Doomcannon Announces Powerful New Album 'Somewhere In Between' Capturing The Quiet Turbulence Of Transformation. New Single 'the Truth' Out Now Is A Soulful Prelude To A Record About Healing, Growth & Self-Belief. DoomCannon is the alter ego of South London native Dominic Canning, a musical force who cut his teeth as part of genre-pushing groups TriForce and Project Karnak. A proud graduate of Kinetika Bloco and Tomorrow's Warriors, he has shared stages with Celeste (as her musical director), and has graced platforms from the BRIT Awards to 'Later… with Jools Holland'. His 2022 debut album 'Renaissance'on Brownswood Recordings earned critical acclaim for its expansive sound and political urgency. Now, with 'Somewhere In Between', DoomCannon turns the lens inward—exploring personal growth, emotional honesty, and the hard-earned lessons found in transition.

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Accomplished composer and guitarist Alex Cosmo Blake takes eclecticism and innovativeness to another level. His work as a composer and performer with artists such as Skepta, Joy Crookes, Project Karnak, DayThreeMusic and Jaz Karis is only a brief insight to how deeply he is rooted in multiple genres of music, and how he blends them to create his unique voice. Alex has been cooking us his first musical offering which weaves together the lush imagery of Studio Ghibli, grainy texture of Burial and the richness of R&B.

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A bold new collaboration creates a powerful encounter between UK Mandé jazz and Afro-Colombian marimba - 15 musicians exploring shared African roots through rhythm and improvisation. Balimaya Project and Colombia's Discos Pacifico All Stars together present a cross-continental performance of West African jazz and Afro-Colombian tradition in a boundary-pushing exchange of rhythm, heritage, and sound. The two bands bring together a connection between the Atlantic and Pacific coasts, exploring experimental Afro-diasporic soundscapes, blending Mandé jazz with Afro-Colombian folkloric music in a collaboration which fuses the deep rhythmic and cultural ties between African and Latin American traditions. Balimaya Project, known for their powerful fusion of Mandé rhythms and contemporary jazz, brings a strong foundation in West African musical heritage, incorporating instruments like the djembe and balafon to craft complex, emotive compositions rooted in community and storytelling. Joining them from Colombia's Pacific coast, the Discos Pacifico All Stars - featuring members of Bejuco, Semblanzas del Rio Guapi, and former members of Agrupación Changó - focus on marimba music and Afro-Colombian rhythms, channelling the energy of their ancestral sound into something fresh and globally resonant. The album 'Calima' centres on an international exchange, shaping a new musical narrative in real time. Calima is a natural phenomenon where Sahara Desert dust travels across the Atlantic, bringing nutrients that fertilise the Amazon and tropical rainforests in Latin America and the Caribbean. Like this dust, the African diaspora crossed oceans by force, but through cultural resistance kept their heritage alive - recognising each other, sharing traditions, rooting themselves, and creating new forms of expression that transform dispersal into fertile encounters of memory, beauty, and renewal.

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Since releasing her joint LP 'These Days' with long-time friend and collaborator Daniel Casimir on the jazz re:freshed imprint in 2019, Hirst has been working on her first solo album scheduled for release in early-2024. Funded by PRS Foundation's Women Make Music and the MOBO Help Musicians Fund, Hirst's new music is set to be a jazz re:freshed family affair. 'Magic' features Richard Spaven on drums, Sarah Tandy on piano and Tomorrow's Warriors StringTing. It is produced and arranged by Casimir who also plays electric, upright and synth bass on the recording. A celebration of inspiring stories of the women around her, 'Magic' pays homage to their robust capacity to rise to any challenge, including motherhood, a journey which Hirst embarked upon herself, making the track all the more poignant. As Hirst shares: "Since having my own child in between writing and releasing this record, I've realised motherhood itself isn't magic, rather there is magic in being a mother. Performing 'Magic' now brings a deeper level of understanding for me. When you give birth to a child you too are reborn." Hirst urges listeners to invoke their own sense of magic, underpinned by the notoriously underground UK musical heritage ofDrum'n'Bass, Spaven fully in his element, piercing through the pensive string melodies and euphoric harmonies overarching Hirst's ethereal tone.

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London-based composer/bassist, Daniel Casimir returns with his solo debut album Boxed In, a dynamic collision of pulsing modern jazz and orchestral instrumentation. Featuring Casimir's quintet of fellow British jazz luminaries, including Nubya Garcia, Moses Boyd, Al MacSween and James Copus, the album astutely bridges traditional and contemporary jazz forms enveloping strings, woodwind & brass arrangements. Boxed In represents Casimir's debut set of compositions written for orchestra. Despite his interest in writing for orchestra while studying jazz and classical music, attending conservatoires and completing a masters degree at Trinity Laban, he was never given the opportunity or choice to fulfil his aspiration. Casimir notes that as only one of two black musicians in his study cohort the normalisation of the situation made it almost easy to miss its inherent injustice. Coming up through the essential development foundation Tomorrow's Warriors, Casimir has gone on to feature on all of Nubya Garcia's recorded output to date as well as projects by Makaya McCraven and Ashley Henry and has performed with Lonnie Liston Smith and Jason Rebello amongst others. This album reflects the experiences of navigating prescribed labels traditionally placed on black musicians. As well as being inspired by Wayne Shorter's hybrid orchestral jazz projects, Boxed In was also influenced by a conversation Casimir had in 2018 with legendary composer and producer Quincy Jones who talked a lot about classical music orchestration.

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Ajo Se Po is the third album by alto-saxophonist and percussionist Kevin Haynes, released with his band Grupo Elegua. The album integrates musical elements with references to his deepening spiritual understanding. Haynes has created a modal harmonic language incorporating Afro-Cuban melodies and classical kora playing - his alto-sax, infusing the album with a personal 'voice'. Yoruba spirituality is at the heart of Haynes' musical thinking which also includes both Nigerian and Cuban dimensions. This is especially reflected by the use of recitation and Cuban bata drumming being employed on all tracks, with each piece growing out of a particular bata rhythm. Each such rhythm is dedicated to a particular Orisha, or divinity. As well as influences from Afro-Cuban, Native Nigerian and folkloric Bata, Haynes' music is a fusion of contemporary jazz incorporating Mandinga folk and praise songs and hard bop. Kevin Haynes and Grupo Elegua have performed at renowned jazz festivals including Havana Jazz Festival, Cuba and Salamanca Jazz Festival, Spain. Haynes has also featured on Moses Boyd's hit album Displaced Diaspora.

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If there is one artist that has truly become synonymous with Jazz re:freshed over the years, it is the energy, the skill, the showmanship, the innovation, the genius that is Kaidi Tatham. The vibe behind the west London/broken beats/nu-jazz scene as a core member of Bugz In The Attic, Kaidi's 5ive continues the lineage of jazz, fusing it with his own twisted funk, boogie and eletronica. The 10 year anniversary of its first release sees Kaidi's 5ive presented for the first time ever on vinyl.

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'Feeling Alright' is a certified dancefloor weapon–stripped-back and effective like classic house, raw and sweat-soaked like the best soul. For the first time, two of Japan's most respected underground producers team up. With releases on labels such as Optimo, Local Talk, Mister Saturday Night, Turbocapitalism, Eglo and Delusions of Grandeur, their reputations precede them. Keita Sano's raw, visceral edge collides with Sauce81's flair for boogie-drenched synths and unapologetic vocals, delivering a pure, hard-hitting dose of house with an undeniable disco pulse.

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Bells Are Ringing is the debut EP by Melbourne Funk 10 piece outfit Mondo Freaks, released following on from the single of the same name and a thrilling Dub Version by Harvey Sutherland. Mondo Freaks formed originally as a concept band, equipped with an ever-evolving setlist of late '70s and early '80s Funk classics, their journey has seen them invited to be the backing band for the Australian tours of such luminaries as Leroy Burgess (the producer and artist behind Boogie and Disco favourites Black Ivory, Logg, Aleem, Inner Life, and Universal Robot Band) and the iconic Evelyn "Champagne" King. Having performed at the iconic local Meredith Music, Golden Plains and Panama festivals and at numerous residencies Mondo Freaks have carved their mark, returning now to ring in a new era of groove-soaked original music. The band revolves around the rhythm section of in demand session bassist Luke Hodgson and drummer Graeme Pogson (GL, The Bamboos). Gathering some of the finest musicians from Melbourne's legendary soul scene, they're accompanied by five incredible vocalists including Jade MacRae, Susie Goble, Francisco Tavares, Aaron Mendoza and Jason Heerah. New tracks on the EP include "Find A Way", which hits straight away with a percussion and synth hook, blending Jade MacRae's vocal delivery with an uplifting message about finding hope in trying times. Also included is the Harvey Sutherland Vocal Mix of "Bells Are Ringing", which keeps much of the spaced out Larry Levan, Shep Pettibone re-edit approach that was on his much lauded Dub Version.

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* Strictly limited-edition 12" vinyl in full colour sleeve with spot varnish

* V Recordings and Tim Reaper's Future Retro London have joined forces to unleash "One Stop Mr Driver," a track that channels the raw energy of '90s jungle. This release features both the original mix by the legendary Krust and a fresh remix by Tim Reaper, bridging the genre's roots with its modern resurgence.

* Kirk Thompson, professionally known as Krust, is a seminal figure in drum and bass. Emerging from Bristol's vibrant music scene, Krust co-founded the influential Full Cycle Records alongside Roni Size, DJ Die, and Suv. His innovative approach has produced classics like "Warhead" and "Soul in Motion," tracks that have left an indelible mark on the genre.

* London-based DJ and producer Tim Reaper has been pivotal in the revival of jungle music. Through his label, Future Retro London, Tim has showcased a plethora of talent from the modern jungle scene, earning accolades such as DJ Mag's Best of British Breakthrough Label award in 2021.
* "One Stop Mr Driver" was a coveted dubplate from the '90s, never officially released but highly sought after by enthusiasts. Recognizing its timeless appeal, Tim Reaper has crafted a remix that preserves the original's amen break-driven intensity while infusing it with razor-sharp modern production.

* Bryan Gee, the visionary behind V Recordings, has long admired Tim Reaper's contributions to the scene. This collaboration marks a rare partnership in V Recordings' three-decade history. The fusion of Krust's pioneering sound with Tim Reaper's modern touch honors its roots while embracing the future of drum and bass and jungle music.

* "One Stop Mr Driver" will be available digitally and as a limited edition 12" vinyl release.



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All Things Return to One is the debut LP from Reptile Reptiles, the project helmed by Alexandre Bazin(GRM)and director/musician Clément Beauvais and features the voice of Gary Farmer from Jim Jarmusch's Dead Man. A work of enveloping ambient, plangent dustbowl guitar & meditative poetry, with texts narrated by renowned Indigenous actor Gary Farmer; a homage to Farmer's iconic turn in Jim Jarmusch's film Dead Man. A uniquely atmospheric depiction of existential pilgrimage

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Very limited project - only 100 copies of 180g trans crystal vinyl.From bass to jungle - MADE FOR DJs! Once upon a time, DJs in clubs only played from vinyl records. We want to refer to this history with this project, because you will find only club bangers here, which are not worth listening to quietly and with the bass turned off. The starting point is Pepe's last year album "Balance", which was taken to the studio by seven producers. On the wax, a true intergalactic team of artists who know what to do with the audience in the club - DJ BLIK, Envee, Molehead, Riffz, Tropiki, true.dat and TVB. What is the tempo here? From bass 87 BPM played by TVB, all the way to 164 BPM, because we have an expert on jungle themes on board in the person of Riffz.

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Soul Gem Alert !!!! - A timeless track by The Lost Gernation, "This is the lost gerneration" was issued back in the days , but is very very rare and never seen. Hipnotic groove and superb vocals - A must have 45. Our release includes an Instrumental cut that just give that groove another lift, an essential 7" release.

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Lance Ferguson (of The Bamboos, Menagerie and lately, The Ferguson Rogers Process) releases a newly scored soundtrack for the 1981 French film L'ocean de toi. The romantic thriller was the debut film by enigmatic French director Leroi Alarie, long thought lost forever, but recently a 35mm print was unearthed that he has agreed to release after many requests and much negotiation. Ahead of its planned restoration and subsequent re-release, Ferguson was asked to compose all-new music for the film personally by Alarie (now aged 69), as the original score was never to the auteur's liking - cobbled together at the time with a patchwork of sound library pieces imposed upon him by the film's producers in order to save money. He was in so much conflict with the producers throughout the shooting and editing of the film that upon completion he took the only existing finished print and refused to have it released. Ferguson's score is a collection of languid, dreamy (mainly) instrumental Funk pieces that evoke the hazy, sun-kissed atmosphere of the film. Conceived and imagined to suit the aesthetic of the era, but with an inevitable twist of "la modernité". It's a fitting match for this new addition to the canon of early '80s European arthouse cinema, thankfully rescued from obscurity for 21st-century audiences to finally enjoy.

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Lloyd Parks, born on May 26, 1948, in Kingston, Jamaica, is a renowned reggae icon known for his soulful melodies and skillfully played bass lines. In the late 1960s, he performed with the Invincibles band, which included notable talents such as Ansell Collins, Sly Dunbar, and Ranchie McLean, before joining forces with Wentworth Vernal to form The Termites. He launched a successful solo career, releasing a series of self-produced singles, including the massive hit "Officially" in 1973; this single also provided the title for the legendary and and highly sought-after 1973 album, now reissued for the first time. Acknowledged as a talented studio bassist, Parks supported various reggae artists, including Justin Hinds on Duke Reid's Treasure Isle label. He was a member of Skin, Flesh and Bones, alongside Ansell Collins and Ranchie MacLean, contributing to Al Brown's hit "Here I Am Baby." When the group began recording for Channel One Studios, Parks renamed them The Revolutionaries and later joined Joe Gibbs' house band, The Professionals, showcasing his skills on hits like Althea & Donna's "Uptown Top Ranking." Throughout the 1970s, he collaborated with prominent artists such as Dennis Brown, The Abyssinians, The Itals, The Gladiators, Culture, and Prince Far I. In 1974, Parks founded the We The People Band, accompanying Dennis Brown on tours and regularly performing at festivals like Reggae Sunsplash and Reggae Sumfest.A long career studded with many important awards. "Officially" is his most cherished personal gem that, after too long, finally shines once more thanks to the discovery of the quarter-inch AMPEX tapes now owned by BMG (UK) and licensed to Jamdung Records.



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