A collection of remixes of the Radioactive Man album ‘Jam Out The Kicks’, cunningly titled ‘Jam Out The Mix’. Featuring remixes from dBridge, Jerome Hill, Ben Pest, Ara-U, Berwick, and Radioactive Man. Ranging from the finest in Electro and Techno to full-on DnB/Junglist vibes - designed to test the bassbins out!

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Radioactive Man (Keith Tenniswood) presents his 6th album ‘Jam Out The Kicks’ released on self-operated label Asking For Trouble this November 28th. Written while immersed in the throes of touring over the last four years - the album showcases Tenniswood’s singular sound, honed for the international dance floors that he is charged with. Jam Out The Kicks will be released on a triple 12” vinyl package with artwork by renowned artist Lung.

Working together UK rave, jungle, breakbeat and Detroit electro and techno the album plays between these different genres and styles. It brings the grit, joy, grime and funk but also with a big lot of heart in its sensitive softer elements and moments. Opening track ‘Under The Counter’ has been the lead to his live performances - soft and gleaming and with deep warm bass tones it’s his reset track to set the tone for the set. We then move into slap bass funk on ‘See Above’ and through the many sounds on the release - from dense textured and kicking techno to bass heavy rave. Curveball on the release is ‘Sinkhole’ starting out as a collaboration with Suade Bergemann, vocallists Ali Love and Chloe Raunet (C.A.R) both put their touch on it. It’s just one example of Radioactive Man’s desire not to want to be held down to any one sound and to always be developing and moving forward.

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The Bass Junkie sound spans the old school beats and vibes of the Electro genre’s origins, to the borderline industrial. Phil is a battle hardened Bass Bot from the future armed with his trusty MPC.

The obsession with all things sci-fi continues with this 'Cruising The Bass Nebula' EP. Out this February on my Asking for Trouble label, this is testament to his non-stop love of the genre and keeps on evolving with this funky 10".

Phil Klein aka Bass Junkie has been part of the Bass furniture for decades. I first came across him at my local roller disco somewhere in the 80s where he would flex his early DJ skills. Phil was cutting and scratching on the decks way before anyone I knew.

His history is quite something. In the early 90s he contacted Dave Noller from Dynamix II in Florida and after sending demos (pre-Internet of course). He ended up going there to make some tunes under the name of Cybernet Systems.

Phil has had many monikers and worked with lots of people over the years. Model Citizens with Matt Whitehead, IBM, Gods of Technology and Kronos Device with Si Brown (Dexorcist) and myself both as The Brink and part of The Resonance Committee to name a few. 2021 saw the release of the album Sub Sonic Survivor on Bass Agenda. He's had releases on lots of labels over the years including Control Tower, Firewire, SMB, Ed DMX's Breakin records, Andrea Parker's Touchin Bass label, Billy Nasty's Electrix and his own Battle Trax label.

Throbullating throughout the galaxy since 1986!

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Recorded in a string of sessions between Curve Pusher’s former Darnley Road location in London and new facility in UK seaside town Hastings, ?Old Tight Selektah? sees Radioactive Man and Ben Pest (OverworX) riff off their shared passions for studio hardware and live set jams, maintaining the funk at all times.

Lead track ?Old Tight? works in ?recorded licks from the Pest band’s horn section - Off-Key He-Man. Bar Tab smooths out into a glimmering and acid licked electro number. ?You Bring It, We’ll Wing It? enjoys more of the Pest brass service, slowing the pace to a dubby, broken beat tempo. Finishing up the EP ?Bracetings? is a jumpy, up tempo finish to the release showing off both producer’s flair for high precision beat programming.

Ben Pest is a hardware-made-techno specialist based in Bristol. He runs his own label OverworX and has also released his heady raucous sound on ?Varvet, Don’t and I Love Acid.

Asking For Trouble est. 2017
Mastered and cut by Keith Tenniswood at Curve Pushe

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...it must affect the brain in some way, unless it’s just the music that does it? All them lights flashing don’t do you any good either...
Recorded in Curve Pusher’s former Hackney premises over a series of sessions during 2016-2017, L-R is the name for the sounds that have emerged from the collaboration of friends Simon Lynch (London Modular Alliance), Monoak (Freerotation) and Radioactive Man. Oscillating modular sequences from the units Simon brought to sessions, multi-MPC powered beat programming, and TB 303 patterns being fed to a MiniMoog is the backbone of this record, some of the last sessions at Curvepusher studio, London, before its move to Hastings. Where we get the best out of these three singular producers.
Asking for Trouble is Keith Tenniswood (Radioactive Man’s) record label - established in 2017 to home his solo and collaborative studio work.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More