2026 repress

Tracklisting
A1 Feral - L'Aube Rouge
A2 Feral - Oeil Tribal
B1 Feral - Negatif
B2 Feral - Reve

Sales Note


Feral, one of the leading artists of Swedish label, Hypnus Records, has some new releases lined up - this time on his new imprint.

Aube Rouge embodies sounds reminiscent of old, creaky amusement parks amongst the mysterious chimes of fortune telling machines and roaring rollercoasters.

The four tracks of the imprint's first record, L'Aube Rouge, are a journey through the evolution of Feral's sound design.

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Tracklisting
A1 Feral - Chiromanzia 1
A2 Feral - Chiromanzia 2
B1 Feral - Chiromanzia 3
B2 Feral - Chiromanzia 4

Sales Note
- 2025 repress -

Feral is back with a second EP on his own label Aube Rouge. "Chiromanzia" is intended to represent the psychedelia behind the world of fortune tellers.

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2025 repress

Tracklisting
A1 Feral & Spekki Webu - Kentaga
A2 Feral & Spekki Webu - Uruk
B1 Feral & Spekki Webu - Ziggurat
B2 Feral & Spekki Webu - Exitlude (Floating Version)

Sales Note
Sonic shamans Feral and Spekki Webu team up for the third release on Aube Rouge. Straddling the boundaries between IDM and Techno, the duo traces their roots back to the forests of the Mo.Dem Festival, where they performed their debut live set in 2022. "Kentaga" is an invitation to embark on a mental journey infused with tribal rites and lysergic visions.

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Red Axes step into the fabric presents series with a release that feels both inevitable and deeply personal. Known for their hypnotic, psychedelic approach to club music, the Tel Aviv–based duo bring a narrative-driven sensibility that aligns seamlessly with fabric’s legacy of long-form storytelling and forward-thinking curation. Across years of performances at fabric and other key global institutions, Red Axes have developed a reputation for sets that unfold patiently and unpredictably, drawing dancers into a world where groove, tension, and atmosphere take precedence over genre or trend. Their contribution to the fabric presents series reflects this ethos: a carefully sculpted journey that prioritises mood, momentum, and emotional depth, while remaining firmly rooted in the physical language of the dancefloor. Formed by Dori Sadovnik and Niv Arzi, Red Axes emerged from Tel Aviv’s underground with a sound shaped by post-punk, acid, krautrock, and cosmic disco influences. Over the past decade, they have built a catalogue defined by raw textures, twisted melodies, and a distinctly human looseness, qualities that translate as powerfully in the club as they do on record. Their releases and remixes for labels such as Phantasy, Correspondant, Running Back, Dark Entries, and Permanent Vacation have established them as artists who consistently operate just outside the expected. As DJs, Red Axes are celebrated for their ability to stretch time on the dancefloor, weaving obscure selections, unreleased material, and leftfield classics into slow-burning, trance-inducing narratives. This approach has seen them invited to venues and festivals including Panorama Bar, De School, Bassiani, Dekmantel, Sonar, and Primavera Sound, where their sets are defined not by peaks alone, but by the tension built between them. With the forthcoming fabric presents Red Axes release, the duo deliver a statement that captures years of shared musical intuition and a deep respect for the club as a communal, transformative space. It is a mix that rewards close listening as much as physical immersion, a snapshot of Red Axes at their most focused, expressive, and uncompromising. To mark the launch of their forthcoming fabric presents album, the duo unveil the lead single, “Hot Rod To Hell”, a bold reworking of Man Parrish and Roy Garrett’s 14-minute spoken-word electro epic, reimagined through Red Axes’ signature psychedelic lens. Stripped back and refocused, the original’s narrative tension is transformed into a hypnotic, downtempo house track built for late-night immersion. A rolling, elastic groove anchors the track, while pulsing low-end, subtly warped synth lines, and tightly controlled percussion create a sense of slow, smouldering momentum. The spoken vocal elements drift through the mix like fragments of memory, lending the track a ritualistic, cinematic quality without overwhelming the dancefloor.

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The ever-flowing rhythm where sound exploration emerges. High energy and calm lows shift back and forth, pulling the edge as a gentle, relentless force. All tracks were crafted with this ceaseless motion in mind, giving tribute and setting off a slow pace.

composed, produced and mixed by Javier Salazar
vocals by Javier Salazar
remix by Mohlao

mastered by Vincent Villuis at Ultimae Studios

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BLACK BONES are back from some nocturnal digging, coming through with another stellar 4-tracker of remakes and edits from their extensive private stash!!

Limited, hand-stamped vinyl 12"

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In his 30th year of releasing music, Jimpster returns to Freerange with Bassic Rollers, a brand new four-track EP
that reaffirms his status as one of UK house music’s most enduring and inventive figures. This marks his first full
release since the highly regarded The Phoenix EP on the legendary Nu Groove imprint, and follows his recent
accolade of being named Traxsource Top Artist of the Year, placing at an impressive #11. With Bassic Rollers,
Jimpster once again distils decades of dancefloor knowledge into four deeply musical club weapons.
Opening the release, Out And About finds Jimpster firmly in his sweet spot. Deep, rolling and effortlessly musical, the
track showcases his trademark sample chops, locked-in with punchy drums and a warm, hypnotic bassline. Inspired
by his recent gigs in South Africa, it’s a mesmerising late-night roller built for heads-down dancefloors and long blends.
Heads Down nudges the BPMs upward for a slice of classic, hypnotic deep house with a distinctly UK slant. Drawing
inspiration from late ’90s club culture - the kind of grooves you might have heard on a Wednesday night at Kenny and
Luke’s influential Space nights at Bar Rhumba - the track channels the spirit and energy of pivotal outfits such as Fresh
& Low or Soul Capsule. Tight, bouncing drums, shuffling hi-hats and sweeping synths combine for a driving, strippedback burner.
Flipping to the B-side, Crispy Pancakes takes a sharp turn into mutant disco territory. A crunchy kick, tight 808 hats
and driving analogue percussion form the backbone, while a looped live bass sample adds the raw energy. When the
drop lands, the track dives deep with arpeggiated synth lines and unmistakable Underground Resistance-style pads,
delivering an uplifting and euphoric moment primed for peak-time floors.
Closing out the EP, Far Side lowers the tempo for a sublime slice of deep disco house. Rich in samples, layered
percussion and textured FX, it’s a track designed for warm-ups, wind-downs, or those moments when the dancefloor
drifts inward. Hypnotic and immersive, this is one to get lost in.
Once again, Jimpster delivers deeply musical club music, effortlessly weaving together different sounds and
influences. Bassic Rollers is four tracks of sublime goodness — timeless, deep, and unmistakably crafted by a true
master of the genre

A1 - Out And About
A2 - Heads Down
B1 - Crispy Pancakes
B2 - Far Side

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Artist, painter, curator Leo Vincent, is fired up off the back of supporting Soulwax, on their recent Paris and Netherlands shows. Proudly presenting two debut songs “Hello it’s me again” and “Loving isn’t easy”, co-produced with the brothers, David & Stephen Dewaele, of Soulwax/2manydjs. Seven years ago, Leo Vincent bluffed his way into a video editing job at DEEWEE. Despite being told to not touch or ruin their gear, he later resurfaced with demos that sounded like he had anyway. "Don’t know much about history” "Don’t know much about biographies". But we do know that by the time Leo Vincent arrives in your town, he will probably have destroyed two more Tascam 8-tracks. Brussels-based, failed goalkeeper-turned-painter-turned-cameraman-turned-musician Leo, doesn’t seem to be afraid to leave his faders in the red zone for an unorthodox period of time while repairing the pitch knob. Some say it’s disco for night janitors. Some say it’s glam-rock for ravers. Others haven’t found the time to listen yet because they have real jobs. But to fully grasp Leo Vincent's essence, imagine yourself sitting in the home cinema of the late Marc Bolan while watching a documentary on Scatman John, directed by Jacques Tati and scored by Ween, using only the instruments of Cabaret Voltaire.

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Benedict returns with his fourth record in a collaboration with London's So'Fierce, after a strong run of three incredibly well received releases.
For 004 expect a different mood on each side of this timeless sounding driving Chicago House record...

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Anywhere, Anyway captures a selection of club tools that Makèz and their close circle have tested, refined and played across dance floors worldwide. Each track carries that familiar equilibrium the duo keeps guard over, a steady pull between raw club energy and moments meant for intimate listening.

Much like their recent album on No Art, the EP took shape while traveling, moving from session to session with artists from different musical worlds. Those encounters left their marks, subtle shifts in rhythm, harmony and texture, shaping the edges of the EP. The Amsterdam duo keeps seeking creative impulses from unexpected angles, letting ideas find them wherever they are. Anywhere, anyway.

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First release on a new Australian-based vinyl-only record label, Visitors. A various artists from Australian friends in Venda and FLUD (aka Ewan Jansen) accompanied closely by Canadian and Romanian stalwarts, Jay Tripwire and Cosmjn. Offering four tracks for different moods and grooves that neatly bridge the space between house and techno.

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Placid aka Paul Wise is the operator in chief at ‘We’re Going Deep’ – an online community and record label born out of a lifelong love affair with the many shades of electronic rhythm, and an obsession for collecting records since 1988. With a mission to share and release new music via his We’re Going Deep and We’re Going Back imprints, you’ll find only the best in underground Acid, Electro, IDM, Techno and House for the dance floor and your listening pleasure.

Up next in the label series, We’re Going Deep is excited to welcome 4 tracks of fresh material from pivotal electronic music maker Gerard Hanson, under his much prized E.R.P. alias. Renown for keeping his profile below the radar and letting the machines do all the talking for him. Hanson’s work as a producer has been much coveted since his debut back in the mid 90s as Convextion. Hailing from Dallas, Texas, he has become something of a hero in the underground Electro community. His work as E.R.P. has left a huge impression on labels such as Frustrated Funk, Bleep43 and Semantica over the years. Renown for his distinctive shimmering machine funk aesthetic, he ably summons the outer reaches of deep space listening thanks to his innate mastery of brooding, sci-fi soundscapes that few can equal.

Following releases for Apnea and Synchrophone, Hanson lifts off with a heartfelt tribute to our recently departed friend James Baker on ‘One4ReKab’. Ascending with the pulse of a steady kick drum, precision snares take hold as whispered vocals seep in and out of consciousness. Underpinned by trademark angular bass tones, soaring strings inject a deep sense of foreboding as all the parts fuse with a fierce glow. Stepping things a notch back as the sonic trajectory levels out, ‘Onward’ takes a more contemplative stance in a fusion of hypnotic drum programming that leads the fray whilst subtle arpeggios flow, all whilst wistful melodies wind you in.

Over on the flipside, Hanson revisits his 2008 composition “Multipole Vector” to launch yet another interstellar cruise by mission in the shape of “Multipole Vector II”. Leading with the simplest of bass progressions and metronomic beat programming, twinkling synth elements reach across the void as chords sweep to and fro to powerful effect. Ending out on the uplifting yet almost IDM inflected tones of “Self Unemployed”, this low tempo air rounds the EP off on an equally captivating note filled with playful charm, that makes this collection of music all the more pleasing.

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