne Pyar Wich (Mystic Jungle Remix)
D4 Disco Wich Aa (Baalti Remix)
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Released the same year and into equal obscurity as ‘Ten Ragas To A Disco Beat’, Charanjit Singh’s acid house opus, the reissue of ‘Punjabi Disco’ is set to have similar reverberations in the world of dance music. Produced by Mohinder’s eldest son and legendary bhangra pioneer Kuljit Bhamra using a recently acquired Roland SH-1000 synthesizer and a CR-8000 CompuRhythm drum machine played by his then 11-year-old brother, the album was recorded at Roxy Music bass player Rick Kenton’s studio in London. The concept for a Punjabi disco album was subsequently stolen from the Bhamra’s by the very record label that had agreed to distribute the album. Eventually self-released with no label support, ‘Punjabi Disco’ vanished into complete obscurity.
A pivotal figure in British Asian music, West London-based vocalist and first-generation immigrant Mohinder Kaur Bhamra became the first woman to sing at Punjabi weddings and other community events in the UK. Her son, Kuljit, would accompany her, playing tabla at her events from the age of six. Wedding music was traditionally a tame, segregated affair: men and women seated and separated on opposite sides of the room. ‘Punjabi Disco’ was born out of a desire to create an unsegregated dancefloor and inspired by the sounds of disco from the era. A tapestry of electric drum rhythm, warbling bass, and psychedelic siren-like Roland synth melodies provide a vehicle for Mohinder’s powerful voice. Part disco, part funk, part acid house, and infused with Punjabi folk melodies, the sound of ‘Punjabi Disco’ is as mesmerising as it is undefinable.
Featuring an incredible gatefold package and exhaustive liner notes by the Guardian’s Global Music Critic, Ammar Kalia, the x2LP release has been cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.
This is Naya Beat’s ninth release in a series of reissues, remixes, and compilations dedicated to uncovering electronic and dance music from the subcontinent and South Asian diaspora.
A1 Disco Wich Aa
A2 Nainan Da Pyar De Gaya
A3 Par Toon Ki Janay
A4 Pyar Mainu Kar
A5 Aye Deewane
B1 Soniya Mukh Tera
B2 Mainu Apne Pyar Wich
B3 Chum Chum Dil Nal
B4 Ve Tu Jaldi Jaldi Aa
B5 Dohai Ni Dohai
C1 Disco Wich Aa (Peaking Lights Remix)
C2 Turbotito & Ragz featuring Piya Malik - Nainan Da Pyar De Gaya
C3 Par Toon Ki Janay (Danger Boys Remix)
D1 Nainan Da Pyar De Gaya (Psychemagik Remix)
D2 Par Toon Ki Janay (Dexter+Franz Remix)
D3 Mainu Apne Pyar Wich (Mystic Jungle Remix)
D4 Disco Wich Aa (Baalti Remix)
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1
Dexter - Lazy Bones (Past Moves Remastered)
2
Dexter - You Alone
3
Dexter - Tronic
4
Dexter - Inside-Out
5
Dexter - I Move You (1997 Remastered)
6
Dexter - Total Recoil (2004 Ol' Tape Remastered)
7
Dexter - Pan Galactic (2001 Ol' Tape Remastered)
A special 20th anniversary repress of one of the most sought after Sushitech releases by the UK legend Dexter! Limited copies!!
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1
Clement Moore aka Jah Minkie - Wickedness
2
Clement Moore aka Jah Minkie - Wickedness
Same rhythm as DKR-248and DKR-307.
Clement "Minkie" Moore's introduction to the music business came via his friend the great deejay U Roy. Back in the mid 1970s, Minkie and U Roy were both living in the Tower Hill area of Kingston, and U Roy was resident deejay on King Tubby's sound system. Minkie followed his friend and the sound, and occasionally U Roy let him hold the mic and deejay on Tubby's set. U Roy encouraged Minkie to take music more seriously, and with that encouragement, his first record "Wickedness" was made. Minkie got a cut of a rhythm from his friend the late Sydney Wilson, and voiced and mixed the rugged deejay tune "Wickedness" at King Tubby's studio. Sydney had earlier voiced this rhythm as a tune called "Why Do I Cry", but alongside "Wickedness", voiced it again with a new vocal called "Time Has Gone". In fact that tune and "Wickedness" share the same dub version. Clement continued to move in the music scene, next recording for Harry J's Jaywax label in 1979 with a tune called "Jah Is Real", as a duo named UNI-TONE along with his friend Denzil. Then in 1980, Clement revisited the great rhythm of "Wickedness", deciding to this time sing rather than deejay on the rhythm. He returned to Harry J studio, adding some choice new instrumental overdubs on the rhythm for this new cut, "Every Time I Do My Thing." In the decades since, astute roots collectors have honed in on this excellent rhythm and its several cuts, not least of all this pair of them by Mr. Clement "Minkie" Moore. It should be noted that in the manner of the day, other associates of Tubby's studio, Prophets Yabby You and Alric Forbes, also utilized this rhythm. Minkie's musical journey continued thru the 1980s, when he linked with American group Lambsbread, writing and performing on their second album which was recorded at Channel 1 in early 1987. In the 1990's Clement returned to self-production on his Allah label, in addition to cutting a 45 for Chinna Smith's High Times label. Nowadays Clement is still going strong, occasionally dropping new music like "Greedy", recorded at Bravo's Small World studio in downtown Kingston.
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Clement "Minkie" Moore's introduction to the music business came via his friend the great deejay U Roy. Back in the mid 1970s, Minkie and U Roy were both living in the Tower Hill area of Kingston, and U Roy was resident deejay on King Tubby's sound system. Minkie followed his friend and the sound, and occasionally U Roy let him hold the mic and deejay on Tubby's set. U Roy encouraged Minkie to take music more seriously, and with that encouragement, his first record "Wickedness" was made. Minkie got a cut of a rhythm from his friend the late Sydney Wilson, and voiced and mixed the rugged deejay tune "Wickedness" at King Tubby's studio. Sydney had earlier voiced this rhythm as a tune called "Why Do I Cry", but alongside "Wickedness", voiced it again with a new vocal called "Time Has Gone". In fact that tune and "Wickedness" share the same dub version. Clement continued to move in the music scene, next recording for Harry J's Jaywax label in 1979 with a tune called "Jah Is Real", as a duo named UNI-TONE along with his friend Denzil. Then in 1980, Clement revisited the great rhythm of "Wickedness", deciding to this time sing rather than deejay on the rhythm. He returned to Harry J studio, adding some choice new instrumental overdubs on the rhythm for this new cut, "Every Time I Do My Thing." In the decades since, astute roots collectors have honed in on this excellent rhythm and its several cuts, not least of all this pair of them by Mr. Clement "Minkie" Moore. It should be noted that in the manner of the day, other associates of Tubby's studio, Prophets Yabby You and Alric Forbes, also utilized this rhythm. Minkie's musical journey continued thru the 1980s, when he linked with American group Lambsbread, writing and performing on their second album which was recorded at Channel 1 in early 1987. In the 1990's Clement returned to self-production on his Allah label, in addition to cutting a 45 for Chinna Smith's High Times label. Nowadays Clement is still going strong, occasionally dropping new music like "Greedy", recorded at Bravo's Small World studio in downtown Kingston.
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Germany
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1
Junior Kahdaffie - Special Request To All Notch
2
Junior Kahdaffie - Special Effects Version
One of our all time favorite New York dancehall tunes, finally back again. 20+ years ago, in a different era of reggae record collecting where there was little to no information to be found about so many '80s reggae records, the original 12 inch single of this one was a mythical tune among our set of friends. In fact this one was on the earliest DKR wish lists, but all good things take time. By now we expect most of our followers know Junior's digital masterpiece "Rampers Music", which we first issued in 2014, and is now back in stock. But this one is his earliest and first tune, a heavy piece of a rub a dub cut at Munchie Jackson's Sunshine Studio in the Bronx, with Jackie Mittoo at the helm of the session. The original 12 inch was self released by Junior on his own label in 1985, with one of our all time favorite label designs. The lyrics are a great snapshot of mid 80s New York, a nod to all those making their way, for better or worse, thru the posses and cliques of the Jamaican scene of the day.
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Germany
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