Semi Opaque Natural VINYL.

A trio of Kansas City soul sweepers, from the sprawling mid west burg's storied Cavern, Damon, and Forte concerns. Bump and the Soul Stompers' 1970 sweet soul double sider "I C an Remember" was a tail pipe-dragging, low rider classic in the making, had it ever been released. A few years later Jerald "Bump" Scott took his new group to Cavern's subterrane an confines to cut the group harmony masterpiece "Living In The Past," but remained unissued prior to Numero's discovery of the Cavern tapes. As disco was cresting at the top of the next decade, Sharon Revoal tracked her James Brown meets James Bond stepper "Reaching For Our Star"_ the last 45 released on Marva Whitney's peerless Fortelabel.

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tracklist:

1.valerian
2.aquan 1
3.mandragora louvareen
4.staticburst
5.xarella almandyne
6.milkysoft
7.blooded and blossom blown
8.hum vibralux
9.virgin blue eyed
10.seesaw
11.flowered smother
12.monar
13.silver (fairy threaded)
14.luma (web-like and crescent)
15.golden-handed
16.bones of angels a. bronze lit feathers b. her tongue pulled out
17.ghosts that swirl
18.mother of pearl


The ambient lofigaze soundtrack for interdimensional travel. Compiled from hissy cassettes 4-tracked between 1991-'95, lovesliescrushing's sophomore album xuvetyn originally released in 1996, now achieving the patina of legend some 30 years later. This double LP edition is housed in a tip-on jacket illustrated with Melissa Arpin Duimstra and Scott Cortez's abstract photography, plus a lyric sheet translating the expressive glossolalia.

"A disorientingly beautiful cloud of neon drones and voices from the other side. Music that will envelop you, that you can disappear inside of."

-Jefre Cantu-Ledesma

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Eccentric Sweet Soul is 43 minutes of unguarded romantic expression—broken and mended hearts and aching space between, delivered with disarming sincerity and late-night intimacy. Draped in lush, gentle strings, tender group harmonies, and relaxed rhythms, while breathy falsetto vocals float over polished production. Vulnerability is the main event here. Ride with pride.

TRACKLIST
A1 - Ice Cold Love - Wonderful To Be Loved
A2 - Jus' Us - Don't Stop Smiling
A3 - The Defaulters - Gentle Man
A4 - The Si-berians - Crying Baby Won't Help The Hurt
A5 - Third Generation - Love Is Gonna Rain Down On Me
A6 - Sweet Breeze - Slow Change Up
B1 - Family Connection - Lost Her Love
B2 - Ujima - All I Want Is You
B3 - Soul Pushers - With A Broken Heart
B4 - Majestic Arrows - The Magic of Your Love

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Tracklist:
1.1THE DAYS GREW LONGER FOR LOVE
1.2SUNDAY
1.3LOST A NUMBER FOUND A KING
1.4MAN WITHOUT A NAME
1.5CLOCKWORK MAN
1.6COCAINE
1.7SHADES OF GRAY
1.8HIGH ON A MOUNTAIN
1.9ANDWELLS
1.10MIDDAY SUN
1.11TAKE MY ROAD
1.12FELIX
1.13GOODBYE

Total abgefahrene irische Psychedelia für den Kater am Morgen nach dem "Summer of Love". Angeführt vom in Belfast geborenen Wunderkind David Lewis, verwischt Andwellas Dreams Debütalbum Love and Poetry" aus dem Jahr 1969 die Grenze zwischen Denmark Street und Cyprus Avenue. Ein 13 Songs umfassender pastoraler Fiebertraum, der im CBS-Lagerhaus verloren gegangen war, jetzt neu gemastert und in seiner ursprünglichen Pracht wiederhergestellt.

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For our 100th Eccentric Soul 45, Numero returns to our Ohio roots with three replica 45s from the Capsoul universe. Marion Black's timeless two-sider "Who Knows" b/w "Go On Fool" made a few blips upon its 1970 release, but has taken on a life of its own soundtracking prestige TV and car commercials around the globe and finally going gold after 65 years. We discovered Ron Harrington's "Because You're Mine" demo amongst the Capsoul tapes, a demo cut for founder Bill Moss that never escaped greater Columbus. The mid-tempo harmony joint "It Happened To Me Again" adorns the flip, with a lo-fi funk backbeat tossed in for good measure. Capsoul's crown jewel group harmony quartet Johnson, Hawkins, Tatum & Durr cut just two records in their short time together, but the quartet's "You Can't Blame Me" has endured as a classic example of the raw and unhinged soul sound that Numero is known for. Eccentric Soul from the heart of it all.

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For our 100th Eccentric Soul 45, Numero returns to our Ohio roots with three replica 45s from the Capsoul universe. Marion Black's timeless two-sider "Who Knows" b/w "Go On Fool" made a few blips upon its 1970 release, but has taken on a life of its own soundtracking prestige TV and car commercials around the globe and finally going gold after 65 years. We discovered Ron Harrington's "Because You're Mine" demo amongst the Capsoul tapes, a demo cut for founder Bill Moss that never escaped greater Columbus. The mid-tempo harmony joint "It Happened To Me Again" adorns the flip, with a lo-fi funk backbeat tossed in for good measure. Capsoul's crown jewel group harmony quartet Johnson, Hawkins, Tatum & Durr cut just two records in their short time together, but the quartet's "You Can't Blame Me" has endured as a classic example of the raw and unhinged soul sound that Numero is known for. Eccentric Soul from the heart of it all.

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For our 100th Eccentric Soul 45, Numero returns to our Ohio roots with three replica 45s from the Capsoul universe. Marion Black's timeless two-sider "Who Knows" b/w "Go On Fool" made a few blips upon its 1970 release, but has taken on a life of its own soundtracking prestige TV and car commercials around the globe and finally going gold after 65 years. We discovered Ron Harrington's "Because You're Mine" demo amongst the Capsoul tapes, a demo cut for founder Bill Moss that never escaped greater Columbus. The mid-tempo harmony joint "It Happened To Me Again" adorns the flip, with a lo-fi funk backbeat tossed in for good measure. Capsoul's crown jewel group harmony quartet Johnson, Hawkins, Tatum & Durr cut just two records in their short time together, but the quartet's "You Can't Blame Me" has endured as a classic example of the raw and unhinged soul sound that Numero is known for. Eccentric Soul from the heart of it all.

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After three albums of reverberated guitar wandering, Master Wilburn Burchette's Psychic Meditation Music takes a turn towards the kosmiche. Two side-long synth explorations transport the listener to the avocado hues of 1974, expanding consciousness one oscillation at a time. Bug out your third eye!

Listen: https://www.youtube.com/watch?v=RiLfq--9n1c

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The idea of what makes "modern soul" has long been a subject of debate, even among those at the top, specially tasked with arbitrating its definition. At Success Bottling Co., such spats escalated to the point where A&R team members Stephen Arndt and Tim Zawada had to be physically separated during a heated tracklist meeting. Yet we know that M-soul's origins can be traced to the UK's Northern Soul scene, where, in the late 70s, disco-adjacent 45s began appearing alongside traditional 60s selections. Today, modern soul is often associated with the 80s, incorporating synths and rhythm-machines. Quibbles persist: How much brass is too much? Can strings and synths truly coexist? Eccentric Modern Soul explores these ideas across eleven rambunctious ones, pinching previously unissued recordings from Wee, Ujima, and Wind alongside neat classics from Universal Togetherness Band, Mind & Matter, Maxx Traxx and 94 East.

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Townies, homecoming queens, and big men on campus manifest a homegrown and revolutionary sound in Civil Rights-era Greensboro.

Among presidential hopefuls and future astronauts, North Carolina Agricultural and Technical State University, located in Greensboro, was a hotbed of black excellence, activism, and raw talent. At the helm of a half-dozen labels, local yokel Walter Grady assembled a rotating cast of townies, homecoming queens, and big men on campus to manifest a scintillating sound that was both homegrown and revolutionary. Eccentric Soul: The Linco Label compiles melodic milestones from the birthplace of the civil rights movement.

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Whatever sense of unity bound a hodgepodge of underground American punk sounds in the 1990s like a Duct-tape wallet began to come unglued by the end of the decade. A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston’s Karate would barely be reflected in a cookie-cutter style commercialized by major labels and mid-level indies that acted like the majors. The part of punk that overlapped with indie rock would begin a slow ascent from its comfortable home on college radio charts to the soundtrack of American Apparel shops and eventually the Billboard charts. In this strange, stratifying milieu, Karate, a band that seemed to thrive by cleaving to a nether-zone between several sounds that otherwise never touched, delivered an engrossing constantly shifting shot of rock that covered three sides of 12-inch vinyl: Unsolved arrived in 2000.

Karate spent much of the ’ 90s wrestling punk aggression and volume into svelte shapes and often condensed what felt like a generation of scuffed-up intensity into whispers. The quiet moments carried much of that unbridled intensity throughout Unsolved—the fuzzy guitar squawk and snatchet of machine-gun drumming on “Sever” aside, things hit a little more sharply the moment the trio pivoted into their subdued jazz melodic interplay on that song. Karate’s transition into indie-rock maturity had become so complete by the time they dropped Unsolved that you could play the coffeehouse soul of “Halo of the Strange” and sultry jazz of “Lived-But-Yet-Named” to an unsuspecting punk and spend an entire evening trying to convince them that, yes, this band had made their bones playing the same DIY circuit made of bands that sounded like they wanted to harm their audience. But few bands other than Karate played like they understood the musical lingua franca of scene godheads such as Fugazi and Unwound, and knew how to make that language evolve, and nearly every song on Unsolved made that clear. If you didn’t get the memo by the end of the elegiac 11-minute closer “This Day Next Year,” which gained an irrepressible power from a plaintive guitar melody cycling through the song’s back half like a yearnsome cry for the divine, you might’ve been better off buying a ticket for Warped Tour and waiting a decade or two to figure it out.

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Wenn sie nicht gerade aus dem Fenster auf die stürmische Skyline von Manhattan blickte, verbrachte Margo Guryan ihre dreißiger Jahre damit, Ohrwürmer für Leute wie Bobbie Gentry, Jackie DeShannon, Claudine Longet, Carmen McCrae und Julie London bei CBS's April Blackwood Music zu schreiben. Guryans zeitlose Gedanken über Liebe, Sonntage, Erdbeben, Weinen und Jungs namens Timothy haben unzählige Filme und virale Videos unterlegt. Meisterwerke aus früheren Zeiten. 28 ihrer Songwriting-Demos aus den 60er und 70er Jahren sind auf dieser 25-jährigen Jubiläums-Doppelalbum-Edition.

Trackliste
1.1WHAT CAN I GIVE YOU
1.2SOMETHING'S WRONG WITH THE MORNING
1.3I LOVE
1.4SUNDAY MORNING
1.5CAN YOU TELL
1.6THINK OF RAIN
1.7SUN
1.8MOST OF MY LIFE
1.9THE 8:17 NORTHBOUND SUCCESS MERRY-GO-ROUND
1.10LOVE SONGS
1.11THOUGHTS
1.12I DON'T INTEND TO SPEND CHRISTMAS WITHOUT YOU
1.13COME TO ME SLOWLY
1.14TIMOTHY GONE
2.1IT'S ALRIGHT NOW
2.2VALUES
2.3I THINK A LOT ABOUT YOU
2.4THE HUM
2.5PLEASE BELIEVE ME
2.6YES I AM
2.7I'D LIKE TO SEE THE BAD GUYS WIN
2.8CALIFORNIA SHAKE
2.9SHINE
2.10HOLD ME DANCIN
2.11GOODBYE JULY
2.12WHY DO I CRY
2.13UNDER MY UMBRELLA
2.14I OUGHT TO STAY AWAY FROM YOU

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Channeling the Euro-pop sensibilities of Crepuscule and the ethereal goth of 4AD, Vazz arrived in Glasgow just as the Sound of Young Scotland was taking off. Armed with a drum machine, guitar, bass, and Anna Howson’s icy cooing, the duo offered a darker take to a scene dominated by poptimists Orange Juice, Josef K, and Aztec Camera. This 40th anniversary edition of their 1986 mini-album Your Lungs and Your Tongues compiles their complete Cathexis recordings and adds a handful of unissued minimal wave pearls. Colder than Dalwhinnie on the solstice—better bring a parka.

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Tracklisting:
A1. Theme~Mustache
A2. Tak's Tune
A3. Joint
B1. Monster
B2. Lullaby For Yuh
B3. Scotland Scene
B4. Theme

(Clear vinyl, LP with OBI, originally released in 1970) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits.

A1. Theme~Mustache A2. Tak's Tune A3. Joint B1. Monster B2. Lullaby For Yuh B3. Scotland Scene B4. Theme INFO The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and musicality with an eye on the times, formed Sound Limited at the end of the 1960s, influenced by the brass rock music that was flourishing at the time. He said, šI wanted to fuse jazz and rock and bring together young musicians to play music with vitality. I want this group to be a group with a large scale that is not confined to the small frame of modern jazz,› he said, launching a new axis. Their first album, šThe Sound of Sound Limited› (1970), became their masterpiece. It is a masterpiece that is full of energy and enthusiasm throughout the album, starting with šTheme~Mustache,› which has become one of the most beloved and iconic songs of the band. Drums, Music Director  Takeshi Inomata Electric Bass  Jun Suzuki Electric Guitar  Ryo Kawasaki, Shigenori Kamiya Flute  Toshiaki Yokota Mixed By  Eiji Uemura Organ  Yusuke Hoguchi Tenor Saxophone  Takao Uematsu Trombone  Shigemichi Domoto, Takashi Imai Trumpet  Shunzo Ohno, Takashi Kumagai




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Soundway Records presents a collection of Nigerian music chronicling a time when drum machines, synthesisers, imported pop, reggae, disco and soul collided with highlife, juju and cultural music.

The late 70s saw a period of political turbulence and prompted change across the country. Following suit, musicians and producers entered a period of experimentation, adaptation, modification and innovation, using new technology to renew and refresh cultural traditions. Nigerians formed their own unique approach to the limitless creativity these new instruments offered, to reveal a distinct sound which would dominate local airwaves for the decade to come. Nigeria Special Volume 3 celebrates the rich diversity of culture and musical styles of the nation, showcasing eighteen tracks across various genres which laid foundations for the innovation of Afrobeats artists of today.

Triple Vinyl gatefold LP compiled by Miles Cleret and Jeremy Spellacey, includes a large 8 page booklet with detailed liner notes, record scans and never-seen-before photos.

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Reissue of the legendary album of Janko Nilovic , sampled by Dr Dre, Pop Smoke ... and more!
This album recorded in 1972 with around 40 musicians making up the cream of the studio orchestras of the time, remains a centerpiece of the composer's work.

A1 - Black On A White Ground
A2 - Giant Locomotion
A3 - Xenos Cosmos
B1 - Underground Session
B2 - Mouvements Aquatiles
B3 - The Savage Rose

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London-based keyboardist and composer Greg Foat is back with his new album, 'The Rituals of Infinity'. Greg's first memory with the piano goes all the way back to his Aunt's house at aged 3 - where he fell off the piano stool. Since then, his relationship with the piano has evolved into a fulfilling, and successful career. He began taking an interest in composing at the age of 11, and truly ignited his love for Jazz after attending a workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon at the age of 15. He then studied jazz at Middlesex University, followed by 6 months in Sweden on an Erasmus grant which lead to his first professional studio session there at 21. Greg has worked as a professional musician ever since, and has moulded a wonderfully multifaceted career within the Jazz music genre. Greg is planning a debut performance of 'The Rituals of Infinity' at Ronnie Scotts in January.'The Rituals of Infinity' album is inspired by many things. Some titles are named after iconic science fiction books such as The Rituals Of Infinity, A Private Cosmos, The Dark Labyrinth and The World of the Red Sun. Minerva's Owl, on the other hand, is about the Ancient Greek Legend. "The owl of Minerva takes flight only at dusk." so wrote G. W. F. Hegel, the nineteenth century's major philosopher of history. By that, he meant that any given phase of history can be understood only in retrospect — after it's over. A beautifully fitting closing of the album. The album features the legendary Art Themen on Soprano and Tenor Saxophones, and Trevor Walker on Trumpet and Flugel Horn in a fine supportive role harmonising with Katherine Farnden on Cor Anglais. Natcyet Wakili has such a fluid approach to the drums which really makes the album special, alongside Jasper Osbourne on Bass Guitar. Shawn Lee also stopped by the studio with his horror movie classic waterphone - adding some eery atmospheric finishing touches to the album.

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Originally released in 2017, PHANTOM BRICKWORKS is an ongoing ambient/drone project by Stephen James Wilkinson a.k.a. Bibio. The work explores the human echoes still present in various sites around Britain. Wilkinson has visited these locations, observed their gradual decline, and responded with improvised and composed music. New in 2024, a sequel titled PHANTOM BRICKWORKS (LP II) is a 10-track LP, mastered by Guy Davie and vinyl cut by Hendrik Pauler. The new record draws attention to new sites - some are intriguing, vast scars on the natural landscape, others survive only in local memories, historic clips and photographs. A few remain submerged from ordinary sights, while some exist purely as legends and stories.

- Specs: Black 2LP Vinyl in printed inner sleeve in wide spine outer sleeve and download code

TRACKLIST:
A1. DINORWIC
A2. DOROTHEA'S BED
B1. PHANTOM BRICKWORKS VI
B2. SURAM
B3. LLYN PERIS
C1. PHANTOM BRICKWORKS VII
C2. TEGID'S COURT
D1. BROGRAVE
D2. SPIDER BRIDGE
D3. SYCHDER MCMLXXXIX

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Following Chicago’s tradition in special edits and dj personal reworks to extend crucial parts and surprise the dancers, Theo Parrish has always sparkled his legendary sets with his own versions of classic and obscure disco, funk and soul cuts to maximum effect! Some of those were available to fans in mid 2000s via the Ugly Edits series, now it’s finally time for the LOVELY EDITS.

Officially licensed and using the original parts from the master tapes, here we have Theo’s takes on two absolute staples: BT EXPRESS ‘Peace Pipe’ and GEORGE DUKE ‘I Want You For Myself’.

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An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher's entire discography. A unique blend of studio and live recordings, it's an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of "Iambic 9 Poetry" to the sunlit bliss of "Tommib Help Buss" and beyond.

For the 20th anniversary, Warp is proud to present this expanded deluxe version, a limited edition one-time pressing, carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Never entirely happy with the sound of the original release, Tom has relished the opportunity to revisit the tapes, bringing out fresh dynamics and details in the tracks.

Bonus album Venus No.17 Maximised is compiled from tracks originally released as part of the Ultravisitor promo EP, released 26 January 2004; the Square Window 3" CD, a free bonus disc given out with WarpMart pre-orders of the Ultravisitor album; and the Venus No.17 EP. The accompanying booklet contains rare photos, flyers, and recording documentation.

- Specs Black 2LP in 5mm wide spine sleeve, printed inner sleeves + 1LP in 3mm spine sleeve, polylined sleeve + 16 page booklet all in printed O-card sleeve

Tracklist:
A1. Ultravisitor
A2. I Fulcrum
A3. Iambic 9 Poetry
A4. Andrei
B1. 50 Cycles
B2. Menelec
B3. C-Town Smash
C1. Steinbolt
C2. An Arched Pathway
C3. Telluric Piece
C4. District Line II
D1. Circlewave
D2. Tetra-Sync
D3. Tommib Help Buss
D4. Every Day I Love
E1. Square Window
E2. Abacus 2
E3. Venus No.17
E4. Itti-Fack
E5. Melt 14.6
F1. Venus No.17 Acid Mix
F2. Tundra 4
F3. Talk About Me & You

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Tracklisting
A1 UFO95 - Réalité Irréelle
A2 UFO95 - Against Everything
B1 UFO95 - Champ de Bataille
B2 UFO95 - Cold Sun
B3 UFO95 - Obeissance
C1 UFO95 - This Brutal Society
C2 UFO95 - Artefact
C3 UFO95 - Solution
D1 UFO95 - Substractive Synthesis
D2 UFO95 - A world of self Concern

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