NON EXCL LP

Tracklist:
A1 Apricot Brandy
A2 Kriegsmaschinen, Fahrt zur Hölle
B1 Wald

’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)



By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”



Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.



The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

NON EXCL LP - Transparent Red Vinyl

Tracklist:
A1 Apricot Brandy
A2 Kriegsmaschinen, Fahrt zur Hölle
B1 Wald

’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)



By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”



Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.



The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

NON EXCL LP - Transparent Yellow Vinyl

Tracklist:
A1 Apricot Brandy
A2 Kriegsmaschinen, Fahrt zur Hölle
B1 Wald

’Samtvogel’ has been out of stock for a while but it is still one of more requested releases, so here is an updated pressing with availability in ultra limited 100 only runs of 3 different colored vinyl options. And because we do love old black vinyl, also a limited run in black. Chose your colour or collect the whole set! ;-)



By far one of the most important Krautrock experimental albums made during the ’70s. There are records that come from the soul. No matter how primitive may be the recording techniques the musician has access to, the soul gets its way to the heart and mind of the listener. “Samtvogel” is one of those records. Günter Schickert recorded that amazing piece of human greatness in 1974, using the media he had at the time, putting his brain at work to find the best way of taping everything he had to say. “When I was recording “Samtvogel” in 1974 I had only 2 Taperecorders. I played one track and while listening I added the second one. And so on. Four times. When I mixed all together I borrowed a 3rd taperecorder. And still added the last track to the master. I had a small mixer with 2 stereo and 1 mono but it was possible to pan tracks. No equalization. It all came out of my still living G2000 Dynacord guitar amplifier, of course valve, with no master, even the voice recorded through it. If I made a mistake in 1 track I had to repeat it from the beginning. And if while mixing I was not fast enough in changing the tape I had to start again. So it took me more than 3 months to get ready.”



Thanks to these three months of work, between June and September of 1974, ‘Samtvogel’ was privately issued that same year. It would later be issued on the Brain label, with a small change in the artwork –titles added to the front cover, which weren’t on the original private pressing. Brain also reissued it on the label’s “Rock On Brain” LP series, this time with a completely different sleeve. The album contained two tracks on side one and just one on side two, and its sound has often been compared to the most explorative works of Syd Barret – however it must be pointed that Schickert did not need any mind spreading substances to allow his sounds float out of his mind & soul, they just came out in the most natural way. It will also appeal fans of the echoed athmosferic guitar work of other kraut innovators such as Ash Ra Tempel, Manuel Götsching or A.R. & The Machines, and some may find on the vocal passages certain resemblances to Damo Suzuki on Can's 'Tago-Mago’ era.



The Wah Wah reissue is housed in a quality sleeve that reproduces that of the original 1974 private pressing and features a 4 page insert with liners and photos - sound remastered at Eastside mastering Berlin. Get this bird now, before it flies away again!



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

NON EXCL LP

Tracklist:
SIDE A
Calling All Beginners
Fleeing To the Poles
Ashes
Rouler ma Bosse
Sunday Machinery

SIDE B
Lucid Dreams
Twisted Maze
Rolla Bolla
Chinese Forecast


Band Of Nowhere is a new constellation project by Juanjo Sánchez, together with other collaborators with whom he had previously worked. It is worth mentioning Bob Drake on drums, former member of the legendary formation Thinking Plague (also on Hail, 5UU's, The Science Group) who has also mastered the project from their studio in the Midi-Pyrénées and also to mention the guitarist Jordi Cabayol (Camino al Desván) both Juanjo and Jordi began their career in a significant band of Barcelona of the early eighties, such as Entr'acte.



The becoming of Juanjo Sánchez would take him to other latitudes as a member of Alondra Satori and without losing the lighthouse of his city, he would collaborate with other outstanding musicians such as Quicu Samsó (Koniec, Macromassa).



The fluidity and chromaticism of his previous album Gonza Magilla is still perceived in here, but in a much more electrified way with guitars that are sometimes expansive, other times exuberant wrapped up with contagious synthesizer modulations and very marked rhythms. The production and especially the arrangements are fantastic with those special presences of synthesizers that are not common around here.



Its original improvisation and experimentation is skilfully adjusted by Juanjo Sánchez, giving a much more playful result with unexpected combinations, very much in continuity with a certain European Art Rock such as Aksak Maboul, Etron Fou, Zamla,The Work or the mischievous resonances of The League of Gentlemen; all this mapping the sound transit, to an unpredictable and vibrant non-place.



Housed in it's original hand made artwork with the little upgrade twist of silk-screen printing textured grey cardboard and including a insert colour with photos and text provided by Juanjo Sánchez.



Housed in it's original hand made artwork with the little upgrade twist of silk-screen printing in Plastic clear cover and including a insert colour with photos and text provided by Juanjo Sánchez.

Javier Hernando

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DE - 22113 Hamburg
Germany
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NON EXCL LP , LP IN FOLD OUT POSTER SLEEVE + INSERT

Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.



Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.

Tracklist:
SIDE A
Vida
Encontro
Melancolía
Marabá

SIDE 2
Acuario
Allí
Angustia
Espiral


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DE - 22113 Hamburg
Germany
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NON EXCL-LP+INSERT+SINGLE
LIMITED TO 500COPIES

Nirvana's third LP is a masterpiece of late UK sixties popsike turning into symphonic pop, but not having received proper promotion despite being equally good as, if not better than their previous releases, it also marked the end of the collaborations between Patrick Campbel-Lyons and Alex Spyropoulos back in 1969.



Nirvana presented it to Island boss Chris Blackwell under the title of Black Flower. Blackwell, however, decided to turn it down for release, but gave the masters to Campbell-Lyons and Spyropoulos so they could find a new label to release the album. That was to happen in the USA through Metromedia Records in 1969. At that time, the label's owner went through a scandal due to the payola days, which left Nirvana's third offering without any promotion - as a result of that, very few copies were pressed. There was also a UK release on PYE and it was even released by Metromedia in Japan. However, for years it remained as "the lost" Nirvana release, with the added fact that none of the released editions launched the album under its original title of Black Flower but under the rather cryptic Dedicated To Markos II (read why in the liner notes!).



Musically, this is Nirvana at their best. The tune that should have been the title track, Black Flower, is an incredible piece of symphonic psychedelia and probably the best produced Nirvana track ever. Campbell-Lyons and Spyropoulos were backed for the occasion by Spooky Tooth, who played on many tracks of the album, and big orchestral arrangements mesmerize the listener in one of the duo's darkest offerings. This song aside, the rest of the album was deemed as sounding too much like a French soundtrack by Island, which may do at some points –without that being a bad thing,– but there is a lot more to it, since Nirvana have not lost that popsike edge that characterised their sound in their two previous outings.



This is also a record that was widely acclaimed in the hip hop scene. And samplers of it have been used by several artists, most notably DJ Shadow used Love Suite in his 1996 debut album Endtroducing.



The Wah Wah edition has been remastered from the original tapes by Roger Prades @ Prades Mastering and comes with a bonus 7" EP and a four page colour insert with liner notes by Malcom Dome, plus a sheet with the lyrics of the songs. First ever official vinyl reissue since 1970 in a limited edition of 500 copies only!

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DE - 22113 Hamburg
Germany
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NON EXCL-LP+INSERT
LIMITED TO 500COPIES

In his youth days, Gontran lived on the road. He describes himself as a member of the alternative hippie generation, not of those who claimed wanted to change the world, but of those who actually took an alternate way of living. He travelled, took any jobs available to make some money to live wherever he was, and wrote beautiful songs accompaining himself on guitar. From time to time, when the stars aligned, when there was the chance, he would rent some studio time and lay down his compositions, always in a pretty bare way with little arrangements added on the spot, mostly by musicians who happened to be there and who improvised their parts - one take, we have it. With this procedure he released Funambule in 1975 and L'envol in 1977. He also worked with Dominique Le Roux on a joint venture LP in 1979.



On offer here is the first ever vinyl reissue of Gontran's second album L'envol, recorded in two hours on a Paris studio with a bass player (F.D. Aldonse) and two female vocalists whose surnames have been lost in the depths of time - Victorine and Theodorine. As the other Gontran albums, it was self released in a limited run private pressing which has nowadays become an elusive piece in the collectors market - so rare that it doesn't even appear on Phileas Folk's great The French Folk Magic Time Guide book.



The beautiful music contained within is a delightful sample of Gontran's excellent singer-songwriter qualities and his commitment to portray his inner world and livings through his musicated poems. He names as his biggest influences big names like Leonard Cohen, who he had the chance to meet and chat with when in Mumbai back in 1999, Bob Dylan or Jack Kerouak, but Gontran was centered in his vivences and commited to his need to express himself that he really doesn't sound like anyone but Gontran.



Amazing homemade folk sounds from an artist who, ironically, was always traveling abroad and stayed little at home!



A very rare private pressing, recently featured in Hans Pokora's last Record Collector Dreams book, valuing an original copy with 4 stars!



The Wah Wah reissue has been made with the great help of Gontran himself and features a faithfull reproduction of the original album artwork with the addition of an insert with photos, lyrics and liner notes. It is an edition of 300 copies only!





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NON EXCL-LP+Gatefold+INSERT
LIMITED TO 500COPIES
Recorded in 1973 at the Church of Saint Mary Magdalene in Paddington, London, Unfinished Picture is Rupert Hine's second LP. The songs where all composed by Hine with lyrics by David McIver and Simon Jeffries. On its sessions, Hine was surrounded by a host of outstanding musicians that included Simon Jeffes (Penguin Cafe Orchestra), Mike Giles (Giles, Giles & Fripp / King Crimson), Mick Waller (Cyril Davis, The Steampacket, Jeff Beck Group), Ray Cooper (Eric Clapton, Elton John) among others.



Rupert Hine's recording adventures started with the release of a 7" 45 by the folk duo Rupert & David "The Sounds Of Silence". In 1971 he was approached by Purple Records for the release of his debut solo LP Pick Up A Bone, which despite its lack of commercial success featured a strong collection of critically acclaimed compositions that made Purple Records want him to record a second album - Unfinished Picture, on which Hine showed a fantastic evolution to a more conceptual, cinematic approach. Echoes of Ray Davies, Kevin Ayers or hints of Nick Drake taken to a more 'happy' territoire mix with beautiful strings by The Martyn Ford Orange Ensemble and even some ARP synth explorations to build a fantastic collection of sounds that take the listener on a trip through the worlds of folk, psych and prog.



Hine's career would soon take off as a famed producer, he did work with Kevin Ayers, Milla Jovovich, Jonesy, Steve Tilston, Anthony Phillips, Camel, Saga, Rush, Tina Turner, Howard Jones, Bob Geldof, Suzane Vega, and many others.



The Wah Wah reissue offers the original artwork in its gatefold cover & insert and is limited to 500 copies only!



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DE - 22113 Hamburg
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NON EXCL-LP - First ever release with Moncollin's art on cover and liner notes by himself. Limited to 500 copies only!

ADN Ckrystall is the pseudonym of French synth experimentalist Érick Moncollin. Armed with a Crumar, Multiman 52 with brass pedal and sustain/volume pedal, two Kawai Synthi 100-F, Roland CR-65, Korg PS-3200, Roland Jupiter-4, a Boss flanger, MXR phasing and a TEAC 8-track recorder he produced his first LP, Jazz'Mad, with the help of synth expert sound engineer benoit Hutin. The LP was self-released in 1982 to critic aclaim and generated a fan base that has turned it into a timeless classic, having been reissued four times since then.



But what most people don't know is that Moncollin produced a second album with songs written 1982/1983 that has remained unreleased ever since. Only recently he found the tapes in his parents' house and transfered them for it's first ever vinyl release.





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NON EXCL-LP - housed in the original gatefold sleeve and features one bonus track with the 1971 single version of TheSaddest Day Of My Life. It's the first ever official vinyl reissue since 1971.

After Patrick Campbell-Lyons and Alex Spyropoulos dissolved their partnership, they both went separate ways in the music scene. Campbell-Lyons began work on the Local Anaesthetic songs while going through a series of personal matters which ended up being reflected in the tone of the album. He did release it under the Nirvana name in 1971, but what we have here is a totally different thing. He decided to break with what had been doing up to that moment, and came up with an experimental progressive rock album that was perfectly suited for the Vertigo label through which it was released. Musically, it has been compared to "something Frank Zappa could have done". It was not inspired by Zappa, but it certainly explored similar boundaries as he may have done in his works, often moving away from that pop sensitivity that had characterized Nirvana's previous outings. A unique sounding piece in their catalogue.



And although being so far from what was the Nirvana sound, we have another excellent LP here that has become a most sought after piece among collectors. Pianist/keyboardist Patrick Joseph "Pete" Kelly helped Campbell-Lyons complete the LP, which also featured collaborations by Jon Field, with whom Campbell-Lyons had the pre-Nirvana band Second Thoughts and who would later go to form The Tomcats, July and Jade Warrior - Jade Warrior's Tony Duhig had also played in Second Thoughts. Some brass arrangements are thrown in, but the orchestra is gone in favour of a harder free form, prog-rock sound.



The Wah Wah reissue is housed in the original gatefold sleeve and features one bonus track with the 1971 single version of TheSaddest Day Of My Life. It's the first ever official vinyl reissue since 1971. 500 copies only!

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NON EXCL-LP - Housed in a glossy textured reproduction of the original sleeve and featuring two bonus tracks not on the original release. 500 copies only! The Wah Wah edition is the first ever official vinyl edition since 1971.

Once again a work by Patrick Campbell-Lyons without Alex Spyropoulos, this time Songs Of Love And Praise showed a return to a more classic Nirvana sound. Campbell-Lyons revisited two of the most loved songs by the band, Pentecost Hotel from their debut LP and Rainbow Chaser from their second one. The album opens precisely with the amazing uptempo beat of Rainbow Chaser, which while sounding faithful to the original recording, it comes with a totally different approach on the arrangements. Campbell-Lyons states on the liners that he went for a step further in that field, and looked for a jazzy atmosphere. It sets the tone of the album: upbeat good vibrations songs that differ from the dark mood of the previous Local Anaesthetic LP and that besides these two songs revisited presents all new material.



Uplifted and positive, Songs Of Love And Praise gives what the title promises to take the classic Nirvana sound from their first three albums one step further with the collaboration of Bobby Harrison (Procol Harum, Snafu) Lesley Duncan, Maggie Bell and Sylvia Schuster (who had already played live with Nirvana at the time of their debut album).





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NON EXCLUSIVE - LP - LTD 500 - LP+GATEFOLD+POSTER

The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.



Postaeolian Train RobberyI is an obscure classic from the 1970's Belgian jazzy prog scene that has become a much sought after piece in the collector's market since it was originally released in 1974. Highly inspired by both the UK's Canterbury scene and the Zeuhl sound, the debut album by Cos has been compared to the likes of Soft Machine, Gong, Hatfield & The North, National Health, Gilgamesh, Egg, Placebo, Magma or Zao, with Pascale Son's unique wordless vocals and nonsense syllables singing in a voice that some sources have compared to Flora Purim's.The album was released on the small obscure label Plus, and has arised interest not only among prog-rock psych-heads and jazz experimentalists, but also among those looking for breaks and bits to sample.



The Wah Wah reissue comes housed in a beautiful reproduction of the original gatefold sleeve, featuring a 4-page image booklet and an insert with photos and liner notes. Mastered from the original tapes. We did the first official LP reissue with its original sleeve of this album some time ago and it sold out so soon that many of you has been asking for a reprint since - here is another 500 copies, again licensed from and with the collaboration of Daniel Schell.



Comes with a reproduction of killer original poster.

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NON EXCLUSIVE - LP - LTD 500 - LP+INSERT



The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.



Viva Boma was their second LP, originally issued in November 1976, and added some African influences to the mix, including the cover which, designed by Alain Goutier upon a concept by Daniel Schell, depicted a trio of hipopotamus that made reference to Boma, a portuary city at the banks of the river Congo, and Bomma, Belgian word for grandmother (hence the title appearing either with one or two m's on different parts of the artwork).



The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve and an insert with photos and liner notes. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.



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NON EXCLUSIVE - LP - LTD 500 - LP+INSERT

The origins of Cos date back to the second half of the sixties when Daniel Schell joined forces with Jean-Paul Musette, Pascale Son and Robert Pernet to form Classroom. When Classroom split, Daniel Schell and Pascale Son moved ahead and formed Cos together with Charles Loos, Alain Goutier and Bob Dartsch. They produced an experimental jazz rock sound linked to the influences above mentioned, but without being mere copycats since they always managed to keep to their own personality.



Babel was Cos' third long playing release, issued in 1978. It represented a new step in the band's evolution with the addition of new influences that ranged from musique dodécaphonique, minimalist droning, or even a hint of disco, without turning their backs to their earlier love for Canterbury sounds or more conventional jazz-rock. Dirk Bogaert, Francis Cahen and Marc Moulin all played in its sessions, making this a superb sample of what was going on through the Belgian music scene in those days.



The Wah Wah reissue comes housed in a beautiful reproduction of the original sleeve. Limited edition of 500 copies, licensed from and with the collaboration of Daniel Schell.



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NON EXCLUSIVE - LP - LTD 500 - LP+INSERT

Back by popular demand here is a very limited repressing of this krautrock masterpiece with connections to Kraftwerk.

Lengthy and strongly percussive cosmic fussion instrumentals with a middle-eastern flavour by this Kraftwerk-related outfit led by Basil Hammoudi (Organisation). A great, unknown album from the jazzier end of the krautrock spectrum (think of Kollectiv, Thirsty Moon, Niagara, Annexus Quam, Embryo...)



Remastered sound, faithfull gatefold sleeve reproduction, insert with liner notes.



A limited repressing of only 500 copies - please note that the first pressing sold like hot bread and has been unavailable ever since, do not miss this killer edition repressed by popular demand!

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NON-EXCL LP limited edition of 500 copies + bonus 7" with previously unreleased tracks on vinyl

Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer sound is found, not only due to the use of the new gear, since some of its tracks where recorded using only his old EMS, but also due to his won experience after having taken his works to the life stages in the Golf Drouot boite, the Lase Olympia venue (on the basement of the famous Olympia), the Paris Planetarium or those for planned one month tour (of which in the end only four dates were accomplished).
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released Green Ray in 1976. It is a work made with minimal equipment if compared to other French sythetists, not to mention their German peers, he worked on the EMS VCS3 synth and used a 4-track Teac and a Revox A77 Mk IV reel to reel tape recorders obtaining huge sound results. You can appreciate an influence from the Berlin school, Green Ray walks the same path of what artists like Tangerine Dream and the likes were producing at the time, Zanov had felt under the spell of Ricochet, but his head was boiling with ideas which gave the recordings a very personal, unique touch.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Tracklist:

A1 Moebius 256
A2 Moebius 301
A3 Enygma
A4 Plénitude
B An Zéro
C Zephyr
D Moebius 256

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NON EXCL-LP limited edition of 500 copies+ 7"+ 8 page booklet

Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing works into a 4-track Teac tape machine. French music was at its best, it was the time of Jean Michel Jarre, Didier Bocquet, Richard Pinhas and Heldon, Alain Meunier... Even Gong's Tim Blake was living in France at that time. And so Zanov soon caught the attention of Polydor, who released Green Ray in 1976. It is a work made with minimal equipment if compared to other French sythetists, not to mention their German peers, he worked on the EMS VCS3 synth and used a 4-track Teac and a Revox A77 Mk IV reel to reel tape recorders obtaining huge sound results. You can appreciate an influence from the Berlin school, Green Ray walks the same path of what artists like Tangerine Dream and the likes were producing at the time, Zanov had felt under the spell of Ricochet, but his head was boiling with ideas which gave the recordings a very personal, unique touch.

Zanov's three albums met with unanimous critical acclaim for the sound quality as well as for the originality of this very personal universe.

Tracklist:

A1 Green Ray
A2 Machine Desperation
B Running Beyond A Dream

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NON EXCL-LP First ever vinyl reissue in a limited run of only 500 copies!

Nik's last album, Zero Gravity (Narco NR123) came under the Nik Pascal name and had a fantastic side long piece on the title track which reminisces of the works of Cluster. B side features four tracks that also bear some Conrad Schnitzler reminiscences. This was to be Nik's last LP before he would sell all his synths to ex car racer and future electronic/ambient music star Steve Roach. Besides his musical explorations, Nik was also an interesting painter. His paintings are auctioned from time to time, and are consciousness expanding works influenced by abstract cubism and surrealism, some kind of Salvador Dalí on drugs exploring the outter and inner space. All the artwork on the sleeves of his LPs is done by himself. Spacey landscapes and psychedelic colours that fit perfectly to the music they contain.

Tracklist:

A1 Zero Gravity
B1 Robot Rock
B2 Sounds From The Blue Planet
B3 I Q + U = ?
B4 Alpha Wave Diffusion

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TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19


Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.



AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.

A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.

Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.

--

Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt

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Germany/Switzerland Only!

‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.

“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”

Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.

“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.


Key Selling points:

* Winner of the MOBO Award for “Best Album Of The Year”

* First vinyl release of ‘The Trees Know Everything”

* Full UK club, radio and PR campaign around release


Socials:
Adam F: FB: 81k+ / Spotify 141k listeners 32k followers / IG 22.8k+ Followers | YT: 3k / Twitter 300+ | TikTok: 1.2k

* Press / Promotion:
Promotion from 181 Recordings and Adam F via DJ + producer communities, label mailing
list, patrons and online social pages. Meta business manager ads promoting streaming and indie-record shop vinyl links.
PR partner Listen Up mail-outs, seeking reviews, specialising in electronic press.

Confirmed coverage:
DJ Mag ‘Making of’, DJ Mag ‘Game Changers feature’, Reddit AMA, DJ Mag Italia interview, DMY interview, UKF interview, BBC Sports interview, Liverpool FC Guest Column, Scuba ‘Not a Diving Podcast’ podcast guest, Juno Daily, Forbes Spain

Bleep mix and interview:
https://bleep.com/bleep-mix-289-adam-f

* Radio / Internet
Radio and club promo UK via Listen Up. Club and electronic shows targeted. Short-form videos featuring the tracks and
vinyl will be posted by Adam F. Adam is

Radio plays for the project:
BBC Radio 6, BBC Radio 1Xtra, KEXP; Future Radio, Kool FM. Kiss FM, Funky Essex, WDRT, Phatsoundz, Point Blank FM, ZM, UK Bass Radio, Kursh FM, Flex FM and more

Download card Tracklist:
Brand New Funk Revisited (Adam F Reboot)
Brand New Funk Revisited (Bladerunner Reboot)
Music in My Mind Revisited (DJ Marky & Makoto Reboot)
Music in My Mind Revisited (Nookie Reboot)
Colours Revisited digital album

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12"

GENRE/S: Dub House, Deep House, Tech House


TRACKLISTS:

A1: Tibi Dabo - A Go Go
A2: Tibi Dabo - Desert Hike (ft. vonvon)

B1: Cubemod & Joe Davies - Cutty Sark


SHORT INFO:
We trying hard to keep things real here with a new vinyl drop pulling out a a limited series for the crate diggers.


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Genre/s: Jazz, Contemporary, Pop

Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme

SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.


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WAS - Word and Sound Medien GmbH
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Germany/Switzerland Only!

‘Colours Revisited’, a revision of Adam F’s MOBO Award-winning 1997 debut album is a story of musical rebirth and passion. Adam F, realising that ‘Colours’ had found a new audience—partly thanks to artists like PinkPantheress—decided to recreate the album. Instead of simply remastering the tracks, Adam went all in. Over two years, he meticulously reworked the original music, from restoring vintage instruments like his Fender Rhodes piano to enlisting UK jazz legends like Julian Joseph. Vocalists including Kirsty Hawkshaw and the late MC Conrad re-recorded their parts, while new solos from world-class musicians added fresh life to the tracks.

“Colours holds a special place in my heart because it was not only my first solo album, but also because I had the opportunity to collaborate with diverse talents,” says the seminal producer on his ground-breaking album. “Musicians of a calibre such as Dave Ital (Guitars), The Jazz Great Julian Joseph (Keyboards and Fender Rhodes), MC Conrad (MC/Artist), Roni Jordan (Jazz a guitarist who had a hit with Miles Davis’ “So What”), Tim Philbert/Tim the Bass (Bass), Greg Leicester (Bass), Maurice Capillaire/MC MC (Live MC)…”

Adam continues “We were honoured to be nominated for MOBO “Best album of the year” alongside renowned acts of that time, including Hinda Hicks, Des’ree, Lighthouse Family, and Massive Attack. In fact, I was so convinced that we wouldn't win that I didn't prepare a speech, and that definitely showed in my genuine surprise. Colours also went on to be a top 20 UK National Chart hit which lead to Metropolis winning Tune of the Year at the Underground Awards. Music In My Mind from the same album was inspired from Herbie Hancock ‘Rocket’ and ‘I Thought It Was You’.

“Fast forward to 2020, I never thought of ever revisiting ‘Colours’. But it seems that time has come round full circle, the interest is there.” The revisited album deftly weaves together the energy of new live instrumentation with the 80’s British electronica and jazz fusion inspired sounds of the original.
The result is a project which not only brings the album into the glistening present but somehow manages to add further depth and sense of understanding of the original ‘Colours’, the influences latent within it and how and why it has gone on to influence so many others since it’s inception throughout the world. This is a must have album which pays homage to what has become a cornerstone of British electronic music history.


Key Selling points:

* Winner of the MOBO Award for “Best Album Of The Year”

* First vinyl release of ‘The Trees Know Everything”

* Full UK club, radio and PR campaign around release


Socials:
Adam F: FB: 81k+ / Spotify 141k listeners 32k followers / IG 22.8k+ Followers | YT: 3k / Twitter 300+ | TikTok: 1.2k

* Press / Promotion:
Promotion from 181 Recordings and Adam F via DJ + producer communities, label mailing
list, patrons and online social pages. Meta business manager ads promoting streaming and indie-record shop vinyl links.
PR partner Listen Up mail-outs, seeking reviews, specialising in electronic press.

Confirmed coverage:
DJ Mag ‘Making of’, DJ Mag ‘Game Changers feature’, Reddit AMA, DJ Mag Italia interview, DMY interview, UKF interview, BBC Sports interview, Liverpool FC Guest Column, Scuba ‘Not a Diving Podcast’ podcast guest, Juno Daily, Forbes Spain

Bleep mix and interview:
https://bleep.com/bleep-mix-289-adam-f

* Radio / Internet
Radio and club promo UK via Listen Up. Club and electronic shows targeted. Short-form videos featuring the tracks and
vinyl will be posted by Adam F. Adam is

Radio plays for the project:
BBC Radio 6, BBC Radio 1Xtra, KEXP; Future Radio, Kool FM. Kiss FM, Funky Essex, WDRT, Phatsoundz, Point Blank FM, ZM, UK Bass Radio, Kursh FM, Flex FM and more

Download card Tracklist:
Brand New Funk Revisited (Adam F Reboot)
Brand New Funk Revisited (Bladerunner Reboot)
Music in My Mind Revisited (DJ Marky & Makoto Reboot)
Music in My Mind Revisited (Nookie Reboot)
Colours Revisited digital album

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Hello Softies,
Too Slow To Disco NEO is back with a (mellow) bang

A strictly limited teaser 12 Inch featuring two exclusive new tracks:
Side A - a warm, lazy dub-disco track by L.A.'s electronic-slow-disco musician TURBOTITO
Side B - a funky Vibes4YourSoul Remix for mysterious New York artist 1-900.

Both tracks will be released on our sister label Too Slow Too Disco NEO, invented by Dj Supermarkt for modern, warm Sunset Disco.

Side A is also the first track from our upcoming summer compilation THE SUNSET MANIFESTO 2.
(featuring exclusive tracks/remixes by Poolside, Young Gun Silver Fox, Prep & Eddie Chacon, Woolfy, Lovetempo, Joel Sarakula a.m.m.
Side B will exclusively be available only on this 12 Inch

The tracks take the listener on a warm trip into a modern, laidback electronic sunset disco land, where groovy Westcoast-vibes meet dreamy Balearic sounds, mixed with a modern Nu-Disco/Daytime Disco style.

Enjoy your bottled sunshine (responsibly)!

A: Turbotito - Time Starts Moving Slow
B: 1-900 - Breaking 84 (Vibes4YourSoul Remix)


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EP- Warehouse find /Original Pressing Mint and NOS Copies by this label ditsributed by teh Long goen Japanese Companies Cisco and DMR (Dance Music Records)

WORLD IS WAITING FOR US
A collection of 3 split 12” vinyls from Japan’s most interesting artists!

Tracklist:

A1. Sunaga T Experience– Theme From "THE RECORD BUNCH"
B1. Mansfield– Style Pt. 1
B2. Mansfield– Style Pt. 2


SUNAGA tatsuo (sunaga t'experience)
DJ and Music Producer. Basing his activities around his own club ‘Shibuya Organ Bar’, holds
regular club nights throughout Japan. Apart from his own mix CDs such as the ‘Organ b.
SUITE’ which many say is in a class of its own, has produced remixes for the ‘Soul Source
2: Jackson 5 Remix’ and Yasuharu Konishi’s ‘Punch the Monkey’. He began his own label
‘AFTERS OR’ in 1998,acting both as artist and producer. Releasing records under the alias
of ‘Sunaga t experience’ on avex/cutting edge records, the ‘It’s you’ 12 inch made record
sales of 7,000 records, an incredibly large number in the vinyl market. His name is known
in Europe through such labels as IRMA and SCHEMA records, and has remained in the
forefront of the industry since the beginning of the Tokyo club scene.


IKEDA masanori (Mansfield)
Began his DJ career in London, 1991, while working in Soho’s Soul Jazz Records. After
becoming resident DJ at ‘Blow-Up’ in London’s Wag Club, he has toured the country and
the rest of Europe. With his friends Karminsky Experience and Gentle People, he has
also organised numerous club events, compiled CDs and produced radio programs. Returning
to Japan in 1997, as the DJ with the rarest records in the East, he immediately made his
name Djing at many popular events up and down the country. He is recognised for rocking
dancefloors on a global scale having completed a very well-received European tour in 2000.
Apart from his DJ work, he has contributed remixes for Konishi Yasuharu’s ‘Punch the
Monkey!’. His solo releases include his mix CD series ‘Spin Out’ , ‘Spin Out 2’ (V2 Records
Japan). His albums ‘6 Complexions of Mansfield’ and ‘It’s a mans’s man’s field’ (readymade
records) released under his alias Mansfield have established his name as a sound creator.
He is expecting to release a new album from readymade international early 2002. This
is the DJ/composer that everyone’s talking about.

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J.Wiltshire returns to MUSAR with Sunflower At Day EP — a deep, atmospheric excursion across four tightly woven dance-floor tracks.
Marking MUSAR’s 20th release, this EP showcases some of Wiltshire’s most club- ready work yet, blending outsider house, ambient trance, and Cornish electronic influences.

The title track ‘Sunflower At Day’ is a shoegaze-infused chugger that nods to the ethereal haze of My Bloody Valentine and has a rave energy reminiscent of Future Sound of London. Track two, ‘Cosmic Slap’, takes over with its deep, dub- heavy sounds and off-kilter rhythms, playing to Wiltshire's more experimental side under a techno beat.

On the B side, we dive deeper into Wiltshire's intricate melodic world.
‘Traversing’ unfolds with enveloping, pastoral harmonic patterns, balancing surging intensity with an organic flow.
Finally, the EP closes with the cinematic ‘Rush Point 9’, a late-night noir groove that offers a perfect, reflective finale to this sonic journey.

With Sunflower At Day, Wiltshire fuses intricate textures and melodies with dance- floor intensity, offering another great soundscape from the artist for both club and home listeners.


A1. Sunflower At Day / 06:16
A2. Cosmic Slap / 05:21
B1. Traversing / 06:40
B2. Rush Point 9 / 05:49

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Format: Cassette + Download

Tracklist:
Side A
Passarani – Studiomaster Numero 3
Analog Fingerprints – LoFi Or Chee’say
Passarani – Studiomaster Numero 1
Passarani – Studiomaster Numero 5
Passarani – Studiomaster Numero 4
Passarani 2099 – Wake Up Shake It
Pss2099 – Kir’Shara
Passarani 2099 – Betamethasone Quadrant
Side B
Analog Fingerprints – Psy Vs Psy
Passarani - Studiomaster Numero 2
Passarani 2099 – Bumpy Asstatic Probe
Passarani 2099 – Nerve Pinch
Kids Of Rotten Future – Feel The Struggle
Passarani – I Need My Acid
Passarani – Test Drive
Passarani 2099 – The Fury And The Storm


Studiomaster was born from an experiment I ran for a little over a year, releasing tracks exclusively on Bandcamp. I wanted to see how far music could travel without the institutional machinery of a label, without physical products, and without relying on mainstream platforms. The experiment worked so well that Studiomaster has now evolved into a label with physical vinyl releases. Throughout this journey, I found myself missing the physicality of music. So, to celebrate it, I decided to release something in a format I had never used before: the cassette tape. What better occasion to bring together a collection of previously unreleased tracks in the physical world and craft a mix the old-school way? Get your tape quickly, it's limited!
ps: The tape unlocks download for all the tracks featured in the mix!





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2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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