Repress!

....

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Underground electronic artist Gesloten Cirkel lands on Selvamancer. The Barcelona based experimental DIY imprint proudly welcomes him with an exciting new mini album 'I Live In The Midwest'. It's a true testament to his producing prowess and extensive musical diversity, and pushes the boundaries of industrial and shamanic sounding breaks, acid and the remarkable pounding electro he's known for. The eight track affair immerses listeners into a mesmerizing blend of acidic body music, killer electro, and experimental interludes. It embodies a hate-love relationship with the machine, floating between hypnotic and industrial elements, showcasing Gesloten Cirkel's ability to craft wonky rhythms and haunting melodies. With meticulous attention to detail, Gesloten Cirkel creates atmospheres that we know, love and need right now. He truly reaffirms his status as a visionary artist in todays electronic music scene giving us an exciting listening trip wandering through Gesloten Cirkel's adventurous machine world.

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Powerful Ep from Gesloten Cirkel. Comes with banging The Exaltics remix. Recommended!

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REPRESS!
A new Murdercapital??? yes thats right!



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REPRESS!
...

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REPRESS!
Gesloten Cirkel aka Ratsnake drops an amazing double 12 on the notorius Murdercapital imprint. Not for the faint-hearted! First batch will be pressed on colored vinyl. Expected release date April 21st.



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Moustache Techno is a new techno house orientated sublabel Moustache Records. And is there a better way to start with a release by de Gesloten Cirkel that took everyone by surprice last year with the great Murdercapital twelve! Mtechs001 delivers dancefloor shattering bass that will drive your party wild with sounds coming from crowded subways of Moscow, dirty Korean discos and mythic Chicago basements. Hypnotic, Raw and direct machine funk that reminds a bit of early Bunker releases of Unit Moebius. Recommended

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Ekoplekz is Nick Edwards from Bristol, UK. He made waves in the 2010s with his distinctive brand of lo-fi analogue electronica for labels such as Planet Mu, Mordant Music, Punch Drunk, WNCL and Perc Trax, while also playing live around Europe. In recent times, Nick has preferred to remain a low-key presence, but Selvamancer are excited to have coaxed him back with his first vinyl release in 5 years! Dirtbokz is an 8 track mini-album that showcases the Ekoplekz sound of now. Recorded as always on four track cassette using hardware analogue synths and drum machines with minimal post-production, the tracks retain a raw immediacy and the dirty, dub-infused sound that he was always known for. For the Dirtbokz LP, Ekoplekz reaches back to the early acid, electro and primitive rave of his youth, all mixed in a hazy reverb-soaked echo chamber inspired by his love of '70s Jamaican dub reggae. 'Frampton Kotteral' takes a gentle detour into more melodic, sentimental territory and the set closes with the forlorn acid comedown of 'Phader'.

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Sheffield's hugely talented producer Hedge Maze lands on Selvamancer. Years in the making after a long search to decipher an unreleased tune from an unknown alter ego found online (title track Riding The Wave), we're excited to finally bring it to the masses. Morphed industrial violence, tearjerking post-dubstep-trap and the ruthless title track bounce off the walls. Let's commence! Face to the glass. "You use a mirror to see your face, you use a work of art to see your soul." G.B.Shaw... but if you stood with your breath appearing on the canvas what would you say to a Mane or a Rothko three inches away from it. As you push your nose up to the mirror of your soul, what to say to it in response. To listen to one's soul is to hear its depth, for it has many voices, but which voice to listen to. Fear be a man's best friend, he will accompany you should you wish. Forever on your coattails, a whisperer of half unseen truths: distorting perceptions. grief, illness, disappointment, pain, struggle, poverty, loss, terror, heartache, All to be feared. Yet, all features of a life lived! Courage then is simply to live and to live well, choose the voice that gives light. Throw the house out of the window so some say, throw yourself too, say I. Mark Warren. - written whilst listening to Strukku's Beat on Hedge Maze EP

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Roll out the handkerchiefs: Electro maverick Legowelt unveils "The Sad Life Of An Instagram DJ" EP on Barcelona's imprint Selvamancer. Pioneering electronic artist Legowelt delivers a sonic masterpiece with his latest EP, "The Sad Life of an Instagram DJ". This 5-track release offers a captivating glimpse into how Legowelt's ideal rave would sound, blending techno, acid, and electro elements into an immersive and fun sound journey full of trippy bangers. Each track on the EP is meticulously crafted to evoke euphoria, showcasing Legowelt's unparalleled creativity. Like a tear rolling down a cheek in a moment of nostalgic introspection, only to spiral towards the dancefloor.The moment the tear hits the floor, together with the heavy kicks and smooth synth action, it launches your mind back into the ongoing rave.

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Underground electronic artist Gesloten Cirkel lands on Selvamancer. The Barcelona based experimental DIY imprint proudly welcomes him with an exciting new mini album 'I Live In The Midwest'. It's a true testament to his producing prowess and extensive musical diversity, and pushes the boundaries of industrial and shamanic sounding breaks, acid and the remarkable pounding electro he's known for. The eight track affair immerses listeners into a mesmerizing blend of acidic body music, killer electro, and experimental interludes. It embodies a hate-love relationship with the machine, floating between hypnotic and industrial elements, showcasing Gesloten Cirkel's ability to craft wonky rhythms and haunting melodies. With meticulous attention to detail, Gesloten Cirkel creates atmospheres that we know, love and need right now. He truly reaffirms his status as a visionary artist in todays electronic music scene giving us an exciting listening trip wandering through Gesloten Cirkel's adventurous machine world.

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Legendary dub techno artist Paul St. Hilaire (AKA Tikiman) announces new collaborative album, marking 10 years of Kynant Records



Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.



Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.



The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.



w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds



Tracklist

A1 Paul St. Hilaire & Mala - Like It’s Always Been
A2 Paul St. Hilaire, Aurora Halal & DJ G - Mary Jane Greenfield
A3 Paul St. Hilaire & Cousin - Back Inna Business

B1 Paul St. Hilaire & Priori - Send Them On
B2 Paul St. Hilaire & Shinichi Atobe - Time to Wake Up

C1 Paul St. Hilaire & Batu - Free Your Mind
C2 Paul St. Hilaire & Azu Tiwaline - Let The Night Start

D1 Paul St. Hilaire & Gavsborg - Confidential
D2 Paul St. Hilaire & Russell E.L. Butler - What’s This


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Mika Vainio started making a new Ø album in 2014. He almost finalized the record before his too early passing in 2017. The album Sysivalo is the 9th out of 8 full scale albums, released under the Ø alias by Vainio. Ø was his longest running project from 1993 to 2017. Sysivalo was recorded during 2014-2017 and is 60 min long album with 20 tracks, produced by Vainio. He described the record as a distinct Ø album that was going to include several shorter tracks, etudes. The title, Sysivalo, is invented by Vainio by combining the Finnish words sysi (dark or sinister) and valo (light).

Like life itself, the album carries a quiet darkness - honest and full of hidden light. The many of the tracks are beatless subtle soundtracks of eclipsed emotions. Like an incapacitated creature waiting for something to happen.

The closing track Loputon (Endless) is maybe the most beautiful tracks Vainio has ever written, Vainio's last word.

Mika Vainio biography

Mika Vainio’s impact on electronic music, both in Finland and around the globe, is indisputable. However, he was also a respected contemporary artist whose minimalist sound installations were known for their physicality, analogue warmth and electronic harshness. Over the years, Vainio collaborated repeatedly with many visual and sound artists and choreographers, such as Carsten Nicolai, Mika Taanila, Charlemagne Palestine, Alan Vega and Cindy Van Acker.

Mika Vainio’s (1963–2017) international career in electronic, ambient and noise music was extensive. His name became widely known to fans of electronic music from his time in the duo Pan Sonic, founded in 1993 (until 1998 Panasonic). Vainio also produced many solo projects under names such as Ø and Philus.

As an artist, Vainio rose to international prominence in the 1990s, not only in the field of music but also in sound art. Back then and in the early 2000s, his works featured in many exhibitions of sound art in Europe and North America, like Sonic Boom: The Art of Sound at London’s Hayward Gallery (2000) and Frequencies [Hz]: audio-visual spaces at Schirn Kunsthalle in Frankfurt (2002). Vainio’s first solo exhibition, curated by Hans Ulrich Obrist, was held in Musée d'Art Moderne de la Ville de Paris in 1997. The exhibition of his sound installations in Kiasma, curated by Kati Kivinen and Rikke Lundgreen, will be the first comprehensive survey of Vainio’s work, which has never previously been presented to this extent in his native country.

Vainio often drew inspiration from films, books, and everyday environments. Taking a special interest in urban soundscapes such as an interesting-sounding air conditioning unit or different street sounds, he often incorporated “found noises” as part of his compositions. The mood was always paramount in his creations, in which silences – absences of sound – are just as important as what we hear.

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Insane authentic 90s Vaporware Jazz created for The Weather Channel by Paul Coleman , a Chicago band leader in the 60s & 70s, and bands, Fabulous Epics, Rasputin's Stash & Crystal Winds. "A Weather Channel exec was going with Corky Brown's daughter and promised a very large sum of money if I could write and submit original material to The Weather Channel. I immediately went into Superman mode and started writing and programming a song per day. I worked day into night creating these songs as quickly as I could possibly do. They got played a few time before The Weather Channel got bought over. but we never got paid." - Paul Coleman 2025

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Yowzers is a new album by Chicago composer, improvisor, and musical folklorist Ben LaMar Gay.

Gay's de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced him to the world by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another. The release of his critically-acclaimed 2021 song cycle Open Arms To Open Us followed, and then the explosive free-electronics of 2022’s Certain Reveries. In addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti & Frank Rosaly), Gay is one of the most prolific collaborators in creative music today, making active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Bitchin Bajas, Theaster Gates’s Black Monks of Mississippi, and many more.

A uniting factor in Gay's deep, multi-faceted discography is a never-ending commitment to taking the stories of the past and pushing them outward, filtered through a sense of self, to keep that information moving. Information moves through Yowzers via the intuitive physicality of Gay’s creative polyrhythmic constructions, as he covertly delivers familiar folk melodies. “It’s the most natural thing,” says Gay. “That’s how the world is. There are overlapping rhythms all around us, and so it reminds you of the reality of the world when you hear them. It’s a loop and the loop is always changing.”

Yowzers features Gay's working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice), as well as guest instrumentalist Rob Frye and a mini-choir comprising vocalists Ayanna Woods, Tramaine Parker, and Ugochi Nwaogwugwu. The album recalls the high-minded freedom of Liberation Music Orchestra, the glitched-out electronic webs of Robert Aiki Aubrey Lowe, the unbridled rhythms and sandpaper bellows of Bukka White, and the harmolodic cartoon glory of Arthur Blythe’s Illusions. It’s all there, filtered through an improvisational approach and a lifetime of secrets embodied. For a man who has inhabited and traveled these continents so extensively, it’s safe to call this work true “Americana,” despite what that word might mean to the average person in the United States.

https://listen.k7.com/ff1c4674-9e23-4e01-b7e8-7e1c631f4a18


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Psychedelic dub, Afro-Latin rhythms and cosmic grooves come together on La Chooma’s debut for Batov Records. Drawing on Moroccan Gnawa, Colombian cumbia, Afrobeat, Jamaica dub & roots, and cosmic jazz, the six-piece ensemble create deep, hypnotic music rooted in global traditions and shaped for contemporary dance floors.

https://listen.k7.com/01a2906a-b949-46a2-a32f-27496e8f01ce

Tracklist
1.1Magic Plant
1.2High Glow
1.3Huachuma
1.4Praise
1.5Rhinno Dance
1.6Lonely
1.7Cozumel
1.8Gamal Gadol
1.9Cookie Crumble Cumbia
1.10Veggie Berber Boy

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John Carpenter’s soundtracks for the most recent Halloween trilogy, made alongside his frequent collaborators Cody Carpenter and Daniel Davies, marked the legendary director and composer’s return to film scoring after nearly two decades away. 2018’s Halloween, 2021’s Halloween Kills, and 2022’s Halloween Ends were all directed by David Gordon Green, who engaged Carpenter early in the pre-production process, ultimately enlisting him as both an executive producer and soundtrack composer for the trilogy.

In listening to the recent Halloween scores, the collaborative spirit among the composing trio is one of the first things that jumps out. The now-famous bowed guitar part on Halloween’s “The Shape Hunts Allyson,” like all the guitar parts strewn across the trilogy, is played by Daniel Davies. John calls Daniel “the adventurer” of the group, and credits him with introducing sounds he’d never have considered. Cody, who his father refers to as a “musical savant,” is an equally essential presence. It’s his steady, methodical hand that helps give shape to the ideas that fly around when these three get in a room together. The scores for the new films may be centered on familiar themes, but they’re also a lot more sonically diverse and musically audacious than anything John could have pulled off in 1978, when he made the original Halloween.

In addition to the individual expanded releases, the Halloween Expanded Trilogy will be available as part of a deluxe limited box set, offered in 6xLP and 3xCD formats. These editions feature exclusive new packaging and artwork by Chris Bilheimer, along with expansive liner notes by music critic Brad Sanders, which include exclusive interviews with John Carpenter and director David Gordon Green. Also included on both box sets are three collectible posters designed by Creepy Duck, a box set-exclusive poster design by Chris Bilheimer, and a deluxe lenticular cover that brings the artwork to life.



An essential release for Carpenter collectors & film score fans.

- Includes all 3 Expanded Editions of the Halloween Trilogy
- All with new artwork & packaging by Chris Bilheimer
- 121 tracks out of which 35 unreleased tracks across 6xLPs
- Exclusive liner notes & interviews with John Carpenter & David Gordon Green
- Each expanded edition comes with a poster designed by Creepy Duck
- Plus a boxset-exclusive poster design by Chris Bilheimer
- Features deluxe lenticular cover art

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(2LP, remastered, printed innersleeves) This re-release features the original 80s, highly sought-after albums Sabotage and Melting Close (Antler 056), along with the original 12-inch Fear (Antler 058). The comprehensive double album includes 4 live recordings and 12 studio tracks, all housed in a luxurious package comprising double 180-gram vinyl with exclusively designed inner sleeves.



The Klinik are Dirk Ivens(vocals) and Marc Verhaeghen (music). Also featured on Fear is Eric Van Wonterghem (sequence and percussion), Guy Drieghe cover design on Fear. Luxury package design and reconstruction by Pieter Willemen, All tracks remastered as " like you have never heard them before" by Pieter Dewagter early 2025.



Tracklist

A1. Decay
A2. Hours + Hours
A3. Braindamage
A4. Sabotage

B1. Sick In Your Mind
B2. Time Watch
B3. Vietnam
B4. Burning Inside

C1. Never Get Out
C2. Melting Close
C3. Nautilus
C4. Feel The Evil

D1. Memories
D2. Nursery
D3. Sick In Your Mind (Remix)
D4. Fear


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Tracklist
A1. 303 Force - House U Tonight (Vocal)
A2. Desert Storm - Scoraig 93
B1. The Sound Vandals - On Your Way (Deep Mix)
B2. The Beloved - Pablo (Special K Dub)

C1. Bizarre Tracks - Sensory Delights
C2. L.U.P.O. - Hell Or Heaven (Extended Mix)
D1. Jetstream - Seriously (F.U.S.E. Remix)
D2. Bass Bumpers - Touche Me (Factory Dub)



File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.



The compilation is inspired by a moment in time when musical boundaries were being redrawn in a wave of carefree optimism and the freedom that fueled new rave scenes across Europe and beyond.

The Mental Groove Classics series returns with a treasure trove of rare and hard-to-find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.



On Volumes Two and Three of the series released last year, Olivier Ducret (founder of Mental Groove and Musique Pour La Danse, half of WRWTFWW) takes us back to the turn of the '90s. It was a time when he was promoting parties in fields, squats, forests, warehouses and former factoriesin and around Geneva, all while working behind the counter of a record shop called Mental Groove. While others in Switzerland's emerging dance music scene gravitated towards trance and garage, Olivier and his crew opted for a sound focused on bass, breaks, and techno. This unique approach was inspired by their regular trips to clubs, raves, and record shops in the UK. Drawing directly from his own record box and a memory bank full of euphoric dancefloor moments, this fourth installment sees Olivier reaching for more cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant classics - each selection has left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, a historical archive, and a personal musical statement all rolled into one. The compilation is inspired by a moment in time when musical boundaries were being redrawn, if not exploded, in a wave of carefree optimism and thefreedom that fueled new rave scenes across Europe and far beyond.



Original artwork by Mark Wigan, co-owner of Soho's Brain Club and an artist of early British club culture.


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Omasta – Jazz Report from the Hood
A streetwise debut from Poland’s boldest jazz newcomers

Over the past few months, five young musicians performing under the name Omasta have taken the Polish and European jazz scenes by storm. Having gained recognition for their intense live shows, they are now ready to deliver their debut studio effort. Jazz Report from the Hood a collectively composed album immersed in the textures of city streets and everyday urban life.

The name Omasta comes from a regional Krakow dialect word meaning “fat added to food for flavor.” It’s a fitting metaphor: the group’s music is saturated with thick drums and deep, heavy bass. Hailing from Krakow, the band took shape over several years, officially launching with a J Dilla tribute concert in February 2024 at the city’s Paul’s Boutique.
Since then, Omasta have performed at venues and festivals across Poland and Europe – including The Jazz Cafe and Ronnie Scott’s in London, AB in Brussels, Gent Jazz Festival, and more. They've shared stages with Slum Village, Aquiles Navarro (Irreversible Entanglements), long-time Astigmatic Records collaborator Tenderlonious, and Polish free jazz legend Leszek Zadlo. Along the way, they’ve also paid tribute to the music of Madlib through specially curated live shows. All of this, notably, before even releasing their first single.

A1 Cornerstone
A2 Burner
A3 Mandem
A4 Who They Was
A5 What's the Point?
B1 Dead End
B2 Ankle Breaker
B3 Falsehood
B4 We Gonna Make It
B5 Kazimierz

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