Dwell debuts on vinyl for Of Paradise with his Virtual Life EP; a deeply immersive journey through the heart and soul of electronic music, taking house and techno in a new direction and pushing them beyond the outer reaches. Comes packaged in a matte black sleeve complete with sticker and A6 insert.



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10-Year Anniversary Repress of Crazy P’s Seventh Studio Album Walk Dance Talk Sing, featuring Like A Fool and Cruel Mistress.

Tracklist
1.1Like A Fool
1.2The Come On
1.3Hear My Song
1.4Echo
2.1Scrap The Book
2.2Witch Doctor
2.3Something More
2.4The Come On
2.5WDTS


Listen: https://soundcloud.com/crazyp/sets/walk-dance-talk-sing-1

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Repress!

A wonderful, rare record wrapped in a mysterious yet playful ambiance. Or maybe it's just the impression that the Japanese language often gives me. ''Suiren'' is an odd jazz-fusion-wave tune that sounds like its boiling, waiting to burst but somehow manages to stay in control. Like the nervous tick of a leg fidgeting under the table of a restaurant on a first date. Re-issued again, with new liner notes.

Yasuaki Shimizu is a Japanese composer, producer and saxophone player born in 1954. He worked with Ryuchi Sakimoto on certain arrangements, with the South Korean artist Nam June Paik on art+sound installation pieces and even DJ Towa Tei (of Deee-Lite fame). ''Suiren'' was released in 1981 and is the opening title on the sought-after ''Kakashi'' album and is my personal favorite on this overall brilliant record. It weaves behind new wave, jazz, fusion, ambient and experimental music.

Repetitive and hypnotizing, punctuated by exclamation marks on most first mesures, the muted triangle percussion hits me straight in the heart. About 90 seconds into the song, the saxophone makes its appearance and the song goes from ''this is cute'' to ''oh, this is some serious shit!''. Shimizu's saxophone frees the song from the rest of the elements which are more calculated and repetitive.

A joyful, mysterious slow-moving train ride led by the artist's mellow voice that rocks us with this calming but funky lullaby. Every phrase is punctuated by the xylophone there to energize the piece, albeit very subtely.

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2LP Gatefold (Ecovinyl incl. DJ-Kicks playing card)
Modeselektor – aka Gernot Bronsert and Sebastian Szary – is one of the most original acts to emerge from Berlin's techno underground. After more than three decades of astonishing work they remain at the top of their game, as hungry as ever for the freshest electronic music from around the world.

LP TRACKLIST
A1 Modeselektor - MEGA MEGA MEGA
A2 Kitschselektor - Permit Riddim (feat. Pobdon)
A3 Julien Bracht - Melancholia
B1 Modeselektor - Kupfer
B2 Siriusmo - Koko
B3 Beirut - Spillhaugen
B4 GAISTER - Source
C1 Modeselektor - Movement (feat. Paul St. Hilaire)
C2 Little Simz - Mood Swings
C3 Untold - Discipline
C4 Ben Klock & Fadi Mohem - The Machine
D1 Modeselektor - USA USA USA
D2 SZARY - PREY
D3 Maxime Denuc - Ouverture

Listen LP: listen.k7.com/6477ff4b-eec2-495a-9cf1-bbbd47399caa

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The MFA: ‘The Difference it Makes’ returns with remixes by Joe Goddard (Hot Chip), Nathan Fake,
and The MFA.

With the original release of ‘The Difference it Makes’ racking up more than a million Spotify streams, the 2004 hit track by The MFA has been remixed and remastered, and will be available on vinyl and digital later this year.

This will be the debut release on The MFA’s new label - Deskbound Complex. All tracks have been mastered by Jason Goz at Transition Studios, and will be distributed by Rubadub. The EP features four mixes:

Original MFA Mix:
One of Pitchfork’s top 50 tracks of 2004, Resident Advisor described it at the time as, “Beautiful slices of dubby-tech house with compressed guitars and abstract sliced vocals. From start to finish, the track is minimal in nature. I like it, and I think you will too... The MFA has created something of a hidden gem.”

The record went on to receive support from Gerd Janson, Carl Cox, BLOND:ISH, Sven Väth, James Holden, Michael Mayer, Tim Sweeney, Dusky, Ata, Joseph Capriati, Robag Wruhme, Henry Saiz, Nick Warren, Hernan Cattaneo, Jody Wisternoff, James Grant, Joe Goddard, and more.

Joe Goddard Remix:
With plenty of plays from Grammy-nominated Joe Goddard of Hot Chip, it seemed only right to ask him to remix the track. The result is an electro-dance number with a big breakdown and main room appeal.

Nathan Fake Remix:
Originally released on James Holden's Border Community, The MFA pay homage with a remix by former labelmate, Nathan Fake – who the duo first met on an internet chat room at the turn of the millennium.

The MFA’s #23 Remix:
Reimagined 23 years after it was first written (with a nod to The KLF), the remix pushes the track deeper onto the dancefloor, with a fresh take on the original.


About Deskbound Complex and The MFA:
Deskbound Complex was launched in 2025 by The MFA’s Alastair Douglas and Rhys Evans, with Euge Rasini joining as label manager, and Amilcar Torija as creative director. The long-term vision is for Deskbound Complex to provide a platform for new and established artists to share, collaborate, and release records through. Following their debut release on Border Community in 2004, The MFA went on to release tracks on Bpitch Control, Kompakt, Boxer, EQ, and Precinct records. After a break, the pair returned in 2021 with a release on Traum, and fresh material planned for release in 2026.

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Tracklisting
A1 Fondzyo - Same Thingz (Acid Mix)
A2 Fondzyo - WDD
B1 Nomenklatür - Revitalize
B2 Nomenklatür - Conflicting Thoughts

Sales Note
For the 33rd release of the Acid Avengers series, we invited two projects made by four veterans of the french electronic scene. Fondzyo, a new duo composed of John Lord Fonda and Kazyo (half of Teenage Bad Girl), is delivering here its first release. Nomenklatur, the pair formed by the founders of Elektrofon, is already known for bomb releases on Module, Space Factory and their own imprint. On this new split EP, both projects offer a 303 journey made with mental groove, deep rythms and of course some pure acid techno. 5 tracks designed for the floor that are gonna kick your ass !

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Very excited to present this new project on Macadam Mambo, actually it’s not properly new…
Dr Strange was one of the alias of Erick ‘ADN’ Ckrystall’ circa mid-90’s till early 2000’s, when he was producing a sort of Leftfield-Trippy-Goa music, including a lot of Ambient stuff mostly released on CD on a series called Animorph. Everything had a very cinematographic touch like it was made for some documentaries about amphibians and snakes that would evoluate in the deepness of the jungle or on some exotic island...

The music was so magical, that the envie to do a mini-retrospective of the CD series came instantly, specially because none of those golden gems had never been printed on vinyl, It was also a good way to put into the light the Dr. Strange side of ADN’ Ckrystall which was kept in the shadow since many years and that deserves much more attention as the regain of interest for the goa scene has been rising in the last few years.

For the afficionados of proto/early Goa music and trippy ambient in the vibe of the Orb or labels like em:t or Barooni…

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Percussive P (who has previously released on the label with FR037 & our remix on THCFR001) is a top quality producer who I wish had more music/releases out there. I used to play a tune of his called "Gunsmith" a lot in sets, as well as a lot of his collabs with Kid Lib which I was a big fan of. I'd previously collaborated with him on a tune for Dublinquents a few years ago and I was quite keen on doing a new collaboration with him for Meeting Of The Minds, so he sent me some tracks he had started, I picked my favourite to work on and that led to "Impatience".

Fluid Haunts is a solid producer who I was familiar with, but it wasn't until his music was drilled into my head by Dwarde who was playing a few select tunes from him in every single b2b set we had together, that I started to really appreciate his skills. Dwarde would play "Not Your Ordinary Love Song" without fail, in any given moment and time, and it would always get a great reaction from the crowd, so I had to get in touch to see if he'd be up for working with me & thankfully he was! We ended up making "Pineapple Soup" together & I can't remember why it's called that, I think he named the tune ????

Hobzee is one half of Silent Dust (him & Zyon Base) & I used to chat regularly with him and trade music with him on AOL Instant Messenger (showing my age here!) a long while back. He got back in touch with me about wanting to work on music together and he had an early version of "Sunspots" done. It was very promising sounding so I was quite keen to get involved with him on it and I'm grateful that I was able to get him on Future Retro London after many many years of IM chats!

Usually, I limit my collaborations on Meeting Of The Minds to producers that are fairly established and already somewhat known to other people, but for those who don't know who Eff is, she is a potentially familiar face to anyone who has attended a Future Retro London event, as she has been on the door for every single one. One day after a Distant Planet event in Bristol, she mentioned to me that she had an idea for a track inspired by a PFM tune and she already had the title in mind for it, which is "Wavebreak". I was curious about how this would sound in reality, so we met up to work on the tune & she said it was pretty much like how she had envisioned it & I liked how it sounded, so I thought it would be worth putting out on a future Meeting Of The Minds release, which ended up being this one.

Big up to all the artists involved on this edition of Meeting Of The Minds, it's quite a long and arduous task putting together each one, which is why there was such a gap between Vol. 9 & 10 and Vol. 11 & 12. I plan on getting the series back into something more regularly occurring, so hopefully I can actually stick to that plan!

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Tracklisting
A1 Marsch - Down To The Water
A2 Marsch - Lifted Into The Light
B1 Katnada - Angels
B2 Katnada - 333

Sales Note
Amotik's AMTK+ imprint welcomes two new names on the trend-setting split series. Berlin-based artist and Tresor New Faces host, Marsch, steps up first and takes care of the A-Side. She delivers two fierce and punchy kick drum rollers with hypnotic vocals. Her playful use of percussion creates a lively groove and sparkling energy. On the flip, Ibiza rising star Katnada brings the goods. Her powerful, functional techno feels like a perfect fit for the label. Two highly effective tools with emotion and tactically placed bleeps make this a vigorous trip that breathes passion for techno.

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For his fourth studio album, Brazilian troubadour Rubel returns to his roots with a sublime, stripped-back, singer-songwriter classic. Beleza. Mas agora a gente faz o que com isso? which translates to “Beauty. But now what do we do with it?”, was produced at home by Rubel and reconnects with his acoustic side: the idea of predominantly using simply vocals, guitar, and strings. A bossa nova and MPB-leaning body of work at its core, the album is a deeply personal and introspective journey, with the focus directed at the beautiful, simple essence of the songs.

Comprising seven original compositions penned by Rubel, the album also contains two majestic covers. 'A la Ventana, Carolina' by El David Aguilar is reworked into Portuguese by Rubel under the title ‘A Janela, Carolina’ with the air of a long-lost classic. To close out the album, Rubel puts his distinctive spin on Radiohead’s ‘Reckoner’, with the revered Brazilian maestro Arthur Verocai adding to the beautiful, melancholic textures through his string and horn arrangements.

The new record brings listeners back to Rubel’s origins, focusing on an intimacy and immediacy through voice and guitar that were unveiled on his debut LP Pearl from 2015, and refined on 2018’s Casas. The result is a personal and revealing repertoire that contrasts with his last album, the bold, innovative, and collaboratively focused As Palavras Vol. 1 & 2 from 2023.

Dealing with themes such as the passage of life, time, love, friendships, losses, and gains, the album is rich in delicate and honestly composed songs. The album opener 'Feiticeiro Gozador' instantly draws you in. Tender and soul-baring, it’s perfectly accompanied by a luscious string arrangement and graceful piano, giving a timeless nature to the track. Elsewhere, a future classic is found on the seductive and cinematic 'Ouro' that must be one of Rubel's finest songs. A heartfelt beauty that morphs into a hip-hop-tinged beat sure to touch your soul. That contemporary edge follows on ‘Azul, Bebê’, a drum-infused song that has that MPC sample feel of the golden beatmaker era.

With this fourth album, Rubel is becoming one of the key writers and performers of his generation, on a trajectory heading up to the heights of João Gilberto, Jorge Ben, Caetano Veloso, and the classic Brazilian songbook. He has managed to achieve that rare balance of appealing to both the mainstream and the underground in one celestial and cinematic swoop.

Both vinyl variants come in a gatefold sleeve with poster insert. CD has a 6-panel fold-out insert.

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