«Tchenbé !» The New Therapeutic Album from Dowdelin
This deeply introspective new opus tackles the personal and emotional challenges we all face at some point in our lives. Dowdelin explores themes of depression, life’s ups and downs and resilience, served up by Caribbean sounds and lyrics in Creole, French and English, at the confluence of jazz, electronic music and even the most percussive soul.

A1 - Something's Going On
A2 - Tchenbé !
A3 - Sonmèy
A4 - From Mawé
B1 - La Dernière Fois
B2 - I Ka Woulé
B3 - Ca Va Saturer
B4 - Do You

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The Bongo Hop is back with another highly danceable, genre bending and colorful effort. Always navigating back and forth across the Atlantic in search of his musical dreamland, he offers a deeper insight into the making of his music, an organic sounding, almost live approach to his infectiously groovy compositions, topped with impeccable collaborations.
(feat Nidia Gongora, Lucas Santtana, Moonlight Benjamin...)

Tracklist:

A1 - Mi Ola
A2 - Magica Bonita
A3 - La Pata Coja
A4 - L’Oubli Mauve
A5 - Memento
B1 - Eko Eko
B2 - Dekonekte
B3 - Ah Kumana
B4 - Magica Bonita (Radio Edit)
B5 - La Pata Coja (Radio Edit)

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The French group consolidates its soul, rock and Americana roots in a liberating and timeless second album.

In 2021, Lowland Brothers, the first self-titled album from the group led by Nico Duportal (vocals, guitars, lyrics), Hugo Deviers (percussion, guitar, lyrics) and Max Genouel (bass, keyboards) built an unprecedented transatlantic bridge between soul, rock and the woody sounds of Americana. " We have some African-American, but our desire is to transport this baggage and take it elsewhere,” specifies the group from the West and North of France.

A1 - Brotherhood Hazy Night
A2 - For A While
A3 - Can You Hear Me
A4 - Little Big Man
A5 - Sound From The Attic
B1 - Shape Up
B2 - We Shouldn’t Be Here
B3 - Rolling Man
B4 - Here Come The Shadow Heroes
B5 - Don’t Let Me Fall

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"After their critically acclaimed LP “Arcadia” THE BUTTSHAKERS return with a powerful new 45” in celebration of Record Store Day. A two-sided slab of heavy hitting soul grooves.
Cold World, with it’s darker, Stax-influenced horn hook, drives the listener on with an infectious groove and heart-wrenching vocals. The riff is heavy, but the message remains hopeful: stay golden in a cold, isolating world. A post-covid soul anthem.
On the b-side, THE BUTTSHAKERS sink into the bluesy-country roots of soul music with CROSSROAD. The intimate guitar-voice of the intro gives way to a feverish drum and bass rhythm sent straight from the bayou. The song galops and races, taking the listener on a strange and dreary trip to meet the Devil at the crossroad. A story of legends; reimagined with some twang and a whole lotta soul."

A - Cold World
B - Crossroad

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500 EX NUMBERED EDITION - 180 gr

David Kiledjian is the creator behind a number of projects (Fowatile, HILA, the successful
Dowdelin...), producer of albums by Armenian pianist Tigran Hamasyan and Malian band BKO,and collaborator with Talib Kweli, Piers Faccini, Miguel Atwood-Ferguson, Vaudou Game…Lyon-based musician and producer, David Kiledjian is now releasing « The Otium Mixtape », his first opus under his own name.

Built around the idea of active idleness cherished by the citizens of ancient Rome, these 10 tracks build bridges between languages and folklore from the 4 corners of the world, jazz, hip-hop and electronic avant-garde.

A1 - Father Sky (Meditation)
A2 - Shaadü Feat Sako Wana
A3 - Nioloti (La Nuit) feat Cindy Pooch
A4 - Silver Cab
A5 - Dlo Feat Celia Wa
B1 - 2600 feat Sako Wana
B2 - Promesses
B3 - Jalouse (Colors) feat Macha Gharibian
B4 - Tonight
B5 - Post Trama

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Ecstatic brass, 70’s keyboards, elastic guitars, round bass and world percussion: from this sonic heritage, Ireke makes a unique fusion, enhanced by the audacious contribution of his dub science, and a few electronic touches.

A1 - Petit a petit (feat Agnès Hélène)
A2 - Man bo diak (feat Amatah Keo)
A3 - Femme qui danse (feat Pat Kalla)
A4 - Bas les masques (feat Charly Sanga)
A5 - Oh ma cherie (Petit à petit Part 2) (feat Agnès Hélène & Charly Sanga)
B1 - Love is jokin (feat Pat Kalla)
B2 - Metissage (feat Sana Bob)
B3 - Kinkeliba (feat Jy Cooly)
B4 - Electro highlife (instrumental)
B5 - T’es haut (instrumental)
GET THE

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Square represents a major turning point in the career of the pioneer of nu reggae. An extraordinary architect of studio production and multi-instrumentalist who records, mixes and produces but also, for several years, performs on stage with his musicians. After recording Square, he started touring alone, equipped with a machine he designed and built with Midi controllers to launch original samples and loops - an autarky assumed from one end of the process to the other. “You have to master all the tools to deliver what you want”, he has been saying for years... Yet, this Square is wide open: old school rhythms or techno-like approaches, vintage dub or futuristic take offs, thick sound basses and melodies, scraped to the bone…

All this is Flox, a solid innovator who never stops renewing his nu reggae, a maniacal craftsman who regulates, to the micron, tracks of perfect simplicity of access. His trademark is this highly spatialized form of reggae, with an enveloping sound, which seems to take the artist and the listener into a shared bubble; as padded as tense.

TRACKLIST:

A1 Smoke Grass
A2 In The Shade
A3 Coming Out
A4 Herbs and Spices
A5 Never Gonna Stop
B1 Morning Tempo
B2 Spices and Herbs
B3 Move On
B4 Be My Guest
B5 Square

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I wanted to talk about what I know best, which life from my perspective" Rébecca M'Boungou is not unaware of the universal part of her mixed race life so many upheavals, splendors, melancholies, pleasures or pains present in this century.Kolinga tells much more than the musical adventure of a dark-skinned country girl from southwestern France who expresses herself in French, English and Lingala on a music which drawsfrom pop, Congolese rumba, jazz, soul, song, hip hop...

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Following the recent reissues of Pop Impressions (UR000651) and Super America (UR000651), Underdog Records label follows-up to the series with another brilliant album by French underrated composer and producer, JANKO NILOVIC.
JANKO NILOVIC certainly was one of the greatest studio talents of Europe in the 70s!
He is a musician who devotes himself to music, which resulted in a great number of published works, but most of them made for library music labels and also not available for sale.
His oeuvre stretches from classical, jazz and funk to pop, psyche and easy listening. And has been sampled many times by hip-hop artists such as JAY-Z, DAFUNIKS or GUTS...

TRACKLIST:
A1 Hippocampus 3:01
A2 Open Country 1:47
A3 Crazy Enterprise 2:01
A4 Soul Impressions 3:23
A5 Lettre De Mer 2:19
A6 Drug Song 3:11
B7 Man of Genius 3:07
B8 Push Push 2:13
B9 Black Swan Lake 2:11
B10 Lady Day 2:41
B11 To and Fro 1:57
B12 Family Tree 2:07

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Colour LP in in Fission Red* (Only Variant!)
WILLIAM ONYEABOR IN COLOR!! 10TH ANNIVERSARY!! William Onyeabor self-released these records in 1978 and 1980, respectively, before he gave up his life as the greatest Nigerian funk artist to become a devout Christian. Body and Soul is available in Blue Vinyl, Atomic Bomb in Red Vinyl.

Tracklist
1.1Beautiful Baby
1.2Better Change Your Mind
1.3Atomic Bomb
1.4Shame
1.5I Need You All Life

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Colour LP in Cross River Basin Blue* (Only Variant!)
WILLIAM ONYEABOR IN COLOR!! 10TH ANNIVERSARY!! William Onyeabor self-released these records in 1978 and 1980, respectively, before he gave up his life as the greatest Nigerian funk artist to become a devout Christian. Body and Soul is available in Blue Vinyl, Atomic Bomb in Red Vinyl.

Tracklist
1.1The Way To Win Your Love
1.2Poor Boy
1.3Body & Soul
1.4I Believe In God

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Two days after his 100th birthday, Marshall Allen started recording New Dawn, his debut solo album. A member of Sun Ra’s Arkestra since 1958, Allen assumed leadership of the band in 1995. Throughout his nearly seventy-year career, Allen has never released a solo album under his own name, and yet, instead of capping such a legendary output, New Dawn seems to herald a new beginning. A love letter to spacetime, it channels a century of musical intelligence into seven tracks, showing Allen at his most protean—freely moving from relaxed, transdimensional palettes to bluesy big band and beyond.

One of music’s vanguard avant-saxophonists, Allen continues to deliver durational feats during the Arkestra’s gigs. Still, the compositional energy contained on New Dawn is striking. Allen was approached with the idea of a solo record by Week-End Records’ Jan Lankisch. The Arkestra’s Knoel Scott — who has lived with Allen at the Arkestral Institute of Sun Ra since the 1980s — worked with Allen to pore over the archive of unrecorded material and develop this debut. Scott assembled some of Philadelphia’s brightest jazz stars as well as some Arkestra veterans for the sessions. New Dawn was then recorded over a couple of days in Philadelphia, with additional recordings to be added in the coming weeks and months. The legendary Neneh Cherry will lend her unmistakable voice to the title track “New Dawn”.

Though greatly informed by the philosophy of Sun Ra and his Saturnian teachings—traverse jazz’s traditions, dig deep into spiritual geographies — New Dawn signals Allen as his own singular voice, one that’s swinging and bopping and reflecting into the future, with no sign of stopping. Week-End Records is proud to release this debut solo album by Marshall Allen.

“New Dawn is clearly an extension of Ra’s legacy and sound, but it’s also a masterful endeavour filtered through Allen’s tastes and approach”. – John Morrison, The Wire, November 2024 (cover story)

Musicians: Marshall Allen – Kora, EWI, Alto Sax Knoel Scott – Baritone Sax, Congas, Drums Cecil Brooks – Trumpet Bruce Edwards – Guitar Jamaaladeen Tacuma – Bass Richard Hill – Bass Timothy Ragsdale – Bass Owen Brown Jr – 1st Violin Akiko Arendt – 1st Violin Cristina Ardelean Montelongo – 1st Violin Derek Washington – 2nd Violin Elias Feldmann – 2nd Violin Dimitra Karageorgopoulou – 2nd Violin Michael Ireland – Viola Vasileios Vasileiadis – Viola Joseph Richard Carvell – Bass Ilektra-Despoina Stevi – Cello Jorik Bergman – Flute George Gray – Drums Jan Lankisch – Percussion

Special Guest: Neneh Cherry - Voice

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Ethio-jazz pioneer Mulatu Astatke joins the Hoodna Orchestra, Tel Aviv’s number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across seven original compositions that play tribute to the classic Mulatu sound while forging fresh paths. Produced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting.

Tracklist
1.1Tension
1.2Major
1.3Hatula
1.4Yashan
1.5Delilah
1.6Dung Gate

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Repress!

Harmonies is the new long player from underground super-producer Lord Echo. Hotly anticipated for the last few years by his growing entourage of fans, many were frustrated by his descent into obscurity in the industrial backwaters of New Zealand where he lived alone and went completely insane trying to complete the record. But those frustrations are finally at an end, and the wait was worth it - for fans at least.

The new album solidifies his already distinctive mutations of reggae and rock steady with disco, African soul, techno and spiritual jazz. In other words, the Lord has returned from the wilderness with a bounty for his followers. Eat of the bread of life and enjoy access to his crazy World of Sound.

Quotes:

“Lord Echo thoughtfully incorporates dub reggae rhythms and a production aesthetic redo- lent of the ‘60s into an expansive pool of sounds that draws from 1970s West African clubs, quiet storm-era Motown, Caribbean disco, and more.” Pitchfork

“... a DJ-friendly sound using ’60s production techniques, once again joining up imaginary and unforeseen dots between reggae, disco, soul, African and Latin elements.” Vinyl Factory


FOR FANS OF... THE BLACK SEEDS, FAT FREDDY’S DROP, ELECTRIC WIRE HUSTLE.

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New from Strut, a fresh reissue of the classic debut album "Try And Love" (1973) from one of Nigeria"s most celebrated Afro-rock bands, Ofege. The album caught the imagination of a young Nigerian crowd fascinated by the new teen band and Ofege joined a fresh wave of homegrown artists coming through in the wake of Fela"s towering influence and other Afro-rock bands like Monomono, Ofo The Black Company and Blo.

Tracklist
1.1Nobody Fails
1.2Whizzy Ilabo
1.3Gbe Mi Lo
1.4Try And Love
1.5It's Not Easy
1.6Ofege
1.7You Say No
1.8Lead Me On

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Official reissue with four hard to find Italo Disco gems (’83 – ’88) taken from the original master tapes!

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180g vinyl + Deluxe hard-cardboard sleeve + OBI + resealable outer sleeve

This isn’t just a seminal album. It is an estuary. All the black rivers that would form Brazilian funk/hip-hop flow through it. Led by Paulista pianist Salvador Silva Filho – Dom Salvador – “Som, Sangue, e Raça” from 1971, one year after the explosion of Tim Maia on the scene, catalyzed the bossa nova and jazz background of its leader with the rhythm and blues of its members like saxophonist Oberdã Magalhães, nephew of samba-enredo master Silas de Oliveira and future leader of Banda Black Rio, who since the group Impacto 8 (which had, among others, Robertinho Silva on drums and Raul de Souza on trombone) had already been trying to reconcile MPB with Stevie Wonder and James Brown. Add to all this a mixture of samba, Nordestino accent, and even the black side of the Jovem Guarda represented by the authorial presence of Getúlio Cortes (older brother of Gerson King Combo, our James Brown “cover”) in ‘Hei! Você’. Alongside these elements and the presence of Rubão Sabino (bass), who still called himself ‘Rubens’, drummer Luis Carlos (another member of Black Rio), the record enlists the trumpet and flugelhorn of symphonic musician Darcy in place of the original Barrosinho (yet one more founder of Black Rio), who was traveling during the recording but would end up being a leading force of the band.



The album ‘Som, Sangue e raça’ paves the way for future generations of musicians and producers of the Carioca scene at the beginning of the 1970s. The lyrics that dealt with the question of race and the explosive fusion of samba, soul, jazz, and funk, elaborated by Dom Salvador and his troupe, Abolição, established the bases for the development of new sounds and tendencies in Brazilian music.

Tracklist:
Side A: A1.Uma Vida – A2. Guanabara – A3. Hei! Você – A4. Som, Sangue E Raça – A5. Tema Pro Gaguinho – A6. O Rio
Side B: B1. Evo – B2. Number One – B3. Folia de Reis – B4. Moeda, Reza E Côr – B5. Samba Do Malandrinho – B6. Tio Macrô



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In July 1983, the Hebrew Israelite vocalist and multi-instrumentalist Margeeah Aharon recorded her debut album "Looking For Love", a melange of devotional jazz, soul, funk and reggae.
Reissued on Frederiksberg Records for the first time and a very much sought after soul / funk / reggae record.
500 copies press

"In July 1983, the Hebrew Israelite vocalist and multi- instrumentalist Margeeah Aharon recorded her debut album "Looking For Love" with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace.

Margeeah was born and raised in the American capital of Washington D.C. She grew up in a Baptist family with Hebrew cultural underpinnings. She was accepted into the Howard University School of Fine Arts as a music major in classical voice and a minor in English.

During her Howard years, Margeeah’s musical and spiritual horizons began to evolve, by way of a love of Doug and Jean Carn, Keith Jarrett, Roberta Flack and Donny Hathaway and stretch out towards the infinite. “Throughout my upbringing and training in classical music, my soul and spirit were on a journey,” she explains. “I began to become aware of social dynamics, racism, injustice, homelessness, poverty and disparity. I started to study the isms... Socialism, Communism, Buddhism. I was searching.” Forty years after it was released as a private press LP, Looking For Love’s central themes and music remain timeless and eternal."


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