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Label:Hoarder
Cat-No:HOARD027
Release-Date:29.11.2024
Genre:House
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1
Existencia Pasajera - I Like The Sun
2
Existencia Pasajera & Dismal - Bullet Proof
3
Existencia Pasajera & Dismal - Hope To See You
4
Existencia Pasajera & Mati F - Mental Spirit
Tracklisting
A1 Existencia Pasajera - I Like The Sun
A2 Existencia Pasajera & Dismal - Bullet Proof
B1 Existencia Pasajera & Dismal - Hope To See You
B2 Existencia Pasajera & Mati F - Mental Spirit More
A1 Existencia Pasajera - I Like The Sun
A2 Existencia Pasajera & Dismal - Bullet Proof
B1 Existencia Pasajera & Dismal - Hope To See You
B2 Existencia Pasajera & Mati F - Mental Spirit More
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Last in:21.10.2024
Label:Hoarder
Cat-No:HOARD026
Release-Date:18.10.2024
Genre:House
Configuration:12"
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1
Palmiz & Flor Coto - Evolution of the Sound
2
Palmiz & Flor Coto - Slave to the rythm
3
Palmiz & Flor Coto - What do you need
4
Palmiz & Flor Coto - Mentality
Tracklisting
A1 Palmiz & Flor Coto - Evolution of the Sound
A2 Palmiz & Flor Coto - Slave to the rythm
B1 Palmiz & Flor Coto - What do you need
B2 Palmiz & Flor Coto - Mentality More
A1 Palmiz & Flor Coto - Evolution of the Sound
A2 Palmiz & Flor Coto - Slave to the rythm
B1 Palmiz & Flor Coto - What do you need
B2 Palmiz & Flor Coto - Mentality More
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Last in:21.10.2024
Label:Hoarder
Cat-No:HOARD025
Release-Date:12.01.2024
Genre:House
Configuration:12"
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1
Mennie - Tuncha
2
Mennie - Want You Print
3
Mennie - Noha
4
Mennie - The Lost Tape
Tracklisting:
A1 Mennie - Tuncha
A2 Mennie - Want You Print
B1 Mennie - Noha
B2 Mennie - The Lost Tape
Sales Note
Hoarder present beautiful and powerful house by Mennie. More
A1 Mennie - Tuncha
A2 Mennie - Want You Print
B1 Mennie - Noha
B2 Mennie - The Lost Tape
Sales Note
Hoarder present beautiful and powerful house by Mennie. More
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Last in:14.09.2023
Label:Hoarder
Cat-No:HOARD024
Release-Date:01.09.2023
Genre:Minimal
Configuration:12"
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1
Occibel - Voyager 1
2
Occibel - Thriller
3
Occibel - Freestyle
4
Occibel - Hello Users
Tracklisting:
A1 Occibel - Voyager 1
A2 Occibel - Thriller
B1 Occibel - Freestyle
B2 Occibel - Hello Users
Sales Note
Hoarder present Occibel with "Voyager 1 EP" Massive dancefloore killers! More
A1 Occibel - Voyager 1
A2 Occibel - Thriller
B1 Occibel - Freestyle
B2 Occibel - Hello Users
Sales Note
Hoarder present Occibel with "Voyager 1 EP" Massive dancefloore killers! More
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Last in:02.02.2024
Label:Hoarder
Cat-No:HOARD023
Release-Date:21.04.2023
Genre:Minimal
Configuration:12"
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1
Furz - Intergalactic Conexion
2
Furz - Better Get Ready
3
Furz - Take Out
4
Furz - Double Funk
Tracklisting:
A1 Furz - Intergalactic Conexion
A2 Furz - Better Get Ready
B1 Furz - Take Out
B2 Furz - Double Funk
Sales Note
Argentinian musician Furz presents the twenty-third release with an incredible warm vibe for hot dance floors. More
A1 Furz - Intergalactic Conexion
A2 Furz - Better Get Ready
B1 Furz - Take Out
B2 Furz - Double Funk
Sales Note
Argentinian musician Furz presents the twenty-third release with an incredible warm vibe for hot dance floors. More
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Last in:26.11.2021
Label:Hoarder
Cat-No:HOARD021
Release-Date:11.11.2022
Genre:Minimal
Configuration:12"
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1
Cosenza - A1 - Future Salad
2
Cosenza - A2 - Melted Butter
3
Cosenza - B1 - Get Dawn
4
Cosenza - B2 - Between The Line
- 2022 repress -
Tracklisting:
A1 Cosenza - Future Salad
A2 Cosenza - Melted Butter
B1 Cosenza - Get Dawn
B2 Cosenza - Between The Line
Release Note:
Absolutely summer vibes! Cosenza present four dancefloor tracks with classic riffs. Must have. More
Tracklisting:
A1 Cosenza - Future Salad
A2 Cosenza - Melted Butter
B1 Cosenza - Get Dawn
B2 Cosenza - Between The Line
Release Note:
Absolutely summer vibes! Cosenza present four dancefloor tracks with classic riffs. Must have. More
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Last in:14.11.2022
Label:Hoarder
Cat-No:HOARD022
Release-Date:02.09.2022
Genre:Minimal
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1
Thurman - Namek City
2
Thurman - Lead For Speed
3
Thurman - Bluemoon Bay
4
Thurman - Hot Pursuit
Tracklisting:
A1 Thurman - Namek City
A2 Thurman - Lead For Speed
B1 Thurman - Bluemoon Bay
B2 Thurman - Hot Pursuit
Release Note:
Hoarder present Thurman with Lead For Speed EP More
A1 Thurman - Namek City
A2 Thurman - Lead For Speed
B1 Thurman - Bluemoon Bay
B2 Thurman - Hot Pursuit
Release Note:
Hoarder present Thurman with Lead For Speed EP More
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Last in:14.01.2021
Label:Hoarder
Cat-No:hoard018
Release-Date:09.04.2020
Genre:House
Configuration:12"
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1
Oden & Fatzo - "World Upside Down"
2
Oden & Fatzo - "Comeback Mobster"
3
Oden & Fatzo - "Jabba's Palce"
4
Oden & Fatzo - "Nintendone"
Four unique artists joined in one project and made an incredible vibe for HOARDER.
Enjoy. More
Enjoy. More
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Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
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Label:Athens Of The North
Cat-No:AOTNLP066
Release-Date:26.01.2024
Genre:Soul/Funk
Configuration:LP
Barcode:5050580815377
1
Bô'vel - Check 4 U (Original)
2
Bô'vel - It's Not About Me
3
Bô'vel - Best Thing
4
Bô'vel - Knight In Shining Armour
5
Bô'vel - Daydreamer
6
Bô'vel - Coming Back
7
Bô'vel - Goodbye Farewell
8
Bô'vel - Life Changes You
9
Bô'vel - Let Down And Liar
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Bô'vel - My Man
Every now and again, a record carves itself an indelible place in the history of a place, a scene or a genre, all under its own steam – without a big budget, without a press campaign, without mainstream radio, just by hitting all the right notes at the right moment. Maybe you had to have been there to really feel it – locked into the pirate stations, a regular at the right clubs, or leaning on the counter in the right records shops on a Saturday afternoon – but if you were, there are some tunes that will always vibrate with the underground cultural energy of their time. Bô'vel's 1996 Manchester streetsoul anthem 'Check 4 U' is one of those tunes. The kind of song that makes the over-used phrase 'underground classic' mean something again, it effortlessly distills the sounds of its era into one of the most undeniable, genre-spanning cuts of the mid-1990s. The song resonates with the regional flavours of UK sound-system culture: the sweet club sound of Manchester's vibrant streetsoul scene, the dubwise hip-hop throb of the Bristol movement, and the bass-lore of the reggae sound systems whose wisdom stretched from Leeds to South London and beyond. Built around a humid kick drum and a bin-busting bass pulse arranged in head-nodding syncopation, the song is blessed with an instantly memorable harmonised hook, and perfectly set off by Bô'vel's crystalline vocals. Upful, stepping and tinged with melancholy, it remains one of the most well-loved and highly sought-after UK streetsoul sides. The three mixes of 'Check 4 U' appeared as the a-side of a blank-label five-track 12". It was Bô'vel's second release, after a soulful five-track EP issued in 1995 on her own Bô'vel Records had been a surprise success. Produced by Kev Waddington, that initial record had come about almost by accident after a chance encounter in Manchester's HQ Studios, as Bô'vel recalls today: 'We were making these five tracks because we were having bit of an argument with radio not being able to play what they wanted, really, only what the record labels wanted… they never had anybody coming through properly, because everything was pretty much underground. We were making records, like really pop stuff, to take the piss… So in the studio one day, this guy came in – all I know is that his was name was Nigel. And he came in and said, I want to put that five-track EP out with you. We just don't know who the hell he was to this day, really. And he said, you've got to do it 50/50, it's going to be £1000. So I said okay – I just trusted him. I gave him 500 quid. He gave me 1000 records. He just dropped them at the studio. I picked them up and then I went into Manchester city centre and gave it to a couple of DJs on underground radio.' Pirate radio loved it. With play on stalwart Manchester pirates like Buzz FM and Soul Nation, the EP immediately blew up. Bô'vel took the record into Fat City Records, Manchester's premier outlet and distributor for soul, hip-hop and dance, who took a batch, quickly sold out and took several hundred more copies; it eventually transpired that a large quantity were selling to Japan, where the combination of soul smarts and classy production had been caught by discerning ears. Elsewhere, friends distributed the record by hand in London and Birmingham, working them through UK's then burgeoning network of independent dance music shops. The warm reception the record received encouraged Bo'vel to return to the studio for sessions that would become 'Check 4 U'. The EP had been issued under a Bô'vel Records imprint, but she had sold it to Fat City without disclosing that she was the artist – 'I said, "There's this singer, she's great, she's done this cheesy stuff, try it, it's a bit Kylie Minogue". He said "oh, give us 300", and then he had some more.' For the next release, she decided to keep things completely minimal. 'The next one, I said, right, let's just put it out as a white label, and if people like it they like it, they don't have to see who we are or anything.' Though punitive legislation and overexposure had tamed rave culture, and the inflated status of superstar DJs had pushed once underground scenes fully into the mainstream, dance music culture in mid-1990s Britain still retained a certain feral energy. There was still a groundswell of vital local scenes and rapidly changing musical styles, and – combined with local record shops – clubs and pirate radio were still the chief arbiters of influence. 'In the 90s, pirate radio just played the best music. I mean, you couldn't really get music like that anywhere. The same as you couldn't get music like that [being played] in the Reno, which was very different,' remembers Bô'vel, referring to the legendary Moss Side soul club, an underground institution from 1962 until its closure in 1986. 'That's where music really started for me, going to clubs like the Reno at the age 15, 16, 17, and going to places like the Nile [upstairs from the Reno], which was all reggae, you know – that's really where the beats came for me.' The production on the new record would reflect these influences more than the EP had been able too. 'I liked a big bassline,' the singer reflects. 'There's a big bassline there on the five-track EP, 'I Can't Get By', which is a really, really good song, but they just could not get the bass – I was so gutted when that came back…if they'd have shown us the master we'd have said no.' These problems were to be avoided on 'Check 4 U' by the involvement of producer Uriah Gale. 'We already had the tune, and Uriah came on board, and I said, it's just not soulful enough. I was working with Kev Waddington, and he said "I just can't do it." So when Uriah came along, the bass was there, but he tidied it all up and made it really cool, and he was tremendous on the harmony,' she recalls. 'Out of all the mixes, his was the best. He was incredible to work with, and also incredibly talented. With alternate mixes of 'Life Changes You' from the 1995 EP as the b-side, 'Check 4 U' was issued with blank blue labels and sent out with a DJ one-sheet describing Bô'vel as 'Manchester's favourite soul Diva'. 2000 copies were pressed, and the record was distributed by Jetstar. It quickly became another pirate radio hit. 'Soul Nation and Buzz FM did support me from the very start [along with] every single DJ on Manchester radio,' she recalls, 'They're my biggest fans, the DJs here, I've got to big them up!' Manchester's support was mirrored by pirates around the UK. 'We had the support of radios across the country – I just could not believe it. So we went on a tour… We would go to the pirate stations, do an interview, then do a gig – that's how the gigging came about… gigging in Birmingham, Huddersfield, Liverpool, London – I've got so much respect for the pirate radios down there. They were brilliant… We used to take all my stuff straight to London,' she remembers. 'Each radio was doing pretty much the same thing, in their own style, with their own beats. Like, when I went down to Bristol, I showed them the EP and 'I Check 4 U' and they said, hey girl, you've got the Bristol beat!' But her core audience was at home in Manchester. 'London did support me a lot, but not like my home town – they loved me as I love them… Manchester supported me through and through, to this very day,' she remembers. Performing in mid-1990s Manchester was not always straightforward, though: 'In Manchester, it was kind of hard to do gigs, because there was a bit of gang warfare. So, you know, that was a problem. You'd be doing a gig and they'd all be there in their [bulletproof] vests, you know, Cheetham Hill and Moss Side, and it was a bit of a nightmare. And because I was more Manchester side, even though I went to school in Cheetham Hill, I was with a guy from Moss Side. So it was pretty hard gigging in Manchester, I had a bit of a hard time.' Nevertheless, 'my gigs were packed to the rafters…I wasn't scared because I knew I had protection. The gigs were fantastic, here in Manchester and everywhere, and I'm glad and very grateful to be able to say that.' A further single followed – the garage-flavoured 'Earthling', made with producer Ben Stansfield – but this would be her final release. 'My life changed,' she remembers. 'I had a split… I was just bringing my daughter up. I used to live in the countryside, and I was having a bit of a different life… I just spent a lot of time writing when I split up – I couldn't sing, it was like my voice wouldn't work. I was just thinking all the time, and not speaking. So I was just speaking through my music… I just became a writer, and I was more looking for other people to sing the [songs], you know? Because there's a lot of talent here in Manchester.' However, she retained access to a studio, and over time she began to record again, working with various producers and amassing a large amount of material. It is this unreleased material that we collect on Life Changes – nine unheard Bô'vel songs from the period 1997-2008(dates?), selected from her own archive. Until now, none of this unreleased work has been heard. Not an artist to be constrained by genre, the music showcases Bô'vel's exploration of a wide range of styles, from the dubbed-out downtempo of 'My Man' or 'I Wanna Be Free' to the updated streetsoul of 'Let Down And Liar', via the breakbeat hype of 'Do It Your Way' and the straight-ahead reggae vibe of 'Daydreamer'. This unreleased music is presented alongside the unfadeable 'I Check 4 U' and two classic streetsoul cuts from her 1995 EP, 'Life Changes You' and 'Coming Back'. The common denominator across the album is of course Bô'vel herself: a singer of rare timbral clarity whose musical vision has determined the sound of every record she has made, a prolific and personal song-writer in the UK soul tradition, and the artist behind one of the most celebrated underground soul tunes of the pirate radio era. Still most definitely someone to check for.
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3LP Excl
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Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
Configuration:3LP Excl
Barcode:4251804181709
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Last in:29.10.2024
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Cat-No:MMDS24004LP
Release-Date:06.09.2024
Genre:Acid House
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Barcode:4251804181709
1
Susumu Yokota - A1. Zenmai (2024 Remaster)
2
Susumu Yokota - A2. Kinoko (2024 Remaster)
3
Susumu Yokota - A3. Meijijingu (2024 Remaster)
4
Susumu Yokota - B1. Saboten (2024 Remaster)
5
Susumu Yokota - B2. Oh My God (2024 Remaster)
6
Susumu Yokota - B3. Tambarin (2024 Remaster)
7
Susumu Yokota - C1. Oponchi (2024 Remaster)
8
Susumu Yokota - C2. Ao-oni (2024 Remaster)
9
Susumu Yokota - C3.3. Akafuji (2024 Remaster)
10
Susumu Yokota - D1. Alphaville (2024 Remaster)
11
Susumu Yokota - D2. Tanuki (2024 Remaster)
12
Susumu Yokota - E1. Floating G (2024 Remaster)**
13
Susumu Yokota - E2. H (2024 Remaster)**
14
Susumu Yokota - E3. B (2024 Remaster)**
15
Susumu Yokota - F1. F (2024 Remaster)**
16
Susumu Yokota - F2. 2 H (2024 Remaster)**
Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats
"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)
GENRE/S: Techno, Acid, Ambient
New liner notes by Alex From Tokyo
On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.
'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.
Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.
The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.
Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.
'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.
He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.
Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.
-
This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.
There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.
The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.
3LP Vinyl
Catalogue no: MMDS24004LP
Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)
Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)
Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)
Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)
Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**
Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**
**= 5 unreleased tracks released for the 1st time on vinyl.
New liner notes by Martyn Pepperell
More
12"
pre-sale
Label:KR3 Records
Cat-No:kr3014
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
Barcode:
pre-sale
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Label:KR3 Records
Cat-No:kr3014
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
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1
Reeko - Para El Conjunto De Las Esferas
2
Reeko - Verdugo Del Rey
3
Reeko - Morador De La Oscuridad
4
Reeko - El Retorno De Saturno
Tracklisting
A1 Reeko - Para El Conjunto De Las Esferas
A2 Reeko - Verdugo Del Rey
B1 Reeko - Morador De La Oscuridad
B2 Reeko - El Retorno De Saturno
Sales Note
We are pleased to introduce Juan / Reeko and his solo EP, marking the second installment of KR3's five-year anniversary.
After his initial contribution in the "JK Flesh Remixes" double pack, he makes a comeback with a sophisticated and deeply immersive 12", which cleverly alludes to the title of the release!
EL RETORNO DE SATURNO EP - features a complete outer cover displaying a photo made by Marie Queau, along with an inner sleeve printed on textured cardboard, which further enhances Reeko's sonic exploration in this project.
KR3 | 5YRS - ACT TWO More
A1 Reeko - Para El Conjunto De Las Esferas
A2 Reeko - Verdugo Del Rey
B1 Reeko - Morador De La Oscuridad
B2 Reeko - El Retorno De Saturno
Sales Note
We are pleased to introduce Juan / Reeko and his solo EP, marking the second installment of KR3's five-year anniversary.
After his initial contribution in the "JK Flesh Remixes" double pack, he makes a comeback with a sophisticated and deeply immersive 12", which cleverly alludes to the title of the release!
EL RETORNO DE SATURNO EP - features a complete outer cover displaying a photo made by Marie Queau, along with an inner sleeve printed on textured cardboard, which further enhances Reeko's sonic exploration in this project.
KR3 | 5YRS - ACT TWO More
Label:Samurai Music
Cat-No:smdelp12b
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:2x12"
Barcode:
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Label:Samurai Music
Cat-No:smdelp12b
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:2x12"
Barcode:
1
Reeko - Urmah #1
2
Reeko - Urmah #2
3
Reeko - Urmah #3
4
Reeko - Urmah #4
5
Reeko - Urmah #5
6
Reeko - Urmah #6
Tracklisting
A1 Reeko - Urmah #1
B1 Reeko - Urmah #2
C1 Reeko - Urmah #3
C2 Reeko - Urmah #4
D1 Reeko - Urmah #5
D2 Reeko - Urmah #6
Sales Note
Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.
Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.
For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.
Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.
As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. More
A1 Reeko - Urmah #1
B1 Reeko - Urmah #2
C1 Reeko - Urmah #3
C2 Reeko - Urmah #4
D1 Reeko - Urmah #5
D2 Reeko - Urmah #6
Sales Note
Building on the foundation of his two EPs for Samurai Music, we proudly present Urmah, the first LP exploring the 170 tempo from acclaimed Techno/Electronic producer Juan Rico aka Reeko, aka Architectural.
Reeko has now become an integral part of the overall Samurai Music sound. His work resonates deeply within the label's ethos, and Urmah exemplifies this synergy, highlighting his ability to enrich and expand Samurai Music's vision and push the boundaries of his own artistic expression.
For Urmah, Reeko delves even further into sound and psyche with a richer, more enveloping exploration into his distinct interpretation of the tempo. Reeko's production prowess shines brightly on Urmah with the warmth and weight of each track leaving an indelible impression.
Urmah focuses on heady fathomless grooves that tease shards of breakbeats like delicious icing, binding themselves to a gentle psychedelia with celestial textures. This is dexterous, meditative journey music from a producer who has an intimate relationship with groove creation.
As one of the most respected Techno producers in the genres long history, Reeko's influence and mastery are undeniable. With Urmah, he further showcases his expertise, expanding his palette to display a refined command of the 170 BPM tempo. The LP is a testament to his ability to innovate and redefine, solidifying his reputation as a pioneering force in electronic music. More
2x12"
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Label:Falling Ethics
Cat-No:fex020
Release-Date:13.12.2024
Genre:Techno
Configuration:2x12"
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Label:Falling Ethics
Cat-No:fex020
Release-Date:13.12.2024
Genre:Techno
Configuration:2x12"
Barcode:
1
Haruka - Intro
2
Temudo - Everyone Named Yannick
3
BLANKA - You Can't See It
4
P.E.A.R.L. - Others Steal Hope
5
Nastia Reigel - Lilies
6
Oscar Mulero - Crash and Burn
7
Not A Headliner - La Caída
8
Nørbak - Sismado
9
Chloe Lula - Peril (Dance Edit)
Tracklisting
A1 Haruka - Intro
A2 Temudo - Everyone Named Yannick
A3 BLANKA - You Can't See It
B1 P.E.A.R.L. - Others Steal Hope
B2 Nastia Reigel - Lilies
C1 Oscar Mulero - Crash and Burn
C2 Not A Headliner - La Caída
D1 Nørbak - Sismado
D2 Chloe Lula - Peril (Dance Edit)
Sales Note
Established in 2013, Falling Ethics celebrates its 11th anniversary with a limited double vinyl compilation featuring exclusive tracks from Oscar Mulero, Temudo, BLANKA, Not A Headliner & more. Be sure to check it out! More
LP Excl
pre-sale
Label:Night School Records
Cat-No:LSSN096
Release-Date:22.11.2024
Configuration:LP Excl
Barcode:5061041820526
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Label:Night School Records
Cat-No:LSSN096
Release-Date:22.11.2024
Configuration:LP Excl
Barcode:5061041820526
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Black Vinyl LP, LTD 400
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
Label:Jamwax
Cat-No:JAMWAXLP11
Release-Date:22.11.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
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Label:Jamwax
Cat-No:JAMWAXLP11
Release-Date:22.11.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:
1
Beres Hammond - Music Is Positive Vibration
2
Beres Hammond - Keep My Wheel Turning
3
Beres Hammond - Do This World A Favor
4
Beres Hammond - John Crazy
5
Beres Hammond - Just A Man
6
Beres Hammond - I'm Lonely
7
Beres Hammond - I'm In Love With You
8
Beres Hammond - Let Me Love You Tonight
Just a Man, Beres Hammond’s 1979 album, is a hidden gem in his illustrious career, celebrated for its heartfelt lyrics and smooth melodies, hallmarks of Hammond's signature style. This album offers a rare glimpse of Hammond before he became the lover’s rock icon we know today. Blending R&B, disco, soul reggae, and lovers rock, Just a Man showcases his soulful voice against the backdrop of disco-infused reggae rhythms, creating an irresistible vibe.
At this pivotal moment in his career, Hammond had just left the band Zap Pow to focus on his solo work, and Just a Man was a bold statement of independence. It reflects Hammond’s early musical journey, combining elements of R&B and disco with reggae, and marks a key moment in his rise as a solo artist.
Produced by Joe Gibbs, a legendary figure in reggae, and arranged by Willie Lindo, the album features some of Jamaica’s most esteemed musicians: Val Douglas & Mike Chung on bass; Mike Richards, Robert Stephenson & Calvin McKenzie on drums; Robert Lyn, Franklyn Waul& Harold Butler on electric piano; Lenox Gordon, Willie Lindo on guitar; Pam Hall, Prilly Hamilton, Sharon Forrester & Beres Hammond on backing vocals; Waul, Clive Hunt & Noel Seale on percussions; Hunt, Franklyn Waul & Harold Butler on piano; Dean Fraser on saxophone; Peter Ashbourne Group as string ensemble; Jerome Francque & Roland Robinson on trombone; David Madden, Willie Brackenridge & Clive Hunt on trumpet.
The album’s standout track, “Do This World A Favour,” became a UK soul hit, but the entire album features rare and funky gems like "Keep My Wheel Turning" that reflect Hammond's versatility and ability to transcend genres.
Our exclusive edition has been remastered, delivering superior sound quality that enhances the richness of every note.
This edition is published under the direction of Joseph Barthelet for Jamwax, under license from Gavin D.A. Gibson.
Just a Man is more than just an album; it’s a significant piece of jamaican music history.
A1 - Music Is Positive Vibration
A2 - Keep My Wheel Turning
A3 - Do This World A Favor
A4 - John Crazy
B1 - Just A Man
B2 - I'm Lonely
B3 - I'm In Love With You
B4 - Let Me Love You Tonight More
At this pivotal moment in his career, Hammond had just left the band Zap Pow to focus on his solo work, and Just a Man was a bold statement of independence. It reflects Hammond’s early musical journey, combining elements of R&B and disco with reggae, and marks a key moment in his rise as a solo artist.
Produced by Joe Gibbs, a legendary figure in reggae, and arranged by Willie Lindo, the album features some of Jamaica’s most esteemed musicians: Val Douglas & Mike Chung on bass; Mike Richards, Robert Stephenson & Calvin McKenzie on drums; Robert Lyn, Franklyn Waul& Harold Butler on electric piano; Lenox Gordon, Willie Lindo on guitar; Pam Hall, Prilly Hamilton, Sharon Forrester & Beres Hammond on backing vocals; Waul, Clive Hunt & Noel Seale on percussions; Hunt, Franklyn Waul & Harold Butler on piano; Dean Fraser on saxophone; Peter Ashbourne Group as string ensemble; Jerome Francque & Roland Robinson on trombone; David Madden, Willie Brackenridge & Clive Hunt on trumpet.
The album’s standout track, “Do This World A Favour,” became a UK soul hit, but the entire album features rare and funky gems like "Keep My Wheel Turning" that reflect Hammond's versatility and ability to transcend genres.
Our exclusive edition has been remastered, delivering superior sound quality that enhances the richness of every note.
This edition is published under the direction of Joseph Barthelet for Jamwax, under license from Gavin D.A. Gibson.
Just a Man is more than just an album; it’s a significant piece of jamaican music history.
A1 - Music Is Positive Vibration
A2 - Keep My Wheel Turning
A3 - Do This World A Favor
A4 - John Crazy
B1 - Just A Man
B2 - I'm Lonely
B3 - I'm In Love With You
B4 - Let Me Love You Tonight More
12"
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Label:n-PLEX
Cat-No:NPLX006
Release-Date:29.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Schwefelgelb - IO
2
Schwefelgelb - IO (Flore remix)
3
Schwefelgelb - Open World Game
4
Schwefelgelb - Open World Game (UFO95 remix)
Tracklisting
A1 Schwefelgelb - IO
A2 Schwefelgelb - IO (Flore remix)
B1 Schwefelgelb - Open World Game
B2 Schwefelgelb - Open World Game (UFO95 remix)
Sales Note
Schwefelgelb return with a brand new EP titled "Trigger". 2 original tracks pounding energy-loaded drums over catchy basslines at 138 bpm. Cleverly designed details in arrangement and sound design make this production appear like a fresh approach on the raw side of Techno. The next step in Schwefelgelb's musical evolution is a highly effective sound which combines hard stomping Techno with a tonal playfulness. Hence it seems only logical to complete this release with 2 remixes which extend the versatility further. A remix by UFO95 adds a dubby flavor whilst still being 4-on-the-floor Techno, whereas a remix by French artist Flore completely pulls it to UK Bass territory. "Trigger" will be released 29th of November on n-PLEX, 140 g colored vinyl including download code. More
A1 Schwefelgelb - IO
A2 Schwefelgelb - IO (Flore remix)
B1 Schwefelgelb - Open World Game
B2 Schwefelgelb - Open World Game (UFO95 remix)
Sales Note
Schwefelgelb return with a brand new EP titled "Trigger". 2 original tracks pounding energy-loaded drums over catchy basslines at 138 bpm. Cleverly designed details in arrangement and sound design make this production appear like a fresh approach on the raw side of Techno. The next step in Schwefelgelb's musical evolution is a highly effective sound which combines hard stomping Techno with a tonal playfulness. Hence it seems only logical to complete this release with 2 remixes which extend the versatility further. A remix by UFO95 adds a dubby flavor whilst still being 4-on-the-floor Techno, whereas a remix by French artist Flore completely pulls it to UK Bass territory. "Trigger" will be released 29th of November on n-PLEX, 140 g colored vinyl including download code. More
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Label:K S R
Cat-No:KSR013
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Kaiser - Ozono
2
Kaiser - Ozono (Kr!z remix)
3
Kaiser - Sopravvissuti
4
Kaiser - Problemi Di Lusso
Tracklisting
A1 Kaiser - Ozono
A2 Kaiser - Ozono (Kr!z remix)
B1 Kaiser - Sopravvissuti
B2 Kaiser - Problemi Di Lusso
Sales Note
Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story? More
A1 Kaiser - Ozono
A2 Kaiser - Ozono (Kr!z remix)
B1 Kaiser - Sopravvissuti
B2 Kaiser - Problemi Di Lusso
Sales Note
Label owner Gianluca Caiati recognised as Kaiser is back on his own imprint with a new EP called Controcorrente. To the DJs, for the DJs. To the club, for the club. What is written behind this new story? More
12"
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Label:Clergy
Cat-No:crg038
Release-Date:13.12.2024
Genre:Techno
Configuration:12"
Barcode:
1
Kontain - Fractal Sunset
2
Kontain - Formless
3
Kontain - Skin Contact
4
Kontain - Limelight Ritual
5
Kontain - Lungs
6
Kontain - Pyro
Tracklisting
A1 Kontain - Fractal Sunset
A2 Kontain - Formless
A3 Kontain - Skin Contact
B1 Kontain - Limelight Ritual
B2 Kontain - Lungs
B3 Kontain - Pyro More
A1 Kontain - Fractal Sunset
A2 Kontain - Formless
A3 Kontain - Skin Contact
B1 Kontain - Limelight Ritual
B2 Kontain - Lungs
B3 Kontain - Pyro More
Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
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Label:Smallville Records
Cat-No:smallville66
Release-Date:08.11.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180078
1
Lis Sarroca - Atacote
2
Lis Sarroca - Breaks Reminder
3
Lis Sarroca - Early Years
4
Lis Sarroca - Might Be
Artwork and Typography by Stefan Marx
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Smallville Records welcomes Barcelona’s Lis Sarroca onto the imprint this November with her four-track ‘Untitled Thoughts’ EP.
Since 2018, Barcelona, Spain’s Lis Sarroca has been steadily unveiling her take on House, Techno, Disco and Electro via the likes of Shall Not Fade, Hot Haus and Chiwax among others as well maintain a steady presence across the globe as a heavily in demand DJ. Here, we see Sarocca making her debut on Smallville with her latest collection of works, again showcasing her widespread influences and mesmerising sonic aesthetic across four cuts.
Up first is ‘Atacote’, a hypnotic house cut with a Balearic feel courtesy of breathy vocals, cinematic strings, piano lines and hazy atmospherics, intertwined with organic percussion and bouncy sub bass tones. ‘Breaks Reminder’ follows and shifts gear into a broken rhythm section, squelchy acid lines and textural synths throughout.
Opening the flip-side is ‘Early Years’, diving back into deeper realms with a multitude of ethereal pads, dubby synth flutters, plucked bass hits and crisp drums. ‘Might Be’ then concludes the EP on a more chuggy Nu-Disco tip, employing gritty bass stabs, bubbling arpeggios, airy flute melodies and a saturated off-kilter drum groove.
Comes with a Full Cover Artwork by Stefan Marx
Tracklist:
A1 Atacote
A2 Breaks Reminder
B1 Early Years
B2 Might Be
All tracks written & produced by Lis Sarroca
Mastering and Vinyl cut by Helmut Erler at Lathesville More
Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:29.10.2024
Label:Ilian Tape
Cat-No:IT066
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Fireground - Glare
2
Fireground - Stand
3
Fireground - Spin
4
Fireground - Red Night
Delectable Crafty Explosive Headspins
More