Tracklisting
A1 Luigi Madonna - Red Gate
A2 Luigi Madonna - Untuned Harmonics
B1 Luigi Madonna - Over The Sky
B2 Luigi Madonna - Departure

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Tracklisting
A1 Luigi Madonna - Yakamoz
A2 Luigi Madonna - Hydratonic
B1 Luigi Madonna - Slow Sigh
B2 Luigi Madonna - Ikigai (Jam Edit)

Sales Note
Luigi Madonna is back on his record label Contempo and continues to showcase the darker and more underground side of his sound with the analogue grooves on this hypnotic release.

This four-track EP blends raw sound design with industrial percussion and modulating synth lines, to create dance floor focused cuts in the style that Luigi Madonna has previously championed via Contempo.

Previous releases on Contempo have also featured tracks and remixes from the likes of JSPR, Alarico, Lobster and Marc Faenger.

"Yakamoz" opens the release with its rumbling bassline tense synths and thrashing hi-hats, before the ominous synth stabs, trippy vocals and brutal percussion of "Hydratonic" take control. "Slow Sigh" has a stripped-back style with murky atmospheric, high-speed rhythms and sinister vocal tones. "Ikigai (Jam Edit)" is an experimental track that closes out the release with its breakbeat rhythms, heavy sub-bass and glitching synth lines.

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Luigi Madonna joins Joseph Capriati's Redimension imprint with three atmospheric techno cuts entitled 'The Colours Of The Day EP'. Since 2008 renowned Italian artist Luigi Madonna has released on Plus 8, Drumcode, Second State and Octopus, alongside performing across the globe including at Awakenings, Amnesia, fabric, Watergate and Sound Museum Vision in Tokyo. Now, continuing to expand his awe-inspiring catalogue and place amongst the wider techno community, he brings his thundering and infectiously rhythmic techno to Redimension. 'Midnight Sun' opens with flying synths, cantering drums and spaciously sweeping snares that briskly fuels the audio journey into techno bliss. On the flip, 'Dark Yellow' drives with industrial kicks, layered claps, saturated keys and propulsive percussion until 'Dark Grey' concludes with zapping stabs, subtly emerging bass and polished cymbal patterns.

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Tracklisting
A1 Uakoz - Sloth
A2 Uakoz - Patience
A3 Uakoz - Pride
B1 Uakoz - Land Of Many
B2 Uakoz - Just Like
B3 Uakoz - Greed

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Tracklisting
A1 Xqte - Voz Del Ritmo
A2 Xqte - Voz Del Ritmo - Loop 1
A3 Xqte - Voz Del Ritmo - Loop 2
A4 Xqte - Voz Del Ritmo - Loop 3
A5 Xqte - Groove Farm
A6 Xqte - Groove Farm - Loop 1
A7 Xqte - Groove Farm - Loop 2
A8 Xqte - Groove Farm - Loop 3
A9 Xqte - Spiral Drive
A10 Xqte - Spiral Drive - Loop 1
A11 Xqte - Loose Fit
B1 Xqte - Mono Conga
B2 Xqte - Pulsework
B3 Xqte - Cyclic Motion
B4 Xqte - Root Sync
B5 Xqte - Spin 9
B6 Xqte - Spin 9 - Loop 1

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Tracklisting
A1 Kodama - Humanoid
A2 Dawn Razor & Confluence - Spring Tube
B1 Kodama - Humanoid (JSPRV35 remix)
B2 Marco Effe & Dario Mass - The Light Was Silent
B3 JSPRV35 - Scarf

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Tracklisting:
A1 Mattia Dambrosio - Flatline
A2 Mattia Dambrosio - Fondamenta
B1 Mattia Dambrosio - Surface
B2 Mattia Dambrosio - Dust
B3 Mattia Dambrosio - Rust

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Tracklisting
A1 Unknown Artist - Calinda
B1 Unknown Artist - Shake that Ass
B2 Unknown Artist - Madan

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Tracklisting
A1 Markus Suckut - Patience
A2 Markus Suckut - Resurrection
B1 Markus Suckut - Myth
B2 Markus Suckut - Moments

Sales Note
A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with 'Moments'. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. 'Moments' is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect.


The A1 remains usually the first impression of every record, so it makes sense that 'Patience' would mark the beginning of this eight release for the Brussels' club. A bubbly yet impactful track, 'Patience' rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into 'Resurrection' - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context 'Resurrection' is reserved for. 'Myth' then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of 'Myth' finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track 'Moments'. Appropriately named, this fourth piece concludes Markus Suckut's latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come.

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2025 OFFICIAL VINYL REISSUE

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After a fairly overwhelming 2013 of archival releases that was topped off with that excellent Patrick Cowley compilation, Dark Entries seemingly are maintaining that momentum this year with a clutch of new projects. The first is this reissue of the classic Signals From Pier Thirteen EP by Crash Course In Science, which is a name that should be instantly recognisable to fans of minimal wave thanks to "Flying Turns". The track featured on the Minimal Wave Tapes Vol. 1 compilation curated by Peanut Butter Wolf and Veronica Vasicka and has been reworked by Jamal Moss, J Rocc and Ricky Villalobos in recent years. "Flying Turns" of course features on this EP, and this Dark Entries issue is the first time Signals From Pier Thirteen has been reissued on vinyl since the early '80s and is a must for anyone who likes crude electronics and synthesised beats.

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Buckle up tight for a kayo showdown as Jay Gadian, Maikee, DAT and Baumb unleash four club-ready slabs of acid-bleep and garage-tech hybrids on the final Terrazzo compilation.

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Phivo's music has been referred to as 'Other Worldly' and he has been referred to as the 'Prince Of Tech House'. Pure Science has been at the forefront of electronic music since 1990 and pushes a timeless sound which has stood the test of time.

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Something that was in the pipeline for a while is finally happening: the first collaborative release between Mother Tongue and Neroli. And right in time to celebrate Neroli’s 25th anniversary. To make it even more exciting the two Verona based labels worked together to curate a full 4 track EP from Chicago’s very own Glenn Underground!
A very special selection of obscure and diverse gems from the deep vaults of the legendary producer touching the boogie, the jazzy and even the acid sounds, that will please the most demanding music lovers!

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Collecting pre-orders for a limited time only.

Please send us your orders by February 26th.
No pre-order = No copies.

We’ll press based on this demand and can’t promise to have more copies available later on. Estimated delivery April.

Repress of Simon Copleston a.k.a Iteration X’s debut EP delivered for Evasive Records in 2003. ’Timecheck’ and ‘Liquid Logic’ are 2 slabs of firing tech-house straight out of South London. Simon worked from his own studio and also Online Studios in Croydon. Simon sadly passed away in 2014 and we wanted to make this well sought after release available again so that his musical legacy lives on.

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Repress!

Worthy italo re-issue (in a newly mastered version) of this early Roberto Ferrante's project. Roberto started his career being part of various electronic music groups in Naples around the early 80s! His career took off when he made his first deal with Best Record by Claudio Casalini for ''Come On Closer'' by Pineapples which obtained worldwide success and was played at the legendary Chicago Radio Station WBMX by the mythological DJ's collective, Hot Mix 5. In 1985 it was time for another classic named ?Faces?, a simple but direct and honest song with an irresistible rhythm and lyrics that tends to move away from that typical dark sound in other Italo-Disco songs of that era. This song is a triumph for synthesizers and electronic drums as it's fully electronic, something still a rarity in those days! The beautiful melody and spiritual essence of ''Faces'' represent the revolution of a new beginning of the Italian pop of the 80s with a perfect arrangement by Roberto Ferrante, a bouncing bassline, and strong and clear vocal. The sweet and sensual voice, full of personality and charm is by Clio (Maria Chiara Perugini). The graphics are by Patrizio Squeglia and all together it made this groundbreaking release which is one of the best Italo-Disco songs ever made.

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Gina X makes her way to Dark Entries for Greatest Fits, a compilation of gems and jams from the eccentric New Wave icon. Gina X Performance was formed in Cologne in 1978 when art history student and chanteuse Gina Kikoine teamed up with synth wizard Zeus B. Held. Inspired by Patti Smith and Lou Reed, Kikoine aimed to create "the absolute union of music, poetry and travesty," a lofty goal that she most certainly would achieve. 1979 saw the release of the classic first LP, Nice Mover, which put Held’s lush electronic production in dialogue with Gina X’s deadpan delivery. Songs explore androgyny, decadence, and avant-garde art in a fashion that is stylish, sexy, and more than a touch transgressive. Nice Mover quickly became a cult favorite thanks to tracks like the euphoric “Nice Mover” and the dancefloor bomb “No G.D.M.”, dedicated to queer icon Quentin Crisp. Three more LPs followed in the coming years: X-Traordinaire in 1980; Voyeur in 1981; and Yinglish in 1984. The duo continued their genre deviance throughout, exploring uptempo space disco on “Strip Tease,” punk-laced New Wave on “Babylon Generation,” and icy electro-pop on “French Lift.” Greatest Fits is the first-ever double LP compilation of Gina X material. The 17 tracks on Greatest Fits were selected by Kikoine and Held, reflecting the duo’s most cherished moments from their wide-ranging catalog. The record comes housed in a gatefold sleeve designed by Eloise Shir-Juen Leigh featuring press clippings and photographs, and includes an insert with lyrics and memories about each song from Kikoine and Held.



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Finally on Mr. Disc Organization here is one of the great tracks from the early 80s, when the great keyboardist/composer and former Goblin (band most famous for their film scores including many for Italian horror auteur Dario Argento and for George Romero’s Dawn of the Dead) founder, Claudio Simonetti , was in his disco prime, leaving Goblin to pursue an interest in disco that led to much great Eurodisco by Italo Disco outfit Capricorn among others. We proudly present the quality remastered reissue of Capricorn’s hugely indemand Italo corker ‘I Need Love’ on limited edition and hand-numbered white vinyl.

This landmark track from 82’ with its fierce stripped down electro sound tore up the dancefloors of Europe and the US, becoming a classic and a full on smash hit in Chicago and Detroit where it was heavily influential on the early house/techno productions.
“I Need Love” from 1982 features Simonetti himself on vocoder in the 5:55 minute extended vocal mix on side one and a six minute and 12 second instrumental version of the song on side two.

“I Need Love”’s signature bassline makes it exceptionally funky compared to much of the more futuristic sounding tracks coming from Italy during this time. Its distinctive shuffling hi-hat intro and incredibly aggressive snare was a favorite for early beat juggling. The instrumental to this song remained popular with house DJ’s well into the late 80’s even after other Italo songs fell out of rotation as more music began to get produced locally. Today, I Need Love remains one of the more sought after tracks from this era.

Sounding as fresh as ever, this classic track is a complete must have for fans of the underground Italo sound.

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