Label:Sneaker Social Club
Cat-No:SNKRLP011
Release-Date:29.11.2024
Genre:Breaks
Configuration:2LP
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Etch - Paternal Curse
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Etch - Star Fallen Feat. J-Shadow
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Etch - Three Of Me, One Of You
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Etch - No Fuckry
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Etch - Hadanar Melody
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Etch - Not Suprised Feat. Lee Scott
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Etch - Stepford Lives Feat. E.M.M.A
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Etch - Blue Note
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Etch - Halloween Blue
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Etch - Crusht Wings
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Etch - Prayer Wheel (Left You Fi Dead) Feat. Killa P
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Etch - Heatmap Feat. Emz
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Etch - Inside The Box
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Etch - Amnixiel
True Sneaker Social die-hard Etch returns with a monumental new album. Scream of the Butterfly shows the depth and breadth of one of the illest producers operating across the many spheres of club music with a distinct “you ‘kay?” slant.
From the moment the low-end pressure and loaded samples rear their heads on the opening track, Zak Brashill demonstrates his intent to sculpt Scream Of The Butterfly as a proper album — an end-to-end listening experience full of peaks and troughs which focus on sonic storytelling much more than club functionality. Throughout his imperious output to date, the man like Etch has displayed an affinity for sound design to match his instinct for what bangs on the spectrum of dubstep, garage, jungle and hip-hop, but now he’s gone postal on soundworld-building, with a grip of heavyweights drafted in to help set the scene.
Fellow Sneaker alumnus J-Shadow lends his maverick footwork science to ‘Star Fallen’, while UK rap anti-royalty Lee Scott brings his unmistakable Runcorn drawl to dusky head-nodder ‘Not Surprised’. UK bass-synth-ambient enigma E.M.M.A drops in for the moody, meandering midpoint ‘Stepford Lives’, and Killa P and Emz deliver blazing bars to the double dose of ‘Prayer Wheel (Left You Fi Dead)’ and ‘Heat Map’ respectively.
Elsewhere Brashill follows his own razor-sharp instincts into warping stop-start drum science, widescreen downtempo with teeth, seasick synth studies, moody-but-cosy 140 and lots more besides. Nothing comes as standard, but Scream of the Butterfly is ruff when it wants to be, subtle and spacious if the vibe demands it, and consistently packed full of the detail and intrigue that we’ve come to expect from one of the most inventive and reliably sick producers in the contemporary bassweight firmament.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
From the moment the low-end pressure and loaded samples rear their heads on the opening track, Zak Brashill demonstrates his intent to sculpt Scream Of The Butterfly as a proper album — an end-to-end listening experience full of peaks and troughs which focus on sonic storytelling much more than club functionality. Throughout his imperious output to date, the man like Etch has displayed an affinity for sound design to match his instinct for what bangs on the spectrum of dubstep, garage, jungle and hip-hop, but now he’s gone postal on soundworld-building, with a grip of heavyweights drafted in to help set the scene.
Fellow Sneaker alumnus J-Shadow lends his maverick footwork science to ‘Star Fallen’, while UK rap anti-royalty Lee Scott brings his unmistakable Runcorn drawl to dusky head-nodder ‘Not Surprised’. UK bass-synth-ambient enigma E.M.M.A drops in for the moody, meandering midpoint ‘Stepford Lives’, and Killa P and Emz deliver blazing bars to the double dose of ‘Prayer Wheel (Left You Fi Dead)’ and ‘Heat Map’ respectively.
Elsewhere Brashill follows his own razor-sharp instincts into warping stop-start drum science, widescreen downtempo with teeth, seasick synth studies, moody-but-cosy 140 and lots more besides. Nothing comes as standard, but Scream of the Butterfly is ruff when it wants to be, subtle and spacious if the vibe demands it, and consistently packed full of the detail and intrigue that we’ve come to expect from one of the most inventive and reliably sick producers in the contemporary bassweight firmament.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Etch
Label:Ilian Tape
Cat-No:ITX034
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Last in:25.11.2024
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Label:Ilian Tape
Cat-No:ITX034
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Etch - Liz's Track
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Etch - Asami
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Etch - Jacks Design
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Etch - Clockwork Romance
Unbridled introvert scooter crushers
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Hypercolour
Cat-No:HYPE091
Release-Date:29.04.2022
Genre:Breaks
Configuration:12"
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Label:Hypercolour
Cat-No:HYPE091
Release-Date:29.04.2022
Genre:Breaks
Configuration:12"
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Etch - Lazyville
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Etch - Gaia's Mainframe
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Etch - Pluto's Grave
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Etch - Belladonna & The Poppies
Noted for his vast and psychedelic bass heavy productions, Brighton based producer Etch pulls out four killers for the ‘Sloppy Rhythm Trax’ EP on Hypercolour.
With a pedigree that has bestowed labels like IllianTape, Sneaker Social Club, LMD SunkWorks and TempOzone with exceptional singles and albums, the man like Etch fires on all cylinders for his Hypercolour debut.
Impenetrable and heady vibes are served up on ‘Lazyville’, whilst‘ Gaia’s Mainframe’ give us some of that aforementioned psychedelic bass in spades!‘
Pluto’s Groove’ tears into jungle and d‘n’b territories, rinsing out the acid breaks vibes, whilst ‘Belladonna & The Poppies’ throws down more sub bass frequencies in a dusty and decidedly chugging EP finale.
LAURENT GARNIER
"Hummm this is twisted and so damn good"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
With a pedigree that has bestowed labels like IllianTape, Sneaker Social Club, LMD SunkWorks and TempOzone with exceptional singles and albums, the man like Etch fires on all cylinders for his Hypercolour debut.
Impenetrable and heady vibes are served up on ‘Lazyville’, whilst‘ Gaia’s Mainframe’ give us some of that aforementioned psychedelic bass in spades!‘
Pluto’s Groove’ tears into jungle and d‘n’b territories, rinsing out the acid breaks vibes, whilst ‘Belladonna & The Poppies’ throws down more sub bass frequencies in a dusty and decidedly chugging EP finale.
LAURENT GARNIER
"Hummm this is twisted and so damn good"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Tempo Records
Cat-No:TempOzone00
Release-Date:30.08.2021
Genre:Techno
Configuration:12"
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Label:Tempo Records
Cat-No:TempOzone00
Release-Date:30.08.2021
Genre:Techno
Configuration:12"
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1
Etch - Dodgy Acid Trax
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Etch - Blood On The Mound Ft Deapmash
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Etch - Int1__
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Etch - All Circles Vanish
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Etch - Soft Fog Dystopia
New Tempo Records sublabel; TempOzone releases Brighton based producer Etch; who dives deep into the underworld of Breakbeat / Acid-Techno science with these five rugged 'n raw tracks. Etch is the most inventive break-experimentalist in operation right now. Cutting breaks is his modus operandi. This beautiful crafted crystal clear vinyl 12? comes in a new designed Tempo Records high quality "Kraft" outer sleeve and a beautiful innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Ilian Tape
Cat-No:ITX019
Release-Date:14.01.2021
Genre:Techno
Configuration:12"
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Label:Ilian Tape
Cat-No:ITX019
Release-Date:14.01.2021
Genre:Techno
Configuration:12"
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Etch - This Morning, Transparently
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Etch - No Paradise
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Etch - This Isn't Music
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Etch - Zone Tripper
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Etch - Lurch
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Etch - Emmageddon Snow Waltz
Quirky Rethought Cyber Assault
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Sneaker Social Club
Label:Sneaker Social Club
Cat-No:SNKR060
Release-Date:21.02.2025
Genre:Breaks
Configuration:12"
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Cat-No:SNKR060
Release-Date:21.02.2025
Genre:Breaks
Configuration:12"
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Dogpatrol - 1200kcal
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Dogpatrol - Baby Flame
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Dogpatrol - Ya Playin Yaself
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Dogpatrol - Offenbach HBF Riddim
Still sniffing out the gnarliest bassweight swerves on his rounds in the underground, Dogpatrol makes his way back to Sneaker Social Club for another four cuts of irreverent, misfit rave damage.
Hailing from Offenbach (DE) but with a sound more indebted to UK styles like breakbeat hardcore, dubstep and garage, DogPatrol has been a natural fit on Sneaker. The slanted approach he takes to his influences results in a mutant style that shuffles and slams in all the right places without sounding like anything else out there.
‘1200kcal’ rides jagged, dusty drums that come on like drunken UKG, offset by rubbery bass arps that add a cosmic lick to proceedings. ‘Baby Flame’ has a nastier outlook hinging on a bludgeoning synth splat that calls back to the Control Tower brand of warehouse electro from the early 00s. Making sure no-one is second guessing the scent Dogpatrol is tracking, ‘Ya Playin Yaself’ dips into a dubstep-minded half-step roller with naive keys run through a giddy signal chain. ‘Offgenbach HBF Riddim’ completes the set with a breakbeat cut n’ paste job which tracks back to the source with strong echoes of The Blapps Posse’s raw and funky approach.
The reference points are just slight hints of familiarity, but Dogpatrol comes across as inspired as ever digging up the bones of cult rave signifiers and chewing them into his own unique shapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Hailing from Offenbach (DE) but with a sound more indebted to UK styles like breakbeat hardcore, dubstep and garage, DogPatrol has been a natural fit on Sneaker. The slanted approach he takes to his influences results in a mutant style that shuffles and slams in all the right places without sounding like anything else out there.
‘1200kcal’ rides jagged, dusty drums that come on like drunken UKG, offset by rubbery bass arps that add a cosmic lick to proceedings. ‘Baby Flame’ has a nastier outlook hinging on a bludgeoning synth splat that calls back to the Control Tower brand of warehouse electro from the early 00s. Making sure no-one is second guessing the scent Dogpatrol is tracking, ‘Ya Playin Yaself’ dips into a dubstep-minded half-step roller with naive keys run through a giddy signal chain. ‘Offgenbach HBF Riddim’ completes the set with a breakbeat cut n’ paste job which tracks back to the source with strong echoes of The Blapps Posse’s raw and funky approach.
The reference points are just slight hints of familiarity, but Dogpatrol comes across as inspired as ever digging up the bones of cult rave signifiers and chewing them into his own unique shapes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR062
Release-Date:07.02.2025
Genre:Breaks
Configuration:12"
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Configuration:12"
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Hooverian Blur - Hypnotizer
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Hooverian Blur - Wacky Robot
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Hooverian Blur - Project One
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Hooverian Blur - Double Depths
Ploughing lesser-used breaks and finding finesse in the ruffest and tuffest rave emissions, Jason Warlock is back with more of that untouchable clout he rolls out as Hooverian Blur. Team Sneaker have been proud to platform the project plenty in the past, and so it goes on this latest four-strong salvo of blunted samples and head-threading synth hooks.
In terms of pace and sheer sonic breadth Hooverian Blur aligns with the embryonic days of hardcore, before breakbeat dogma had set in. Rather than opting for tear-out intensity, the likes of 'Hypnotizer' and 'Wacky Robot' roll with a lean-on that feels like the sweet spot between rave and rap. It's trippy, ready to take a left turn and tweak your nervous system with a plethora of zaps and pings, and it's got more than enough bassweight and mid-range snap to get bodies twisting, but edgy hysteria has been replaced by a cool and deadly demeanour which makes these joints all the more addictive.
'Project One' still slaps with a crafty one-two between rolling drum licks and machine-powered thrust, and 'Double Depths' digs deep down in the crusty edits, but yet again Warlock demonstrates an assured poise in his Hooverian Blur guise which can only come from serious skin in the game.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
In terms of pace and sheer sonic breadth Hooverian Blur aligns with the embryonic days of hardcore, before breakbeat dogma had set in. Rather than opting for tear-out intensity, the likes of 'Hypnotizer' and 'Wacky Robot' roll with a lean-on that feels like the sweet spot between rave and rap. It's trippy, ready to take a left turn and tweak your nervous system with a plethora of zaps and pings, and it's got more than enough bassweight and mid-range snap to get bodies twisting, but edgy hysteria has been replaced by a cool and deadly demeanour which makes these joints all the more addictive.
'Project One' still slaps with a crafty one-two between rolling drum licks and machine-powered thrust, and 'Double Depths' digs deep down in the crusty edits, but yet again Warlock demonstrates an assured poise in his Hooverian Blur guise which can only come from serious skin in the game.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR055
Release-Date:06.12.2024
Genre:2step/garage
Configuration:12"
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Label:Sneaker Social Club
Cat-No:SNKR055
Release-Date:06.12.2024
Genre:2step/garage
Configuration:12"
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Kaval - Pistolaser
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Kaval - Combo II
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Kaval - Kingda Ka
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Kaval - Enchanter
Is anyone in France keyed into the sound of UK funky as sharply as Kaval? Sneaker sets out a strong case with this four-tracker of cool and deadly shufflers which take that insistent groove and give it a different lick.
Kaval has got plenty going on in Toulouse, where he’s riding the online airwaves with the Egregore Collective and got his name all over the Riddim Supplies series 12”s. Those with their sticky fingers on all the best bits of wax the past few years might have stumbled across those records in the racks. Elsewhere, he’s also locked in with the Ruff Club crew who are bringing the DIY free party vibe to Toulouse under railway lines, in abandoned buildings and anywhere they can sneak a genny, a system, some lights and a vibe. All this is to say Kaval is the real deal, doing things the proper way, and it shows in his tunes.
The cuts on this record are absolutely built for the dance, functional like a DJ record should be but not at the expense of the flair. ‘Combo II’ has fun slipping snatches of MCs around utopian synth licks, while ‘Pistolaser’ is spilling over with crafty micro edits and snappy samples that bring the limber groove to life. The crooked beat and rounded square wave bass is a given, and Kaval wields the rhythm section with poise, but it’s the playful energy he brings to the top end which really lifts his gear. It’s no wonder his tracks have been bumped by the likes of Nick Léon, perfectly bridging the gap from funky into the deft Latin-tinged zones explored by the Miami heavyweight.
It’s records like this that prove exploration of UK funky, like so many club genres, has so much more to give to the dance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Kaval has got plenty going on in Toulouse, where he’s riding the online airwaves with the Egregore Collective and got his name all over the Riddim Supplies series 12”s. Those with their sticky fingers on all the best bits of wax the past few years might have stumbled across those records in the racks. Elsewhere, he’s also locked in with the Ruff Club crew who are bringing the DIY free party vibe to Toulouse under railway lines, in abandoned buildings and anywhere they can sneak a genny, a system, some lights and a vibe. All this is to say Kaval is the real deal, doing things the proper way, and it shows in his tunes.
The cuts on this record are absolutely built for the dance, functional like a DJ record should be but not at the expense of the flair. ‘Combo II’ has fun slipping snatches of MCs around utopian synth licks, while ‘Pistolaser’ is spilling over with crafty micro edits and snappy samples that bring the limber groove to life. The crooked beat and rounded square wave bass is a given, and Kaval wields the rhythm section with poise, but it’s the playful energy he brings to the top end which really lifts his gear. It’s no wonder his tracks have been bumped by the likes of Nick Léon, perfectly bridging the gap from funky into the deft Latin-tinged zones explored by the Miami heavyweight.
It’s records like this that prove exploration of UK funky, like so many club genres, has so much more to give to the dance.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR056
Release-Date:22.11.2024
Genre:Breaks
Configuration:12"
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Cat-No:SNKR056
Release-Date:22.11.2024
Genre:Breaks
Configuration:12"
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Christoph De Babalon - For Nothing
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Christoph De Babalon - Total Deceit
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Christoph De Babalon - Jaded Memory
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Christoph De Babalon - Dearth Mill
The dark lord of the dance returns to Sneaker with the 'No Favours' EP, another ominous set of non-conformist shellers rough-cut from obsidian and set in steel.
We first broadcast our love of Christoph de Babalon's distinctively destructive, hard-boiled hardcore via the Evident Ware compilation back in 2020, but a longer release has been an ambition of ours ever since. From his early years on Digital Hardcore through his prolific return in the 2010s across a broad tapestry of underground operators, de Babalon has left a fascinating trail of albums, EPs and scattershot tracks behind him that feed into the cult fervour around his music.
As this EP demonstrates in reliably gritty fashion, the magic in the German producer's music lies in his ability to take the tropes of jungle and hardcore and subvert them through signal chains which owe more to noise and industrial than dance music. The structure of his tracks is equally maverick, pushing and pulling according to its own whims rather than following the dancer-centric energetic flow of a standard club record. Somewhere in this alchemy between classic ingredients and confrontational experimentation, he evokes the original chaotic spirit of hardcore when it seemed anything was possible within the music.
'For Nothing' is the perfect example — a tunnelling odyssey of ferrous atmospheres, roundhouse drums and bass bloated into the red on a force-fed diet of saturation. 'Total Deceit' turns up the pressure on the break chopping science de Babalon is capable of, teasing gamelan flurries and elegiac swirls that hit at the emotional depth he can wrench amidst such bludgeoning material. 'Jaded Memory' funnels Mentasm bass into a strange new form amidst staggering, tightly clipped drumfunk, leaving enough space for haunting ballroom reveries stretching out across the mid-section. That leaves it to 'Dearth Mill' to mop up with gloriously creepy detuned piano notes slopping over each other in between the most ferocious blasts of drums on the whole record.
You didn't expect something straight-forward, did you?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
We first broadcast our love of Christoph de Babalon's distinctively destructive, hard-boiled hardcore via the Evident Ware compilation back in 2020, but a longer release has been an ambition of ours ever since. From his early years on Digital Hardcore through his prolific return in the 2010s across a broad tapestry of underground operators, de Babalon has left a fascinating trail of albums, EPs and scattershot tracks behind him that feed into the cult fervour around his music.
As this EP demonstrates in reliably gritty fashion, the magic in the German producer's music lies in his ability to take the tropes of jungle and hardcore and subvert them through signal chains which owe more to noise and industrial than dance music. The structure of his tracks is equally maverick, pushing and pulling according to its own whims rather than following the dancer-centric energetic flow of a standard club record. Somewhere in this alchemy between classic ingredients and confrontational experimentation, he evokes the original chaotic spirit of hardcore when it seemed anything was possible within the music.
'For Nothing' is the perfect example — a tunnelling odyssey of ferrous atmospheres, roundhouse drums and bass bloated into the red on a force-fed diet of saturation. 'Total Deceit' turns up the pressure on the break chopping science de Babalon is capable of, teasing gamelan flurries and elegiac swirls that hit at the emotional depth he can wrench amidst such bludgeoning material. 'Jaded Memory' funnels Mentasm bass into a strange new form amidst staggering, tightly clipped drumfunk, leaving enough space for haunting ballroom reveries stretching out across the mid-section. That leaves it to 'Dearth Mill' to mop up with gloriously creepy detuned piano notes slopping over each other in between the most ferocious blasts of drums on the whole record.
You didn't expect something straight-forward, did you?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKRX016
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Label:Sneaker Social Club
Cat-No:SNKRX016
Release-Date:25.10.2024
Genre:Breaks
Configuration:12"
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Marcel Deptford - Rock The Boat
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Marcel Deptford - Make It Hot
Bassline veteran and all-round soundsystem sorcerer Marcel Deptford lands on Sneaker Social Club with two ruff-n'-tuff rave-n'-b re-flips that run as a prelude to big things to come.
This is the first time you will have heard a record under the name Marcel Deptford, but he's got serious skin in the game with an imposing history in the legendary bassline scene from the late-00s. His records as DS1 are the stuff of legend for anyone keyed into the Niche-centric sound, but more recently he's put out some serious heat as Haider running his own Breaker Breaker label and popping up on Aus and the like.
If you're a fan of millennial RnB there's every chance you'll recognise the vocals that breathe life into Deptford's two tracks for this Sneaker release. Moving beyond simple edit territory, the voices are bedded deep down into gritty rave productions that boast the kind of dirt bag sonics that call straight back to the OG days of breakbeat hardcore. 'Rock The Boat' has bloated bass pushing into the red, clattering breaks chopped up with a rugged swagger and a dreamy, haunted dose of dub poured all over the vocals.
'Make It Hot' has a lighter, swung feel which nods to garage, but there's still plenty of weight on the low end. Once the lead vocal sample steps back to open up the space, Deptford's knack for strong melodic hooks comes through in a blown out arp line which the bassline dutifully follows.
Hitting every sweet spot from the low-down dirty rave receptors via moody head-nodding restraint on to iconic vocals, Marcel Deptford shows exactly what he's capable on this release ahead of a more extensive dive into his legacy, due further down the line.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
This is the first time you will have heard a record under the name Marcel Deptford, but he's got serious skin in the game with an imposing history in the legendary bassline scene from the late-00s. His records as DS1 are the stuff of legend for anyone keyed into the Niche-centric sound, but more recently he's put out some serious heat as Haider running his own Breaker Breaker label and popping up on Aus and the like.
If you're a fan of millennial RnB there's every chance you'll recognise the vocals that breathe life into Deptford's two tracks for this Sneaker release. Moving beyond simple edit territory, the voices are bedded deep down into gritty rave productions that boast the kind of dirt bag sonics that call straight back to the OG days of breakbeat hardcore. 'Rock The Boat' has bloated bass pushing into the red, clattering breaks chopped up with a rugged swagger and a dreamy, haunted dose of dub poured all over the vocals.
'Make It Hot' has a lighter, swung feel which nods to garage, but there's still plenty of weight on the low end. Once the lead vocal sample steps back to open up the space, Deptford's knack for strong melodic hooks comes through in a blown out arp line which the bassline dutifully follows.
Hitting every sweet spot from the low-down dirty rave receptors via moody head-nodding restraint on to iconic vocals, Marcel Deptford shows exactly what he's capable on this release ahead of a more extensive dive into his legacy, due further down the line.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Label:Sneaker Social Club
Cat-No:SNKRLP013
Release-Date:18.10.2024
Genre:Dubstep
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Genre:Dubstep
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1
Low End Activist - Lies & Deceit
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2
Low End Activist - Climbing The Walls
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Low End Activist - Self Destruction
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Low End Activist - Hope I (Interlude)
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Low End Activist - Wrong Turn, Dead End
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6
Low End Activist - They Only Come Out At Night
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7
Low End Activist - Hope III (Interlude)
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8
Low End Activist - Rush
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9
Low End Activist - Violence
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10
Low End Activist - Broke
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11
Low End Activist - TWOC
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12
Low End Activist - Just A Number (Institutionalised)
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13
Low End Activist - Innocence
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Low End Activist - Hope II
Vinyl in Screenprinted PVC Sleeve inc. Photo Book.
On his latest full-length, Low End Activist swerves towards weightless grime and suspended hardcore miniatures to tell a very personal story. The UK-rooted producer continues his habit of zeroing in on a distinct approach for each release, leaving a logical breadcrumb trail of soundsystem science in his wake as he channels decades of bass absorption into 14 atmospheric cuts that prize patience and precision over obvious club functionality.
Municipal Dreams plays out as a semi-autobiographical tour through the Blackbird Leys estate that the Activist grew up on. It’s a lived reflection on inequality and the ripple effect it has in working class communities, using the sonic palette to set the mood and scattering pointed samples throughout to spell out the story.
In sampling the exhaust of a stolen Subaru Impreza, ‘TWOC’ looks back to the recreational car theft which was standard entertainment for the kids in his community. There’s an underlying idea that this ‘council estate sport’ wouldn’t have been so prevalent if there were public services and opportunities presented to the scores of disaffected youth looking for somewhere to direct their energy and frustration.
In ‘Just A Number (Institutionalised)’ LEA alludes to the shattered juvenile detention system, growing up seeing friends and family members locked up at ease with little to no support on being released back into society, just meant that the same cycles of behaviour would play out over and over.
‘Violence’ samples from a short film shot by the drama division of the Blackbird Leys Youth Club to evoke the physical threat which formed a background hum to life on the estate. The industrial mechanics of the local car factory, which served an integral role as a workplace for many in the community, gets sampled in ‘They Only Come Out At Night’ while the ‘Everyone I look up to are either junkies or criminals’ sample in ‘Broke’ looks to a lack of positive role models.
Municipal Dreams isn’t a one-note indictment of life on the estate, ‘Innocence’ captures the simplicity of a child at birth before their environment has time to shape them. The Hope interludes cut through the grim honesty of the longer tracks while a subtle thread of wry humour finds its way into some of the talking heads cutting through the signature LEA murk.
But honesty is the operative word here, and the message feels all the more meaningful at a time when the UK’s social divisions are laid bare in the wake of a devastating stretch of austerity. Returning to Blackbird Leys to shoot images for the photo-zine and album cover, the Activist found the local community centre being demolished. The local pub stands derelict, its faded Welcome sign a grimly ironic portent of the options facing children of the estate in the wider world.
Funnelling his memories, hopes and fears into a singular twist on the bass weight tradition, LEA captures evocative scenes that land somewhere between kitchen sink realism and rave futurism.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
On his latest full-length, Low End Activist swerves towards weightless grime and suspended hardcore miniatures to tell a very personal story. The UK-rooted producer continues his habit of zeroing in on a distinct approach for each release, leaving a logical breadcrumb trail of soundsystem science in his wake as he channels decades of bass absorption into 14 atmospheric cuts that prize patience and precision over obvious club functionality.
Municipal Dreams plays out as a semi-autobiographical tour through the Blackbird Leys estate that the Activist grew up on. It’s a lived reflection on inequality and the ripple effect it has in working class communities, using the sonic palette to set the mood and scattering pointed samples throughout to spell out the story.
In sampling the exhaust of a stolen Subaru Impreza, ‘TWOC’ looks back to the recreational car theft which was standard entertainment for the kids in his community. There’s an underlying idea that this ‘council estate sport’ wouldn’t have been so prevalent if there were public services and opportunities presented to the scores of disaffected youth looking for somewhere to direct their energy and frustration.
In ‘Just A Number (Institutionalised)’ LEA alludes to the shattered juvenile detention system, growing up seeing friends and family members locked up at ease with little to no support on being released back into society, just meant that the same cycles of behaviour would play out over and over.
‘Violence’ samples from a short film shot by the drama division of the Blackbird Leys Youth Club to evoke the physical threat which formed a background hum to life on the estate. The industrial mechanics of the local car factory, which served an integral role as a workplace for many in the community, gets sampled in ‘They Only Come Out At Night’ while the ‘Everyone I look up to are either junkies or criminals’ sample in ‘Broke’ looks to a lack of positive role models.
Municipal Dreams isn’t a one-note indictment of life on the estate, ‘Innocence’ captures the simplicity of a child at birth before their environment has time to shape them. The Hope interludes cut through the grim honesty of the longer tracks while a subtle thread of wry humour finds its way into some of the talking heads cutting through the signature LEA murk.
But honesty is the operative word here, and the message feels all the more meaningful at a time when the UK’s social divisions are laid bare in the wake of a devastating stretch of austerity. Returning to Blackbird Leys to shoot images for the photo-zine and album cover, the Activist found the local community centre being demolished. The local pub stands derelict, its faded Welcome sign a grimly ironic portent of the options facing children of the estate in the wider world.
Funnelling his memories, hopes and fears into a singular twist on the bass weight tradition, LEA captures evocative scenes that land somewhere between kitchen sink realism and rave futurism.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR061
Release-Date:04.10.2024
Genre:Breaks
Configuration:12"
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1
Mars89 - No Control
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Mars89 - Sonar Breaks
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Mars89 - Hydra
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Mars89 - Still Dreaming
Bringing stark dread bass vibes like no one before or since, Mars89 makes a welcome return to Sneaker Social Club with another four-track script flipper.
Since he first surged onto the radar with some incisive moves on Bokeh Versions back in 2017, Masayoshi Anotani has deployed a raw, non-conformist kind of bass music that's minimal in spirit but packing incredible weight where it counts. It draws parallels with weightless grime, but swap the woozy square wave synths out for fierce industrial textures and dystopian bleeps, and maybe you're halfway there.
Following on from 2022's Night Call and a collab LP with Seekersinternational on his own Nocturnal Technology, Mars89 is back with an EP which takes on new sonic dimensions without losing the persistent moodiness that makes his shadowy sonics so compelling.
'No Control' feels the most in line with the earlier Mars89 work, creating a back and forth between an upfront grime-y synth lick and blown out bass notes. The space around the notes is as vital as everything being played, creating a tension that doesn't let up no matter how much the brittle percussion rattles.
'Sonar Breaks' feels distinct as it drags a sticky drum loop through the dirt until it comes out positively caked. That leaves plenty of room for the bleeps up top to cut through the mix with devastating clarity, and Mars89 needs nothing else to make a taut piece of soundsystem Semtex.
'Hydra' continues to draw influence from jungle while taking a sideways approach to breakbeat edits, finding a curious groove in angular drum science before a stark arpeggio locks the track down. It's another hint at the different tools being reached for on this EP, brought into the Mars89 methodology and bent to his particular will.
'Still Dreaming' closes the EP out with an evocative sample from a sci-fi blockbuster and a spiralling sound bed of synth lines and break shards. While the track lands softer than its predecessors, the dense mix whips up a claustrophobic allure comfortably aligned with the overall intensity of the record — an intensity which is wholly unique to Mars89 and his maverick manoeuvres in the field of contemporary bass music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Since he first surged onto the radar with some incisive moves on Bokeh Versions back in 2017, Masayoshi Anotani has deployed a raw, non-conformist kind of bass music that's minimal in spirit but packing incredible weight where it counts. It draws parallels with weightless grime, but swap the woozy square wave synths out for fierce industrial textures and dystopian bleeps, and maybe you're halfway there.
Following on from 2022's Night Call and a collab LP with Seekersinternational on his own Nocturnal Technology, Mars89 is back with an EP which takes on new sonic dimensions without losing the persistent moodiness that makes his shadowy sonics so compelling.
'No Control' feels the most in line with the earlier Mars89 work, creating a back and forth between an upfront grime-y synth lick and blown out bass notes. The space around the notes is as vital as everything being played, creating a tension that doesn't let up no matter how much the brittle percussion rattles.
'Sonar Breaks' feels distinct as it drags a sticky drum loop through the dirt until it comes out positively caked. That leaves plenty of room for the bleeps up top to cut through the mix with devastating clarity, and Mars89 needs nothing else to make a taut piece of soundsystem Semtex.
'Hydra' continues to draw influence from jungle while taking a sideways approach to breakbeat edits, finding a curious groove in angular drum science before a stark arpeggio locks the track down. It's another hint at the different tools being reached for on this EP, brought into the Mars89 methodology and bent to his particular will.
'Still Dreaming' closes the EP out with an evocative sample from a sci-fi blockbuster and a spiralling sound bed of synth lines and break shards. While the track lands softer than its predecessors, the dense mix whips up a claustrophobic allure comfortably aligned with the overall intensity of the record — an intensity which is wholly unique to Mars89 and his maverick manoeuvres in the field of contemporary bass music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR011
Release-Date:02.08.2024
Genre:House
Configuration:12"
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Cat-No:SNKR011
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Genre:House
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1
Dream Cycle - Dream 93
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Dream Cycle - Start While It's Hot
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Dream Cycle - S.O.U.R
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Dream Cycle - Paradise State
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Dream Cycle - Absolutely (Them + Us Mix)
After 7 years and countless requests, Sneaker Social Club finally deliver a repress of Dream Cycle - Part One.
After a chance meeting at Gottwood in 2016 a bond was established between Dream Cycle (Robin Clarke) and label owner Jamie Russell over a shared love of 2 Bad Mice and Moving Shadow. It wasn't long before Clarke began channeling elements of that influence to produce his Dream Cycle Part.1 EP. Unfolding over 4 steppy tracks and an ambient closer, Clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly UK quality that marries his work perfectly with the Sneaker catalogue.
DJ Support: Ryan Elliott, DJ Die, The Blessed Madonna, Octo Octa, Bwana, Altered Natives, Noodles (Groove Chronicles), Liem (Lehult), Deejay Astral, LA4A, 2 Bad Mice, Fred P, Matt Karmil, Flori, Marco Zenker, J.Rocc (lol at comment!), Ajukaja, Gnork, William Djoko, Till Von Sein, Fold, ASOK, Gene Farris, DJ bwin, Seven Davis Jr, TRP, DJ Octopus, DJ Normal 4, Gerd, Dean Man s Chest, Poté, Doc Scott, Violet, James Welsh (Kamera), Konx-om-Pax, Etch, Raresh, Hrdvsion, Michael Serafini (Gramaphone), Frazer Ray, DJ Guy, Mak & Pasteman, Shenoda, Urulu, Mark Archer & James Zabiela, Zinc, Lehult, Jackie House, Mosca, Noodles (Groove Chronicles) & DJ Die.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
After a chance meeting at Gottwood in 2016 a bond was established between Dream Cycle (Robin Clarke) and label owner Jamie Russell over a shared love of 2 Bad Mice and Moving Shadow. It wasn't long before Clarke began channeling elements of that influence to produce his Dream Cycle Part.1 EP. Unfolding over 4 steppy tracks and an ambient closer, Clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly UK quality that marries his work perfectly with the Sneaker catalogue.
DJ Support: Ryan Elliott, DJ Die, The Blessed Madonna, Octo Octa, Bwana, Altered Natives, Noodles (Groove Chronicles), Liem (Lehult), Deejay Astral, LA4A, 2 Bad Mice, Fred P, Matt Karmil, Flori, Marco Zenker, J.Rocc (lol at comment!), Ajukaja, Gnork, William Djoko, Till Von Sein, Fold, ASOK, Gene Farris, DJ bwin, Seven Davis Jr, TRP, DJ Octopus, DJ Normal 4, Gerd, Dean Man s Chest, Poté, Doc Scott, Violet, James Welsh (Kamera), Konx-om-Pax, Etch, Raresh, Hrdvsion, Michael Serafini (Gramaphone), Frazer Ray, DJ Guy, Mak & Pasteman, Shenoda, Urulu, Mark Archer & James Zabiela, Zinc, Lehult, Jackie House, Mosca, Noodles (Groove Chronicles) & DJ Die.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Sneaker Social Club
Cat-No:SNKR052
Release-Date:19.04.2024
Genre:Breaks
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1
Horsepower Productions - Tropic
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Horsepower Productions - Computer Rock
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Horsepower Productions - Kase Reprise
The legendary Horsepower Productions return to Sneaker for a thematically charged trip into future zones, driven by dexterous breakbeat science and ruffneck soundboy wisdom.
The UK dubplate heavyweights are no stranger to a loaded sample, and they’ve got a message to impart on this double-edged record. They kick off with a rumination on the planet’s fragile ecosystem on ‘Tropic’, which looks to a possible future with an ominous fate for the foliage we hold dear. Production-wise, Horsepower set electric drum loops off against lurid daubs of synth without derailing the motion, but a huge amount of the track’s impact arrives in the sampling from a cult classic slice of sci-fi. The premise is that the last remaining trees and plants from earth are adrift in space in a bio-dome, and have been condemned for demolition - a depressingly feasible scenario with an aggravated soundtrack to boot.
On the flip, ‘Computer Rock’ rides a tough break slow and hard and injects dystopian electro synth licks into the mix for a darkside roller that celebrates the visionary talent of Jeff Brown, aka Kase 2. Brown pioneered graffiti in the 70s with futuristic styles that still hold sway today, leaning into his own sci-fi imaginings about computer worlds inhabited by extra-terrestrial beings, Brown passed away in 2011, and this track and the attendant B2 cut ‘Kase - Reprise’ pay tribute to a forefather of hip-hop culture by channeling the future shock styles of Bambaataa et al without ever sounding throwback.
The concept on this record gets taken out further with the additional digi-only tracks, which take in the low-slung, skunked up funk of ‘Blaque Gras’ and the amped up rave damage of ‘Kase 2-Part 2’. Throughout, on-point samples and a clear-eyed focus bring out the best in the Horsepower approach, offering up next level dance wreckers with something to say.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The UK dubplate heavyweights are no stranger to a loaded sample, and they’ve got a message to impart on this double-edged record. They kick off with a rumination on the planet’s fragile ecosystem on ‘Tropic’, which looks to a possible future with an ominous fate for the foliage we hold dear. Production-wise, Horsepower set electric drum loops off against lurid daubs of synth without derailing the motion, but a huge amount of the track’s impact arrives in the sampling from a cult classic slice of sci-fi. The premise is that the last remaining trees and plants from earth are adrift in space in a bio-dome, and have been condemned for demolition - a depressingly feasible scenario with an aggravated soundtrack to boot.
On the flip, ‘Computer Rock’ rides a tough break slow and hard and injects dystopian electro synth licks into the mix for a darkside roller that celebrates the visionary talent of Jeff Brown, aka Kase 2. Brown pioneered graffiti in the 70s with futuristic styles that still hold sway today, leaning into his own sci-fi imaginings about computer worlds inhabited by extra-terrestrial beings, Brown passed away in 2011, and this track and the attendant B2 cut ‘Kase - Reprise’ pay tribute to a forefather of hip-hop culture by channeling the future shock styles of Bambaataa et al without ever sounding throwback.
The concept on this record gets taken out further with the additional digi-only tracks, which take in the low-slung, skunked up funk of ‘Blaque Gras’ and the amped up rave damage of ‘Kase 2-Part 2’. Throughout, on-point samples and a clear-eyed focus bring out the best in the Horsepower approach, offering up next level dance wreckers with something to say.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKRLP002
Release-Date:01.03.2024
Genre:Breaks
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Genre:Breaks
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1
appleblim - Life In A Laser
2
appleblim - Ignite
3
appleblim - I Think We'll Let The Gas S
4
appleblim - Manta Key
5
appleblim - Flows From Within
6
appleblim - Chrome Mist
7
appleblim - Astral Light
8
appleblim - Pyramirror
Repress!
More than ten years since he first emerged on Skull Disco, Appleblim presents his debut album. The label he co-founded with Shackleton was the first the world heard of his productions, but Laurie Osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. Early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. At that time FWD>> and DMZ were the church for this ritualistic sound, and Appleblim was a regular fixture at both.
As dubstep matured, magnified, mutated and meandered, so Appleblim moved beyond Skull Disco to explore different avenues of expression in the new many- layered club music landscape. His own Apple Pips imprint was a natural vessel on which to explore the emergent fusions of hardcore-derived sounds and the US-born house, techno and electro, while labels such as Aus Music equally provided a home for his work (often alongside Komonazmuk). Meanwhile long-standing collaborations with Alec Storey (Al Tourettes / Second Storey) finally manifested in the hyper-modern mind-twist of ALSO, captured as an album on legendary rave label R&S.
More recently it’s been possible to hear Appleblim delve into electro-acoustic and ambient production alongside bassweight sounds on Tempa, one of the original bastions of dubstep culture. As the existing boundaries between genres, cultures, eras and scenes continue to dissolve, on his debut album Appleblim offers up a fresh approach that brings some of the foundational sound ethics of rave culture into a modern framework.
Hardcore breaks are still a regular sound source in contemporary club tracks, but on Life In A Laser it’s instantly apparent that Appleblim has moved beyond choosing popular drum samples to truly tap into the elusive feeling engendered by the music of the era. It’s a tricky feat to manage, but in the pie-eyed chords of “Ignite”, the subby 808 tom basslines on “NCI” or the Mr. Fingers synth flex on “Manta Key” the sonic finish sports the same understated grit and grime that made those early records so timeless. There’s still space for modernism, not least on snaking 2-step killer “I Think We'll Let The Gas Sort This One Out”, but it’s offset by a layer of dust, not to mention an inherent moodiness that can’t be faked.
This fine balance of rave romanticism and future-minded approaches binds together in a cohesive conceptual statement. First and foremost it’s Appleblim’s personal reflection on the music that has moved him on countless dancefloors since his first flirtations with soundsystem culture. At the same time the canny influx of modern ideas into the soundworld of the 90s genuinely results in a new proposition, making for a perfect fit on the modern-day ‘ardcore fetishists label of choice, Sneaker Social Club. Many may claim to draw on old-skool influences in their modern trax, but take one listen to “Flows From Within” and you’ll feel the same time-slipping surge of future-shock as the ravers at Lost, Dreamscape, The Dungeons, Clink Street, Blue Note and all those other iconic spots.
Newton aka Nick Newton aka Nick Rhythm Section. You know this EP is going to hit the spot when you have one of the original members of the first rave super group on production!
Originally released on Rhythm Section Recordings in 1992, this EP will be well known to many who use to got to the big raves of the early 90’s. Every track captures that moment of history, erupting into peak time rave anthems with hooks and riff that imprint into your brain!
The tracks go from the darker side of the scene into full on rave anthems for the hands in the air crew. You know if it came out on RSR back in the day that it will tick every box and more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More than ten years since he first emerged on Skull Disco, Appleblim presents his debut album. The label he co-founded with Shackleton was the first the world heard of his productions, but Laurie Osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. Early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. At that time FWD>> and DMZ were the church for this ritualistic sound, and Appleblim was a regular fixture at both.
As dubstep matured, magnified, mutated and meandered, so Appleblim moved beyond Skull Disco to explore different avenues of expression in the new many- layered club music landscape. His own Apple Pips imprint was a natural vessel on which to explore the emergent fusions of hardcore-derived sounds and the US-born house, techno and electro, while labels such as Aus Music equally provided a home for his work (often alongside Komonazmuk). Meanwhile long-standing collaborations with Alec Storey (Al Tourettes / Second Storey) finally manifested in the hyper-modern mind-twist of ALSO, captured as an album on legendary rave label R&S.
More recently it’s been possible to hear Appleblim delve into electro-acoustic and ambient production alongside bassweight sounds on Tempa, one of the original bastions of dubstep culture. As the existing boundaries between genres, cultures, eras and scenes continue to dissolve, on his debut album Appleblim offers up a fresh approach that brings some of the foundational sound ethics of rave culture into a modern framework.
Hardcore breaks are still a regular sound source in contemporary club tracks, but on Life In A Laser it’s instantly apparent that Appleblim has moved beyond choosing popular drum samples to truly tap into the elusive feeling engendered by the music of the era. It’s a tricky feat to manage, but in the pie-eyed chords of “Ignite”, the subby 808 tom basslines on “NCI” or the Mr. Fingers synth flex on “Manta Key” the sonic finish sports the same understated grit and grime that made those early records so timeless. There’s still space for modernism, not least on snaking 2-step killer “I Think We'll Let The Gas Sort This One Out”, but it’s offset by a layer of dust, not to mention an inherent moodiness that can’t be faked.
This fine balance of rave romanticism and future-minded approaches binds together in a cohesive conceptual statement. First and foremost it’s Appleblim’s personal reflection on the music that has moved him on countless dancefloors since his first flirtations with soundsystem culture. At the same time the canny influx of modern ideas into the soundworld of the 90s genuinely results in a new proposition, making for a perfect fit on the modern-day ‘ardcore fetishists label of choice, Sneaker Social Club. Many may claim to draw on old-skool influences in their modern trax, but take one listen to “Flows From Within” and you’ll feel the same time-slipping surge of future-shock as the ravers at Lost, Dreamscape, The Dungeons, Clink Street, Blue Note and all those other iconic spots.
Newton aka Nick Newton aka Nick Rhythm Section. You know this EP is going to hit the spot when you have one of the original members of the first rave super group on production!
Originally released on Rhythm Section Recordings in 1992, this EP will be well known to many who use to got to the big raves of the early 90’s. Every track captures that moment of history, erupting into peak time rave anthems with hooks and riff that imprint into your brain!
The tracks go from the darker side of the scene into full on rave anthems for the hands in the air crew. You know if it came out on RSR back in the day that it will tick every box and more.
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Liebigstrasse 2-20
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Germany
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Label:Sneaker Social Club
Cat-No:SNKRX03
Release-Date:17.11.2023
Genre:2step/garage
Configuration:12"
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1
Chavinski - I'll Keep Her Safe Boy"
2
Chavinski - Find Myself
3
Chavinski - "Higher Than Me"
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Sneaker Social Club
Cat-No:SNKRSP001
Release-Date:03.11.2023
Genre:Breaks
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Dylan Beale - Title
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Dylan Beale - Cinema 1
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Dylan Beale - Cinema 2
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Dylan Beale - Weapon X Lab
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Dylan Beale - Destroyer Program
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Dylan Beale - Japan
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Dylan Beale - Tri Fusion
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8
Dylan Beale - Lady Deathstrike
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Dylan Beale - Tokyo
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Dylan Beale - Geist
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11
Dylan Beale - Nightmare World
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12
Dylan Beale - Cyber
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Dylan Beale - Shinobi Shaw's Mansion
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Dylan Beale - Dark Queen
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15
Dylan Beale - Fugue
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Dylan Beale - Under The Hellfire Club
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17
Dylan Beale - Great Beast
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18
Dylan Beale - Game Over
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19
Dylan Beale - Unused 1
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Dylan Beale - Unused 2
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Dylan Beale - Alarm
Having been re-discovered as a groundbreaking slice of proto-grime from 1994, Dylan Beale’s legendary soundtrack for the SNES game Wolverine: Adamantium Rage finally gets the reissue treatment it deserves via Sneaker Social Club.
When the game came out in 1994, Beale’s soundtrack for the SNES edition stood out from the pack for its gritty beats, deceptively weighty low end and edgy orchestra stabs, but few would have guessed how certain tracks would predict the shape of music to come. Around 2016, the ‘Tri-fusion’ track in particular was picked up on by London-based producer Sir Pixalot as a mind-blowing slice of Eski beat coldness. To prove his point, Pixalot ran an acapella from J-Wing over the track and the results spoke for themselves.
While ‘Tri-Fusion’ is a straight-up accidental grime sheller, there’s scores more heat packed away in Beale’s soundtrack for Adamantium Rage. The limitations of the space on the game cart meant Beale had to get creative with the most limited samples. Fortunately his background producing UK hardcore and jungle in Rude & Deadly and Stuck To Your Lips meant he knew his way around the restrictions of an Akai s950. Fuelled by the inspiration of jungle and West Coast rap, he worked on the game soundtrack with a similar spartan attitude, limited to 200kb with which to load up the music engine for the game, samples and all.
Given the importance of minimalism in the effectiveness of soundsystem music, it’s not surprising tracks like ‘Cyber’ and ‘Dark Queen’ pack a punch which could absolutely set a dance off. Watch out for ‘Weapon X Lab’ too - another stand out bomb creating a deadly machine funk out of the tightly clipped bass samples and weird animal groan loops. Alongside the full, original soundtrack, this first issue of Wolverine: Adamantium Rage OST comes with additional tracks never used in the original game which widen out the styles Beale was exploring within the shockingly limited means at his disposal.
“I vividly remember when we first played the soundtrack on a bigger set of speakers to the boss,” Beale recalls, “his initial reaction was one of amazement that we had created something so ‘real’and different in comparison to everything else out there in terms of video game music, which I remember with great pride and fondness. Comparing to everything out there, it was totally unique- a moment in time.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
When the game came out in 1994, Beale’s soundtrack for the SNES edition stood out from the pack for its gritty beats, deceptively weighty low end and edgy orchestra stabs, but few would have guessed how certain tracks would predict the shape of music to come. Around 2016, the ‘Tri-fusion’ track in particular was picked up on by London-based producer Sir Pixalot as a mind-blowing slice of Eski beat coldness. To prove his point, Pixalot ran an acapella from J-Wing over the track and the results spoke for themselves.
While ‘Tri-Fusion’ is a straight-up accidental grime sheller, there’s scores more heat packed away in Beale’s soundtrack for Adamantium Rage. The limitations of the space on the game cart meant Beale had to get creative with the most limited samples. Fortunately his background producing UK hardcore and jungle in Rude & Deadly and Stuck To Your Lips meant he knew his way around the restrictions of an Akai s950. Fuelled by the inspiration of jungle and West Coast rap, he worked on the game soundtrack with a similar spartan attitude, limited to 200kb with which to load up the music engine for the game, samples and all.
Given the importance of minimalism in the effectiveness of soundsystem music, it’s not surprising tracks like ‘Cyber’ and ‘Dark Queen’ pack a punch which could absolutely set a dance off. Watch out for ‘Weapon X Lab’ too - another stand out bomb creating a deadly machine funk out of the tightly clipped bass samples and weird animal groan loops. Alongside the full, original soundtrack, this first issue of Wolverine: Adamantium Rage OST comes with additional tracks never used in the original game which widen out the styles Beale was exploring within the shockingly limited means at his disposal.
“I vividly remember when we first played the soundtrack on a bigger set of speakers to the boss,” Beale recalls, “his initial reaction was one of amazement that we had created something so ‘real’and different in comparison to everything else out there in terms of video game music, which I remember with great pride and fondness. Comparing to everything out there, it was totally unique- a moment in time.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR049
Release-Date:03.11.2023
Genre:Dubstep
Configuration:12"
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Genre:Dubstep
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1
Alan Johnson - Ten Year Tonnage
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Alan Johnson - Shapeshifter
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Alan Johnson - Muay Size
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Alan Johnson - People Of The World
Weighing in with more of the deadly payloads that make systems weep, Alan Johnson return to Sneaker Social Club to finish what they started on 2022’s The Stillness EP.
Gareth and Tom’s sharp instinct for the fundamentals of crushing half-step pressure remain undiminished on this latest EP. Their sound palette reaches across contrasting strands of music culture, and every bar is teeming with micro details of sound design which give the tracks a living, breathing quality.
Ten Year Tonnage splits the EP open in whipcrack snares, DMZ flutes and a thick bed of sub, constantly shifting and teasing roots drops before opening up the mids and letting the low end snarl.
The chord hook on ‘Shapeshifter’ nudges towards some bold rave shapes, but there’s restraint and poise in the way the sounds get deployed. The Johnson way is one of suffocating space and uneasy tension, which obviously creates the best kind of dancefloor drama. As ‘Muay Size’ ably demonstrates, the likely lads are happy to pare a tune back to a skeletal framework and keep dancers waiting. When the pay-off comes, it’s not what you might expect, and that’s precisely why their sound is fresher than yours.
‘People Of The World’ goes even further out as it staggers and stumbles through skewed jazz samples and snatches of drums being thrown across the room. For all the splaying angles, there’s still a rock solid weight to the tune which proves Alan Johnson are more than comfortable taking things out to a weird fringe without losing their swagger.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Gareth and Tom’s sharp instinct for the fundamentals of crushing half-step pressure remain undiminished on this latest EP. Their sound palette reaches across contrasting strands of music culture, and every bar is teeming with micro details of sound design which give the tracks a living, breathing quality.
Ten Year Tonnage splits the EP open in whipcrack snares, DMZ flutes and a thick bed of sub, constantly shifting and teasing roots drops before opening up the mids and letting the low end snarl.
The chord hook on ‘Shapeshifter’ nudges towards some bold rave shapes, but there’s restraint and poise in the way the sounds get deployed. The Johnson way is one of suffocating space and uneasy tension, which obviously creates the best kind of dancefloor drama. As ‘Muay Size’ ably demonstrates, the likely lads are happy to pare a tune back to a skeletal framework and keep dancers waiting. When the pay-off comes, it’s not what you might expect, and that’s precisely why their sound is fresher than yours.
‘People Of The World’ goes even further out as it staggers and stumbles through skewed jazz samples and snatches of drums being thrown across the room. For all the splaying angles, there’s still a rock solid weight to the tune which proves Alan Johnson are more than comfortable taking things out to a weird fringe without losing their swagger.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR050
Release-Date:25.08.2023
Genre:Breaks
Configuration:12"
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Low End Activist - Sent West
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Low End Activist - Neurosis
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Low End Activist - Dry Chat, Wet Rag
Last year Low End Activist mapped out the depth and breadth of his sound with the Hostile Utopia album on Sneaker Social Club and now he returns with a fresh payload of future shock-outs from the grimy depths of his sound well. Recent times have seen LEA releases tipping towards MC guest spots but on this EP he’s turning inward with three varied, mutant workouts for soundsystem immersion.
‘Sent West’ makes no bones about its inspiration from the tough, boxy end of early dubstep, but as ever the kink in the Activist’s sound comes from the detail around the rhythm and his embrace of off-centre textures. ‘Neurosis’ plumbs even further down in its dogged pursuit of infinite subs and dystopian atmospherics, offering the kind of subliminal, wayward stepper to tweak nervous minds to distraction. ‘Dry Chat, Wet Rag’ stretches out on the B side with a phantom dub pulled from rad-blasted wastelands, caked in slime and tough enough to withstand any fallout.
Calling to mind the introspective, evocative work on the likes of Engineers Origins EP, this is LEA using the hardcore continuum to tell his most murked-out tales.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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‘Sent West’ makes no bones about its inspiration from the tough, boxy end of early dubstep, but as ever the kink in the Activist’s sound comes from the detail around the rhythm and his embrace of off-centre textures. ‘Neurosis’ plumbs even further down in its dogged pursuit of infinite subs and dystopian atmospherics, offering the kind of subliminal, wayward stepper to tweak nervous minds to distraction. ‘Dry Chat, Wet Rag’ stretches out on the B side with a phantom dub pulled from rad-blasted wastelands, caked in slime and tough enough to withstand any fallout.
Calling to mind the introspective, evocative work on the likes of Engineers Origins EP, this is LEA using the hardcore continuum to tell his most murked-out tales.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Sneaker Social Club
Cat-No:SNKR045
Release-Date:18.08.2023
Genre:Breaks
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1
Trends, Boylan & Slimzee - Carnage
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Trends, Boylan & Slimzee - Nocturnal
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Trends, Boylan & Slimzee - Ninety Nine
Weighing in heavy with murderous intent across three guaranteed dance levellers, Trends & Boylan land on Sneaker Social Club with a bang. The pair have been slugging out grime-leaning gear for the past five years, causing a ruckus with their truly evil ‘Norman Bates’ beat, releasing also on Trends own Mean Streets label and linking up with Slimzee’s foundational stable Slimzos for some dubplate action.
They bring that street-level swagger to the tracks on the Ninety Nine EP, but here their punchy 8-bar flex is embellished to blend in with the Sneaker surroundings a treat. ‘Carnage’ tips towards chopped up Think Breaks while ‘Nocturnal’ doubles down on the dirtiest of b-lines. Confirming their allyship from dubplates' gone by, Slimzee links up with Trends & Boylan for the double A side slammer, ‘Ninety Nine’, weaving dread-side D&B stabs around a tightly-wound beat with devastating results.
There’s not an ounce of excess on these cuts precision tooled to smashup the dance good and proper. Need we say more?
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
They bring that street-level swagger to the tracks on the Ninety Nine EP, but here their punchy 8-bar flex is embellished to blend in with the Sneaker surroundings a treat. ‘Carnage’ tips towards chopped up Think Breaks while ‘Nocturnal’ doubles down on the dirtiest of b-lines. Confirming their allyship from dubplates' gone by, Slimzee links up with Trends & Boylan for the double A side slammer, ‘Ninety Nine’, weaving dread-side D&B stabs around a tightly-wound beat with devastating results.
There’s not an ounce of excess on these cuts precision tooled to smashup the dance good and proper. Need we say more?
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Cat-No:SNKRX011
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Genre:Breaks
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1
Dogpatrol - Non PGR
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Dogpatrol - Non PGR (Nasty King Kurl Remix)
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Dogpatrol - Sassafras
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Dogpatrol & Nasty King Kurl - Creepin
Bowling out of Offenbach with a swing in his step, Dogpatrol returns for round three on Sneaker Social packing another four-strong payload of mutant rave clout. If you caught the previous missives then you should have some idea of where he's coming from, getting freaky with rave signifiers and laying down ear-snagging swerves to juice up the dance good and proper.
On this latest release we dip-dive into the grime-licked garage-tech shuffle of 'Non PGR' only for the script to get flipped at the mid-section in favour of diced up Think breaks. The pressure doesn't ease once Nasty King Kurl comes on board for a rolling remix strapped to a disgustingly massive kick drum impulse.
'Sassafras' takes a leaner approach to bleepy breakbeat contortions on the B side, holding down the arrangement and letting the track rip when everyone's wound up and hungry. NKK returns again to partner up with our resident Dog for the collab joint 'Creepin', chopping out the RnB samples and whipping up square wave synth flurries shouting out that overlooked substrata of dubstep - the Purple sound. It's a cheeky hint at the deep-level affinity for all rave gear which powers this EP, another sure step on from your favourite canine soundsystem practitioner.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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On this latest release we dip-dive into the grime-licked garage-tech shuffle of 'Non PGR' only for the script to get flipped at the mid-section in favour of diced up Think breaks. The pressure doesn't ease once Nasty King Kurl comes on board for a rolling remix strapped to a disgustingly massive kick drum impulse.
'Sassafras' takes a leaner approach to bleepy breakbeat contortions on the B side, holding down the arrangement and letting the track rip when everyone's wound up and hungry. NKK returns again to partner up with our resident Dog for the collab joint 'Creepin', chopping out the RnB samples and whipping up square wave synth flurries shouting out that overlooked substrata of dubstep - the Purple sound. It's a cheeky hint at the deep-level affinity for all rave gear which powers this EP, another sure step on from your favourite canine soundsystem practitioner.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Sneaker Social Club
Cat-No:SNKRLP010
Release-Date:12.05.2023
Genre:Breaks
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1
J-Shadow - Thaw
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J-Shadow - Euxinia
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J-Shadow - Arsu
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J-Shadow - Cloud Chamber
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J-Shadow - Beneath The Undertow
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J-Shadow - Non-Euclidean Fantasy
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7
J-Shadow - Prototype
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8
J-Shadow - The End Of All Physical Form
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J-Shadow - Tundra
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J-Shadow - No Gravity
Rushing out advanced patterns that springboard from hi-tek soul, jungle, footwork and weightless grime into unknown zones, J-Shadow arrives on Sneaker Social Club with an album which cements his status as a true sonic scientist.
Since his first drops some five years prior, the London-based DJ/producer has weaved a web of intrigue across labels like Bun The Grid, Nous Disques, Warehouse Rave and an album last year for Keysound. Through it all, he’s demonstrated a prodigal affinity for the elements of hardcore -rooted soundsystem culture without ever being beholden by the perceived rules of dance music. In his hands, tracks can hover in suspense without ever needing a breakdown or build-up, pivoting on skittering drum machine pulses or teetering on the precipice of mountainous subs, gliding on celestial pads or skating into abyssal negative space. The acknowledgement for past methods is there in some of the canonical samples - like where Heather O’Rourke’s Poltergeistcall takes on a truly alternative dimension subtly bedded into the vast swathes of ‘Beneath The Undertow’ - but nothing is as it seems.
The End Of All Physical Form is no self-consciously ‘deconstructed’ record, though. It’s futurist rather than post-modern, carrying on the legacy of jungle and other such forms as vehicles for innovation and urgent exploration, bristling with energy and still, ironically, physical despite the mutated forms the beats and basslines manifest in. Find these works an open-eared soundsystem and they’ll absolutely do the damage, taking the dance somewhere far beyond in the process.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Since his first drops some five years prior, the London-based DJ/producer has weaved a web of intrigue across labels like Bun The Grid, Nous Disques, Warehouse Rave and an album last year for Keysound. Through it all, he’s demonstrated a prodigal affinity for the elements of hardcore -rooted soundsystem culture without ever being beholden by the perceived rules of dance music. In his hands, tracks can hover in suspense without ever needing a breakdown or build-up, pivoting on skittering drum machine pulses or teetering on the precipice of mountainous subs, gliding on celestial pads or skating into abyssal negative space. The acknowledgement for past methods is there in some of the canonical samples - like where Heather O’Rourke’s Poltergeistcall takes on a truly alternative dimension subtly bedded into the vast swathes of ‘Beneath The Undertow’ - but nothing is as it seems.
The End Of All Physical Form is no self-consciously ‘deconstructed’ record, though. It’s futurist rather than post-modern, carrying on the legacy of jungle and other such forms as vehicles for innovation and urgent exploration, bristling with energy and still, ironically, physical despite the mutated forms the beats and basslines manifest in. Find these works an open-eared soundsystem and they’ll absolutely do the damage, taking the dance somewhere far beyond in the process.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Sneaker Social Club
Cat-No:SNKR041
Release-Date:28.04.2023
Genre:Breaks
Configuration:12"
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1
D3U5E - Quasar
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D3U5E - Dust Particle
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D3U5E - HAL9000
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D3U5E - Deckman
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D3U5E & Gav - The Abyss
DJ Support: dBridge, Laurent Garnier, Vladimir Ivkovic, Lukas Wigflex, Konx-om-Pax, Borusiade, Rob Hall (Skam), Mincy, Black Cadmium, Em & Stav, Tailor Jae, Pressa, Roger 23, Shcuro + more.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Liebigstrasse 2-20
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Label:Strut Records
Cat-No:STRUT114LP
Release-Date:28.03.2025
Genre:House
Configuration:2LP
Barcode:730003311413
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Label:Strut Records
Cat-No:STRUT114LP
Release-Date:28.03.2025
Genre:House
Configuration:2LP
Barcode:730003311413
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1
Hercules - 7 Ways (club)
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2
Victor Romeo - Love Will Find A Way (feat Leetrece Brown - club)
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Club Style - Crazy Wild
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Tim Harper - Toxic Waste (club mix)
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Vincent Floyd - I'm So Deep
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326 - Falling (Armando's house mix)
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DJ Deeon - Da Bomb
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8
Parris Mitchell Project - Ghetto Shout Out (feat Wax Master)
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Traxmen & Eric Martin - Hit It From The Back
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DJ Funk - The Original Video Clash: Video Clash II (Street mix)
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Paul Johnson - Feel My M F Bass
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Top Cat - Work Out
Originally released in 2014, Strut re-introduces Hardcore Traxx: Dance Mania Records 1986-1997, the highly sought-after definitive retrospective of one of Chicago’s most important and innovative house music labels.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:28.01.2025
Label:re:lax
Cat-No:RLX003
Release-Date:12.07.2024
Genre:Techno
Configuration:12"
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Harba - Transforma
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Harba - Waggle
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Harba - Lakking
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Harba - Despair
Sling shot debut from Harba with a batch of oddball UK techno cuts, all firmly stamped with his own style. No ‘doof doof’ business techno - strictly 140 heaters with a UK rudeness, marrying vocal chops that feel haunting and hallucinatory yet anthemic and hypey.
He covers ample ground over the four tracker - crispy percs, squiggly synths, raw textures, and dancefloor feels, all with an upfront swagger. 'Despair EP' is a wake up call for others to inject some identity into their sound. Early support from Ben UFO and Pangaea.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
He covers ample ground over the four tracker - crispy percs, squiggly synths, raw textures, and dancefloor feels, all with an upfront swagger. 'Despair EP' is a wake up call for others to inject some identity into their sound. Early support from Ben UFO and Pangaea.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:Princess P
Cat-No:princess2
Release-Date:28.02.2025
Genre:Electronic
Configuration:3LP Excl
Barcode:4251804182928
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Label:Princess P
Cat-No:princess2
Release-Date:28.02.2025
Genre:Electronic
Configuration:3LP Excl
Barcode:4251804182928
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1
Spacemen 3 - Big City Remix - 10:45
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2
Love Spirals Downwards - Sunset Bell - 5:46
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Anaconda - Ideas For Virtual Reality - 10:54
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4
Cyclone - Beautiful Minds - 4:51
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Fred Gianelli - 1st Premonition - 9:18
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Marco Passarani - Zep Teti - 5:28
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7
Nail - Volterage - 10:41
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8
TBA, Natalie Beridze - Forever Has No Shadow - 5:57
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LFO - Loop (Journey Mix) - 10:52
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10
Mimi Majick - Mimi‘s Majick Utilities One - 6:07
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11
Atypic - Otaku - 8:54
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Tek Jam & Inzekt - Driver - 7:54
GENRE:
File under acid, ambient, analog, atmospheric, avant-garde, chillout, cinematic, classic, cosmic, deep, dreamy, downtempo, eclectic, electronic, ethereal, ecstatic, experimental, futuristic, groovy, hypnotic, IDM, immersive, industrial, introspective, melodic, minimal, nostalgic, progressive, psychedelic, rave, retro, shoegaze, space rock, timeless, transcendental & underground.
TRACKLIST:
A1. Spacemen 3 - Big City Remix - 10:45 (1991, UK)
A2. Love Spirals Downwards - Sunset Bell - 5:46 (1998, USA)
B1. Anaconda - Ideas For Virtual Reality - 10:54 (1993, Netherlands)
B2. Cyclone - Beautiful Minds - 4:51 (1991, UK)
C1. Fred Gianelli - 1st Premonition - 9:18 (1993, UK)
C2. Marco Passarani - Zep Teti - 5:28 (2000, Italy)
D1. Nail - Volterage - 10:41 (1994, UK)
D2. TBA, Natalie Beridze - Forever Has No Shadow - 5:57 (2011, Georgia)
E1. LFO - Loop (Journey Mix) - 10:52 (1996, USA)
E2. Mimi Majick - Mimi‘s Majick Utilities One - 6:07 (1996, UK)
F1. Atypic - Otaku - 8:54 (1993, UK)
F2. Tek Jam & Inzekt - Driver - 7:54 (1999, Switzerland)
SHORT INFO:
This is a journey, not a compilation, it’s an immersive journey into the depths of sonic exploration, lovingly selected by Swiss underground DJ Princess P. Known for her ability to craft deeply emotive and genre-blurring DJ sets, she takes you on a transcendent musical voyage, hat moves effortlessly between euphoric dancefloor moments and introspective soundscapes. From the pulsating echoes of Spacemen 3 to the ethereal tones of Natalie Beridze, while unearthing hidden gems from Atypic, LFO and Irdial Discs' Mimi Majick, her selection spans over decade of blending electronic dreamy soundscapes with ecstatic rhythms. This selection offers a rare glimpse into the mind of an artist who masterfully bridges the gap between ambient introspection and club euphoria.
ABOUT THE ARTIST:
Princess P is a staple of the Swiss underground scene, renowned for her unique approach to DJing that combines deep cuts, rare finds, and her love for blending unexpected genres. Her sets are journeys, meticulously crafted to take listeners on emotional and sonic adventures, from hypnotic basslines to celestial synths. Princess P has become a cult favorite, frequently playing intimate underground venues while also gracing selected major festivals with her eclectic, forward-thinking sound. This release is a reflection of her wide-ranging musical tastes and deep knowledge of electronic music history.
VITAL SALE POINTS:
0. First Release on Princess P's Label: This marks the debut release on her label, with more exciting projects set for 2025.
1. Curated by Swiss Underground Icon : DJ Princess P’s reputation for eclectic, immersive sets will attract electronic music fans and collectors.
2. Rare & Exclusive Tracks : Features hard-to-find gems from artists like Spacemen 3, Atypic, LFO, and Mimi Majick, appealing to vinyl collectors and music enthusiasts.
3. Cross-Genre Appeal : Blends downtempo, techno, house and experimental electronica, making it suitable for both dancefloor energy and introspective listening.
4. Narrative Experience : More than a compilation—this album that tells the listeners a story through fluid, transformative soundscapes.
5. Liner Notes by JD Twitch (Optimo) : Exclusive liner notes from JD Twitch, renowned DJ and co-founder of the iconic Optimo, add depth and context.
6. Triple LP Edition of 500 : Limited to 500 copies, this triple LP is a must-have for serious collectors.
7. This is Part 2 (Main Course) of the Infinite Sonore series. Part 1 (12" appetizer) is sold out, and Part 3 (12" dessert with 4 exclusive tracks) is coming soon.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
File under acid, ambient, analog, atmospheric, avant-garde, chillout, cinematic, classic, cosmic, deep, dreamy, downtempo, eclectic, electronic, ethereal, ecstatic, experimental, futuristic, groovy, hypnotic, IDM, immersive, industrial, introspective, melodic, minimal, nostalgic, progressive, psychedelic, rave, retro, shoegaze, space rock, timeless, transcendental & underground.
TRACKLIST:
A1. Spacemen 3 - Big City Remix - 10:45 (1991, UK)
A2. Love Spirals Downwards - Sunset Bell - 5:46 (1998, USA)
B1. Anaconda - Ideas For Virtual Reality - 10:54 (1993, Netherlands)
B2. Cyclone - Beautiful Minds - 4:51 (1991, UK)
C1. Fred Gianelli - 1st Premonition - 9:18 (1993, UK)
C2. Marco Passarani - Zep Teti - 5:28 (2000, Italy)
D1. Nail - Volterage - 10:41 (1994, UK)
D2. TBA, Natalie Beridze - Forever Has No Shadow - 5:57 (2011, Georgia)
E1. LFO - Loop (Journey Mix) - 10:52 (1996, USA)
E2. Mimi Majick - Mimi‘s Majick Utilities One - 6:07 (1996, UK)
F1. Atypic - Otaku - 8:54 (1993, UK)
F2. Tek Jam & Inzekt - Driver - 7:54 (1999, Switzerland)
SHORT INFO:
This is a journey, not a compilation, it’s an immersive journey into the depths of sonic exploration, lovingly selected by Swiss underground DJ Princess P. Known for her ability to craft deeply emotive and genre-blurring DJ sets, she takes you on a transcendent musical voyage, hat moves effortlessly between euphoric dancefloor moments and introspective soundscapes. From the pulsating echoes of Spacemen 3 to the ethereal tones of Natalie Beridze, while unearthing hidden gems from Atypic, LFO and Irdial Discs' Mimi Majick, her selection spans over decade of blending electronic dreamy soundscapes with ecstatic rhythms. This selection offers a rare glimpse into the mind of an artist who masterfully bridges the gap between ambient introspection and club euphoria.
ABOUT THE ARTIST:
Princess P is a staple of the Swiss underground scene, renowned for her unique approach to DJing that combines deep cuts, rare finds, and her love for blending unexpected genres. Her sets are journeys, meticulously crafted to take listeners on emotional and sonic adventures, from hypnotic basslines to celestial synths. Princess P has become a cult favorite, frequently playing intimate underground venues while also gracing selected major festivals with her eclectic, forward-thinking sound. This release is a reflection of her wide-ranging musical tastes and deep knowledge of electronic music history.
VITAL SALE POINTS:
0. First Release on Princess P's Label: This marks the debut release on her label, with more exciting projects set for 2025.
1. Curated by Swiss Underground Icon : DJ Princess P’s reputation for eclectic, immersive sets will attract electronic music fans and collectors.
2. Rare & Exclusive Tracks : Features hard-to-find gems from artists like Spacemen 3, Atypic, LFO, and Mimi Majick, appealing to vinyl collectors and music enthusiasts.
3. Cross-Genre Appeal : Blends downtempo, techno, house and experimental electronica, making it suitable for both dancefloor energy and introspective listening.
4. Narrative Experience : More than a compilation—this album that tells the listeners a story through fluid, transformative soundscapes.
5. Liner Notes by JD Twitch (Optimo) : Exclusive liner notes from JD Twitch, renowned DJ and co-founder of the iconic Optimo, add depth and context.
6. Triple LP Edition of 500 : Limited to 500 copies, this triple LP is a must-have for serious collectors.
7. This is Part 2 (Main Course) of the Infinite Sonore series. Part 1 (12" appetizer) is sold out, and Part 3 (12" dessert with 4 exclusive tracks) is coming soon.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Furthur Electronix
Cat-No:FE085
Release-Date:28.02.2025
Genre:Electronic
Configuration:12"
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Label:Furthur Electronix
Cat-No:FE085
Release-Date:28.02.2025
Genre:Electronic
Configuration:12"
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1
Chris Coco - Yawa Ze Asfos Interumental
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2
Jake Salzenger - 168B
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Global Goon - Untitled
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Unknown Artist - Ruckus
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Jodey Kendrik - Thanx
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Gavin Masih - Unknown Track 1
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Monika Subrtova - Alata
Limited handstamped copies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Strictly Rhythm
Cat-No:SR12103
Release-Date:02.03.2007
Genre:House
Configuration:12"
Barcode:5060519685629
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Last in:07.02.2025
Label:Strictly Rhythm
Cat-No:SR12103
Release-Date:02.03.2007
Genre:House
Configuration:12"
Barcode:5060519685629
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1
Code 718 (Danny Tenaglia) - Equinox (Heavenly Club Mix)
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Code 718 (Danny Tenaglia) - Equinox (Total Eclipse of the Dub)
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Code 718 (Danny Tenaglia) - Equinox (The Original Concept)
Code 718 aka iconic NYC DJ Danny Tenaglia dropped this 'E2-E4' riffing classic back in the mists of 1992. Manuel Göttsching's original track would have been a staple of NYC clubs back then and would have featured in the warm up sets of jocks like Tenaglia who favoured the longer, deeper sets as well as on the play-lists of institutional night-spots such as the Loft and the Garage. The track's influence on a whole era of DJ's and producers that followed is immeasurable and across 3 sublime mixes Tenaglia distills the magic of the original into something totally NYC and club-friendly without losing any of the Göttsching magic, even managing to sprinkle a little Grace Jones in the mix with her fabulous 'I floated on a cloud' vocal sample liberally applied. 'Equinox' takes us on a trip that is emotive, uplifting and warm. This is how House music is meant to sound, respectfully steeped in what preceded it yet moving forward in a fresh direction. Another example of how on the money Strictly Rhythm were in their early days, classic after classic rolled out of the labels' offices and us, the record buying legions, were / are better off for it! This one's a tasty 2017 reissue and remaster, featuring all 3 mixes, unedited, as per the original release way back when. Do not sleep.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12" Excl
pre-sale
Cat-No:ERE1095
Release-Date:12.04.2025
Genre:HipHop/Rap/Urban
Configuration:12" Excl
Barcode:197342918282
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Release-Date:12.04.2025
Genre:HipHop/Rap/Urban
Configuration:12" Excl
Barcode:197342918282
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First-ever release of "Come Down" as a 12"! RSD25
Anderson .Paak's unstoppable anthem "Come Down" gets its vinyl debut like never before! This exclusive 12-inch release pairs the iconic, bass-thumping studio version with several other versions, a new exclusive track and features all new art.
Pressed on stunning translucent sea blue vinyl and cut at 45 rpm, this record captures all the energy and charisma of one of Anderson .Paak's most beloved tracks and allows fans to dissect the other versions for the very first time.
Complete with brand-new artwork, this collector's item offers an all-encompassing experience of one of .Paak's most energetic and infectious tracks. Whether you're spinning the instrumental at a party or simply enjoying the studio version in all of it's glory, this 12" brings Come Down to life like never before.
Tracklisting
A1/1. Come Down
A2/2. Come Down (Clean)
B1/3. Come Down (Instrumental)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
First-ever release of "Come Down" as a 12"! RSD25
Anderson .Paak's unstoppable anthem "Come Down" gets its vinyl debut like never before! This exclusive 12-inch release pairs the iconic, bass-thumping studio version with several other versions, a new exclusive track and features all new art.
Pressed on stunning translucent sea blue vinyl and cut at 45 rpm, this record captures all the energy and charisma of one of Anderson .Paak's most beloved tracks and allows fans to dissect the other versions for the very first time.
Complete with brand-new artwork, this collector's item offers an all-encompassing experience of one of .Paak's most energetic and infectious tracks. Whether you're spinning the instrumental at a party or simply enjoying the studio version in all of it's glory, this 12" brings Come Down to life like never before.
Tracklisting
A1/1. Come Down
A2/2. Come Down (Clean)
B1/3. Come Down (Instrumental)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2LP Excl
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Label:WRWTFWW
Cat-No:wrwtfww042
Release-Date:16.04.2021
Configuration:2LP Excl
Barcode:4251804122153
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in stock
Last in:14.02.2025
Label:WRWTFWW
Cat-No:wrwtfww042
Release-Date:16.04.2021
Configuration:2LP Excl
Barcode:4251804122153
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1
Grauzone - A1. Film 2
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Grauzone - A2. Schlachtet!
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Grauzone - A3. Hinter Den Bergen
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Grauzone - A4. Maikäfer Flieg
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Grauzone - A5. Marmelade Und Himbeereis
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Grauzone - B1. Wütendes Glas
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Grauzone - B2. Kälte Kriecht
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Grauzone - B3. Kunstgewerbe
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Grauzone - B4. Der Weg Zu Zweit
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Grauzone - B5. In Der Nacht
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Grauzone - C1. Eisbär
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12
Grauzone - C2. Ich Lieb Sie
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13
Grauzone - C3. Moskau
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14
Grauzone - C4. Ein Tanz Mit Dem Tod
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15
Grauzone - D1. Träume Mit Mir
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16
Grauzone - D2. Ich Und Du
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17
Grauzone - D3. Wütendes Glas (Maxi Version)
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Grauzone - D4. Raum
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Grauzone - D5. Film 1
Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
in stock
Label:Squama Recordings
Cat-No:SQM026
Release-Date:19.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
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Last in:14.02.2025
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Last in:14.02.2025
Label:Squama Recordings
Cat-No:SQM026
Release-Date:19.07.2024
Genre:Jazz
Configuration:LP Excl
Barcode:4251804182072
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1
Damian Dalla Torre - A1)Ago
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Damian Dalla Torre - A2) Solo
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Damian Dalla Torre - A3) Santi
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Damian Dalla Torre - A4) Battery
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Damian Dalla Torre - B1) I Can Feel My Dreams
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Damian Dalla Torre - B2) Soup
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Damian Dalla Torre - B3) Acryl
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Damian Dalla Torre - B4) Domenica
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Damian Dalla Torre - B5) Memo
LP
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks:
180g
Tracklist:
A1) Ago 01:22 min
A2) Solo 03:57 min
A3) Santi 03:59 min
A4) Battery 03:23 min
B1) I Can Feel My Dreams 03:35 min
B2) Soup 01:11 min
B3) Acryl 02:53 min
B4) Domenica 04:00 min
B5) Memo 04:01 min
Info:
After his debut album 'Happy Floating' in 2022, Leipzig-based producer Damian Dalla Torre returns to Squama with 'I Can Feel My Dreams'. Developed during a residency in Santiago, Chile, it incorporates electronic, jazz and ambient influences utilizing Andean quena flutes, synthesizers and field recordings and again centering on collaborations with fellow artists like Ruth Goller, Miriam Adefris and Christian Balvig.
A wistful haze runs throughout the album, coming out at the end, there's both light and darkness and no need to choose.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
LP Excl
pre-sale
Label:Studio Barnhus
Cat-No:BARN112
Release-Date:14.03.2025
Genre:House
Configuration:LP Excl
Barcode:198704329456
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Genre:House
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1
Jimi Tenor & Freestyle Man - Sinus Amoris
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Jimi Tenor & Freestyle Man - Stockholm
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Jimi Tenor & Freestyle Man - Who’s Gonna Blink
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Jimi Tenor & Freestyle Man - Domus
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Jimi Tenor & Freestyle Man - Schrödingers Love
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Jimi Tenor & Freestyle Man - Little Flutist
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Jimi Tenor & Freestyle Man - Party People
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Jimi Tenor & Freestyle Man - Dactylic Theme
Genre/s: Jazz, Contemporary, Pop
Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme
SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist:
[Vinyl]
A1. Sinus Amoris / A2. Stockholm / A3. Who’s Gonna Blink /
A4. Domus
B1. Schrödingers Love / B2. Little Flutist / B3. Party People /
B4. Dactylic Theme
SHORT INFO:
Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Kazerne
Cat-No:KAZERNE015
Release-Date:21.03.2025
Genre:Techno
Configuration:12"
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Alexander Johansson & Mattias Fridell - Sprickdalen
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Alexander Johansson & Mattias Fridell - Ravin
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Alexander Johansson & Mattias Fridell - Vegitationen
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Alexander Johansson & Mattias Fridell - Skura
Tracklisting
A1 Alexander Johansson & Mattias Fridell - Sprickdalen
A2 Alexander Johansson & Mattias Fridell - Ravin
B1 Alexander Johansson & Mattias Fridell - Vegitationen
B2 Alexander Johansson & Mattias Fridell - Skura
Sales Note
Mord sublabel: Kazerne
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Alexander Johansson & Mattias Fridell - Sprickdalen
A2 Alexander Johansson & Mattias Fridell - Ravin
B1 Alexander Johansson & Mattias Fridell - Vegitationen
B2 Alexander Johansson & Mattias Fridell - Skura
Sales Note
Mord sublabel: Kazerne
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12" Excl
pre-sale
Label:Frank Music
Cat-No:FM12067
Release-Date:04.04.2025
Genre:House
Configuration:12" Excl
Barcode:4251804185332
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Label:Frank Music
Cat-No:FM12067
Release-Date:04.04.2025
Genre:House
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Barcode:4251804185332
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1
AFIN feat. Birbs and Planties - Disko Inferno (05:07)
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AFIN feat. Birbs and Planties - The Beloved (06:38)
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AFIN feat. Birbs and Planties - Body Rock (04:33)
Vital Sales Points:
- vinyl only
- silver jacket
- "peak-time-power-disco-house"
- limited to 150 copies worldwide
Genre: House
Tracklist 12”:
A1 “Disko Inferno” (05:07)
B1 "The Beloved" (06:38)
B2 "Body Rock" (04:33)
Short Info:
AFIN returns to Frank Music with round 3! Alexander Franz is back on the sampler, delivering another fierce pack of tracks for the dancefloor. First up is "Disko Inferno", a peak-time-power-disco-house (PTPDH) banger that lives up to its name, igniting the energy. Next, "The Beloved" brings a groovy vibe, perfect for those with dancing feet and open hearts. Rounding out the release is "Body Rock", a track that gets your body moving, featuring a special vocal announcement that adds extra flavor. Once again, Birbs and Planties delivers solid gold basslines, locking in the rhythm.
Get ready for non-stop movement as AFIN delivers the goods. This one’s vinyl-only, so don’t wait—snag your copy and let’s make this spring real fun.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- vinyl only
- silver jacket
- "peak-time-power-disco-house"
- limited to 150 copies worldwide
Genre: House
Tracklist 12”:
A1 “Disko Inferno” (05:07)
B1 "The Beloved" (06:38)
B2 "Body Rock" (04:33)
Short Info:
AFIN returns to Frank Music with round 3! Alexander Franz is back on the sampler, delivering another fierce pack of tracks for the dancefloor. First up is "Disko Inferno", a peak-time-power-disco-house (PTPDH) banger that lives up to its name, igniting the energy. Next, "The Beloved" brings a groovy vibe, perfect for those with dancing feet and open hearts. Rounding out the release is "Body Rock", a track that gets your body moving, featuring a special vocal announcement that adds extra flavor. Once again, Birbs and Planties delivers solid gold basslines, locking in the rhythm.
Get ready for non-stop movement as AFIN delivers the goods. This one’s vinyl-only, so don’t wait—snag your copy and let’s make this spring real fun.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:TH Tar Hallow
Cat-No:tar012t
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:21.04.2023
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Last in:21.04.2023
Label:TH Tar Hallow
Cat-No:tar012t
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
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1
ARKVS - Rise and Fall
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ARKVS - Killing the vibe
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ARKVS - A-110 X 303
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ARKVS - Luvion
Tracklisting:
A1 ARKVS - Rise and Fall
A2 ARKVS - Killing the vibe
B1 ARKVS - A-110 X 303
B2 ARKVS - Luvion
Sales Note
Techno from Rotterdam.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A1 ARKVS - Rise and Fall
A2 ARKVS - Killing the vibe
B1 ARKVS - A-110 X 303
B2 ARKVS - Luvion
Sales Note
Techno from Rotterdam.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore