When Omar J Neri sent us the DAT with a white sticker marked with the date “26 January 1996” and some psychedelic drawings, we were quite astonished. Even more so when we listened to the incredible material inside the tape.
In 1996, Roby J was probably at his best, playing constantly in clubs like Insomnia, Imperiale, and Ashram, as well as Alex Piacciafuochi, the mind and owner of one of the studios (Alex Midi Studio) that defined the Tuscan progressive sound.
At that time, Omar J was a young talent building his reputation around the best clubs in the region. It was a fertile period for him, leading to his first release: "Primitive Pulsar".
Roby and Omar’s distinctive leftfield touch can be heard in these two long, slow-evolving, and structure-changing tracks. Truly two steps ahead and forward-thinking!
Unfortunately, Roby left us too soon in 2014. With Omar’s help, we are extremely honored to continue his important legacy and lucky enough to open their archives. More is yet to come… in loving memory of Roby J.



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Roberto Cagnoli started his musical career in 1995 in Florence, enriching the already prosperous regional musical heritage with numerous aliases. He produced music for labels like Disturbance and appeared in the “Progressiva” compilation by Gigi D’Agostino. Evasione Digitale teamed up with the artist to reissue his project “Megaton - Essence”, originally released on Stefano Noferini’s experimental techno label Plate Records in 2000. Mesmeric and heavy on percussions.



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Evasione Digitale once again teams up with Italian techno legend Marco Bellini, an iconic figure in the vibrant Italian club scene of the ‘90s, renowned for his residencies in clubs like Aida and Area City in the northeast region of the Mediterranean peninsula. An extravagant and hypnotic character, he also became famous for his clamorous peak time drive-ins into the clubs on his Harley Davidson.
Bellini, aside from djing at infinite nights and afterhours, produced a bunch of records, including one of his best collabs with the late Alberto Bertapelle on Mammut Records. Their partnership contributed to the label's unique style with distinctive dark arpeggiated basslines, metallic drum breaks, and dubbed-out excursions.
We are glad to present the second split EP that explores the sound of Marco Bellini on Mammut Records.
Carefully remastered by Manmade Mastering, they’re now ready to hit the dancefloors again.

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Evasione Digitale once again teams up with Italian techno legend Marco Bellini, an iconic figure in the vibrant Italian club scene of the ‘90s, renowned for his residencies in clubs like Aida and Area City in the northeast region of the Mediterranean peninsula. An extravagant and hypnotic character, he also became famous for his clamorous peak time drive-ins into the clubs on his Harley Davidson.
Bellini, aside from djing at infinite nights and afterhours, produced a bunch of records, including one of his best collabs with the late Alberto Bertapelle on Mammut Records. Their partnership contributed to the label's unique style with distinctive dark arpeggiated basslines, metallic drum breaks, and dubbed-out excursions.
We are glad to present the first of two split EPs that explore the sound of Marco Bellini on Mammut Records. Carefully remastered by Manmade Mastering, they’re now ready to hit the dancefloors again.

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Sameheads & Mutant Radio are going a teenie weenie bit further and unifying their ongoing collab in plastic. The kind you play, not the stuff you throw away.
Released in Spring, at a party we’re throwing together in Tbilisi, this little beaut is a double sided 7”.
The MUTANTHEADS split 7” features some solid sound rep from both projects….
For Sameheads, Andrea & Alexander release their first material together, acting as a kind of trailer to an upcoming album released later this year on R-I-O. The track “Olias” finally gets its press after once being performed live at the fabled Sameheads festival “City of a Thousand Suns”… those were the days eh…..
On the Mutant Radio side, fresh talent TINA delivers her debut release, and for that matter, the first ever track Mutant have put onto a piece of vinyl….. The track “Vacation” is the squelchy black sheep counter balance to the silky synth vibe of the other side. Just how they like it.
The release will be up for pre-order from next week, and the digital stuff too…. Just the 300 copies available…… So,,, fix up look sharp……

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Air Kraft Vision was a unique live act renowned during the late '90s and early '2000s for their live sets performed at the finest Tuscan clubs like Jaiss, Imperiale, Insomnia and the infamous open-air afterparty, The West.
The group was composed by Francesco Passantino, Davide Cali and Roberto Bonini (Robo). The peculiarity of AKV was to replicate the spontaneity of studio live sessions in clubs, bringing almost all their machines and hardwares on stage. The same attitude was reflected in their productions: one mixer, rough analog sounds and three minds perfectly synchronized with each other.
Evasione Digitale is proud to reissue "Wavy Gravity”, originally released in 2001, a totally refreshing approach to Italian progressive music.

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Fully remastered Detroit classic incl. 3 extra tracks from the CD version that were never released on vinyl before. This album has a unique blend of raw, warm and futuristic Detroit sounding electro and techno. Originally released on 430 West back in 1999.. We cant recommend it enough, big tip!

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Soundway Records presents a collection of Nigerian music chronicling a time when drum machines, synthesisers, imported pop, reggae, disco and soul collided with highlife, juju and cultural music.

The late 70s saw a period of political turbulence and prompted change across the country. Following suit, musicians and producers entered a period of experimentation, adaptation, modification and innovation, using new technology to renew and refresh cultural traditions. Nigerians formed their own unique approach to the limitless creativity these new instruments offered, to reveal a distinct sound which would dominate local airwaves for the decade to come. Nigeria Special Volume 3 celebrates the rich diversity of culture and musical styles of the nation, showcasing eighteen tracks across various genres which laid foundations for the innovation of Afrobeats artists of today.

Triple Vinyl gatefold LP compiled by Miles Cleret and Jeremy Spellacey, includes a large 8 page booklet with detailed liner notes, record scans and never-seen-before photos.

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Killer wonky modern soul / disco out NYC written by Producer Alan Jones. Rathen than put the instrumental on the flip same as the og, we opted to put a mix with a lower vocal on the B-side, mostly because we wanted a mix to play out ourselves, killer modern 45, do it!

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DJ’s Project was a collaboration between Italian vocalist Silvano Pulignano and German DJs/composers André Schmechta, Bernd Schöler, and Claus-Christian Pesch. In the 1980s, the group released three singles that garnered quite a success, with production by the legendary Mike Mareen and distribution through his Night’n Day Records label.

The standout track from their catalog remains the highly sought-after single “Vision Of Love.” This breezy, well-crafted euro disco gem captures everything that defined the genre in its heyday, with its light melody and polished production.

During the recent digitization of Night’n Day Records’ original master tapes, unreleased material was unearthed, including the previously unheard instrumental version of “Vision Of Love.” This fresh reissue not only includes that rare version but also features a special DJ Edit, making it an essential addition for collectors and DJs alike.

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Eternal Love's "L'Amore È" is a vibrant musical journey that radiates with nostalgic beats and modern electronic flair. Each track is a testament to the duo’s ability to reimagine their Italian roots through pulsating synths, captivating percussion, and ethereal vocals. With contributions from Marquis, Marianne Mirage and Dea Barandana, the EP intertwines stories of love, passion, and euphoria, all wrapped in infectious grooves that are sure to electrify any dance floor.

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Derwin Daniels, Soprano Sax player and composer, made this little R&B 45 in 1989. Recorded with vocals by the unfortunately passed away La Donna Wells who brings a Mary J Level performance 3 years before "What's The 411" hit the streets. Slick, deep R&B that's soulful enough for modern soul and disco sets, what's not to love. Flipped with some Jazz Bizznes from Derwin, utter gold!

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The 1980s were an iconic era for electronic dance music, with each country delivering a wave of standout artists and producers whose names and music are now etched in music history. One of Germany’s notable figures in this scene was Mike Mareen, both a producer and performer, who also ran his own label, Night’n Day Records. Among the label’s successful releases was the now somewhat forgotten gem, Sammy Allen’s single “Slave To Love.”

Today, this record has become a sought-after item among collectors, leading to its reissue. The re-release not only brings back the original track but also includes a previously unreleased version from the original recording sessions, along with a special DJ Edit designed specifically for seamless mixing. This reissue is a must-have for both fans and DJs looking to revisit or rediscover a classic piece of German italo disco related music history.

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Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.

A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.

‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.

On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.

The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises.

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In the late 1980s, three young musicians – Rick and Remon Melsert, along with Paul Nieuwenhuijsen – approached Michiel van der Kuy with a demo titled “She.” Their collaborative project, dubbed Kick The Habit, was poised to blend their talents with Michiel’s signature touch, infused with a hint of early house music. However, for reasons unknown, the project was shelved and remained hidden for over three decades.

Now, 35 years later, thanks to the efforts of Michiel Van Der Kuy, Sergi Elias and Vintage Pleasure Boutique label, this long-lost gem is finally seeing the light of day. The maxi single not only resurrects the original track but also features remixes by the amazing Prospero duo, adding a nostalgic layer of Michiel’s classic 1980s sound. The release includes five stunning versions of “She,” including the original, making this a must-listen for fans of vocal space synth, vocoders, Laser Dance, Michiel van de Kuy talent and vintage synth-driven music.

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About a year ago an odd delivery was received at the shop from an unknown sender in Los Angeles with an ancient looking duffle bag carrying a hand full of tape reels, there was a note and it read: "If this ain't 'Balearische', I dunno what is" (in all caps). Upon extensive magnetic tape baking and freezing recovery techniques we soon realised how fortune can sometimes choose to flash its genitals at you in the strangest of ways. Here were 3 previously unreleased demo-sounding mixes of the one and only "Can't Get Enough of Your Love, Babe". A side is an almost 9 minute patient build up of the theme, clearly too long to be released back in the days of radio play, a beatless off ramp for all the strings and piano to shine, up until the percussion and vocals climax. B side continues to explore the deconstructive process with an isolated "pianopella" version and then following with an instrumental groove version focusing on the rhythm section. For promotional purposes only.

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