Label:Not On Label
Cat-No:PAPR267
Release-Date:14.03.2025
Genre:Afrobeat
Configuration:LP
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BOM - AN KA BE feat. LUKA PRODUCTIONS
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BOM - TRIBE OF VISIONS
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BOM - FUNK, JIVE AND BREAK
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BOM - SUTUKA feat. FELIX NGINDU
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BOM - THE IDEAS OF FORBIDDEN Feat. SIRIUS RUSH
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BOM - SANKARANI FEVER
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BOM - ALABO feat. LUKA PRODUCTIONS
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BOM - NGOSO MUZIKI
Now and again, an album project with no home comes along out of the blue, demanding to be licensed and shared with the world.
It was unearthed on one of Paper's digging trips. BOM's album sounded like nothing else out there, only the future. Shrouded in mystery and country-of-origin unknown, Africa runs through its DNA, but sometimes mysteries are best left...
Ase - a Yoruba philosophy signifying the power that makes things happen and produces change; given to Gods, ancestors, spirits, humans, animals, plants, rocks, rivers, songs and prayers.
BOM takes influence from all corners of Africa and its diaspora, blending them with 25 years of Western electronic music into a melange of forward facing, leftfield afro futurism.
The album features one of Africa's brightest rising stars, Luka Productions (from Mali), cosmic poet Sirius Rush (UK) and master drummer & vocalist Felix Ngindu (DRC/Liverpool) for a journey into kaleidoscopic Afro-tech funk. Gqom, Shangaan electro and township funk rub shoulders with hip-hop, bass, deep house and dub for a psychedelic celebration of collaboration and possibility.
As geographical and musical barriers are broken down, BOM's 'Ase' album is leading the charge; London to Lagos, Lisbon to Sao Paulo, Bamako to Berlin, BOM captures the sound of the underground.
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It was unearthed on one of Paper's digging trips. BOM's album sounded like nothing else out there, only the future. Shrouded in mystery and country-of-origin unknown, Africa runs through its DNA, but sometimes mysteries are best left...
Ase - a Yoruba philosophy signifying the power that makes things happen and produces change; given to Gods, ancestors, spirits, humans, animals, plants, rocks, rivers, songs and prayers.
BOM takes influence from all corners of Africa and its diaspora, blending them with 25 years of Western electronic music into a melange of forward facing, leftfield afro futurism.
The album features one of Africa's brightest rising stars, Luka Productions (from Mali), cosmic poet Sirius Rush (UK) and master drummer & vocalist Felix Ngindu (DRC/Liverpool) for a journey into kaleidoscopic Afro-tech funk. Gqom, Shangaan electro and township funk rub shoulders with hip-hop, bass, deep house and dub for a psychedelic celebration of collaboration and possibility.
As geographical and musical barriers are broken down, BOM's 'Ase' album is leading the charge; London to Lagos, Lisbon to Sao Paulo, Bamako to Berlin, BOM captures the sound of the underground.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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More records from Not On Label
Label:Not On Label
Cat-No:AAKMAELEDITS01
Release-Date:02.06.2025
Genre:House
Configuration:12"
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Cat-No:AAKMAELEDITS01
Release-Date:02.06.2025
Genre:House
Configuration:12"
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DJ Aakmael - Window Seat
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DJ Aakmael - I Know U Care
Deep house don DJ Aakmael kicks on with the release of some previously never before on vinyl remixes. He is a man who knows how to cook up warm yet dynamic sounds that are perfect for back rooms and basements when you want to get up close and personal. 'Window Seat' finds him tackling smoky soul sounds and flipping them into spaced-out deep house magic. 'I Know U Care' is then a more upbeat jam with organic percussion and swinging drums topped with another gorgeous r&b vocal. Two cosy party starters from this ever-on-form American.
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Liebigstrasse 2-20
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Germany
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Liebigstrasse 2-20
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Label:Not On Label
Cat-No:TJVV001
Release-Date:09.05.2025
Genre:techhouse
Configuration:12"
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Cat-No:TJVV001
Release-Date:09.05.2025
Genre:techhouse
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T. Jaques & Velvet Velour - Hot Hands
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T. Jaques - Deep Blue
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Velvet Velour - What U Like
A rediscovered collaboration from T. Jacques and Velvet Velour comes Spring 2025, supported by two new dancefloor-focused solo tracks.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Label:Not On Label
Cat-No:JUSTINKAYEP
Release-Date:04.04.2025
Genre:Breaks
Configuration:LP
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Cosmic AC - Larvy 1
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Cosmic AC - Horsey
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Cosmic AC - Anaxagoras
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Cosmic AC - Snood
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Cosmic AC - Machine Spirit 1
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Cosmic AC - Wisconsin Desert
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Cosmic AC - Setting Sun
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Cosmic AC - For Now
The late great Cosmic AC's vast catalogue again yields some posthumous treasure with part two of the For Now album. It's another record that is as sophisticated as it is adventures with plenty of painstakingly crafted but effortless smooth breakbeats on 'Larvy' topped with pensive synths. Elsewhere there are logic-defying rhythm structures on 'Snood', hooky synth shimmers and more raw textures on 'Wisconsin Desert' and jazzy, cosmic motifs on the wonderful 'Setting Sun'. This is a high-class mini-album full of next-level sound designs and turbo-brain drum patterns. It makes for a compelling listen wherever you may be.
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Liebigstrasse 2-20
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Label:Not On Label
Cat-No:MR09
Release-Date:14.03.2025
Genre:House
Configuration:12"
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Cat-No:MR09
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Sade - A1 - Paradise (Remix)
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Sade - B1 - By Your Side (Ben Watt Lazy Dog Remix)
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Label:Not On Label
Cat-No:JB04
Release-Date:28.02.2025
Genre:Electronic
Configuration:12"
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Cat-No:JB04
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TBZ - M&M
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TBZ - Hi Friend...
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TBZ - Cut Off
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TBZ - Bridges Burned
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TBZ - N*T
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TBZ - So It Goes
6 track EP from the great TBZ on his own private imprint. Bringing the computer syntheses un-realness on this one - still allowing the record to hum with the fresh low slung flavors we love him for..
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Not On Label
Cat-No:MJ20
Release-Date:07.02.2025
Genre:House
Configuration:12"
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Cat-No:MJ20
Release-Date:07.02.2025
Genre:House
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MJ - A1 - Thriller (House Remix)
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MJ - B1 - P.Y.T (Remix)
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Label:Not On Label
Cat-No:MJ19
Release-Date:17.01.2025
Genre:House
Configuration:12"
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Cat-No:MJ19
Release-Date:17.01.2025
Genre:House
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MJ - Off The Wall
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MJ - Rock With You
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12"
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Cat-No:MR08
Release-Date:17.01.2025
Genre:House
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Cat-No:MR08
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Sade - A - Nothing Can Come Between Us (Remix)
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Sade - B - King Of Sorrow (Remix)
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10"
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Cat-No:cb000
Release-Date:08.11.2024
Genre:Techno
Configuration:10"
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Cat-No:cb000
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Genre:Techno
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Cristian Sarde - Love Tea
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Bakked - Effect171
Tracklisting
A1 Cristian Sarde - Love Tea
B1 Bakked - Effect171
Sales Note
Release 0 by Cristian Sarde & Bakked
300 copies limited
10" Trasparent
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Liebigstrasse 2-20
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A1 Cristian Sarde - Love Tea
B1 Bakked - Effect171
Sales Note
Release 0 by Cristian Sarde & Bakked
300 copies limited
10" Trasparent
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Label:Not On Label
Cat-No:PSR1011204
Release-Date:26.07.2024
Genre:Alternative/Electronic
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Gray - Sweetness Of The New
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Gray - Willie Mays
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Gray - New York City Have Some Pity
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Gray - Rene
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Gray - Monochromatic Breakdown
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Gray - Galvestown
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Gray - Brooklyn Sky
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Gray - Dan Asher Remix
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Gray - Battle Gray
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Gray - 300 Americans
Noise, art, experimental music band Gray, founded by Jean-Michel Basquiat in 1979, has released their 2nd album titled, “Last of the Beats,” a reference to the lyrical poetry featured on the album, inspired by the likes of Allen Ginsburg and William S. Burroughs (Gray's first album was “Shades Of…,” released in 2010, a true collector's item today). Original Gray members Nick Taylor and Michael Holman conceived of this sonic and verbal work of conceptual and intellectual beauty, knowing they would be collaborating with a variety of celebrated musicians and lyricists, including: James Lavelle of U.N.K.L.E. (and Mo'Wax Records); writer and Downtown New York editor Glenn O’Brien of GQ and Interview magazines; Spike Lee actor and spoken word artist Roger Guenveur Smith; music producer and Digable Planets' DJ King Britt; John Cale Band and Andre 3000 drummer Deantoni Parks; legendary Hip Hop music producer Arthur Baker; “The Widow Basquiat” Suzanne Mallouk; 1970s New York scenester and poet Victoria Galves; with liner notes written by famed American art critic Carlo McCormick
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Carlo McCormick Liner Notes:
These grooves are the product of stealth engineering, improvised like an assassination five years in the planning, a conspiracy of creativity meant to slip in the truth while savoring the fiction. It's impossible to fathom just how hard it is to make something so easy, to instill endless complication within eloquent simplicity, to tear the whole damn thing down so that the jagged broken parts actually fit back together, but the slack laidback beauty of Gray is that they are not in any rush, like the slo-mo suspension of time in our hyperaware perceptions before sudden and inevitable impact, this is the sound of deceleration, an unwinding that takes your breath away.
To the last of the beats, here's the last of the at last, the song of the swan to the unborn, the clinging desire of the last dance, the just deserts of a last meal, what adheres grasping and gasping at the edge of forgetting like the muscle memory of a dream. Track by track, Gray excavate the senses and sensibilities of forlorn fables, the heroic slipping off crumbling pedestals, a city of need revamped as a city of greed, the light flickering, overcome by shadows, places and times conjured like a sonic psychogeography of passing and absence.
Their music has traveled a very long way to reach our ears, rewritten, rerecorded, recollected, remastered and renegotiated over and again by two artists, in constant dialog, spaced out in deep focus, a four-legged split personality in dogged single pursuit to somehow get it right. You can hear that distance in these songs, the harmonics of process like a reverberant echo, the undertow of an undertone, the taste of ripening.
Only the truly young can hear the ghosts singing, but it takes an old kind of wisdom to make out their words. That's the post-modern contradiction of this band; where novelty sounds classic and stories unfold as allegories of metaphors, landing from far away with undiminished urgency. Two guys, Michael Holman and Nick Taylor, stubborn enough to forge their own musical tempest apart from the meddling, marketing and machinations of any music industry, yet slick enough to enlist an unimaginably brilliant cast of collaborators, Gray is the carefully curated composition of a community, the common sound of disparate voices, the mix of the melting pot, the noise of incompatible agreements. Pastiche and pluralism, it's a collage cut up and still bleeding, the angry graffiti on a wall of sound, the melodies that linger like a sweet aftertaste of lazy pleasures, the battle cry of the vanquished sounded in the survivors' silence, the dance of the reckless to the tempo of an impending disaster, the tone of resistance in a note of rebellion, the voices of visionaries talking over, and under, the din of time's cruel march, correspondences rich and textured in a lost chord yet to be fully decoded. The references are dizzying, disorienting and defiant to the reductions of genre, chaotic and unruly dissonance given rhyme and reason, blues with a beat, art with a purpose, lyrics that bruise, the sound of repercussion struck with a vengeance. This music is so stone cold cool it's hot to the touch;deep downtown and dirty like a lethal seduction, a collective memory that needs no introduction.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Not On Label
Cat-No:LEMON
Release-Date:28.06.2024
Genre:House
Configuration:12"
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Cat-No:LEMON
Release-Date:28.06.2024
Genre:House
Configuration:12"
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Bonoby - Lemon
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Bonoby - Lemon Dub
A Powerful Dancefloor Anthem Unleashed.
For Promotion Lemon Use Only. Only Vinyl.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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For Promotion Lemon Use Only. Only Vinyl.
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Liebigstrasse 2-20
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LP
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Label:Not On Label
Cat-No:SOM01-II
Release-Date:05.04.2024
Genre:Alternative/Electronic
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Maria Somerville - Eyes Don't Say It
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Maria Somerville - This Way
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Maria Somerville - Undoing
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Maria Somerville - Dreaming
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Maria Somerville - All My People
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Maria Somerville - All Too Much
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Maria Somerville - Brighter Days
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Maria Somerville - Lakes
Big tip!
Revised 8 track version of Maria Somerville's much lorded debut album. Features and additonal cut 'Lakes' - a 5+ minute blown out instrumental record live on tour in 2019.
" Stirring and beautiful songs, with a consistent optimism underlying even the murkiest of moments."
Recorded in Connemara and Dublin. Mixed by Brendan Jenkinson. Mastered by The Bastard.
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Revised 8 track version of Maria Somerville's much lorded debut album. Features and additonal cut 'Lakes' - a 5+ minute blown out instrumental record live on tour in 2019.
" Stirring and beautiful songs, with a consistent optimism underlying even the murkiest of moments."
Recorded in Connemara and Dublin. Mixed by Brendan Jenkinson. Mastered by The Bastard.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Not on Label
Cat-No:JAVI001
Release-Date:15.03.2024
Genre:House
Configuration:12"
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Cat-No:JAVI001
Release-Date:15.03.2024
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Javi - Medway To Old Ford
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Javi - Eyelash (Electro Mix)
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Javi - Future Drive
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4
Javi - Shifting Reality
Javi, a Spanish producer based in London, has predominantly kept his work under wraps bar a digital self-release and a few dub plates sporadically hand-distributed to a select few friends. His first physical release takes the form of a biopic in sound, encapsulating the past decade he spent in London across four distinct tracks.Side A opens with Medway to Old Ford, inspired by early 2000s tech-house; the rhythm and bass set the mood for a solid warm-up. Followed up with Eyelash (Electro Mix), a versatile DJ tool combining breakbeat and electro with a cheeky twist. On the flip side, Future Drive is a bouncy number with swirling arpeggiated melodies and a deep, pulsating bass. The EP closes with Shifting Reality, an Italo-disco tune with melancholic harmonies that pays homage to the early electronic scene of Valencia, Spain.
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Label:Not On Label
Cat-No:DHF2
Release-Date:01.03.2024
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:DHF2
Release-Date:01.03.2024
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Deep Heavy Fear - Doorway
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Deep Heavy Fear - Cherries
The follow up to Deep Heavy Fear's Saâda Bonaire-produced single Dark Days, Doorway sees the group continue its hand-played versus programmed journey into the realms of dance pop. The title track takes a non-linear venture into 9/8 to the floor vocal Balearic/dub territory, via impressions, illusions and misrepresentations, to the reverse - Cherries delivers a simpler, but no less appealing cut, down a classic pop path with tolling guitars and striking percussion. Once again self-pressed & presented in a hand-printed & numbered multi-colour sleeve, designed by vocalist Chloe Grove.
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Label:Not On Label
Cat-No:FELASOUL
Release-Date:29.09.2023
Genre:Afrobeat
Configuration:LP
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Cat-No:FELASOUL
Release-Date:29.09.2023
Genre:Afrobeat
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A modern day mashup classic from AMERIGO GAZAWAY that takes the Afrobeat rhythms and music of FELA KUTI and mixes it with the rap stylings of DE LA SOUL. Awesome.
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Label:Not On Label
Cat-No:MF12001
Release-Date:28.07.2023
Configuration:12"
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Cat-No:MF12001
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MF - Tausendmal Du (J.A. Edit)
Guilty pleasures anyone? The infamous D.J. J.A. reworks the 1986 classic „Tausendmal Du“ by MF. Du weißt was dich glücklich macht!
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Label:Not On Label
Cat-No:FFS001
Release-Date:07.07.2023
Genre:Alternative/Electronic
Configuration:12"
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Cat-No:FFS001
Release-Date:07.07.2023
Genre:Alternative/Electronic
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Midex - Gumm
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Midex - Battery
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Midex - Juice
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Midex - Martial
New MIDEX EP - a no label release linked to John T Gast's 5 Gate Temple BUT NOT out on 5 Gate Temple
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Label:Not On Label
Cat-No:SELNMIND1
Release-Date:12.05.2023
Genre:Techno
Configuration:12"
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Cat-No:SELNMIND1
Release-Date:12.05.2023
Genre:Techno
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Conrad Pack - Eternal
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Conrad Pack - Spectrum
A collaboration between Mindseyerecords.xyz and SELN Recordings
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Label:Dance On The Beat
Cat-No:DOTB-27
Release-Date:28.02.2025
Genre:Pop
Configuration:12"
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Label:Dance On The Beat
Cat-No:DOTB-27
Release-Date:28.02.2025
Genre:Pop
Configuration:12"
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Martin Solveig Feat. Dragonette - Hello (Original)
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Martin Solveig Feat. Dragonette - Hello (Super Edit 2024)
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Martin Solveig Feat. Dragonette - Hello (Dance Version 2024)
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Martin Solveig Feat. Dragonette - Hello (Why Are We Wishpering Remix 2011)
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Martin Solveig Feat. Dragonette - Hello (Sidney Samson Remix)
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Martin Solveig Feat. Dragonette - Hello (Michael Woods Remix)
2025 OFFICIAL WHITE VINYL REISSUE
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Label:Thank You
Cat-No:THANKYOU043
Release-Date:26.02.2025
Configuration:12"
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Cat-No:THANKYOU043
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Lara Orfei - Se Mi Rompi Non Ci Sto
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Lara Orfei - Se Mi Rompi Non Ci Sto (Versione Strumentale)
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Lara Orfei - Se Mi Rompi Non Ci Sto (Extended Dub Mix)
Lara Orfei was part of the Italia Orfei circus and entertainment family dynasty who often had forays into the realm of the record industry and Se Mi Rompi Non Ci Sto is one of the outcomes of that. However, these ventures weren’t always commercially successful as is the case with this record which of course has led to the an original copy becoming very difficult and expensive to acquire. However, it most certainly can be considered an artistic success - with Lara Orfei’s strange, otherworldly voice melted perfectly with the track’s cosmic electronics - which are also able to stand alone and shine through in the Instrumental version on the B-side. Having been released on seven inch, we are more than happy to bring this cult classic of Italo Disco onto 12 inch format for your enjoyment with the inclusion of extended edit by Castro to further facilitate dancefloor transcendence.
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