Tracklisting
A1 Habgud - Backtrack
A2 Habgud - Pulse
A3 Habgud - Ektenia
B1 Habgud - Fleeting Feelings
B2 Habgud - Organised Crime

Sales Note
We welcome Habgud back on Warg Records after his release on our various artists compilation.
The rumbling and driving low end combined with the rhythmic hats in each of the tracks brings out a lively energy. Dominics use of stylistic and funky vocals is
distinctive, adding a sense of ambience to such a powerful style of production.

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Tracklisting
A1 Lars Huismann - Phase Drift
A2 Gary Beck - South Trap
A3 SERA J - Spin Off
B1 Alpharisc - Platform 9
B2 Cleric - Southpaw
B3 Keith Carnal - Trip
C1 Slam - Radion
C2 Chontane - Moonlit
C3 Regent - Axial Tilt
D1 ANNE - Aphelium
D2 Arnaud Le Texier - Panel
D3 Habgud - Blind Spot

Sales Note
Warg Records is proud to announce its most accomplished and well crafted project to date, Defiant Revolution I.

The 2x12" various artists compilation features 12 tracks from the likes of Slam, Cleric, Lars Huismann, ANNE, Gary Beck, Keith Carnal, Sera J, Alpharisc, Arnaud Le Texier, Habgud, Chontane, and Regent. This VA marks the tenth release on the label.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
A1 Sera J - Phase Limit
A2 Sera J - Rising Souls
B1 Sera J - Backyard
B2 Sera J - Royal

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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white vinyl / printed sleeve / 180 grams / incl. dl code

Tracklisting:
A1 Regent - Elekta
A2 Regent - Bygone
B1 Regent - Moonburn
B2 Regent - Submerged

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Tracklisting:
A1 Arnaud Le Texier - Additive
A2 Arnaud Le Texier - Drifter
B1 Arnaud Le Texier - Kasos
B2 Arnaud Le Texier - Middle

Sales Note
Warg Records proudly welcomes its second release of the year with Arnaud Le Texier.

We are honoured to have French born and London based Arnaud on the label again as he was the very first artist to release on Warg Records. Arnaud's career dates back to the nineties when he began managing record shops, producing and building what is now a huge archive of knowledge, taste and musical dedication to his name. This release features four energy driven original tracks. The wild baselines and rhythmic low ends bring Warg's idea of techno to life.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Tracklisting:
A1 Slight Function - Parallel Lines
A2 Slight Function - Parallel Lines (Pfirter remix)
B1 Slight Function - Movement
B2 Slight Function - Fortress

Sales Note
Warg Records proudly welcomes its first release in over a year. With a consistent release schedule planned and many renowned artists signed, the future of the label is exciting.

Slight Function is made up of Krenzlin and Rhombic. Their release features three original tracks with a remix from Argentinian born and Barcelona based, Pfirter. The tracks are made up of driving low end, distorted synths and sharp hats. An overall intense and moving techno production.

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Curses bring us four more long forgotten tracks, each one "Revamped" for maximum Dancefloor effect with Curses himself providing 2 edits alongside precision tooled reworks from Melbourne based Stockholm Syndrome and NYC's Andi.

Tracklist

A1. Deborah Sasson & MCL - (Carmen) Danger In Her Eyes (Curses Revamp)
A2. Philadelphia Five - Not Leaving Without Jerry (Andi Revamp)

B1. J.W.B. Hits The Beat - House Fatale (Curses Revamp)
B2. Voyou - Houseman (Stockholm Syndrome AU Revamp)

Release Info
Across two mammoth, critically acclaimed compilations Berlin-based Musician and DJ Curses' Next Wave Acid Punx series has shone a blacklight onto the darker side of club music. Featuring tracks from the 1970s right up to the present day made by both musical legends and up and coming talents alike, Curses has expertly threaded the needle between Experimental Pop, Post Punk, EBM, Electro, Techno and more to produce a stunning alternative history of clubland.
But, as every good digger knows, there's always more gems to uncover and so once again Curses has crowbarred open the electronic music's vaults to bring us four more long forgotten tracks, each one "Revamped" for maximum Dancefloor effect with Curses himself providing 2 edits alongside precision tooled reworks from Melbourne based Stockholm Syndrome and NYC's Andi.
First up from Curses is his Revamp of Deborah Sasson's (Carmen) Danger In Her Eyes, a curio from the wildly inventive mid late 80s that saw the American opera singer collaborate with German producers MCL (MicroChipLeague). A European chart topper on its original release, it's long since languished in obscurity but in Curses' hands is now ready to once again add more than a touch of melodrama to dancefloors.
For his second edit, Curses reworks J.W.B. Hits The Beat's House Fatale, having previously taken a razor to their Body On Body track on Next Wave Acid Punx DEUX. Originally released in 1988, House Fatale is a classic example of just how fast electronic music was evolving back then, bringing together elementsof Electro, Freestyle, House and more amongst a riot of samples, all elements Curses retains whilst nudging the tempo and giving the track a harder edge.
Sticking with the same Westside label that gave us House Fatale, Stockholm Syndrome turns his attention to Voyou's Houseman. Or, as it happens, the 1988 edit by LA's Razormaid that first honed its edges for club play and merged the title track with its b-side. The resulting edit rejuvenates this classic slice of late Cold War club music, its pounding beat, portentous strings and the repeated overdriven vocal refrain of Germany Calling perfect for basement clubs today, in Berlin and beyond.
Finally to complete the EP we have sample-heavy 1988 cut Not Leaving Without Jerry by Belgian duo Marc Borgions & Jo Lijnen aka Philadelphia Five. Originally produced by Luc Van Acker, (better known for his work with the likes of Front 242, Ministry and Revolting Cocks), the track has been handed over to NYC producer Andi, who ups the tempo and hones in on the rhythm section, putting the focus on the staccato drums and throbbing bass line the focal point now and creating a perfect soundtrack for sweat lashed bodies.
Together these four tracks revisit a moment in clubland when the rules were still being written, as Curses explains. "This was a pivotal moment where all genres were still evolving, figuring out what sounds would eventually become staple elements of one another which gave it all this naive, innocent and punk feel. You've got Trance arpeggios, those heavy snares of early EBM, chopped vocals in the style of Chicago and NY formative House music all mixed with Electrofunk and percussive Latin freestyle grooves. A time when we were dancing without boundaries, something very much in the spirit of Next Wave Acid Punx."


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Tracklisting
A1 Exium - Coded Fragments
A2 Exium - Phase Modulation Nexus
B1 Exium - Metasonic
B2 Exium - Mutation Machines

Sales Note
The Spanish duo returns with a powerful new EP on their label, nheoma. Fusing complex patterns with relentless energy, Coded Fragments captures their signature style and the raw essence of Exiums sound.

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Tracklisting
A1 Big Hands - Bacchanalia I
A2 Big Hands - Bacchanalia II
B1 Big Hands - Bacchanalia III
B2 Big Hands - Bacchanalia I (Al Wootton remix)

Sales Note
Embarking on the next Vargmal chapter with 'Bacchanalia', the new EP from Italian-born, Londonbased producer Andrea Bonalumi, better known as Big Hands. Across three original tracks and a remix by British producer Al Wootton, 'Bacchanalia' moves through hypnotic grooves exuding primal energy and forward momentum, blurring the lines between percussive techno intensity and
subterranean bass vibrations.

Opening with 'Bacchanalia I', Big Hands lays down the foundation with a rhythmic drive where each beat shifts and evolves within a dense, organic framework, capturing the raw energy of live modular electronics. The journey continues as 'Bacchanalia II' shifts focus toward heavier, low-end vibrations, where intricate layers of bass and rhythm interplay in tension-filled dialogue that builds
intensifying energy.

'Bacchanalia III' offers a moment of reflection, pulling back the energy to reveal a more sparse and atmospheric landscape. It's a fitting progression that offers a glimpse into Big Hands' more introspective side, balancing the EP's momentum. Al Wootton's closing remix of 'Bacchanalia I' amplifies the raw percussive energy while adding his signature touch of spaced-out echoes and
rolling rhythms bringing the release full circle.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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