Label:Hotmix
Cat-No:HM035
Release-Date:31.10.2025
Genre:Acid House
Configuration:10"
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Last in:10.12.2025
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Last in:10.12.2025
Label:Hotmix
Cat-No:HM035
Release-Date:31.10.2025
Genre:Acid House
Configuration:10"
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1
Florian Kupfer - Scintilla
2
Florian Kupfer - What Could Be Have Been
HM035 - Florian Kupfer - Scintilla EP (10'")
Another must have GEM on HOTMIX!!!
Florian Kupfer with a monster acid release of white ten inch vinyl!
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Another must have GEM on HOTMIX!!!
Florian Kupfer with a monster acid release of white ten inch vinyl!
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More records from Florian Kupfer
Label:Urban Legend
Cat-No:UL011
Release-Date:14.02.2025
Genre:Electro
Configuration:12"
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Last in:18.02.2025
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Last in:18.02.2025
Label:Urban Legend
Cat-No:UL011
Release-Date:14.02.2025
Genre:Electro
Configuration:12"
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1
Florian Kupfer - Sidelined
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Florian Kupfer - Integrating The Shadow
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Florian Kupfer - Unmasked
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Florian Kupfer - Severed Lines Of Communication
Limited to 100 copies.
Florian Kupfer lands on Urban Legend Records label with Unmasked EP. The work explores the human condition through the symbol of the spider, representing the duality between creation and destruction, patience and control. Like a spider’s web, the EP weaves complex emotional and psychological connections, guiding the listener on an introspective journey where tensions between light and shadow, the hidden and the revealed, are revealed, in search of inner truth.
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Florian Kupfer lands on Urban Legend Records label with Unmasked EP. The work explores the human condition through the symbol of the spider, representing the duality between creation and destruction, patience and control. Like a spider’s web, the EP weaves complex emotional and psychological connections, guiding the listener on an introspective journey where tensions between light and shadow, the hidden and the revealed, are revealed, in search of inner truth.
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Label:Hotmix Records
Cat-No:HM024
Release-Date:09.07.2019
Genre:House
Configuration:10"
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Last in:16.08.2019
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Last in:16.08.2019
Label:Hotmix Records
Cat-No:HM024
Release-Date:09.07.2019
Genre:House
Configuration:10"
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1
Florian Kupfer - No Title
2
Florian Kupfer - No Title
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Last in:14.05.2019
Label:Axe traxx
Cat-No:axtx009
Release-Date:28.03.2019
Genre:Techno
Configuration:12"
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1
florian kupfer - No Title
2
florian kupfer - No Title
3
florian kupfer - No Title
4
florian kupfer - No Title
Having worked with L.I.E.S, Technicolour, Resident Advisor and Dekmantel, Florian Kupfer is no newbie to the House and Techno heads. Here he delivers a 4 track Ep for Axe On Wax sub-label Axe Traxx full of hypnotic, club ready dusty house tools! One not to miss!
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Label:technicolour
Cat-No:tclr017
Release-Date:15.07.2016
Genre:techhouse
Configuration:12"
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Label:technicolour
Cat-No:tclr017
Release-Date:15.07.2016
Genre:techhouse
Configuration:12"
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1
florian kupfer - 1. Elle
2
florian kupfer - 2. Erika
3
florian kupfer - 3. Being Me
4
florian kupfer - 4. Unfinished
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Label:technicolour
Cat-No:tclr013
Release-Date:17.07.2015
Genre:Techno
Configuration:12"
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Label:technicolour
Cat-No:tclr013
Release-Date:17.07.2015
Genre:Techno
Configuration:12"
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1
florian kupfer - 1. Explora (Slave)
2
florian kupfer - 2. Headpiece
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florian kupfer - 3. Brute Force
4
florian kupfer - 4. Shpel
Florian Kupfer first burst into dance music consciousness with 2013’s insta-classic Lifetrax, filling much of the subsequent two years with a flurry of singles (more on L.I.E.S., an anonymous but hotly picked-up white label edit of Sade, plus efforts for Rush Hour’s No ‘Label’ and W.T. Records) and DJ gigs across Europe, Australia, the USA and Russia. He surfaces once again for Technicolour — Ninja Tune's singles label—with Explora, a four-track EP, brimming with punchy percussion, swatches of low-end menace, mechanical grind at a steady build, and a deep unidentifiable rumble. There is a certain darkness which pervades his body of work and Explora is no stranger to it, submerging the listener deep in the void somewhere between the crazed collectivity of the dancefloor and the inescapable solitude of the home that awaits. Inspired in equal parts by the solace of Berlin winter, dormant emotions following the 9/11 attacks and psychedelic experimentation, Kupfer proves once again that much magic can be made on a one-take hardware jam in his bedroom.
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Label:wt records
Cat-No:wt21
Release-Date:19.01.2015
Genre:techhouse
Configuration:12"
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Last in:19.12.2017
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Last in:19.12.2017
Label:wt records
Cat-No:wt21
Release-Date:19.01.2015
Genre:techhouse
Configuration:12"
Barcode:
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More records from Hotmix
12"
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Last in:16.10.2025
Label:Hotmix
Cat-No:HM033
Release-Date:22.11.2024
Genre:House
Configuration:12"
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1
Obatala Sango Ochun - The Beginning (Afrikan Latino Mix)
2
House II House - Into The Night
3
Bizzy B - Summer House
4
Rohan Delano - Inflight
5
Montana Orchestra - Esto Parese Amor (Tribal Love Beats)
6
Uncle 22 - The Man From
Another strong HOTMIX to be out soon.
It's a Hommage to the legendary Sauro Cosimetti.
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It's a Hommage to the legendary Sauro Cosimetti.
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Last in:02.10.2017
Label:hotmix
Cat-No:hm020
Release-Date:20.06.2017
Genre:House
Configuration:12"
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1
pay bartzarek - secret 1
2
pay bartzarek - secret 2
3
pay bartzarek - secret 3
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Last in:22.05.2017
Label:hotmix
Cat-No:hm019t
Release-Date:13.06.2016
Genre:House
Configuration:10"
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1
tv.out - A1. Haven
2
tv.out - B1. Higher States
TV .OUT from Tel Aviv, this limited 10 Inch, remind to the old italian productions on MBG and DFC Records
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Last in:21.11.2016
Label:hotmix
Cat-No:hm018t
Release-Date:13.06.2016
Genre:House
Configuration:12"
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1
cosmic garden - A1. Universe I
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cosmic garden - A2. Universe II
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cosmic garden - B1. Universe III
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cosmic garden - B2. Universe IV
The mysterious Cosmic Garden arrives on HotMix with an amazing EP called Universe ! 4 killer letfild/house tracks recording on old real to real tape !
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Last in:26.02.2016
Label:hotmix
Cat-No:hm016t
Release-Date:29.01.2016
Genre:House
Configuration:12"
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The master Kurt Baggaley return on HotMix Records with four amazing deep-electronic tracks. No need for many descriptions! Recommended!
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Last in:17.03.2017
Label:hotmix
Cat-No:hm015.5x
Release-Date:27.05.2015
Genre:House
Configuration:12"
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1
v.a. - A1 : Nas1 - Secret Agent
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v.a. - A2 : Orson Wells – Shibuya
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v.a. - B1 : Alessio Carminati – Tokyo Night
4
v.a. - B2 : Nas1 – GG Navy
HotMix return with the famous “Underground Dance” various artists. Two tracks come from the Italian duo Nas1, already known for have released a track on the label of Kyle Hall, deep melancholy and dirty drum for an amazing atmosphere.Another Italian is in this EP, Alessio Carminati with “Tokyo Night”, for its first release, this great track that recalls to the early KMS Records.And lastly the great talent Orson Wells with a super deep melody-rich, evocative deep house style.
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Last in:20.01.2017
Label:hotmix
Cat-No:hm015t
Release-Date:26.02.2015
Genre:House
Configuration:12"
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1
audio atlas - A1: Colombia
2
audio atlas - A2: Russia
3
audio atlas - B1: Djibouti
4
audio atlas - B2: Vietnam
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Last in:09.03.2015
Label:hotmix
Cat-No:hm014t
Release-Date:14.11.2014
Genre:House
Configuration:12"
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1
mituo shiomi - A1: Remoon
2
mituo shiomi - A2: Comet
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mituo shiomi - A3: Existence Proof
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mituo shiomi - B1: Power of Play
5
mituo shiomi - B2: Japanese Boy
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Last in:08.01.2015
Label:hotmix
Cat-No:hm013t
Release-Date:02.07.2014
Genre:House
Configuration:12"
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1
lerosa - A1: Inverted Castle
2
lerosa - A2: Tango
3
lerosa - B1: Horatio
4
lerosa - B2: All the same
Italian DJ & Producer who relocated in Dublin in the 90’s before coming to prominence with a series of productions for great labels like Uzuri, Osgut Ton, Million Of Moments to name a few. Now for the thirteenth release of HotMix, realizes a special EP with four Techno/Hypnotic tracks highest level
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Last in:29.08.2014
Label:hotmix
Cat-No:hm011t
Release-Date:31.07.2013
Genre:House
Configuration:12"
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HotM HotMix presents Sean Sanders, artist better know as Moon B! Three tracks on this special 10” reminiscent to TC Curtis and 52nd Street.
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Label:hotmix
Cat-No:hm012t
Release-Date:31.07.2013
Genre:Tech-House
Configuration:12"
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Label:hotmix
Cat-No:hm012t
Release-Date:31.07.2013
Genre:Tech-House
Configuration:12"
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HotMix Records for the twelfth release present the veteran Brad Peterson.Brad has an amazing series of releases behind, this special 12” contains four impressive tracks, a musical journey that goes from deep to techno.
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Last in:01.07.2013
Label:hotmix
Cat-No:hm009t
Release-Date:05.03.2013
Genre:House
Configuration:12"
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HotMix presents Mono Village , the new acronim of Stereociti from Japan . Three amazing tracks of obscure deep house music ! Amazing EP !
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Last in:16.10.2017
Label:hotmix
Cat-No:hm008t
Release-Date:27.11.2012
Genre:House
Configuration:12"
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Virgo Four on Hotmix Records with Nicholas, Max Essa & K&M remixes. Hot !
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Last in:05.09.2014
Label:hotmix
Cat-No:hm007
Release-Date:21.11.2012
Genre:House
Configuration:12"
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HotMix presents Joe Drive Artist known for his release on Mathematics and Lux ??Records , offers an excellent EP with shades dark and deep . The EP also contains some fantastic downtempo tracks . Do not miss !
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Last in:07.01.2013
Label:hotmix
Cat-No:hm007.5
Release-Date:05.10.2012
Genre:House
Configuration:12"
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HotMix for the sixth release presents two great artists , Takeshi Kouzuki and Mituo Shiomi . Lovers of old synthesizers and drum machines , create a great Ep with classic influences Chicago House 80's and Japanese soundscape atmosphere ! HOT !!!
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Last in:07.02.2014
Label:hotmix
Cat-No:hm006t
Release-Date:26.09.2012
Genre:House
Configuration:12"
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HotMix for the sixth release presents two great artists , Takeshi Kouzuki and Mituo Shiomi . Lovers of old synthesizers and drum machines , create a great Ep with classic influences Chicago House 80's and Japanese soundscape atmosphere ! HOT !!!
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Last in:03.12.2012
Label:hotmix
Cat-No:hm005t
Release-Date:13.07.2012
Genre:House
Configuration:12"
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Hotmix 005 presents the big Italian Dj and Producer Marcello Napoletano ! This fantastic EP containsfive tracks influenced by Chicago house classic,cinematic soundscapes, and Detroit tech sound ! Another great Ep by Marcello Napoletano
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Last in:14.05.2012
Label:hotmix
Cat-No:hm003t
Release-Date:18.01.2012
Genre:House
Configuration:12"
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HotMix Records for his third release presents “Magic Of Human EP” written and produced by mysterious Kurt Baggaley ! This EP contains five tracks reminiscent of the glorious productions on NuGroove Records , with melodies and shade that bring to mind the Tangerine Dream and Vangelis .
Remember your roots ... Keep it deep !
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Remember your roots ... Keep it deep !
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Label:Earthtones
Cat-No:ET001
Release-Date:16.02.2026
Genre:House
Configuration:12"
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Label:Earthtones
Cat-No:ET001
Release-Date:16.02.2026
Genre:House
Configuration:12"
Barcode:
1
Natural Rhythm - Original Jive
2
Natural Rhythm - Earthtones 001
3
Natural Rhythm - Eclectic Dub
4
Natural Rhythm - Dub Drums
Next year, Earthtones Recordings (which was renamed to Seasons Recordings after ten releases) marks the significant milestone of 30 years in the game. Ahead of that, they have been digging in the vaults for some choice reissues and this hugely in demand one from Natural Rhythm gets the nod. It has been remastered and is a joyous house outing with 'Original Jive' layering up cascading jazz keys with soulful pads and moving drums. 'Earthtones 001' is the beatless sound of a humid jungle, then 'Eclectic Dub' reworks the original with a more stripped-down and focused, groove-driven sound. 'Dub Drums' closes a vital reissue.
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Label:Seasons Limited
Cat-No:SL117
Release-Date:16.02.2026
Genre:House
Configuration:12"
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Label:Seasons Limited
Cat-No:SL117
Release-Date:16.02.2026
Genre:House
Configuration:12"
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1
Franck Roger - My Illusions (Vocal Mix)
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Franck Roger - My Illusions (Instrumental Mix)
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Franck Roger - Organika
4
Franck Roger - Emotive
Franck Roger has been busy this year. The Frenchman is already an assured deep house mainstay who has worked with plenty of the most tasteful labels. Here he lands on the Seasons Limited imprint as they head into their 30th year in 2026. This typically soulful EP opens with 'My Illusion', which has Roger again centreing his own vocals to beautiful effect. 'Organika' is a supple, subtle and smoky deep house gem for cosy vibes and 'Emotive' shuts down with a lush, slow-burning sound that taps right into the earliest house roots. Sublime.
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Label:Viernulvier Records
Cat-No:VIERNULVIER013
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP
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Label:Viernulvier Records
Cat-No:VIERNULVIER013
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP
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1
Dudal & de Roover - e
2
Dudal & de Roover - a
3
Dudal & de Roover - ab
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Dudal & de Roover - b
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Dudal & de Roover - bc
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Dudal & de Roover - c
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Dudal & de Roover - cd
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Dudal & de Roover - d
(LP, black vinyl, 200 copies) The album captures two years (2021–2022) of tape-loop explorations, weaving together fragments from live performances in Ghent, Brussels, and Eupen’s Meakusma Festival into one slowly turning constellation.
Belgian musicians Pieter Dudal and Adriaan de Roover unveil pivot rotations, out November 21 on VIERNULVIER Records. is available for streaming now on all platforms.
At its heart, pivot rotations is about movement and return: constellations revolving like a mobile, blocks of sound circling on their axis, clocks whose hands fold back into themselves. Layers of tape loops glide past each other, creating a measured calm that invites meditative stillness while holding subtle tension — a quiet pull that draws thelistener forward.
Recorded live and later assembled as a continuous sound collage, the pieces carry the grain of their making: worn tapes with sunbleached grit, accidental bleed from earlier forgotten recordings, the soft roar of room air, and the crackling, creaking bodies of the machines themselves.
Working with tape machines older thenthemselves, including one with a slightly offspeed running motor, the duo embraced imperfection as material. Loops are mounted onstands, adjusted by hand, and allowed to drift, transforming the process into a meticulous, almost artisanal craft — a performative act where control meets surrender.
This physical, performative practice shapes the album’s pacing: changes arrive with patience, textures overlap, and patterns hover between calm and unrest. Found sounds, the warm, coppery voice of a euphonium, and hushed electronics flicker through a field of magnetic tape hiss, forming constellations that gradually rotate and dissolve.
With pivot rotations, dudal & de Roover present more than a document of performance — it is a patient study of time, texture, and chance. In the spirit of William Basinski, Cristina Vantzou, and the early works of Tim Hecker, the album opens a space where loops breathe, collide, and subtly reconfigure, revealing new contours with each turn.
The album artwork features a picture by visual artist Jelle Martens, inspired by patterns found in daily life, and resonates with the album’s tactile, evolving sonic textures.
Tracklist
A1. e
A2. a
A3. ab
A4. b
B1. bc
B2. c
B3. cd
B4. d
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Germany
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Belgian musicians Pieter Dudal and Adriaan de Roover unveil pivot rotations, out November 21 on VIERNULVIER Records. is available for streaming now on all platforms.
At its heart, pivot rotations is about movement and return: constellations revolving like a mobile, blocks of sound circling on their axis, clocks whose hands fold back into themselves. Layers of tape loops glide past each other, creating a measured calm that invites meditative stillness while holding subtle tension — a quiet pull that draws thelistener forward.
Recorded live and later assembled as a continuous sound collage, the pieces carry the grain of their making: worn tapes with sunbleached grit, accidental bleed from earlier forgotten recordings, the soft roar of room air, and the crackling, creaking bodies of the machines themselves.
Working with tape machines older thenthemselves, including one with a slightly offspeed running motor, the duo embraced imperfection as material. Loops are mounted onstands, adjusted by hand, and allowed to drift, transforming the process into a meticulous, almost artisanal craft — a performative act where control meets surrender.
This physical, performative practice shapes the album’s pacing: changes arrive with patience, textures overlap, and patterns hover between calm and unrest. Found sounds, the warm, coppery voice of a euphonium, and hushed electronics flicker through a field of magnetic tape hiss, forming constellations that gradually rotate and dissolve.
With pivot rotations, dudal & de Roover present more than a document of performance — it is a patient study of time, texture, and chance. In the spirit of William Basinski, Cristina Vantzou, and the early works of Tim Hecker, the album opens a space where loops breathe, collide, and subtly reconfigure, revealing new contours with each turn.
The album artwork features a picture by visual artist Jelle Martens, inspired by patterns found in daily life, and resonates with the album’s tactile, evolving sonic textures.
Tracklist
A1. e
A2. a
A3. ab
A4. b
B1. bc
B2. c
B3. cd
B4. d
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DE - 22113 Hamburg
Germany
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Label:Muscut
Cat-No:MUSCUT29LP
Release-Date:14.11.2025
Configuration:LP
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1
Roma Vjazemski - Golden Microphone From Rainy Sicily Pt.1
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Roma Vjazemski - Waiting For Her To Get Ready
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Roma Vjazemski - Bluesman`s Blues
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Roma Vjazemski - Horses of Uhum
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Roma Vjazemski - Science And Alchemy in Uraniborg
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Roma Vjazemski - Golden Microphone From Rainy Sicily Pt.2
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Roma Vjazemski - Sammal
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Roma Vjazemski - I Used To Have (feat. Tapes)
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Roma Vjazemski - Suurupis
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Roma Vjazemski - Car to L.A (Gone Forever)
Limited Edition 12" Vinyl. Riso printed cover. Golden Microphone From Rainy Sicily is a debut LP by Estonian musician Roma Vjazemski. Roma is a co-founder of the lovely SAD FUN record label and the duo Fruit Express. Golden Microphone From Rainy Sicily first appeared as a two-track 8” dubplate single with an edition of 85 copies (SAD FUN, 2020).
Tracklist
A1.Golden Microphone From Rainy Sicily Pt.1 04:21
A2. Waiting For Her To Get Ready 02:16
A3. Bluesman`s Blues 04:01
A4. Horses of Uhum 04:47
A5. Science And Alchemy in Uraniborg 05:12
B1. Golden Microphone From Rainy Sicily Pt.2 03:48
B2. Sammal 03:24
B3. I Used To Have (feat. Tapes) 05:34
B4. Suurupis 03:51
B5. Car to L.A (Gone Forever) 04:04
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Germany
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Tracklist
A1.Golden Microphone From Rainy Sicily Pt.1 04:21
A2. Waiting For Her To Get Ready 02:16
A3. Bluesman`s Blues 04:01
A4. Horses of Uhum 04:47
A5. Science And Alchemy in Uraniborg 05:12
B1. Golden Microphone From Rainy Sicily Pt.2 03:48
B2. Sammal 03:24
B3. I Used To Have (feat. Tapes) 05:34
B4. Suurupis 03:51
B5. Car to L.A (Gone Forever) 04:04
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DE - 22113 Hamburg
Germany
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Label:One Instrument
Cat-No:ONEINST026LP
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:880918278254
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Cat-No:ONEINST026LP
Release-Date:21.11.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:880918278254
1
Morning Seance - Be faster than your own depression
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Morning Seance - The tenderness of our own autobiography
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Morning Seance - Eternal life makes your past grow too big
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Morning Seance - Your're mist to us
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Morning Seance - Blissfully tired
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Morning Seance - Breakfast in a night club
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Morning Seance - Always ready to drop it
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Morning Seance - A visit to the Brion-Vega tomb
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Morning Seance - Don't ask, don't pray
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Morning Seance - Keep your spirits
One Instrument welcomes Morning Seance, composer and sound artist, originally from Italy and based in Vienna. On this debut LP, Morning Seance traces a drifting narrative composed of unstable harmonies, fluid structures, and ghostlike forms. The album unfolds like a dream told in fragments, oscillating between fluctuating pulses and decaying transmissions, from nocturnal stillness to acoustic mirages. The first half of the record moves through zones of suspended tension and evanescent contours, where tracks like “Be faster than your own depression” and “The tenderness of our own autobiography” sketch fragile architectures of affect. The second half enters a more spectral terrain — “Breakfast in a night club,” “A visit to the Brion-Vega tomb” — not places, but agglomerates of sonic sensation, detached from any personal frame.
With each piece, the music dissolves and reconstitutes itself, resisting finality or form, and doing so with an indestructible joy that hums beneath the wreckage. This is degenerate ambient music: anti-geometric and subject to emotional weather — not a refuge, but a slow collapse of structure and purity, where atmosphere gives way to excess and disobedience.
The album is crafted entirely from a single source: the Roland Alpha Juno-1. Despite this constraint, it achieves a vast sound spectrum, transforming one synthesizer’s voice into a layered landscape of textures and moods.
The electronic music of Morning Seance is built on constant variation and intricate, looping patterns with no clear beginning or end. This variation is not simply applied to an audio element, but enacted as a compositional logic — avoiding mechanical combinations and obvious rhythms. The result is a mutable mass of audio matter and tonal debris, guiding the listener through richly divergent environments.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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With each piece, the music dissolves and reconstitutes itself, resisting finality or form, and doing so with an indestructible joy that hums beneath the wreckage. This is degenerate ambient music: anti-geometric and subject to emotional weather — not a refuge, but a slow collapse of structure and purity, where atmosphere gives way to excess and disobedience.
The album is crafted entirely from a single source: the Roland Alpha Juno-1. Despite this constraint, it achieves a vast sound spectrum, transforming one synthesizer’s voice into a layered landscape of textures and moods.
The electronic music of Morning Seance is built on constant variation and intricate, looping patterns with no clear beginning or end. This variation is not simply applied to an audio element, but enacted as a compositional logic — avoiding mechanical combinations and obvious rhythms. The result is a mutable mass of audio matter and tonal debris, guiding the listener through richly divergent environments.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5057805952121
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Label:Lo Recordings
Cat-No:Lo253
Release-Date:03.10.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:5057805952121
1
Susumu Yokota - Saku
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Susumu Yokota - Uchu Tanjyo
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Susumu Yokota - Hagoromo
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Susumu Yokota - Genshi
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Susumu Yokota - Gekkoh
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Susumu Yokota - Kirakiraboshi
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Susumu Yokota - Kodomotachi
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Susumu Yokota - Hisen
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Susumu Yokota - Tobiume
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Susumu Yokota - Naminote
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Susumu Yokota - Shinsen
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Susumu Yokota - Azukiiro No Kaori
Repress coming on the 19th of December!
Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
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Germany
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Format:
- Limited edition petrol blue 2x12” vinyl LP.
- Housed in PMS printed inner sleeve, featuring custom fonts by No Format and spot gloss abstraction of the original album artwork.
- Accompanied with a double sided 2-panel insert and double sided 4 panel poster.
- All sleeved in a custom PMS reverse board outer sleeve with die cut square centre panel and belly band.
Sakura is without doubt the most loved and lauded entry in Susumu Yokota’s catalogue.
The music unravels like cascades of petals falling from the eponymous cherry blossom trees. Yokota intended to ‘express ki-do-ai-raku (the four emotions; joy, anger, sorrow, and happiness) through music’, and throughout Sakura, the effect fluctuates between profound tranquillity, hesitation, melancholy and joy with ease, addressing the fickle nature of human emotion, while transcending the inclination to label moods entirely.
Sakura became Yokota’s best selling album. It was greeted with universal acclaim, lauded by Philip Glass and Brian Eno and launched Yokota internationally.
‘A bittersweet beauty, heightened by the sadness that all things must one day end.’ - Martyn Pepperell
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Apollo
Cat-No:AMB3925
Release-Date:19.12.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:199538511215
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Label:Apollo
Cat-No:AMB3925
Release-Date:19.12.2025
Genre:Electronic, Electronica
Configuration:2LP
Barcode:199538511215
1
Robert Leiner - Out Of Control
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Robert Leiner - Visions Of The Past
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Robert Leiner - Interval
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Robert Leiner - To Places You've Never Been
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Robert Leiner - Aqua Viva
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Robert Leiner - Full Moon Ritual
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Robert Leiner - Zenit
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Robert Leiner - Dream Of Reality
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Robert Leiner - From Beyond And Back
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Robert Leiner - Northern Dark
Swedish producer Robert Leiner’s landmark 1994 album ‘Visions Of The Past’ finally gets a vinyl LP reissue on Apollo, the ‘ambient division’ of R&S Records. Long regarded as one of the pivotal ambient/electronic long players, the album has stood the test of time and serves as a reminder on how potent the early ambient techno releases were.
Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
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DE - 22113 Hamburg
Germany
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Leiner was a central figure in the early European techno and ambient landscape, carving out a distinctive sound that bridged atmospheric depth and rhythmic intensity. Known for his releases as The Source Experience and contributions to the R&S/Apollo catalogue, as a producer and engineer, Leiner’s work resonated across the underground, earning him a reputation for visionary, emotionally charged productions that stood apart from his contemporaries.
'Visions Of The Past’ captures this duality perfectly with expansive ambient passages that drift into hypnotic techno, while layers of intricate sound design and pulsating low end create a timeless and immersive listening experience. Tracks unfold with patience and precision, like the 12-minute-long marine epic ‘Aqua Viva’, balancing introspection with kinetic dance energy, and the new age ambience of ‘Dream Or Reality’ and ‘Northern Dark’ embodying the forward-thinking ethos that defined Apollo’s golden era.
Three decades on, this long out of print album finally returns on vinyl format, freshly remastered and restored, reaffirming its status as an essential document of electronic music’s evolution and Robert Leiner’s enduring influence.
‘Visions Of The Past’ by Robert Leiner is available on Apollo Records from 7th November 2025.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:28.11.2025
Label:Mr Bongo
Cat-No:MRBLP330
Release-Date:21.11.2025
Genre:Funk
Configuration:LP
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1
Eduardo Araújo & Silvinha - Sou Filho Desse Chão
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Eduardo Araújo & Silvinha - Círculo Vicioso
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Eduardo Araújo & Silvinha - Girassol
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Eduardo Araújo & Silvinha - Capoeira
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Eduardo Araújo & Silvinha - O Tempo Que Esse Tempo Tem
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Eduardo Araújo & Silvinha - Manda Embora A Tristeza
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Eduardo Araújo & Silvinha - Misturando Rock Com Baião
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Eduardo Araújo & Silvinha - Ter O Que Eu Tenho Sem Você
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Eduardo Araújo & Silvinha - Capoeira
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Eduardo Araújo & Silvinha - Opanigê
Brazil is a treasure trove of inspirational music from the past, present, and future. Here we head back to 1976 for a one-of-a-kind kaleidoscopic journey, melding Brazilian regional rhythms with funk, rock, soul, and psychedelia by the married couple Eduardo Araújo and Silvinha. A cult classic and beloved record for some of the scene’s biggest DJs including Floating Points, it was further immortalised when Madlib sampled ‘Opanigê’ for his track ‘São Paulo’.
Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
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DE - 22113 Hamburg
Germany
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Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:BEWITH187LP
Release-Date:24.10.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804186735
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Last in:28.08.2025
Label:Be With Records
Cat-No:BEWITH187LP
Release-Date:24.10.2025
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804186735
1
Wally Badarou - It Couldn't Be You
2
Wally Badarou - You Can't Hide Always
3
Wally Badarou - We'll Make It Again
4
Wally Badarou - Walk Straight Ahead
5
Wally Badarou - Painting My Life Blue
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Wally Badarou - Just Two Lovers
Format Notes:
2025 first time vinyl release, 140g vinyl
Track List:
A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again
B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers
Release Notes:
Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.
The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.
Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.
As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."
Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!
"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.
The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.
"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.
The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."
The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.
A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!
When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."
Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."
Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2025 first time vinyl release, 140g vinyl
Track List:
A1 It Couldn't Be You
A2 You Can't Hide Always
A3 We'll Make It Again
B1 Walk Straight Ahead
B2 Painting My Life Blue
B3 Just Two Lovers
Release Notes:
Wally Badarou is a synth pioneer and musical polymath. But rarely does he sing over his sumptuous tracks. The 6 songs that comprise new record Simple Things finally realise Wally's vision for select backing tracks from his beloved Colors Of Silence.
The tracks were originally developed back in 2001 for the release of the original CD; here, Wally has “simply" added overdubs and vocals to their mastered mixes with some discerning edits. Simply put, Simple Things is another slice of simply stunning Wally Badarou genius.
Simple Things has been decades in the making. Indeed, Wally struggled not only with the idea of singing these wonderful songs himself but singing them in English and writing his own lyrics, while wrestling with the sensational backing tracks, which themselves seemed to have taken on a life of their own.
As Wally explained to us: "In addition to the instrumental artist I have been known as, so far, there has always been a singer who simply was not sure he was, up until now. Even though “Back To Scales Tonight”, my very first album, was, indeed, a song album."
Opener "It Couldn't Be You" embellishes the uptempo groove of soca-funk gem "The Lights Of Kinshasa". As Wally explained to us, it's about “a simple love story somewhere, one rainy night, under the lights of Kinshasa. A woman, a man, online dating, quite usual in our times. Then they meet, almost missing each other." The guide vocal Wally had laid for Colors Of Silence - with an organ sound - seemed striving for words in Linguala, a Congolese language he could not speak. Therefore the decision to do it himself was not an easy one, for it had to be in English to fit his singing. We think it turned out pretty good!
"You Can't Hide Always" vocalises Wally's deep concerns set to the propulsive "Smiles By The Millions": "Populism, ostracism, radicalism, ethics and values all turned upside down worldwide, are they all inevitably exacerbated by our social networks? It could all melt down one day, like a house of cards in the ocean of fake news and false prophecies”. Wally wanted to keep the track as bare as possible but, inevitably, the backing vocals and the synth-brass arrive ultimately to present a welcome 70s flavour, with no snare-drum added.
The bright and breezy "We'll Make It Again" adds vocals to "Where Were We", a tropical, reggae-tinged bounce through the islands. Here's Waly: "Where were we when we last said: "I love you"? Simple words to express something quite common, but never quite simple to deal with. A simple song about the resilience of the broken hearts.” The reggae came from it being conceived when Wally was scoring for “Third World Cop”, a 1999 Jamaican action movie.
"Walk Straight Ahead" provides Wally's gorgeous, contemplative and idiosyncratic vocals to the deep serenity of Colors Of Silence highlight, "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. As Wally describes, "it started as just whispers, sweet amber whispers. Then the colour turned darker, as darker skies seemed to fall upon us while the whole world keeps on walking ahead, straight ahead, regardless of the blatant warnings, feeling much too comfortable in conformity. Initially, the verses were to be spoken only. I realised they could be sung all the while, without overshadowing the ethereal atmosphere." Amen.
The serene, celestial "Painting My Life Blue" presents the vocal version of "Days To Wonder". Says Wally, "how does it feel when your second half is gone after decades of riding life together? Past the temporary loss of your bearings, you come to realise you've been blind to the essential, and suddenly you can see...For this most intimate song of mine, I had tried to come up with a melody on top of the existing backing track, long before realising the melody was in the keyboard part already. It just needed to be properly mixed with it."
The profoundly emotional "Just Two Lovers" works up the formerly-too-brief and glorious "Crystal Falls" into a much fuller masterpiece and features acoustic guitar sparkle before fully glistening with some gentle head-nod percussion. Waly explains further: "Dear little green men, please tell me, what is it about us that makes you want to come and visit us so often (contrary to Fermi's assertion)? And here is the reply I believe I heard them sing: "You've got the key you've been searching for: Love”. I reverted to the initial backing track I had made around 1985, which already bore the melody, and which I added acoustic guitars to, before singing it." An astounding closer.
A synth specialist, there can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!
When we asked Wally about the significance of this collection's title, he explained: "These are "Simple things” that everyday’s life seems to build upon. The simplest are the harder to describe, but when satisfactorily described i.e. with simple words, they are the more genuine and authentic to express and share. I’ve immersed myself in other classic song lyrics, something I hardly did before, just to appreciate the genius behind the simple words they were made of, and had a great time studying how powerful they were in expressing complex ideas such as love."
Recording was twofold: first, most of the backing tracks were recorded in 2001, in Wally's studio in Normandy, mostly using hardware synths and Yamaha digital consoles. Then, he fine-tuned the melodies and wrote the lyrics in late 2023, then added some overdubs and sang them all during summer 2024. States Wally, "Digital Performer was and remains the DAW I’ve been using throughout, ever since the 80s."
Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Sometimes, the simple things are the most extraordinary.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rest in Space Records
Cat-No:RIS001LP
Release-Date:24.10.2025
Configuration:LP Excl
Barcode:732388990962
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1
Islandman - Rüzgar
2
Islandman - Adada
3
Islandman - Eros
4
Islandman - Ala Geyik
5
Islandman - Cool Saz
6
Islandman - SLWLY
Island5 is Islandman’s most focused and detailed exploration of Anatolian psychedelia to date. They re-imagine the deep-rooted sounds of Anatolia through a modern lens. To them, this music isn’t frozen in time — it’s alive, shifting, and always becoming. Tradition, in their hands, isn’t something to preserve in glass, but something to carry, stretch, and let grow.
Each track offers a different angle into this reimagined sound. Analog synths mimic reed instruments, fuzzed guitars evoke forgotten tales, and percussion carries both the pulse of the city and the stillness of rural ground. There are meditative passages that invite silence (Slwly), and sunlit grooves that move the body before the mind (Adada, Rüzgar). Everything flows as if improvised—but nothing feels accidental.
Tracklisting
1 Rüzgar
2 Adada
3 Eros
4 Ala Geyik
5 Cool Saz
6 SLWLY
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Each track offers a different angle into this reimagined sound. Analog synths mimic reed instruments, fuzzed guitars evoke forgotten tales, and percussion carries both the pulse of the city and the stillness of rural ground. There are meditative passages that invite silence (Slwly), and sunlit grooves that move the body before the mind (Adada, Rüzgar). Everything flows as if improvised—but nothing feels accidental.
Tracklisting
1 Rüzgar
2 Adada
3 Eros
4 Ala Geyik
5 Cool Saz
6 SLWLY
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
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Label:WRWTFWW
Cat-No:WRWTFWW108CLRD
Release-Date:26.09.2025
Configuration:LP Excl
Barcode:4251804186643
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Last in:14.07.2025
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Cat-No:WRWTFWW108CLRD
Release-Date:26.09.2025
Configuration:LP Excl
Barcode:4251804186643
1
Safari - Safari
2
Safari - The Morning After
3
Safari - Lonely One In City
4
Safari - Brass Monkey
5
Safari - Mr. Gregg
6
Safari - Day Dream At The Bob's Beach
7
Safari - All Right In The Night
8
Safari - Twin Of The Cafe Au Lait
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi
Tracklisting LP
A1 Safari 6:17
A2 The Morning After 5:02
A3 Lonely One In City 5:33
A4 Brass Monkey 5:32
B1 Mr. Gregg 5:27
B2 Day Dream At The Bob's Beach 4:43
B3 All Right In The Night 4:42
B4 Twin Of The Cafe Au Lait 6:45
Info
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.
Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".
The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.
Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.
Points of interest
- For fans of Jazz-fusion, AOR, mellow funk, yacht rock, city pop, smooth jazz, chillwave, vaporwave, very endless summers, private press treasures, skinny dipping at night, living life with no worries.
- Super limited edition transparent vinyl LP reissue of Japanese jazz-fusion classic Safari by…Safari!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting LP
A1 Safari 6:17
A2 The Morning After 5:02
A3 Lonely One In City 5:33
A4 Brass Monkey 5:32
B1 Mr. Gregg 5:27
B2 Day Dream At The Bob's Beach 4:43
B3 All Right In The Night 4:42
B4 Twin Of The Cafe Au Lait 6:45
Info
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.
Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".
The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.
Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.
Points of interest
- For fans of Jazz-fusion, AOR, mellow funk, yacht rock, city pop, smooth jazz, chillwave, vaporwave, very endless summers, private press treasures, skinny dipping at night, living life with no worries.
- Super limited edition transparent vinyl LP reissue of Japanese jazz-fusion classic Safari by…Safari!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mr Bongo
Cat-No:MRBLP319
Release-Date:07.11.2025
Configuration:LP
Barcode:
in stock
Last in:28.11.2025
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Last in:28.11.2025
Label:Mr Bongo
Cat-No:MRBLP319
Release-Date:07.11.2025
Configuration:LP
Barcode:
1
Ramon Morris - First Come, First Serve
2
Ramon Morris - Wijinia
3
Ramon Morris - Sweet Sister Funk
4
Ramon Morris - Sweat
5
Ramon Morris - Don't Ask Me
6
Ramon Morris - Lord Sideways
7
Ramon Morris - People Make The World Go Round
Next up in Mr Bongo's Groove Merchant Records reissue series, we present the only solo album saxophonist Ramon Morris recorded as a bandleader. Having cut his teeth playing with the iconic band Art Blakey & The Jazz Messengers and working with other jazz greats, including Reuben Wilson, Shirley Scott, Rashied Ali Quintet, and Woody Shaw, 1973 saw Ramon take the step into solo territory. The resulting album Sweet Sister Funk became a certified classic and a landmark showcase of the cherished ‘70s jazz-funk sound, later sampled by the likes of DJ Premier, The Alchemist and DJ Shadow.
Originally released on Sonny Lester's iconic Groove Merchant record label and produced by Lester himself, Sweet Sister Funk is a jazz-funk masterclass. It features a slick line-up including Cecil Bridgewater on trumpet, Mickey Roker on drums, and Albert Dailey on electric piano. Rich and beautiful, the seven songs ebb and flow in energy, fusing jazz funk and soul jazz with style and swagger. There are bags of groove with Ramon and Cecil trading off on sax and trumpet in an effortless conversation throughout the LP, supplemented by brilliant solos from the rest of the players.
A gold mine of sampling material, the album includes a sublime cover version of The Stylistics' much-loved 'People Make The World Go Round', which was sampled by DJ Shadow on Blackalicious's 'Swan Lake' in 1994. Elsewhere, the percussion and bass intro of the opening track 'First Come, First Serve' is a sampler's delight - a deep, heavy groove with a fine saxophone workout by Ramon. Head to 'Don't Ask Me' and you’ll find the swinging horn intro that formed the basis of 'You Came Up' by Big Pun featuring Noreaga from 1998, whilst 'Wijinia' has echoes of ‘70s indie jazz by labels such as Strata East & Black Jazz.
Here at Mr Bongo, we are proud to be delving into the vaults of Groove Merchant Records once again, reissuing this iconic LP from Ramon Morris.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally released on Sonny Lester's iconic Groove Merchant record label and produced by Lester himself, Sweet Sister Funk is a jazz-funk masterclass. It features a slick line-up including Cecil Bridgewater on trumpet, Mickey Roker on drums, and Albert Dailey on electric piano. Rich and beautiful, the seven songs ebb and flow in energy, fusing jazz funk and soul jazz with style and swagger. There are bags of groove with Ramon and Cecil trading off on sax and trumpet in an effortless conversation throughout the LP, supplemented by brilliant solos from the rest of the players.
A gold mine of sampling material, the album includes a sublime cover version of The Stylistics' much-loved 'People Make The World Go Round', which was sampled by DJ Shadow on Blackalicious's 'Swan Lake' in 1994. Elsewhere, the percussion and bass intro of the opening track 'First Come, First Serve' is a sampler's delight - a deep, heavy groove with a fine saxophone workout by Ramon. Head to 'Don't Ask Me' and you’ll find the swinging horn intro that formed the basis of 'You Came Up' by Big Pun featuring Noreaga from 1998, whilst 'Wijinia' has echoes of ‘70s indie jazz by labels such as Strata East & Black Jazz.
Here at Mr Bongo, we are proud to be delving into the vaults of Groove Merchant Records once again, reissuing this iconic LP from Ramon Morris.
Housed in a tip-on sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
