Colored Vinyl Repress!

Inspired by The Twelve Ornaments, a group of ancient Chinese symbols and designs associated with auspicious qualities and virtues, Aleksi uses the colundi scales to heal and inspire with this specially blended collection of tracks. The power of repetition paired with the selected frequencies makes for a transcendent ambient experience.

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14 highlights from Aleksi Perala's "Spectrum Analysis" series on this triple vinyl album. Aleksi again conjures up repetitive, minimalistic techno cuts that use clever drum programming and his signature 'Colundi' scales to maximum effect.

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Finnish sound scientist Aleksi Perälä presents ‘Paradox’, a double EP landing 15 th of December on ????. Using a microtonal tuning method known as Colundi – with which his work is now synonymous - he guides us through a ritualistic journey of ten formidable tracks. Glistening scales cascade over peculiar tones. Aleksi Perälä explores the powers of an alternative tuning system in dance-floor structures, tapping into the veiled potential of his sound palette with stunning physical consequences. Saccharine and mysterious, ‘Paradox’ channels elements of Electro, Techno and Italo, ultimately achieving a transcendental form of its own.

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Repress!
"Today it has been 6 years, 7 months and 19 days since I based all my music on the colundi sequence. This album is a milestone on my colundi journey. The first half of it was made in Montreal, Canada; and the second half in Lahti, Finland." - Aleksi Perala

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Oscillation is the repetitive variation, typically in time, of some measure about a central value or between two or more different states. Aleksi Perala uses the 128 resonant colundi frequencies to create an oscillation perfected to 33.3 rpm for an infinite effect. Part 2 of a 2 part series divided over Clone Basement and Dub.

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Oscillation is the repetitive variation, typically in time, of some measure about a central value or between two or more different states. Aleksi Perala uses the 128 resonant colundi frequencies to create an oscillation perfected to 33.3 rpm for an infinite effect. Part 1 of a 2 part series divided over Clone Basement and Dub.

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Aleksi Perala with the last installment of the Sunshine series! Beautiful and bright modern electronix based on the Colundi musical tuning system. (quote Dj Rephlex; ''the frequencies were chosen via experimentation and philosophy, each relating to a specific human bio-resonance, or psychology, traditional mysticism or belief, physics, astronomy, maths, chemistry.'') Smooth and fluttering melodies layered over crispy rolling beats transmitting lovely vibrant sunny upbeat vibes. Braindance with high serotonin and dopamine levels.

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Aleksi Perala's second album for the Basement Series. Simulation goes even further down the Basement hole than before. Trippy, deep techno but still firmly rooted in the Colundi Sequences.

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Limited sampler for the upcoming Simulation album.



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more colundi artefacts have been found. 10.8 33 33.8 55 62.64 63 70 73.6 83 98.4 105 110 111 147 147.85 172.06 210.42 221.23 264 293 342 396 404 408 410 413 416 417 420.82 440 448 528 630 639 685 852 880 1052 12000 common purpose. consideration of data. colundi everyOne.

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Quadratschulz's return to the Clone Dub Recordings series. A sonic ode to the city of Tokyo. 6 beautifully crafted tracks, with rhythms and melodies coaxed from Japanese electronics.

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Intuitive analog Electronix by the by the talented Alberta Balsam, one of Rotterdams upcoming talents.

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Repress!

The Canadian duo M.S.L. debuts on the Clone Dub Series with a heady 4 track ep. Produced by Priori and his partner Edouard Le, the duo delivers tracks that walk the fine line between classic headphone IDM and tripped-out early morning dance floor cuts with bleepy arpeggios, soaring strings, and shards of melodies. Very reminiscent of early F-com releases, The Black Dog, and our own harbor city duo Duplex's early works on Dub and Clone Records. A beautiful release that has been overlooked by many!

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(ASMR) is a tingling sensation that usually begins on the scalp and moves down the back of the neck and upper spine. It signifies the subjective experience of "low-grade euphoria" characterized by "a combination of positive feelings and a distinct static-like tingling sensation on the skin." It is most commonly triggered by specific auditory or visual stimuli.

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MC-202 MICRO COMPOSER The MC-202 is a 2 channel microcomposer incorporating a monophonic synthesizer. Alden Tyrell dusts of the Roland MC202 MicroComposer for a 6 track EP based around just the one synth. Easily floating between techno, electro, IDM and ambient this collection shows the versatility of the machine and the producer.

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Inspired by walks in the Bedfordshire countryside Jodey Kendrick scored some of the historical landmarks, some of which date back to before the 9th century, in this historic UK's midlands county. A collection of eerie soundscapes punctuated by clangy metallic beats and bass that will drive your daily walk... File under Braindance.

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Remix megapack for Ryan James Ford's acclaimed Exshaw album. On duty: DJ Stingray313, Alden Tyrell, Sansibar, Dave Monolith and the Zenker Brothers. Versatile 5 tracker with each remixer doing their signature interpretation of Ryan's tracks. Design by Jonacthan.

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Limited edition acid braindance from the mind of Jodey Kendrick.

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The debut of Hamburg-based Quadratschulz on Clone Dub Recordings. A mini album with tracks ranging from a poppy version of Rephlex style braindance to melodies reminiscent of a modern day John Carpenter soundtrack to almost old Viewlexx style electro. A versatile album where Quadratschulz showcases his broad range of influences all very firmly rooted in the 90's rave.

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Oscillation is the repetitive variation, typically in time, of some measure about a central value or between two or more different states. Aleksi Perala uses the 128 resonant colundi frequencies to create an oscillation perfected to 33.3 rpm for an infinite effect. Part 2 of a 2 part series divided over Clone Basement and Dub.

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More leftfield electronix by Jodey kendrick on Electric Dance Music volume 2. His warped out acid, hyper breakbeats and psychedelic melodies all integrate with the reflexes that are the foundation for healthy brain development. Cycling through these patterns may also fill in missing gaps in our sensory-motor system.

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Fierce kick drums, expertly cut up breakbeats and brain dance influenced melodies. 6 tracks of proper intelligent rave fuel by Ryan James Ford on this leftfield techno mini album for the Clone Dub Series.

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A near perfect soundtrack for an illegal rave on a remote south England beach. Quirky Electronix to full on High Tech Electro Funk. The Rephlex legacy is real!!! Braindance is real!!! Jodey Kendrick is real!!!

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Aleksi Perala with the last installment of the Sunshine series! Beautiful and bright modern electronix based on the Colundi musical tuning system. (quote Dj Rephlex; ''the frequencies were chosen via experimentation and philosophy, each relating to a specific human bio-resonance, or psychology, traditional mysticism or belief, physics, astronomy, maths, chemistry.'') Smooth and fluttering melodies layered over crispy rolling beats transmitting lovely vibrant sunny upbeat vibes. Braindance with high serotonin and dopamine levels.

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In 1975, the late DJ / producer and jazz distributor Jimmy Gray and James "Plunky" Branch joined a musical revolution, founding Black Fire Records and releasing the label"s debut album, the classic African Rhythms by Oneness of Juju. This July, Plunky brings this important musical relationship full circle with Made Through Ritual, produced by Plunky"s son Jamiah "Fire" Branch and Jimmy"s son Jamal Gray. The resulting album is a fascinating listen. Opening with the meditative soul chant "Share This Love" voiced by regular Oneness vocalist Charlayne "Chyp" Green, the album opens out into a series of jazz vignettes including the title track, "In Due Time" and "Free Spirit". The powerful album closer, "Children Of The Drum" celebrates black culture and legacy through the poetry of Roscoe Burnem.

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Madlib’s WLIB AM: King of the Wigflip Returns on Double Vinyl via BBE Music

BBE Music is thrilled to announce the long-awaited rerelease of WLIB AM: King of the Wigflip, the final installment in the legendary Beat Generation series from none other than Madlib. Originally released in 2008, this masterful collage of dusty loops, raw beats, and left-field soundscapes remains a high-water mark in the Stones Throw producer’s sprawling discography. Now, for the first time in years, fans can experience the album in all its analog glory with this deluxe double vinyl edition, carefully remastered to preserve Madlib’s signature warmth and grit.

A tribute to pirate radio culture and late-night airwaves, WLIB AM weaves together a rich tapestry of hip-hop, jazz, and soul, featuring an all-star cast of collaborators, including Talib Kweli, Guilty Simpson, MED, and Oh No. Each track showcases Madlib’s uncanny ability to blur the lines between genres, effortlessly flipping obscure samples into hypnotic, off-kilter rhythms. From the hypnotic bounce of “Blow the Horns on ‘Em” to the smoked-out groove of “The Plan Pt. 1,” this is Madlib at his most playful, unpredictable, and inspired.

This special double vinyl edition, released exclusively via BBE Music, brings one of the Beat Generation series' most celebrated albums back into circulation for crate-diggers and collectors alike. With original artwork and a high-quality pressing, this rerelease is a must-have for Madlib aficionados and vinyl lovers who appreciate raw, unfiltered beat craftsmanship. Don’t miss your chance to own a piece of hip-hop history—WLIB AM: King of the Wigflip is back and sounding better than ever.

Disc 1:

1. The New Resident
2. All Virtue
3. Blow The Horns On 'Em
4. Blinfold Test #10 (He Don't Play)
5. The Thang-Thang
6. The Plan Pt. 1
7. Tension
8. Heat
9. Smoke Break
10. Gamble On Ya Boy
11. The Plan (Reprise)
12. The Ox (805)

Disc: 2
1. Take That Money
2. Life
3. Parklight
4. Drinks Up!
5. Yo Yo Affair Pt. 1 & 2
6. The Way That I Live
7. Ratrace
8. I Want It Back
9. Go!
10. Disco Dance
11. What It Do
12. Stop


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Repress coming 23rd of January 2026.

A future classic - a project resurrected from a collaborative effort of the minds of late and great tastemaker and creator Mike Huckaby & Echospace's, Stephen Hitchell. Coming up on over 15 years since this project was conceived while working together on the Model 500 "Starlight" remix project back in 2008, this project truly captures a beautiful moment in time. During this period there was something magical in the air, a creative synergy and understanding of all things deep! The original mix (2008) results from a few sequences and patterns developed out of Wavetable ideas Mike was creating for a sample library he was curating at the time. The sweeps and transients found in these lofi wavetables truly add to the Detroit sound Mike's legacy was built upon, always staying true to his roots. After a few projects together (and more forthcoming) another collaboration was born with SF based (via Glasgow) producer, Federsen who simply put gives us a deeper than deep tribal stomper we're certain Huck would be dropping at peak hour! On the flip, cv313 + federsen reunite to surf Mike's wavetables once more, creating an addictive hook with a sick DETROIT saw bass deeper than the ocean floor! Intrusion's Dub closes out the EP and sends the listener deeper into the abyss, offering sonic designs from another planet, dubbed out into eternal bliss! We truly hope this project resonates and captures some of Mike's creative spirit and sound design. This 12" is a tribute to a true Detroit hero who's contributions to music and the culture are few and far between, a true legend. R.I.P. HUCK

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Francis Bebey is the kind of artist whose legacy feels infinite. Tresor Magnetique, this compilation of unreleased tracks, archival recordings, and neglected gems from Bebey's vault, feels like a grand reveal in an ongoing narrative - a story that spans continents and generations. The compilation's name (translated as "Magnetic Treasure") sets the stage perfectly. Not only does it reference the fragile tapes discovered in the home of Bebey's son, Patrick, but it also hints at the almost gravitational pull of Bebey's art. Meticulously digitized at Abbey Road Studios, these tracks radiate clarity and urgency that defy the decades separating them from contemporary ears. One listen to Tresor Magnetique, and it's as if you're opening a letter from another era, only to find that its contents speak to you more vividly than today's headlines. In an era when African artists were sometimes stuffed into marketing categories like "world music" or "folk," Bebey adamantly mixed and matched instrumentation that had seemingly no business coexisting. A pygmy flute might flutter against the metronomic pulse of a drum machine, or a classic guitar riff might coil around a looped synthetic soundscape. In hearing these recordings, you get the sense of a mind in constant motion, rarely content to finalize a piece and move on. Tresor Magnetique feels less like a dusty retrospective and more like a living, breathing dialogue with the present. For newcomers, it offers a doorway into a vast discography that moves fluidly between danceable afro-funk, folkloric chanting, politically charged commentary, and shimmering electronic explorations. For longtime fans, it unearths new corners of a beloved catalog, revealing how Bebey's restless spirit never quite let a song rest in one configuration for too long. Francis Bebey wasn't merely "ahead of his time"- he operated on his own timeline entirely. In a century that often demanded conformity or neat categorization, he insisted on an expansiveness that belongs just as much to the future as it did to the mid-1900s. And that is why, as we immerse ourselves in Tresor Magnetique, it feels like we're not just discovering lost artifacts-we're confronting ideas that remain radical and relevant right now. Francis Bebey was not just ahead of his time-he made his own time. And now, we finally have the chance to catch up.

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13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.

Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.

“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”

9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.

Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.

At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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"Summer Jam" is back! A long-awaited repress of this powerful and joyful tune described as "acid pied piper", with new artwork and new flip-side. EM Records is very happy to again bring you our favorite tune from the artist known as Tapes, here in a 10-inch vinyl/download format that, with its good vibes, positivity and major-key delightfulness, will rescue you from any doldrums you are experiencing, whether personal, societal or cosmic. "Summer Jam" is a solo recording from 2019, but it soars over the worries of the year, any year, with an up- lifting rhythmic lilt, a positive tonality, non-annoyingly catchy melodies and some lovely sonic textures. There's something here for fans of bass music, mid-80s-and- beyond electronic music, and pure toe-tapping good times. There's a sweet chord progression and background drift in the title track that are particularly pleasing, and the flip-side is a very satisfying "acid" live version with his ally, 7FO, that will lovingly catapult you to another major-chord heaven. The sun can shine anywhere, anywhen, so enjoy!

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