1
Stefan Ringer - Focus
2
D'Monk - Love Or Lust
3
Dweller - Dweller's Interlude
4
Ziggy Zeitgeist - Yours To Make (Feat. Jitwam)
5
Whodat - Joyous Element
6
AMA//MIZU - Unwinding Real
Berlin-based dance night and sound system SHUSH present their first musical offering: six soulful tracks that encapsulate the unique spirit of their functions and underlying community. Atlanta house ambassador Stefan Ringer lends his touch on deep vocal cut ‘Focus’, electronic jazz maestro Ziggy Zeitgeist serves up the late-night coaster ‘Yours To Make’ (feat. Jitwam), whilst SHUSH’s own D’Monk deals the dubbed-out damage of ‘Love Or Lust’, a raw house cut heavy on the 909s. Alongside them, producer Whodat offers a slapper in her own distinctive Detroit-style, AMA//MIZU comes with an introspective downbeat roller whilst Dweller presents one of his stunning orchestral works.
Spread across two sides of a 12”, these bold selections translate their feeling both on and off the dancefloor.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spread across two sides of a 12”, these bold selections translate their feeling both on and off the dancefloor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Artisjok Records is happy to present you the second EP on the label of 'Hyas' - a Lyon based DJ / Producer who knows no bounds in merging different influences. The release kicks off with "Level", a fusion of broken beat and dub techno that creates a deep, textured sound, setting the tone for the entire journey. "Yellow Zushi" follows with a jazzier approach, weaving broken beat drums with smooth, melodic elements. For footwork aficionados, "Dontgiveashit" delivers at 160 BPM, blending a funky, jazzy vibe that captures the producer's energetic yet laid-back style. "In Walked Dub" then introduces the bass-heavy wobble of dubstep, featuring a homemade bassline that will shake any sound system. Finally, "Exclusive" pays homage to the early days of Skream with raw, dubstep-inspired grooves that will resonate with fans of the genre.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Marcellus Pittman - Everybody Party
A2. Javontte - Late Night Love
A3. Rick Wilhite and Delano Smith ft Jon Dixon - Neo Solaris
B1. Rick Wilhite and Delano Smith - 11 Minutes of Funk
B2. Jon Dixon - Belle Isle Bounce
C1. Norm Talley - Dreaming in Detroit
C2. Gerald Mitchell AKA Soul Saver - KAORI
D1. Kenny Dixon Jnr - I'm Goin Black
D2. Delano Smith - Hot Lovely Relations
E1. Omar S. - VAT 69 (Godson Mix)
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A Detroit compilation compiled by Delano Smith (Mixmode) and Rick Wilhite (Vibes New & Rare Music) Vibes and Visions.
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Germany
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A2. Javontte - Late Night Love
A3. Rick Wilhite and Delano Smith ft Jon Dixon - Neo Solaris
B1. Rick Wilhite and Delano Smith - 11 Minutes of Funk
B2. Jon Dixon - Belle Isle Bounce
C1. Norm Talley - Dreaming in Detroit
C2. Gerald Mitchell AKA Soul Saver - KAORI
D1. Kenny Dixon Jnr - I'm Goin Black
D2. Delano Smith - Hot Lovely Relations
E1. Omar S. - VAT 69 (Godson Mix)
F1. Rick Wilhite and Delano Smith - Pipe Putta
A Detroit compilation compiled by Delano Smith (Mixmode) and Rick Wilhite (Vibes New & Rare Music) Vibes and Visions.
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Germany
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1
Peggy O' Keefe - Cubano Chant
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Born in Australia and moving to the UK in her early 30s, Peggy O’Keefe became the resident pianist at the Chevalier Casino in Glasgow in 1962. Initially the residency was for six months, which then turned into six years. It was at this point she recorded her 'Mood Chevalier' LP in 1966, a collection of the band’s favourites but the gold is found in her version of 'Cubano Chant', made famous by Art Blakey and then played across jazz dances ever since.
Peggy’s playing was admired by Cleo Laine and Oscar Peterson, and once had a brief, impromptu duet with Frank Sinatra, Peggy and her band showed their true talent with these two versions of jazz favourites.
Hiding in the shadows for nearly 60 years, Now PANORAMA unearth this gem in their trademark 7 inch format, from a Glaswegian restaurant to a dancefloor near you.
PANORAMA Records is an emerging new label based in London, dedicated to rediscovering and showcasing musical gems with a fresh approach. With early support from notable DJs such as Gilles Peterson, Patrick Forge, Rainer Trueby, Mr Bongo DJs and Zag Erlat from My Analog Journal. Their unique take on Jazz and Funk from the further afield has shown they will become trailblazers in the reissue game for a long time.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Peggy’s playing was admired by Cleo Laine and Oscar Peterson, and once had a brief, impromptu duet with Frank Sinatra, Peggy and her band showed their true talent with these two versions of jazz favourites.
Hiding in the shadows for nearly 60 years, Now PANORAMA unearth this gem in their trademark 7 inch format, from a Glaswegian restaurant to a dancefloor near you.
PANORAMA Records is an emerging new label based in London, dedicated to rediscovering and showcasing musical gems with a fresh approach. With early support from notable DJs such as Gilles Peterson, Patrick Forge, Rainer Trueby, Mr Bongo DJs and Zag Erlat from My Analog Journal. Their unique take on Jazz and Funk from the further afield has shown they will become trailblazers in the reissue game for a long time.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Soulful, jazz-infused broken beats from Berlin! Incredibly talented jazz pianist and producer Yoofee debuts on Casa Voyager! A must-have for both: sensitive souls and sophisticated groove lovers. Tested and approved.
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Soulful, jazz-infused broken beats from Berlin! Incredibly talented jazz pianist and producer Yoofee debuts on Casa Voyager! A must-have for both: sensitive souls and sophisticated groove lovers. Tested and approved.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Nightmares On Wax - Shout Out! To Freedom...
Featuring: Shabaka Hutchings, Greentea Peng, Haile Supreme, Mara TK, Sabrina Mahfouz + Pip Millett
Shout Out! To Freedom Bio - By Don Letts
Where do you start with Leeds-born Ibiza based producer George Evelyn, the man from N.O.W that pioneered British electronic music? Well for those already hip to his world the following will serve as a timely reminder. For new arrivals it’ll provide a crucial guide to a musical ride that ends with ‘Shout Out! To Freedom’.
As Warp Records longest serving signing N.O.W opened doors to new sonic landscapes for countless producers and musicians. Via his father and juxtaposed with soca from the islands, young George’s imagination was captured by the likes of Curtis Mayfield, Sarah Vaughan and Quincy Jones. In his early teens, inner city bass heavy reggae sound systems would also make their mark. But it was the arrival of hip-hop in the UK, complete with its loop, sample, cut ‘n’ paste aesthetic that would provide the icing on the cake and a way forward. George alongside then writing partner Kevin Harper made his first contribution to the sonic continuum with two defining singles of the emerging rave scene, 1989’s ‘Dexterous’ and 1990’s ‘Aftermath’. This was closely followed by N.O.W’s 1991 debut album ‘A Word of Science: The First and Final Chapter’ for which George parked his techno sensibilities and mixed in more hip hop with a down tempo vibe. Its combination of loops and sample driven dubbed out funk, soul and hip hop would really establish the sound of N.O.W. 1995’s ‘Smokers Delight’ saw this downtempo vibe taken to a whole other level. Essentially designed to kick back and relax it pioneered what would become known as ‘chill’. To bookend the nineties came 1999’s ‘Carboot Soul’, the third chapter in a series of albums that for those of a certain persuasion perfectly captured the spirit of the decade – and you don’t stop…
N.O.W entered the 21st century with a whole new spin on things, 2002’s ‘Mind Elevation’ arrived with a combination of melody, beats and vocals that would see some serious success across radio airwaves with cuts like ‘Know My Name’ and ‘70’s 80’s. ‘In A Space Outta Sound’ released in 2006 was a veritable culture clash of musical influences, urban and international, informed by the travels of George’s alter ego DJ E.A.S.E. Recorded in transition between Leeds and Ibiza 2008’s ‘Thought So’ stayed true to his now distinctive style and seemed to mirror ‘95’s ‘Smokers Delight’ with raw yet typically well produced cuts featuring a splash of guest vocalists and his trademark dubbed out techniques. Whilst others chased the new 2013’s ‘Feeling Good’ pinned N.O.W’s colours firmly to the mast with another musical journey that continued to move forward without straying too far from the very path he’d paved. It somehow managed to tap into your emotions with a mesmerising laid back selection that earned George the reputation of being able to ‘bottle sunshine’. 2018’s ‘Shape The Future’ contained all the original ingredients, soul, dub, rap n’ reggae underpinned with some serious food for thought and George’s magical talent for creating something new whilst echoing so much our musical past. All these albums are an integral part of George’s musical journey and as such are essential but back to the matter at hand…
There’s no two ways about it, ‘Shout Out! To Freedom’ firmly establishes N.O.W as one of the most important and influential black British producers of his generation. This soundtrack for your soul feels like hooking up with a long lost friend. It’s immediately recognisable and wraps itself around you creating a world that’s unmistakably N.O.W. I’ve been a fan since way back when, yet I still find it almost impossible to vocalise my love for his sound ‘cause what George does can’t really be put into words, that’s why he does it on ‘wax’. But it was the advent of three unlikely and surprising events that would really set this particular record apart: personal trauma, time a by-product of the Covid pandemic and Black Lives Matter. It was a period during which the world stopped but in a way time also sped up for George against a backdrop of constant negative global noise.
What was happening on the outside was more than self-evident but what was the inner voice saying? That is the question George asked when he embarked on the creation of this, his 9th studio album. To seek answers he was forced to make the most of lockdown initially accessing voices from around the world via the net. Finding his feet as a bandleader, he formed creative bonds with new and upcoming talent that somehow connected with the history of N.O.W. The likes of Shabaka Hutchings, Haile Supreme, Mara TK, Sabrina Mahfouz. Greentea Peng, OSHUN and Pip Millett got the call, heard the brief and got on board with their own personal take on the very idea of freedom and ultimately that is what this record is all about. The enforced lockdown naturally led to a period of reflection and George himself sure had a lot to think about. Ten years on the road constantly touring didn’t leave a lot of time to ponder the ups, downs, sacrifice and success that comes with the territory. This personal re-examination came into sharp focus when a serious health scare saw him hospitalised. Vibrating between life and death it brought his own mortality into the mix. He emerged from this very private episode free and somehow more connected to himself and the planet - and then there was/is BLM. So what is freedom? Obviously many things to many people. We all know the problems but who’s brave enough to offer a way forward? Not necessarily an answer, just a medium to facilitate dialogue, a step towards the light. That was the driving force behind the making of ‘Shout Out! To Freedom’. For George that freedom came in the form of a return to family, a deep appreciation of his musical circumstance and the realisation that he was his best friend. Written with the gift of time each song comes from somewhere else literally, mentally and geographically. This cinematic selection of tracks are typified by cuts like ‘Imagineering’ which seems to perfectly set the scene as we emerge into a new cultural landscape - such is the power of N.O.W - rearranging the past to create new and brighter futures. ‘Breathe In ft. OSHUN’ was written and recorded during the first peak lockdown in NYC and shortly after George Floyd’s murder. The soul and hip-hop duo from NYC continue to explore the theme of freedom backed by a beat n’ bass heavy rhythm designed for you to look within and without. Continuing the movie vibe comes ‘3D Warrior’, an emotional horn driven piece straight from the heart courtesy of UK saxophonist Shabaka Hutchings and complemented by the haunting tones of Brooklyn sonic shaman Haile Supreme. By way of contrast the absolutely gorgeous ‘Wonder’, which also features Supreme n’ Hutchings, goes straight to your head with a galactic groove and an echoing refrain that you know will be with you for the rest of your life. With the final offering ‘Up To Us’ N.O.W leaves us with a soul-soothing soundtrack and positive lyrics to help you on your way.
At the end of the day all of the songs on this record are a call, a chant, a yearning for freedom in whatever form it may take. So ditch your emotional baggage for the journey and recognise the fact you’re not alone in your want. ‘Shout Out! To Freedom’ gives musical licence to set yourself free and acknowledge we’re in this thing together whatever this thing may be.
…..Don Letts aka The Rebel Dread
- Specs 2LP black vinyl in poly lined inners in gatefold outer. Download card
Tracklist:
A1. Shout Out! (Intro) feat. Beautiful People
A2. Imagineering
A3. Creator SOS feat. Haile Supreme and Wolfgang Haffner
A4. 3D Warrior feat. Shabaka Hutchings, Haile Supreme and Wolfgang Haffner
B1. Miami 80
B2. GTP Call
B3. Wikid Satellites feat. Greentea Peng
B4. Breathe In feat. OSHUN
C1. To Freedom (Interlude) feat. Beautiful People
C2. Wonder feat. Haile Supreme and Shabaka Hutchings
C3. Own Me feat. Haile Supreme
C4. Widyabad
D1. Isolated feat. Pip Millett and Sabrina Mahfouz
D2. Trillion feat. Mara TK
D3. Up To Us feat. Haile Supreme
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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Featuring: Shabaka Hutchings, Greentea Peng, Haile Supreme, Mara TK, Sabrina Mahfouz + Pip Millett
Shout Out! To Freedom Bio - By Don Letts
Where do you start with Leeds-born Ibiza based producer George Evelyn, the man from N.O.W that pioneered British electronic music? Well for those already hip to his world the following will serve as a timely reminder. For new arrivals it’ll provide a crucial guide to a musical ride that ends with ‘Shout Out! To Freedom’.
As Warp Records longest serving signing N.O.W opened doors to new sonic landscapes for countless producers and musicians. Via his father and juxtaposed with soca from the islands, young George’s imagination was captured by the likes of Curtis Mayfield, Sarah Vaughan and Quincy Jones. In his early teens, inner city bass heavy reggae sound systems would also make their mark. But it was the arrival of hip-hop in the UK, complete with its loop, sample, cut ‘n’ paste aesthetic that would provide the icing on the cake and a way forward. George alongside then writing partner Kevin Harper made his first contribution to the sonic continuum with two defining singles of the emerging rave scene, 1989’s ‘Dexterous’ and 1990’s ‘Aftermath’. This was closely followed by N.O.W’s 1991 debut album ‘A Word of Science: The First and Final Chapter’ for which George parked his techno sensibilities and mixed in more hip hop with a down tempo vibe. Its combination of loops and sample driven dubbed out funk, soul and hip hop would really establish the sound of N.O.W. 1995’s ‘Smokers Delight’ saw this downtempo vibe taken to a whole other level. Essentially designed to kick back and relax it pioneered what would become known as ‘chill’. To bookend the nineties came 1999’s ‘Carboot Soul’, the third chapter in a series of albums that for those of a certain persuasion perfectly captured the spirit of the decade – and you don’t stop…
N.O.W entered the 21st century with a whole new spin on things, 2002’s ‘Mind Elevation’ arrived with a combination of melody, beats and vocals that would see some serious success across radio airwaves with cuts like ‘Know My Name’ and ‘70’s 80’s. ‘In A Space Outta Sound’ released in 2006 was a veritable culture clash of musical influences, urban and international, informed by the travels of George’s alter ego DJ E.A.S.E. Recorded in transition between Leeds and Ibiza 2008’s ‘Thought So’ stayed true to his now distinctive style and seemed to mirror ‘95’s ‘Smokers Delight’ with raw yet typically well produced cuts featuring a splash of guest vocalists and his trademark dubbed out techniques. Whilst others chased the new 2013’s ‘Feeling Good’ pinned N.O.W’s colours firmly to the mast with another musical journey that continued to move forward without straying too far from the very path he’d paved. It somehow managed to tap into your emotions with a mesmerising laid back selection that earned George the reputation of being able to ‘bottle sunshine’. 2018’s ‘Shape The Future’ contained all the original ingredients, soul, dub, rap n’ reggae underpinned with some serious food for thought and George’s magical talent for creating something new whilst echoing so much our musical past. All these albums are an integral part of George’s musical journey and as such are essential but back to the matter at hand…
There’s no two ways about it, ‘Shout Out! To Freedom’ firmly establishes N.O.W as one of the most important and influential black British producers of his generation. This soundtrack for your soul feels like hooking up with a long lost friend. It’s immediately recognisable and wraps itself around you creating a world that’s unmistakably N.O.W. I’ve been a fan since way back when, yet I still find it almost impossible to vocalise my love for his sound ‘cause what George does can’t really be put into words, that’s why he does it on ‘wax’. But it was the advent of three unlikely and surprising events that would really set this particular record apart: personal trauma, time a by-product of the Covid pandemic and Black Lives Matter. It was a period during which the world stopped but in a way time also sped up for George against a backdrop of constant negative global noise.
What was happening on the outside was more than self-evident but what was the inner voice saying? That is the question George asked when he embarked on the creation of this, his 9th studio album. To seek answers he was forced to make the most of lockdown initially accessing voices from around the world via the net. Finding his feet as a bandleader, he formed creative bonds with new and upcoming talent that somehow connected with the history of N.O.W. The likes of Shabaka Hutchings, Haile Supreme, Mara TK, Sabrina Mahfouz. Greentea Peng, OSHUN and Pip Millett got the call, heard the brief and got on board with their own personal take on the very idea of freedom and ultimately that is what this record is all about. The enforced lockdown naturally led to a period of reflection and George himself sure had a lot to think about. Ten years on the road constantly touring didn’t leave a lot of time to ponder the ups, downs, sacrifice and success that comes with the territory. This personal re-examination came into sharp focus when a serious health scare saw him hospitalised. Vibrating between life and death it brought his own mortality into the mix. He emerged from this very private episode free and somehow more connected to himself and the planet - and then there was/is BLM. So what is freedom? Obviously many things to many people. We all know the problems but who’s brave enough to offer a way forward? Not necessarily an answer, just a medium to facilitate dialogue, a step towards the light. That was the driving force behind the making of ‘Shout Out! To Freedom’. For George that freedom came in the form of a return to family, a deep appreciation of his musical circumstance and the realisation that he was his best friend. Written with the gift of time each song comes from somewhere else literally, mentally and geographically. This cinematic selection of tracks are typified by cuts like ‘Imagineering’ which seems to perfectly set the scene as we emerge into a new cultural landscape - such is the power of N.O.W - rearranging the past to create new and brighter futures. ‘Breathe In ft. OSHUN’ was written and recorded during the first peak lockdown in NYC and shortly after George Floyd’s murder. The soul and hip-hop duo from NYC continue to explore the theme of freedom backed by a beat n’ bass heavy rhythm designed for you to look within and without. Continuing the movie vibe comes ‘3D Warrior’, an emotional horn driven piece straight from the heart courtesy of UK saxophonist Shabaka Hutchings and complemented by the haunting tones of Brooklyn sonic shaman Haile Supreme. By way of contrast the absolutely gorgeous ‘Wonder’, which also features Supreme n’ Hutchings, goes straight to your head with a galactic groove and an echoing refrain that you know will be with you for the rest of your life. With the final offering ‘Up To Us’ N.O.W leaves us with a soul-soothing soundtrack and positive lyrics to help you on your way.
At the end of the day all of the songs on this record are a call, a chant, a yearning for freedom in whatever form it may take. So ditch your emotional baggage for the journey and recognise the fact you’re not alone in your want. ‘Shout Out! To Freedom’ gives musical licence to set yourself free and acknowledge we’re in this thing together whatever this thing may be.
…..Don Letts aka The Rebel Dread
- Specs 2LP black vinyl in poly lined inners in gatefold outer. Download card
Tracklist:
A1. Shout Out! (Intro) feat. Beautiful People
A2. Imagineering
A3. Creator SOS feat. Haile Supreme and Wolfgang Haffner
A4. 3D Warrior feat. Shabaka Hutchings, Haile Supreme and Wolfgang Haffner
B1. Miami 80
B2. GTP Call
B3. Wikid Satellites feat. Greentea Peng
B4. Breathe In feat. OSHUN
C1. To Freedom (Interlude) feat. Beautiful People
C2. Wonder feat. Haile Supreme and Shabaka Hutchings
C3. Own Me feat. Haile Supreme
C4. Widyabad
D1. Isolated feat. Pip Millett and Sabrina Mahfouz
D2. Trillion feat. Mara TK
D3. Up To Us feat. Haile Supreme
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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TRACKLIST:
Side A:
A1. Nice Town - Metronomy x Pan Amsterdam
A2. With Balance - Metronomy x Naima Bock x Joshua Idehen
A3. Contact High - Metronomy x Miki x Faux Real
Side B:
B1. My Love - Metronomy x Nourished by Time
B2. Typical - Metronomy x Lynks x SPIDER x Master Peace x TaliaBle
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Side A:
A1. Nice Town - Metronomy x Pan Amsterdam
A2. With Balance - Metronomy x Naima Bock x Joshua Idehen
A3. Contact High - Metronomy x Miki x Faux Real
Side B:
B1. My Love - Metronomy x Nourished by Time
B2. Typical - Metronomy x Lynks x SPIDER x Master Peace x TaliaBle
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Mount Kimbie’s fourth studio album, The Sunset Violent, is seeded in the wake of 2017’s Love What Survives and marks an important full circle moment for the group as they return to a band-like setup (Dominic Maker, Kai Campos, Andrea Balency-Béarn and Marc Pell).
The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule)
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The Sunset Violent was made under the empty sky of the American desert, where Kai and Dominic relocated to for a month. A town with little to offer but a couple of saloons, a basin with a history of alleged UFO sightings and a selection of local country radio stations ends up birthing a new Mount Kimbie record that harks back to a time where the guitar lead the way through the band’s sonic tapestry.
On The Sunset Violent, an album that marks fifteen years of Mount Kimbie, it’s clear that their creative spark is by no means at an end.
- Specs Black 1LP Vinyl in printed inner sleeve in 3mm spine sleeve and download code
Tracklist:
A1. The Trail
A2. Dumb Guitar
A3. Shipwreck
A4. Boxing (Feat. King Krule)
A5. Got Me
B1. A Figure In The Surf
B2. Fishbrain
B3. Yukka Tree
B4. Empty And Silent (Feat. King Krule)
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DE - 22113 Hamburg
Germany
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1
International Music System - Ready To Believe (Original Mix)
2
International Music System - Nonline (Fabrizio Mammarella Remix)
3
International Music System - Dancing Therapy (Franz Scala Rework)
4
International Music System - An English '93 (Italo Deviance Floating Mix)
If we think about italo disco the first hits we remember are “Charlie – Spacer Woman”, all the productions of “International Music System”, “Nexus – Stand Up”, italo disco classics released on Mr. Disc Organization and now the producer Maurizio Cavalieri gave us a new single, a romantic but powerful song with this voice reminiscent of the 80’s “Ready To Believe” is added to the great catalog “International Music System”!
The vinyl to be released on June 20th is the conjunction of past and future, the most famous tracks “Nonline”, “Dancing Therapy” and “An English ’93” from International Music System have been remixed by three great producers and deejays of the current scene “Fabrizio Mammarella”, “Italo Deviance” and “Franz Scala”!
No need to add more, a powerful club vinyl!
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DE - 22113 Hamburg
Germany
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The vinyl to be released on June 20th is the conjunction of past and future, the most famous tracks “Nonline”, “Dancing Therapy” and “An English ’93” from International Music System have been remixed by three great producers and deejays of the current scene “Fabrizio Mammarella”, “Italo Deviance” and “Franz Scala”!
No need to add more, a powerful club vinyl!
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DE - 22113 Hamburg
Germany
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1
My Mine - Hypnotic Tango (Original 12” Version)
2
My Mine - Hypnotic Tango (Instrumental Version)
3
My Mine - Hypnotic Tango (1987 Powerhouse Mix)
4
My Mine - Hypnotic Tango (Hypnotic Mix)
Repress!
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
We are honored to announce the next 12" in Dark Entries Editions is one of the all time Italo Disco club classics: My Mine - ‘Hypnotic Tango’. My Mine were the trio of Stefano Micheli (vocals, keyboards), Carlo Malatesta (vocals, keyboards), and Danilo Rosati (drums, keyboards) formed from the ashes of Italian New Wave group Ipnotico Tango in 1982. They shifted focus from the experimental post punk sounds towards something more commercial with which to try and enter the market, namely to make a record. At that time Carlo was studying in Bologna and he had heard about producer and arranger Mauro Malavasi famous at that time for the many hits produced for Macho, Peter Jacques Band, Change, Luther Vandross, Ritchie Family. The group handed Malavasi a demo tape and four days later they were invited to Fonoprint Studios to record their first single, “Hypnotic Tango”.
Utilizing new electronic instruments like the now legendary Roland TB-303, Danilo improvised a simple but effective synthesizer bass line and passed it through the Roland Echo until something magical came out. “Hypnotic Tango” was released on Progress Record in 1983 and became an international hit across Europe and US dance clubs in New York, Detroit and Chicago, capturing the imagination of House and Techno producers. In 1987 the legendary Frankie Knuckles remixed “Hypnotic Tango” at Seagrape Studios in Chicago, with assistance from studio engineers Tommy White and Brett Wilcotts. Originally released on Danica Records as the “Powerhouse Mix” paying tribute to the Windy City club atmosphere and adding his own "sighs" in the track as well. The Hypnotic Remix This reissue presents 4 mixes of “Hypnotic Tango” including the “Hypnotic Mix” only appearing together once before in 1990 on Rams Horn Records. All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket with original artwork and includes an insert with photos and liner notes by Stefano Micheli. “Look on the floor and all is spinning round, Someone told me this was just a dance And take a chance I ain't met before..Do you think I really have a chance??"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Talking Drums - Doner Summer
2
Talking Drums - Chaba Ranks
3
Talking Drums - Chaba Skanks
Slip this delirious disc out of the lime/slime green sleeve and you're up close and personal with the new chapter in the TD saga.
A dance floor triptych of such seismic scale that the crew spent two years trying to wrangle the tracks on wax, finally finding a plant with the power to press them up.
Sprawling across the A-side is the devastating 'Doner Summer', an instrumental extension of some lost Munich disco masquerading as an Anatolian excursion. Ditching the vocals and cutting the kase, the crew lay down a galloping groove topped with Turkish licks and disco strings, take us into the psychedelic swirl of a tumbling drum breakdown before hitting the big red button marked banger for a searing second half. Firing up the hardware, TD blast this one further into the Phuture, dropping technoid sequences, nagging 303 and Cowley-style FX fuckery for a full on club assault.
In the alternate B-side universe, Hans Zimmer lost his dread note and Denis Villeneuve was forced to turn to Talking Drums for the Dune soundtrack. They obliged with the sci-fi rai of 'Chaba Ranks', reshaping an Algerian OG with a dancehall kick, off beat vamps and star-crossed synths, then letting loose with a heavy bass tone.
|In time honoured fashion, the team also drop a dub version, cutting out the vocals and focussing on those additional elements for the wildly cosmic 'Chaba Skanks'.
Now who's getting the spice in?
Limited Press - Numbered Insert - Drum Fun Guaranteed !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A dance floor triptych of such seismic scale that the crew spent two years trying to wrangle the tracks on wax, finally finding a plant with the power to press them up.
Sprawling across the A-side is the devastating 'Doner Summer', an instrumental extension of some lost Munich disco masquerading as an Anatolian excursion. Ditching the vocals and cutting the kase, the crew lay down a galloping groove topped with Turkish licks and disco strings, take us into the psychedelic swirl of a tumbling drum breakdown before hitting the big red button marked banger for a searing second half. Firing up the hardware, TD blast this one further into the Phuture, dropping technoid sequences, nagging 303 and Cowley-style FX fuckery for a full on club assault.
In the alternate B-side universe, Hans Zimmer lost his dread note and Denis Villeneuve was forced to turn to Talking Drums for the Dune soundtrack. They obliged with the sci-fi rai of 'Chaba Ranks', reshaping an Algerian OG with a dancehall kick, off beat vamps and star-crossed synths, then letting loose with a heavy bass tone.
|In time honoured fashion, the team also drop a dub version, cutting out the vocals and focussing on those additional elements for the wildly cosmic 'Chaba Skanks'.
Now who's getting the spice in?
Limited Press - Numbered Insert - Drum Fun Guaranteed !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Various - A1 Konishi Yasuharu*– The Spellbinder
2
Various - A2 Konishi Yasuharu*– Floral Street Scene
3
Various - B Sunaga T Experience– Istonichcoff-Variation
EP- Warehouse find /Original Year 2002 Pressing Mint and NOS Copies
by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1 Konishi Yasuharu*– The Spellbinder
A2 Konishi Yasuharu*– Floral Street Scene
B Sunaga T Experience– Istonichcoff-Variation
KONISHI yasuharu
Band leader, songwriter, arranger and producer of the now disbanded Pizzicato Five (1985-
2001). Although having 2 successful world tours and 5 international albums under his belt,
with fans ranging from London’s Karminsky Experience to Karl Lagerfeld, many of his
fans know him as a DJ, spinning in Tokyo’s hotspots such as Shibuya’s ‘Organ Bar’. He tours
regularly throughout Japan and abroad. In the Jackson 5 Remix Album, his remix ‘I want
you back (readymade 524 mix)’ received an extraordinary amount of national radio play.
The remix album itself has scored healthy rankings in major record stores. In 1998, his own
project ‘Punch the Monkey!’ (in which he remixes the theme tune of a popular Japanese
cartoon series ‘Lupin the Third’) sold over 700,000 records, and this, some say, began
Japan’s remix rush. His achievements truly invaded the mainstream when in 2000, he
produced the No.1 single ‘Oha-Rock’ which became a social phenomenon in itself. Most
recently, he set up his own record label, ‘readymade international inc.’ from he which
he plans to release new exciting solo works.
His talents also embrace film and photography and he is well known as a director in
promotional videos, shows and advertisements. T-shirts and original goods which Konishi
personally designed are sold in select shops such as BEAMS of Shibuya.
He is also a writer having regular columns in various magazines, and has also written several
books. A collection of his essays have been published under the title ‘Kore wa koi de wa
nai’ (’This is not love’)
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1 Konishi Yasuharu*– The Spellbinder
A2 Konishi Yasuharu*– Floral Street Scene
B Sunaga T Experience– Istonichcoff-Variation
KONISHI yasuharu
Band leader, songwriter, arranger and producer of the now disbanded Pizzicato Five (1985-
2001). Although having 2 successful world tours and 5 international albums under his belt,
with fans ranging from London’s Karminsky Experience to Karl Lagerfeld, many of his
fans know him as a DJ, spinning in Tokyo’s hotspots such as Shibuya’s ‘Organ Bar’. He tours
regularly throughout Japan and abroad. In the Jackson 5 Remix Album, his remix ‘I want
you back (readymade 524 mix)’ received an extraordinary amount of national radio play.
The remix album itself has scored healthy rankings in major record stores. In 1998, his own
project ‘Punch the Monkey!’ (in which he remixes the theme tune of a popular Japanese
cartoon series ‘Lupin the Third’) sold over 700,000 records, and this, some say, began
Japan’s remix rush. His achievements truly invaded the mainstream when in 2000, he
produced the No.1 single ‘Oha-Rock’ which became a social phenomenon in itself. Most
recently, he set up his own record label, ‘readymade international inc.’ from he which
he plans to release new exciting solo works.
His talents also embrace film and photography and he is well known as a director in
promotional videos, shows and advertisements. T-shirts and original goods which Konishi
personally designed are sold in select shops such as BEAMS of Shibuya.
He is also a writer having regular columns in various magazines, and has also written several
books. A collection of his essays have been published under the title ‘Kore wa koi de wa
nai’ (’This is not love’)
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Various - A1. Sunaga T Experience– Theme From "THE RECORD BUNCH"
2
Various - B1. Mansfield– Style Pt. 1
3
Various - B2. Mansfield– Style Pt. 2
EP- Warehouse find /Original Pressing Mint and NOS Copies by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1. Sunaga T Experience– Theme From "THE RECORD BUNCH"
B1. Mansfield– Style Pt. 1
B2. Mansfield– Style Pt. 2
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
IKEDA masanori (Mansfield)
Began his DJ career in London, 1991, while working in Soho’s Soul Jazz Records. After
becoming resident DJ at ‘Blow-Up’ in London’s Wag Club, he has toured the country and
the rest of Europe. With his friends Karminsky Experience and Gentle People, he has
also organised numerous club events, compiled CDs and produced radio programs. Returning
to Japan in 1997, as the DJ with the rarest records in the East, he immediately made his
name Djing at many popular events up and down the country. He is recognised for rocking
dancefloors on a global scale having completed a very well-received European tour in 2000.
Apart from his DJ work, he has contributed remixes for Konishi Yasuharu’s ‘Punch the
Monkey!’. His solo releases include his mix CD series ‘Spin Out’ , ‘Spin Out 2’ (V2 Records
Japan). His albums ‘6 Complexions of Mansfield’ and ‘It’s a mans’s man’s field’ (readymade
records) released under his alias Mansfield have established his name as a sound creator.
He is expecting to release a new album from readymade international early 2002. This
is the DJ/composer that everyone’s talking about.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!
Tracklist:
A1. Sunaga T Experience– Theme From "THE RECORD BUNCH"
B1. Mansfield– Style Pt. 1
B2. Mansfield– Style Pt. 2
SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.
IKEDA masanori (Mansfield)
Began his DJ career in London, 1991, while working in Soho’s Soul Jazz Records. After
becoming resident DJ at ‘Blow-Up’ in London’s Wag Club, he has toured the country and
the rest of Europe. With his friends Karminsky Experience and Gentle People, he has
also organised numerous club events, compiled CDs and produced radio programs. Returning
to Japan in 1997, as the DJ with the rarest records in the East, he immediately made his
name Djing at many popular events up and down the country. He is recognised for rocking
dancefloors on a global scale having completed a very well-received European tour in 2000.
Apart from his DJ work, he has contributed remixes for Konishi Yasuharu’s ‘Punch the
Monkey!’. His solo releases include his mix CD series ‘Spin Out’ , ‘Spin Out 2’ (V2 Records
Japan). His albums ‘6 Complexions of Mansfield’ and ‘It’s a mans’s man’s field’ (readymade
records) released under his alias Mansfield have established his name as a sound creator.
He is expecting to release a new album from readymade international early 2002. This
is the DJ/composer that everyone’s talking about.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More