TRACKLIST
A1. Frederik Croene - kosmonaut, in memoriam Joeri Gagarin (+27.03.1968)
A2. Frederik Croene - Queen Bess, in memoriam Bessie Coleman (+30.04.1926)

B1. Frederik Croene - Sky King, in memoriam Richard Russell (+10.08.2018)
B2. Frederik Croene - kamikaze, in memoriam Yukio Seki (+25.10.1944)
B3. Frederik Croene - vol de nuit, in memoriam Antoine de Saint-Exupéry (+31.07.1944)
B4. Frederik Croene - c'est Kiki, in memoriam Daniel Kinet (+15.07.1910)

(Limited vinyl edition: 300 unique Japanese stamped covers)

The piano recital/album sans retour forms the concluding part of Croene's 'Trilogy of Hopelessness' (Cortizona). The overarching theme is the sense of doom inherent in our responses to climate change. After the doomed indulgence in nostalgia ('cul de sac', 2019) and the doomed yearning for landscapes lost through climate change and human mismanagement ('solastalgia', 2022), he now presents 'sans retour': the doom of the inevitably failed fantasy of escape.

Six piano pieces serve as an in memoriam for six fearless aviation pioneers who ultimately lost their lives in plane crashes. The album opens with a sound recording of the communication between Yuri Gagarin and mission control one minute before the launch of the first manned space flight. At the end of Side A and the beginning of Side B, excerpts from the conversation between Richard Russell and air traffic control can be heard.

Conceived as a single, Beethovenian composition, Croene once again demonstrates the wide range of sound palettes a piano can produce. The common thread is a melody based on the 'Dies Irae', which takes six different forms to embody the in memoriam concept.







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Tracklist
A1. DJ Marcelle & Another Nice Mess - Sorry, No Service
A2. DJ Marcelle & Another Nice Mess - The 10.23 AM from Amsterdam Lelylaan
A3. DJ Marcelle & Another Nice Mess - Spontaneous Gathering To Avoid Another Bob Dylan Movie
A4. DJ Marcelle & Another Nice Mess - I Have Been Doing Some Accounting This Afternoon
A5. DJ Marcelle & Another Nice Mess - Quidquid Latine Dictum Sit, Altum Videtur

B1. DJ Marcelle & Another Nice Mess - Sorry, No Silence (LP-version)
B2. DJ Marcelle & Another Nice Mess - Final Exam At The Music Academy
B3. DJ Marcelle & Another Nice Mess - The High Synths Experiment
B4. DJ Marcelle & Another Nice Mess - Chairs?!


(contains postcard) DJ Marcelle's career has flourished on her own terms, with many critically acclaimed releases: in the past six years alone this Dutch woman has released five albums and numerous ep's. On stage and in the studio she transcends a feeling of freedom whilst always moving forward. Marcelle turns her DJ sets into full-on sonic adventures; she's the g.o.a.t of dancefloor eclecticism.

''Genre-defying and one-of-a-kind are two descriptions that get thrown around a lot in dance music, but DJ Marcelle fits that bill.'' (Resident Advisor)

''A Different Fridge For Cheese: '' An adventurous set that fizzes with vitality, originality and humour.'' (The Wire about her 2024 album)







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'Sexy Tears' will hit you straight in the heart, like a modern-day Cupido with a well aimed dazzling sonic arrow. Ready to stay there forever. Recommended if you like Piero Umiliani on a Sunday morning, Broadcast on the beach, Oneohtrix Point Never in a romantic mood, Autechre on Ice, Ennio Morricone on LSD, and Pierro Piccioni popping perks.



'Sexy Tears' is a bold departure from Tristanne's (fka Tristan) critically acclaimed pop-jazz debut Wellif and lets you veer into uncharted territory, from the first tone, the bittersweet and haunting violin tones fade in on opener 'Steady Mouth'. In a split second, Tristanne lets you vanish in a dazzling matrix deep down a rabbit hole, a place where Piero Umiliani's 70s sleazy giallo era sensually resonates with Oneothrix Point Never goldwave frequencies. With a whisper of panting tension, her soothing voice and sonic subliminal temptation she unravels her own lush love secret domain, unlocking deeply hidden lost emotions and mutated feelings.

While mellifluous harp chords in 'If Only' set a scene for a tantalizing new world utopia the percussive clutter of 'Whordus' syncopes and mutate this future dream with a chiastic slide into a videodrome for a jilted generation.

With the help from her musician friends Elisabeth Klinck (violin), Indr? Jurgelevi?i?t? (kanklès), Kaat Vanstralen (flute) and Gert Malfliet (drums), Tristanne's 'Sexy Tears' will hit you straight in the heart, like a modern-day Cupido with a well aimed dazzling sonic arrow. Ready to stay there forever.

Under her stage name Tristanne (formerly known as Tristan), Isolde Van den Bulcke makes music she defines as sitting in a 'grey zone'. By valorizing self-reliance and learning as much as possible from the get-go, the musician and producer hasn't let hardship nor pursuing a niche genre hold her back. She studied jazz vocals for 8 years, released 2 ep's before her debut album 'Wellif' in 2022.

Recommended if you like Piero Umiliani on a Sunday morning, Broadcast on the beach, Oneohtrix Point Never in a romantic mood, Autechre on Ice, Ennio Morricone on LSD, and Pierro Piccioni popping perks.



Tracklist

A1. Tristanne - Steady Mouth
A2. Tristanne - Unravel
A3. Tristanne - Sure!(?)
A4. Tristanne - If Only
A5. Tristanne - Interlude

B1. Tristanne - Hostage
B2. Tristanne - Whordus
B3. Tristanne - Landje
B4. Tristanne - Maison Mary
B5. Tristanne - Sexy Tears







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2LP in printed inner sleeves + 12 page booklet with detailed info, secrets and unpublished pictures written by Walter Verdin himself. This collection dives deep into Verdin's prolific and experimental music from 1980 to the beginning of this millennium, capturing an era of a DIY punk spirit, improvisation, creative freedom and swimming against the tide.

Tracklist

A1. Walter Verdin - She Loves Me
A2. Walter Verdin - Dansons Dans
A3. Walter Verdin - Nobody Moved
A4. Walter Verdin - Dance Riff
A5. Walter Verdin - No Trip

B1. Walter Verdin - Shadance
B2. Walter Verdin - Sequence X
B3. Walter Verdin - A Cut & A Wipe 2024
B4. Walter Verdin - Aceton
B5. Walter Verdin feat. Adrienne Altenhaus - IOOTD Dream

C1. Walter Verdin feat. Adrienne Altenhaus - Constant Click
C2. Walter Verdin - Mission Control
C3. Walter Verdin - Princeton
C4. Walter Verdin - A Car
C5. Walter Verdin - Sonate Part III
C6. Walter Verdin - Kunst-Zaken '87

D1. Walter Verdin - Minimalize
D2. Walter Verdin - Linda
D3. Walter Verdin - À Saint-Tropez
D4. Walter Verdin - A Shadow
D5. Walter Verdin - Abstractions



We are thrilled to announce the upcoming release of 'Pingpong', a 2LP compilation showcasing previously unreleased works by Walter Verdin, the founding member behind Pas De Deux, the Belgian band which delivered 80's cult classics 'Rendez-Vous' & 'Cardiocleptomanie'. This collection dives deep into Verdin's prolific and experimental music from 1980 to the beginning of this millennium, capturing an era of a DIY punk spirit, improvisation, creative freedom and swimming against the tide.

This album is not just a compilation-it's a sonic journey into Verdin's unique approach to music-making, which he nurtured in the AV studio at KU Leuven's Audiovisual Department (AVD). Having begun his civil service there in 1980, Verdin was exposed to a rich array of audio and video tools that would shape his work for years to come. From the outset, Verdin's process was defined by an openness to experimentation, where he would explore sound and music organically rather than following pre-existing concepts.

The songs on Pingpong reflect his fascination with creating spontaneous, layered compositions. These recordings were made using limited tools, such as his duophonic Yamaha CS-40M synthesizer, borrowed drum machines, and tape loops, and were further enriched by techniques such as reverb and vintage sound manipulation. The results are raw, tactile, and full of personality-often more vibrant and personal than the polished, commercial recordings that would follow in professional studios.

Throughout the 1980s and 1990s, Verdin developed his craft, regularly drawing from his diverse interests in film history, soundtracks, video art, and avant-garde music. His innovative use of tape recorders, improvisational techniques, and later, MIDI and digital tools, makes for a fascinating and varied listening experience. This compilation includes everything from proto-techno and abstract new wave to avant-pop songs, sample-driven experiments, and the oddball TV-inspired tunes that have long been a staple of his work.

This selection is a true reflection of Verdin's "keen amateur" approach: a method focused on discovery, happy accidents, and unexpected results. These compositions aren't about achieving technical perfection, but about capturing moments of sonic exploration and transformation. The 21 recordings have been meticulously curated, with some tracks freshly arranged while others remain true to their original, unedited forms.

'Pingpong' finally brings these forgotten gems into the light. The album includes not only unreleased music but also fragments from Verdin's video art and multimedia projects, offering a rare glimpse into his creative evolution over two decades. Stretching up the boundaries between medium and message, aligning his own musical univers.

Take a deep breath and dive into the works of an artist whose explorations pushed his boundaries of sound and technology.

A Belgian sonic cut up, ping ponging in between many worlds.





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Tracklist

A1. Dienne - Hi
A2. Dienne - Mary & Others
A3. Dienne - Motor Cortex
A4. Dienne - Beneath the Laboratory
A5. Dienne - The Great Cable
A6. Dienne - I Am Statistical

B1. Dienne - Skull Tunnel
B2. Dienne - Open Valley
B3. Dienne - Lugano's Peak

LP in printed inner sleeve + 8p art booklet. Dienne creates hazy pieces of music full of the melancholy of remembrance and loss combining analogue instruments with reverb-drenched vocals and shimmers of processed electronic sources.Her new album "Conducturis" emerges as a sensory exploration of the human spirit and the boundless horizons of artificial intelligence.



"Abundant in beauty and rich in disturbances" serves as the guiding principle for Belgian composer, Dienne, as she builds songs and soundscapes that portray the images and stories that play behind her eyes.

Combining analogue instruments like the oboe, the piano, and the flute with reverb-drenched vocals and shimmers of processed electronic sources, she creates hazy pieces of music full of the melancholy of remembrance and loss.

Her debut album Addio (2022) was released on Nicolás Jaar's Other People imprint. Addio is a 32-minute study on loss and mourning. Following the death of her grandmother due to Covid-19, and unable to say a proper goodbye due to travel restrictions, Dienne set out to give her "Addio" through musical form. The result is a deeply intimate work that channels classical instrumentation through foggy electronic experimentation.

Memories, biographies, and family histories merge in this simultaneously somber and optimistic work which plays out like a universal and comforting ode to lost loved ones. Her second album, Conducturis, accompanies an immersive film installation delving into speculative fiction, conceptualized by Mira Sanders and Cédric Noël. Conducturis will be released on Cortizona at the end of January 2025.

Conducturis is an immersive film installation project that delves into the realms of speculative fiction, employing the cinematic language of the road movie to envision the ramifications of constructing an artificial brain within the Swiss landscape.

Following their encounters with key figures in the Human Brain Project during an art research expedition in Geneva from 2019 to 2020, conceptualized by Cédric Noël & Mira Sanders, they stumbled upon a remarkable discovery: a hidden fiber-optic cable linking Geneva to Lugano.

Anchored at both ends by the Human Brain Project in Geneva and the CSCS (Centre Suisse de Calcul Scientifique) in Lugano, this conduit facilitated the transmission of intricate brain simulations from the imposing computational hub in Lugano to Geneva via a 'superconductor' cable.

While the nuances of this fiber network eluded the naked eye, Sanders & Noël meticulously pored over maps, gathered endless data, and traversed the terrain. In crafting "Conducturis", they chose to portray an immersive journey along this IT infrastructure connecting Geneva and Lugano, exploring the curious allure of dreaming about artificial landscapes.

The accompanying originalscore by Dienne invites audiences to delve into the intersection of human creativity and machine intelligence. Guided by the principle of being "abundant in beauty and rich in disturbances", Dienne embarks on a sonic exploration of the Swiss landscape, translating its ethereal beauty and technological wonders into evocative musical compositions.

"How can a human sound like a machine?"

This intriguing question lies at the heart of Dienne's artistic endeavor. For her, the soundtrack of "Conducturis'' transcends mere musical notes; it embodies a profound philosophical exploration into the essence of human creativity amidst the rise of artificial intelligence.

Similarly, "How can a human being compose like a machine?" serves as a pivotal inquiry guiding Dienne's creative journey. As she navigates the delicate boundary between human expression and machine cognition, she skillfully intertwines the pulsating rhythms of data transmission with the haunting melodies inspired by artificial landscapes.

Drawing inspiration from the cinematic aesthetics of the road movie genre, as envisioned by Sanders & Noël in their speculation on the construction of an artificial brain, Dienne weaves a sonic tapestry that transports listeners on a contemplative journey through mountains, lakes, and cities.

Each track for "Conducturis" becomes a testament to the fusion of brain and landscape, inviting audiences to ponder the limitless potential of human imagination.

As audiences immerse themselves in the evocative world of "Conducturis", Dienne's soundtrack serves as a guiding force and perfect companion, leading them through a transcendental experience where reality and imagination merge, and the symphony of human and machine harmonizes seamlessly.

"Conducturis" emerges as a sensory exploration of the human spirit and the boundless horizons of artificial intelligence. With Dienne's soundtrack as its heartbeat, this project invites audiences to embark on a voyage of discovery, where the echoes of human creativity reverberate across the digital frontier.


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Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies,and Shadoh's distinctive houndly expressions.Creating otherworldly compositions that transcend genres which include recorded and integrated snarling feedback sounds.


TRACKLISTING

A1. Ann Eysermans - Min Liefste
A2. Ann Eysermans - Interference To The Best Explanation
A3. Ann Eysermans - Hondy
A4. Ann Eysermans - PUMST
A5. Ann Eysermans - Moonlight Shadoh
B1. Ann Eysermans - Blafmans
B2. Ann Eysermans - Solipsism
B3. Ann Eysermans - Intersystem Crossings
B4. Ann Eysermans - Doke
B5. Ann Eysermans - Only The Very Best


INFO

After her stunning and well acclaimed debut album 'For Trainspotters Only' Ann Eysermans now releases 'Moonlight Shadoh', a tribute to her dog Shadoh. A record on which she explores the bond between herself and her faithful canine friend, Shadoh, through an extraordinary musical odyssey.

Ann Eysermans masterfully weaves together a tapestry of field recordings, candy-like harmonies,and Shadoh's distinctive houndly expressions. Creating otherworldly compositions that transcend genres which include recorded and integrated snarling feedback sounds. From the hauntingly beautiful melodies to the experimental sonic landscapes, every track tells a story that resonates deep within your soul.

Feel the heartbeat of Shadoh as his barks, whimpers and playful antics merge seamlessly with Ann's soothing vocals,harp and viola da gamba. These evocative arrangements will transport you to a realm where the bond between human and dog is translated into an aural spectrum swaying between desolate harp sounds, recollecting the eerie Jandek spirit lacing with doomy, and catchy as hell, new beat vibes.

Moonlight Shadoh is an exceptional journey blending acoustic instruments, phonic melancholy, analogue tape footage of Ann's personal sound archive and audio poetry.

RIYL:
Cross dressed Jandek in a vegan mood, Claire Rousay on expired XTC, Andy Stott with a hangover, William Bassinski on a happy moment, Kali Malone discovering new beat, Mica Levi in a dog shelter and other excellent music.

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On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.

TRACKLISTING

A1. Comité Hypnotisé - Enter Here
A2. Comité Hypnotisé - Hoop Rollin'
A3. Comité Hypnotisé - Hail the Boom Boom
A4. Comité Hypnotisé - Blind Ear Boogie
A5. Comité Hypnotisé - Risin Attic
A6. Comité Hypnotisé - Battle of the Sauces
B1. Comité Hypnotisé - Ghoul Theme
B2. Comité Hypnotisé - King Smoke
B3. Comité Hypnotisé - Aquarium Breakout
B4. Comité Hypnotisé - Woodchopper
B5. Comité Hypnotisé - Exit Twerp


INFO

On his third album Comité Hypnotisé let you belly flop into his eleven chambers of the Danza Del Piri-Piri: expanding the feral and contagious universe he started to build a lifetime ago. Levitating and shimmering a glistering way through deep old skool 70's sitar vibes and jitterbug grooves. This boogieman aka the Millionaire-mind and part of the Evil Superstars has carved some hot smoked out bass and organ flared cuts on wax, ready to never leave you again. Whether it is with woodchopped kazou sounds stretching into hazy sunshine desire or dazzling basslines blending with interstellar and stuttering kick drums: the Danza Del Piri-Piri flip-flops and slams into a wiggly relentless sonic future.

FFO Sven Wunder, Ennio Morricone, Khruangbin, Flying Lotus, The Meters, Parliament, Edan, The Gaslamp Killer.

Comité Hypnotisé is the brainchild of Tim Vanhamel, frontman of Millionaire and Evil Superstars, two of Belgium's most famous alternative rock bands. In 2013 Tim started creating solo music that only got released in 2021 on his first solo album through the Belgian eclectic Cortizona label

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LP + lyrics poster. Glitching through pop music, cruising around the borders of the avant garde, passing by the edge of coldwave and tumbling into dance and club vibes: after her debut Bad Woman Céline Gillain is back with her second album: 'Mind is Mud'.

TRACKLISTING

A1. Céline Gillain - Together
A2. Céline Gillain - High Definition
A3. Céline Gillain - The Authoritarian
A4. Céline Gillain - Never Easy
A5. Céline Gillain - Peer Pressure
B1. Céline Gillain - My Secret
B2. Céline Gillain - Empty
B3. Céline Gillain - They Play Games
B4. Céline Gillain - You The Client

INFO

Glitching through pop music, cruising around the borders of the avant garde, passing by the edge of coldwave and tumbling into dance and club vibes: after her debut Bad Woman Céline Gillain is back with her second album: 'Mind is Mud'.

On Mind is Mud' Gillain let herself sink in the swamp of emotional confusion, the perpetual brain fog caused by a post Covid-world asking herself: do we have to get used to paradox as a way of life from now on?*

A musical dissection in nine songs of the mudflow, a flow which reveals its rich complexity the more Gillain dived into it: from the demanding intro 'Together' Céline opens up her highly personal and unique vision, shifting between high definition lost dimensions and emotionsthe mud slowly transfers in a crackling and sparkling stream of consciousness.

The mud is well alive in all its weirdness and unclarity. At times, it even glows in the dark.

*The answer to that question is yes.

The story of Mind is Mud by Céline Gillain:

"Music is a place where intuiting is a work in itself. For me, it's the one place where I'm in charge, free to think and do what I want. Mind is Mud is the fruit of a collaborative practice with a DAW, a research around the palliative power of rhythm and the dancefloor, music as a space where emotions and ideas merge, storytelling, the comic potential and imaginative nature of sound. I don't really write, I copy paste and then I arrange and rearrange. Every sound I use comes from software, field recording, Instagram, movies and midi scores I collect here and there. In the hierarchy of sounds, you might call them cheap sounds. The lyrics are collages as well, made of pieces of texts from various contradictory sources. In addition to using the voice as a vehicle for ideas, I investigate its percussive and polyphonic potentialities, the possibility to have more than one voice/mouth."

Sounds like:

Grace Jones, Kae Tempest, Annie Lennox, Leslie Winer and The Knife cutting up their favorite books, entering the k-hole and recording their dystopian dreams at the backstage of Berghain.

Bio:

Céline Gillain is an artist based in Brussels working across the fields of experimental music, electronic music, and visual and performing arts. She has performed extensively in Europe during the last ten years. Her work explores the meeting points between dancefloor, politics, the industry, and storytelling, deconstructing the codes and hierarchies that govern them. Seeking escape routes and operating in the loopholes, Céline feels at home in the in-betweens.

In 2017, she released her first single together with Lexi Disques titled What Happens If I Open My Mouth?, soon followed by her debut LP Bad Woman with Drama (2018).

RESIDENT ADVISOR "She strips down pop components, discards most of them, and recombines what's left at unusual angles-a hard blip of percussion here, a stab of melody there, haunting spoken word woven through it all".

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Get ready for schntzl 2.0. On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum.


TRACKLISTING

A1. schntzl - Holiday
A2. schntzl - Rosso
A3. schntzl - Dante
A4. schntzl - Child And Magic
A5. schntzl - Silk
B1. schntzl - Lillies
B2. schntzl - Luna
B3. schntzl - Venice
B4. schntzl - Hot Wheels
B5. schntzl - Rosa
B6. schntzl - Hilda

INFO


Get ready for schntzl 2.0

On their 3rd album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum: Rollercoastin' between extreme emotions Casper and Hendrik slide through 90's Euro-optimism on synths, frantic drum rolls, lost piano sounds and sample wizardry: blending Spanish guitars, voices of singing ladies, slow mo clarinets and the patterns of a percussion robot.

'Holiday' is the result of a residency in Ravenna, Italy in October in 2021 where musique concrète, replica sounds and frenetic hyperpop textures sneaked into the musical world of schntzl. Sculpting a world of friction, hypodermic joyful changes, sad euphoria and good old plain fun.

RIYL: Matmos in a jazz mood, free vibin PC Music, Enya on XTC, improvising Valentina Magaletti, moody SOPHIE, BadBadNotGood going GoodGoodNotBad and other excellent music.

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2LP edition including 2 innersleeves with extended liner notes. Genesis P-Orridge and The Hafler Trio: do these 2 legends still need any introduction? On 'Dream Less Suite', the first new album by The Hafler Trio since 2016, Andrew McKenzie unearths, resurrects and completed recordings he made through the years with Genesis P-Orridge.


TRACKLISTING

A1. Genesis P-Orridge & The Hafler Trio - Better Not To Begin
A2. Genesis P-Orridge & The Hafler Trio - Alaura (yes)
A3. Genesis P-Orridge & The Hafler Trio - Veiled Threat (extract)

B1. Genesis P-Orridge & The Hafler Trio - ???????
B2. Genesis P-Orridge & The Hafler Trio - Slave Priest (yes)
B3. Genesis P-Orridge & The Hafler Trio - Hope dies Now, Gratefully

C1. Genesis P-Orridge & The Hafler Trio - E-am-E
D1. Genesis P-Orridge & The Hafler Trio - NOW<------->NOW

INFO:
Genesis P-Orridge and The Hafler Trio: do these 2 legends still need any introduction?

Genesis P-Orridge was the founding person of COUM Transmissions in 1969, Throbbing Gristle in 1975, Thee Temple ov Psychick Youth and Psychic TV in 1981.

Andrew McKenzie started The Hafler Trio (together with Cabaret Voltaire's Chris Watson) in 1982 and since then released all his work under this moniker and collaborated with William S. Burroughs, Autechre, Jóhann Jóhannsson, Nurse With Wound and Jónsi from Sigur Rós, to name a few. And he constructed the first kit Dreamachine in 1989 together with Brion Gysin.

The impact and influence of these pioneers of the industrial underground,visionary thinkers and open minds, anti heroes of the misfits and the outcasts is hard to underestimate.

On 'Dream Less Suite', the first new album by The Hafler Trio since 2016, Andrew McKenzie unearths, resurrects and completed recordings he made through the years with Genesis P-Orridge.

This 2LP features soundtracks to unfinished films, live performances and the real versions of tracks you know and love, released for the very first time and mastered from the original reel to reel tapes. Expect the unexpected and be prepared for the unprepared.

File under:

Subliminal soul music for the very faint-hearted.
Demented disco for insecure insomniacs.
Asymmetric acid for hoovering hipsters.
Immersive polka for naughty night nurses.
Soothing sounds for crying babies.
Liberating latin for lesbians on xtc.
Transcending tribalism for jogging junkies.
Frenetic freakbeat for nihilistic numerologists.
Jiving jazz for tyrannic transgenders.
Hypnotic exotica for corrupt gymnastics.
Indescribable sounds for angry journalists.
Endless entertainment for everyone and the rest of the family.
All f#cks given 2.0
Masters at work.

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LP in printed innersleeve + insert. On 'Upon This Fleeting Dream' Clive Bell's Twinkle3 embraces medieval and 16th-century Japanese poems and haiku about death and saying farewell.

TRACKLISTING


A1. Twinkle3 feat. David Sylvian & Kazuko Hohki - Upon This Fleeting Dream
A2. Twinkle3 feat. David Sylvian & Kazuko Hohki - I Borrow Moonlight
A3. Twinkle3 feat. David Sylvian & Kazuko Hohki - Throughout The Frosty Night
A4. Twinkle3 feat. David Sylvian & Kazuko Hohki - My Coming, My Going
A5. Twinkle3 feat. David Sylvian & Kazuko Hohki - If I leave No Trace
B1. Twinkle3 feat. David Sylvian & Kazuko Hohki - The Cicada's Song
B2. Twinkle3 feat. David Sylvian & Kazuko Hohki - Kaite Mitari
B3. Twinkle3 feat. David Sylvian & Kazuko Hohki - Cherry Blossoms Fall
B4. Twinkle3 feat. David Sylvian & Kazuko Hohki - A Poppy Blooms
B5. Twinkle3 feat. David Sylvian & Kazuko Hohki - Empty Handed

INFO

On 'Upon This Fleeting Dream' Clive Bell's Twinkle3 embraces medieval and 16th-century Japanese poems and haiku about death and saying farewell. Bell and his trio, consisting of Dave Ross and Richard Scott, expand their sonic borders: bringing these pithy epigrams to a new Fourth World where electro-acoustic sounds glitches into a hypnagogic, if not the unconscious level of fragile beauty.

The distinctive voice of David Sylvian (ex-singer of Japan and known for his highly acclaimed solo work (Brilliant Trees, Secrets of The Beehive, Blemish...) and collaborations with Ryuichi Sakamoto, Robert Fripp, Holger Czukay and Jon Hassell amongst others) - who reads the English version of the poems and created field recordings and the artwork for this album - blends in the most organic way with the shakuhachi, Thai reed flutes and mouth organs played by Clive Bell.

The narrative voices of David Sylvian and Kazuko Hohki's (Frank Chickens, Kahondo Style...) velvet timbre are the cornerstones of this compelling journey while the tangling and abstract rhythms transcending from Dave Ross' modular synths and Richard Scott's sampler and analogue electronics, unravel and unfold a mesmerizing universe with unknown dimensions and frequencies of a fleeting dream.

File under: electronica, spoken word, fourth world, sound art, shakuhachi, dub, minimal, ambient, abstract, and good music

Recommended if you like: David Sylvian, Japanese poems, Jon Hassell, Pan Sonic, Laraaji, Brian Eno, excellent music

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180gr vinyl, including insert with liner notes by Tom Recchion. Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerising together with the shamanistic percussion of Marcos and the pulsating electronics of Montoya.



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First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Houyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music.


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(180gr) Edition of 500 copies, includes a post card and an insert with liner notes. Rare 1973 Freddie Hubbard Quintet concert from a rural church released on vinyl for the first time. Liner notes by Gilles Peterson & Peter Anthonissen.


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Balmat began our journey in 2021 with the release of Luke Sanger’s Languid Gongue. Now, three years later, we turn an important corner as the Norfolk musician rejoins us with Dew Point Harmonics, the first repeat appearance on the label. Sanger’s new album feels like a natural extension of his inaugural record for Balmat: It’s a bewitching collection of esoteric synth sketches that slips unpredictably between consonant repetition, poignant melodies, and gnarled bursts of noise that catch in the ear like burrs in hiking socks.

That natural metaphor is perhaps not accidental. Despite having been composed on Sanger’s diverse array of hardware and self-written software, many of the tracks were first conceived while Sanger was hiking in a particularly wild and isolated section of the Norfolk coast. The field recording that opens the album, on “6am Beach Walk,” was taken on one of his many early-morning walks there, in which he and his dog might go for miles without seeing another soul. The album’s title was inspired by the overnight condensation covering the long marram grass in the dunes, glistening in the early light (and drenching everything coming in contact with it) before evaporating in the morning sun. Indeed, the concept of dew point—the temperature at which water vapor condenses into a liquid—feels like the perfect metaphor for Sanger’s music, in which foggy ambience is distilled into glistening quicksilver orbs, transient spheres of perfection eventually absorbed back into the atmosphere.

A shapeshifting collection of richly detailed and deeply expressive electronic miniatures, Dew Point Harmonics is both a testament to the mysteries of transformation and an invitation to get lost in the wilderness of your own imagination.

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Warsaw's finest producer of soulful Drum & Bass/Jungle, Kampinos is back on GAMM with a truly amazing 3-track EP...

The opening track 'Good Looking Pepe' will def turn some heads with an atmospheric yet jazzy Drum & Bass version of Pepe Bradock's classic deep house anthem 'Deep Burnt'.
Very old school Bukem / Good Looking Records, hence the title ;)

Turn the plastic over and Kampinos delivers a massive Gospel/Jungle anthem entitled 'Joi'. Big (!) gospel vocals, dirty amen drums and some serious breakdowns...peak time massive!!

Last but def not least we go deeper with a supa soulful D & B take on one of our favourite Little Simz tunes entitled 'See You Glow'.

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Joanne Robertson follows up on AD 93 with the album Blurrr, out 19th September.

Streaming links: https://s.disco.ac/crophlnmvsji


Tracklist
A1 - Ghost
A2 - Why Me
A3 - Friendly
A4 - Exit Vendor
B2 - Always Were
B2 - Peaceful
B3 - Gown
B4 - Doubt
B5 - Last Hay

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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean—freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.

One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings to be added in the coming weeks and months. The legendary Neneh Cherry will lend her unmistakable voice to the title track “New Dawn”.

Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings—traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.

“New Dawn is clearly an extension of Ra’s legacy and sound, but it’s also a masterful endeavour filtered through Allen’s tastes and approach”. – John Morrison, The Wire, November 2024 (cover story)

Musicians: Marshall Allen – Kora, EWI, Alto Sax Knoel Scott – Baritone Sax, Congas, Drums Cecil Brooks – Trumpet Bruce Edwards – Guitar Jamaaladeen Tacuma – Bass Richard Hill – Bass Timothy Ragsdale – Bass Owen Brown Jr – 1st Violin Akiko Arendt – 1st Violin Cristina Ardelean Montelongo – 1st Violin Derek Washington – 2nd Violin Elias Feldmann – 2nd Violin Dimitra Karageorgopoulou – 2nd Violin Michael Ireland – Viola Vasileios Vasileiadis – Viola Joseph Richard Carvell – Bass Ilektra-Despoina Stevi – Cello Jorik Bergman – Flute George Gray – Drums Jan Lankisch – Percussion

Special Guest: Neneh Cherry - Voice

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Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with Absent Friends Vol. III, the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms.

The first two Absent Friends—a 2014 set for Blowing Up the Workshop, and a 2017 cassette and web player for Whities (now AD93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people. Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.

Absent Friends Vol. III is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly opaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”

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REPRESS

"Great Doubt” is the third full length LP by Danish composer Astrid Sonne. Throughout her acclaimed discography, Astrid Sonne has been carefully crafting different moods through electronic and acoustic instrumental endeavours. On “Great Doubt” this skill is refined, now with the distinct addition of the composer's own vocal in front. The tone of each track is unmistakably Sonne’s, structured around contrasts through an impeccable sense of timing. Lyrics on the album are sparse, merely highlighting different scenes or emotional states of being, leaving the music to fill in the blanks. Yet they also form a pattern of ambiguity, consolidated through the album title, searching for answers through looking at how and what you are asking, questions for the world, questions of love.

The viola, a trusted companion since Astrid Sonne’s youth, appears effortlessly throughout the album, fully integrated into the sonic universe; through a pizzicato driven arrangement in the poignant track “Almost” or along with booms and claps in mutated cinematic stabs during “Give my all”, paraphrasing Mariah Carey's 1997 ballad. Yet the string section also gives way to explorations of woodwinds, counterbalancing the bowed movements with digital brass and airy flutes. Finally, beats and detuned piano are fresh additions to the soundscape, cementing how Sonne’s practice is always evolving into new territories.

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"For Japanese people, min'yo is both the closest, and most distant, folk music" explains band-leader Katsumi Tanaka. "We may not feel it in our daily, urban lives, yet the melodies, the style of singing and the rhythm of the taiko drums are engrained in our DNA".Initially indifferent to min'yo, a tragic event in recent Japanese history set Tanaka on his current path: "Following the Tohoku earthquake of 2011, I reflected on my life, work and identity. A fan of world music, I began searching for Japanese roots music I could identify with. Discovering mid-late 20th century acts like Hibari Misora, Chiemi Eri and the Tokyo Cuban Boys, I was captivated by their eccentric arrangements and how they mixed min'yo with latin and jazz music."Lead singer Freddie Tsukamoto fell for min'yo after hearing a song from his hometown on a TV competition whilst in a restaurant. It was a revelation – until then he had been an aspiring jazz singer yet was uncomfortable singing in English. The restaurateur told him a min'yo teacher was his neighbour and the two connected. Tanaka and Freddie formed Minyo Crusaders in 2011 in Fussa, a city where the US military Yokota Air Base is located, in western Tokyo.Recruiting other local musicians versed in afro and latin rhythms, they began hosting jam sessions at the Banana House, a building that was previously part of the military base and that used to house US soldiers. The band started recording their music, and their debut album "Echoes Of Japan" was released in 2017. It received huge acclaim in Japan and abroad, and was also released by British label Mais Um in 2019. Several European tours followed, as well as some US and South America gigs.In this second opus, the Minyo Crusaders take us on a trip to Japanese folk songs fused with latin rhythms. Their unique arrangements breathe new life to classics like Kiso Bushi, Sado Okesa or Soran Bushi, among many other min'yo songs from all over Japan that were originally performed by Japanese fishermen, coal miners and sumo wrestlers hundreds of years ago. The magical groove created here proves once again that the Minyo Crusaders are one of the most dynamic representatives of the current Japanese world music scene. Yoi Yoi, Enjoy!

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Yellow Vinyl Repress!

When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.

Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.

There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.

Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.

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Landmark vaporwave album that defined the genre’s visual and sonic identity.
• Includes the iconic track “420” — the most recognized song in vaporwave history.
• High-quality vinyl pressing
• A must-have for collectors of internet-era electronica, ambient, and conceptual art releases.

The cult around Vektroid's genre-defining album as Macintosh Plus prevails as the 2011 release Floral Shoppe gets a fresh repress from Austrian label Everland. Vaporwave was but a twinkle in Ramona Andra Xavier's eye when she laid down the blueprint in a strange, seductive segue of nostalgic licks from 80s synth-pop, boogie, easy listening and a thousand nights lost in fuzzy VHS and cassette culture. Many have developed their own approaches off the back of Floral Shoppe's wondrous world building, but in these situations you can't beat the original idea. A vital document of online culture in the early 21st Century, and a dreamy listen to boot.

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2025 repress

Tracklisting
A1 Babe Roots - Intro
A2 Babe Roots feat. Milly James - Falling
A3 Babe Roots feat. Stephy Wright - Jah Nuh Dead
A4 Babe Roots feat. Milly James - Sun Is Shining
B1 Babe Roots feat. Baba Ras - Bless Me
B2 Babe Roots feat. Kojo Neatness - Sufferation Time
B3 Babe Roots feat. Baba Ras - Peace, Love and Unity
B4 Babe Roots feat. Kojo Neatness - Work Hard

Sales Note
- 2025 repress -

First Babe Roots album perfectly executed. This is the perfect balance between dub structures and reggae rhythms.

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