Label:Time Passages
Cat-No:TPX01
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Time Passages
Cat-No:TPX01
Release-Date:25.10.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
DJ Hell - Crazy things at Night - DJ Hell Remix
2
DJ Hell - Hell‘s Crazy things at Night Part 2
3
DJ Hell - Crazy things at Night / Marvin Aloys/ Original
TP X is a sub label of Time Passages.
More
More records from DJ Hell
12" Excl
in stock
Label:The DJ Hell Experience
Cat-No:HELL_Ex006V
Release-Date:10.09.2021
Genre:House
Configuration:12" Excl
Barcode:4251804126830
in stock
Last in:09.12.2021
+ Show full info- Close
in stock
Last in:09.12.2021
Label:The DJ Hell Experience
Cat-No:HELL_Ex006V
Release-Date:10.09.2021
Genre:House
Configuration:12" Excl
Barcode:4251804126830
1
DJ Hell - A. DJ Hell - Electrifiying Mojo - Roman Fluegel Remix
2
DJ Hell - B. Dj Hell - Freakshow - Perel Remix
Tracklist 12":
Side A1: DJ Hell - Electrifiying Mojo - Roman Fluegel Remix
Side B1: Dj Hell - Freakshow - Perel Remix
Short Info:
The Dj Hell Experience presents the remix package of Dj Hell's album "House Music Box". With Perel & Roman Fluegel we have two of the most outstanding artists of our electronic music community who delivers mindblowing
remixes of the highly acclaimed artist album of Dj Hell in both artistic and surprising matters.
Vital Sales Points:
Legendary DJ Hell
His new label: The Dj Hell Experience
Artwork by global painting artist Jonathan Meese
More
2LP Excl
backorder
Label:The DJ Hell Experience
Cat-No:HELL_Ex003LP
Release-Date:27.11.2020
Genre:House
Configuration:2LP Excl
Barcode:4251804123228
backorder
Last in:04.03.2021
+ Show full info- Close
backorder
Last in:04.03.2021
Label:The DJ Hell Experience
Cat-No:HELL_Ex003LP
Release-Date:27.11.2020
Genre:House
Configuration:2LP Excl
Barcode:4251804123228
1
DJ HELL - 1/A1 jimi hendrix
2
DJ HELL - 2/A2 hausmusik
3
DJ HELL - 3/B1 g.p.s
4
DJ HELL - 4/B2 freakshow
5
DJ HELL - 5/C1 electrifying mojo
6
DJ HELL - 6/C2 out of control
7
DJ HELL - 7/D1 the revolution will be televised
8
DJ HELL - 8/D2 tonstrom
2LP,initial Pressing in limited Edition with Cristal Clear Vinyl!
2LP - Sleeve, Printed Innersleeve / CD as Gatefold Digisleeve incl Poster,
Coverart and Contents of both by Jonathan Meese
1/A1 jimi hendrix
2/A2 hausmusik
3/B1 g.p.s
4/B2 freakshow
5/C1 electrifying mojo
6/C2 out of control
7/D1 the revolution will be televised
8/D2 tonstrom
People, listen to the signals: when the club life is reawakening, DJ Hell returns with the album House Music Box (Past, Present, No Future).
In contrast to its predecessor album Zukunftsmusik (2017), with his new work Hell looks back to the glorious early days of House and Techno in Chicago, Detroit and New York City.
Obvious references are the heroes that vibrated the dancefloor from the late 80s, i.e. luminaries like Ron Hardy, Frankie Knuckles and Lil’ Louis from the Chicago house scene, or the legendary radio shows of The Electrifying Mojo from Detroit. Not to be forgotten are, of course, the NYC House of Larry Levan or the Nu Groove records from the early 90s – all of them served as musical godfathers for Hell’s House Music Box.
Back to the roots. In line with this, Hell’s opus number six emerged as a classic album: House Music Box simply comprises eight gripping new bangers from the groove manufacturer that is the super gigolo Hell. The record is not only a concept album about the beginnings of electronic DJ and club music, but also a danceable history lesson. Exemplifying that is already the superb first single: ‘Out of Control’ is a mightily stomping dancefloor monster where a killer bassline and an infectious synth riff meet. A vocal sample rightly demands ‘Don’t stop!’, because the magic that Hell created with his controllers leaves one in pure ecstasy of happiness.
The songs ‘Freakshow’ and ‘House Music’ are a musical bow for the innovative originators of house in the windy city. On ‘Freakshow’, the vocoder vocals ‘Ron Hardy is the true creator of house music’ recall the prematurely deceased DJ who was best known for his eclectic sets and radical edits. Hardy used to deejay in what was the successor of the Warehouse, the legendary ‘Music Box’ club, eponymous for the new album. On ‘House Music’, nomen est omen naturally applies: over the flawless house from the quality brand of Hell, he loops various samples, fragments of sentences such as ‘Acid comes from house music’, ‘Techno comes from house’, ‘Foundation of house music is’, or ‘Chicago house music’. Through their persistent repetition plus grooving beats, a hypnotic effect soon arrives, so that the music – thanks to the magic production of Hell – starts to speak.
On ‘Electrifying Mojo’, on the other hand, Hell honours the visionary and enigmatic Charles Johnson a.k.a. The Electrifying Mojo, whose radio show (airing from 1977 until the mid 80s) had a substantial influence on the development of techno in Detroit. As he frequently played Kraftwerk, for instance, the publicly shy Electrifying Mojo emerged as a key facilitator of future electronic music in the spirit of the Detroit-Dusseldorf axis.
Almost self-evidently, Kraftwerk - the grey eminence of German electronic music – shaped the background of Hell’s new record too, via the usage of vocoder vocals as a rhythmic element or the bass frequencies as the carrying foundation for each track. Clearly recognizable is the influence of Kraftwerk’s 1986 work Electric Café (now: Techno Pop) on the groovy track ‘Tonstrom’. Fans of the ‘industrial folk music’ will hardly be surprised, as this was Kraftwerk’s working title for the record. Along with sound poetic vocals, Hell tickles a cool funk from the warm machine sounds over nimble bass lines, as on House Music Box he uses – not only for this track – the same analogue synths from the seventies as Kraftwerk once did.
The oeuvre of DJ Hell is famously characterised by his artistic desire to have a different approach to each album, while at the same time constants provide inner cohesiveness and cross references. One example would be the theme of automobiles, as an influence of Kraftwerk’s ‘Autobahn’: just think of songs like ‘Hellracer’ or ‘Car Car Car’. The car motive is again present on House Music Box, with the ambitious track ‘GPS’. Conceptually speaking it is a highlight of the record: over sparse Roland drum machine beats, we can hear the female computer voice of a navigation device devising the fastest route to ‘destination Berlin nightlife’. This almost has a double meaning, as once inside the club, the music will guide the dancers.
No DJ Hell album, without cover versions. Or, should we better call his idiosyncratic electronic editions of established hits new originals – referring to a term that Laibach coined. This definitely holds true for ‘The Revolution Will Not Be Televised’: his update of Gil Scott Heron’s soul classic turned into a veritable 4-on-the-floor version. The slogan, which originally came from the Black Power movement, carved out a remarkable career, not only thanks to several new versions, but equally alienated as an advertising slogan for bar chains. The fact that Hell takes up this track in the days of YouTube, Instagram and Facebook illustrates us today that the idea of a political revolution is long gone. For that reason, all he keeps from the wordy original is its headline while the impulsive beats prove all more, that at least the revolution of the dancefloor is nowhere near over.
Past, Present, No Future – even if Hell’s deep bow to the trailblazers and pioneers of electronic club music was already completed when the corona pandemic broke out, the subtitle of House Music Box proved apt even so in the light of the circumstance that especially the club scene is seriously affected from the coercive measures of the crisis. It was therefore quite prophetic that on ‘Jimi Hendrix’ you can hear pieces of the last interview that the guitarist gave shortly before his controversial death. „I can’t build anything right now, you know, because of the things that are happing right now. I just have to lay back and think about it all.” House Music Box is, in many ways, the right record at the right time. Because as DJ Hell speaks about his album: ‘House Music for me has always been a spiritual experience, a higher, different form of communication, so to speak’. So, let’s listen carefully what he reports about his musical excursions in the Past, Present and Future of House.
More
2LP - Sleeve, Printed Innersleeve / CD as Gatefold Digisleeve incl Poster,
Coverart and Contents of both by Jonathan Meese
1/A1 jimi hendrix
2/A2 hausmusik
3/B1 g.p.s
4/B2 freakshow
5/C1 electrifying mojo
6/C2 out of control
7/D1 the revolution will be televised
8/D2 tonstrom
People, listen to the signals: when the club life is reawakening, DJ Hell returns with the album House Music Box (Past, Present, No Future).
In contrast to its predecessor album Zukunftsmusik (2017), with his new work Hell looks back to the glorious early days of House and Techno in Chicago, Detroit and New York City.
Obvious references are the heroes that vibrated the dancefloor from the late 80s, i.e. luminaries like Ron Hardy, Frankie Knuckles and Lil’ Louis from the Chicago house scene, or the legendary radio shows of The Electrifying Mojo from Detroit. Not to be forgotten are, of course, the NYC House of Larry Levan or the Nu Groove records from the early 90s – all of them served as musical godfathers for Hell’s House Music Box.
Back to the roots. In line with this, Hell’s opus number six emerged as a classic album: House Music Box simply comprises eight gripping new bangers from the groove manufacturer that is the super gigolo Hell. The record is not only a concept album about the beginnings of electronic DJ and club music, but also a danceable history lesson. Exemplifying that is already the superb first single: ‘Out of Control’ is a mightily stomping dancefloor monster where a killer bassline and an infectious synth riff meet. A vocal sample rightly demands ‘Don’t stop!’, because the magic that Hell created with his controllers leaves one in pure ecstasy of happiness.
The songs ‘Freakshow’ and ‘House Music’ are a musical bow for the innovative originators of house in the windy city. On ‘Freakshow’, the vocoder vocals ‘Ron Hardy is the true creator of house music’ recall the prematurely deceased DJ who was best known for his eclectic sets and radical edits. Hardy used to deejay in what was the successor of the Warehouse, the legendary ‘Music Box’ club, eponymous for the new album. On ‘House Music’, nomen est omen naturally applies: over the flawless house from the quality brand of Hell, he loops various samples, fragments of sentences such as ‘Acid comes from house music’, ‘Techno comes from house’, ‘Foundation of house music is’, or ‘Chicago house music’. Through their persistent repetition plus grooving beats, a hypnotic effect soon arrives, so that the music – thanks to the magic production of Hell – starts to speak.
On ‘Electrifying Mojo’, on the other hand, Hell honours the visionary and enigmatic Charles Johnson a.k.a. The Electrifying Mojo, whose radio show (airing from 1977 until the mid 80s) had a substantial influence on the development of techno in Detroit. As he frequently played Kraftwerk, for instance, the publicly shy Electrifying Mojo emerged as a key facilitator of future electronic music in the spirit of the Detroit-Dusseldorf axis.
Almost self-evidently, Kraftwerk - the grey eminence of German electronic music – shaped the background of Hell’s new record too, via the usage of vocoder vocals as a rhythmic element or the bass frequencies as the carrying foundation for each track. Clearly recognizable is the influence of Kraftwerk’s 1986 work Electric Café (now: Techno Pop) on the groovy track ‘Tonstrom’. Fans of the ‘industrial folk music’ will hardly be surprised, as this was Kraftwerk’s working title for the record. Along with sound poetic vocals, Hell tickles a cool funk from the warm machine sounds over nimble bass lines, as on House Music Box he uses – not only for this track – the same analogue synths from the seventies as Kraftwerk once did.
The oeuvre of DJ Hell is famously characterised by his artistic desire to have a different approach to each album, while at the same time constants provide inner cohesiveness and cross references. One example would be the theme of automobiles, as an influence of Kraftwerk’s ‘Autobahn’: just think of songs like ‘Hellracer’ or ‘Car Car Car’. The car motive is again present on House Music Box, with the ambitious track ‘GPS’. Conceptually speaking it is a highlight of the record: over sparse Roland drum machine beats, we can hear the female computer voice of a navigation device devising the fastest route to ‘destination Berlin nightlife’. This almost has a double meaning, as once inside the club, the music will guide the dancers.
No DJ Hell album, without cover versions. Or, should we better call his idiosyncratic electronic editions of established hits new originals – referring to a term that Laibach coined. This definitely holds true for ‘The Revolution Will Not Be Televised’: his update of Gil Scott Heron’s soul classic turned into a veritable 4-on-the-floor version. The slogan, which originally came from the Black Power movement, carved out a remarkable career, not only thanks to several new versions, but equally alienated as an advertising slogan for bar chains. The fact that Hell takes up this track in the days of YouTube, Instagram and Facebook illustrates us today that the idea of a political revolution is long gone. For that reason, all he keeps from the wordy original is its headline while the impulsive beats prove all more, that at least the revolution of the dancefloor is nowhere near over.
Past, Present, No Future – even if Hell’s deep bow to the trailblazers and pioneers of electronic club music was already completed when the corona pandemic broke out, the subtitle of House Music Box proved apt even so in the light of the circumstance that especially the club scene is seriously affected from the coercive measures of the crisis. It was therefore quite prophetic that on ‘Jimi Hendrix’ you can hear pieces of the last interview that the guitarist gave shortly before his controversial death. „I can’t build anything right now, you know, because of the things that are happing right now. I just have to lay back and think about it all.” House Music Box is, in many ways, the right record at the right time. Because as DJ Hell speaks about his album: ‘House Music for me has always been a spiritual experience, a higher, different form of communication, so to speak’. So, let’s listen carefully what he reports about his musical excursions in the Past, Present and Future of House.
More
CD Excl
in stock
Label:The DJ Hell Experience
Cat-No:HELL_Ex003CD
Release-Date:27.11.2020
Genre:House
Configuration:CD Excl
Barcode:4251804123235
in stock
Last in:12.11.2020
+ Show full info- Close
in stock
Last in:12.11.2020
Label:The DJ Hell Experience
Cat-No:HELL_Ex003CD
Release-Date:27.11.2020
Genre:House
Configuration:CD Excl
Barcode:4251804123235
1
DJ HELL - 1/ jimi hendrix
2
DJ HELL - 2/ hausmusik
3
DJ HELL - 3/ g.p.s
4
DJ HELL - 4/ freakshow
5
DJ HELL - 5/ electrifying mojo
6
DJ HELL - 6/ out of control
7
DJ HELL - 7/ the revolution will be televised
8
DJ HELL - 8/D2 tonstrom
CD Digi Sleeve
Coverart and Contents of both by Jonathan Meese
1/A1 jimi hendrix
2/A2 hausmusik
3/B1 g.p.s
4/B2 freakshow
5/C1 electrifying mojo
6/C2 out of control
7/D1 the revolution will be televised
8/D2 tonstrom
People, listen to the signals: when the club life is reawakening, DJ Hell returns with the album House Music Box (Past, Present, No Future).
In contrast to its predecessor album Zukunftsmusik (2017), with his new work Hell looks back to the glorious early days of House and Techno in Chicago, Detroit and New York City.
Obvious references are the heroes that vibrated the dancefloor from the late 80s, i.e. luminaries like Ron Hardy, Frankie Knuckles and Lil’ Louis from the Chicago house scene, or the legendary radio shows of The Electrifying Mojo from Detroit. Not to be forgotten are, of course, the NYC House of Larry Levan or the Nu Groove records from the early 90s – all of them served as musical godfathers for Hell’s House Music Box.
Back to the roots. In line with this, Hell’s opus number six emerged as a classic album: House Music Box simply comprises eight gripping new bangers from the groove manufacturer that is the super gigolo Hell. The record is not only a concept album about the beginnings of electronic DJ and club music, but also a danceable history lesson. Exemplifying that is already the superb first single: ‘Out of Control’ is a mightily stomping dancefloor monster where a killer bassline and an infectious synth riff meet. A vocal sample rightly demands ‘Don’t stop!’, because the magic that Hell created with his controllers leaves one in pure ecstasy of happiness.
The songs ‘Freakshow’ and ‘House Music’ are a musical bow for the innovative originators of house in the windy city. On ‘Freakshow’, the vocoder vocals ‘Ron Hardy is the true creator of house music’ recall the prematurely deceased DJ who was best known for his eclectic sets and radical edits. Hardy used to deejay in what was the successor of the Warehouse, the legendary ‘Music Box’ club, eponymous for the new album. On ‘House Music’, nomen est omen naturally applies: over the flawless house from the quality brand of Hell, he loops various samples, fragments of sentences such as ‘Acid comes from house music’, ‘Techno comes from house’, ‘Foundation of house music is’, or ‘Chicago house music’. Through their persistent repetition plus grooving beats, a hypnotic effect soon arrives, so that the music – thanks to the magic production of Hell – starts to speak.
On ‘Electrifying Mojo’, on the other hand, Hell honours the visionary and enigmatic Charles Johnson a.k.a. The Electrifying Mojo, whose radio show (airing from 1977 until the mid 80s) had a substantial influence on the development of techno in Detroit. As he frequently played Kraftwerk, for instance, the publicly shy Electrifying Mojo emerged as a key facilitator of future electronic music in the spirit of the Detroit-Dusseldorf axis.
Almost self-evidently, Kraftwerk - the grey eminence of German electronic music – shaped the background of Hell’s new record too, via the usage of vocoder vocals as a rhythmic element or the bass frequencies as the carrying foundation for each track. Clearly recognizable is the influence of Kraftwerk’s 1986 work Electric Café (now: Techno Pop) on the groovy track ‘Tonstrom’. Fans of the ‘industrial folk music’ will hardly be surprised, as this was Kraftwerk’s working title for the record. Along with sound poetic vocals, Hell tickles a cool funk from the warm machine sounds over nimble bass lines, as on House Music Box he uses – not only for this track – the same analogue synths from the seventies as Kraftwerk once did.
The oeuvre of DJ Hell is famously characterised by his artistic desire to have a different approach to each album, while at the same time constants provide inner cohesiveness and cross references. One example would be the theme of automobiles, as an influence of Kraftwerk’s ‘Autobahn’: just think of songs like ‘Hellracer’ or ‘Car Car Car’. The car motive is again present on House Music Box, with the ambitious track ‘GPS’. Conceptually speaking it is a highlight of the record: over sparse Roland drum machine beats, we can hear the female computer voice of a navigation device devising the fastest route to ‘destination Berlin nightlife’. This almost has a double meaning, as once inside the club, the music will guide the dancers.
No DJ Hell album, without cover versions. Or, should we better call his idiosyncratic electronic editions of established hits new originals – referring to a term that Laibach coined. This definitely holds true for ‘The Revolution Will Not Be Televised’: his update of Gil Scott Heron’s soul classic turned into a veritable 4-on-the-floor version. The slogan, which originally came from the Black Power movement, carved out a remarkable career, not only thanks to several new versions, but equally alienated as an advertising slogan for bar chains. The fact that Hell takes up this track in the days of YouTube, Instagram and Facebook illustrates us today that the idea of a political revolution is long gone. For that reason, all he keeps from the wordy original is its headline while the impulsive beats prove all more, that at least the revolution of the dancefloor is nowhere near over.
Past, Present, No Future – even if Hell’s deep bow to the trailblazers and pioneers of electronic club music was already completed when the corona pandemic broke out, the subtitle of House Music Box proved apt even so in the light of the circumstance that especially the club scene is seriously affected from the coercive measures of the crisis. It was therefore quite prophetic that on ‘Jimi Hendrix’ you can hear pieces of the last interview that the guitarist gave shortly before his controversial death. „I can’t build anything right now, you know, because of the things that are happing right now. I just have to lay back and think about it all.” House Music Box is, in many ways, the right record at the right time. Because as DJ Hell speaks about his album: ‘House Music for me has always been a spiritual experience, a higher, different form of communication, so to speak’. So, let’s listen carefully what he reports about his musical excursions in the Past, Present and Future of House.
More
Coverart and Contents of both by Jonathan Meese
1/A1 jimi hendrix
2/A2 hausmusik
3/B1 g.p.s
4/B2 freakshow
5/C1 electrifying mojo
6/C2 out of control
7/D1 the revolution will be televised
8/D2 tonstrom
People, listen to the signals: when the club life is reawakening, DJ Hell returns with the album House Music Box (Past, Present, No Future).
In contrast to its predecessor album Zukunftsmusik (2017), with his new work Hell looks back to the glorious early days of House and Techno in Chicago, Detroit and New York City.
Obvious references are the heroes that vibrated the dancefloor from the late 80s, i.e. luminaries like Ron Hardy, Frankie Knuckles and Lil’ Louis from the Chicago house scene, or the legendary radio shows of The Electrifying Mojo from Detroit. Not to be forgotten are, of course, the NYC House of Larry Levan or the Nu Groove records from the early 90s – all of them served as musical godfathers for Hell’s House Music Box.
Back to the roots. In line with this, Hell’s opus number six emerged as a classic album: House Music Box simply comprises eight gripping new bangers from the groove manufacturer that is the super gigolo Hell. The record is not only a concept album about the beginnings of electronic DJ and club music, but also a danceable history lesson. Exemplifying that is already the superb first single: ‘Out of Control’ is a mightily stomping dancefloor monster where a killer bassline and an infectious synth riff meet. A vocal sample rightly demands ‘Don’t stop!’, because the magic that Hell created with his controllers leaves one in pure ecstasy of happiness.
The songs ‘Freakshow’ and ‘House Music’ are a musical bow for the innovative originators of house in the windy city. On ‘Freakshow’, the vocoder vocals ‘Ron Hardy is the true creator of house music’ recall the prematurely deceased DJ who was best known for his eclectic sets and radical edits. Hardy used to deejay in what was the successor of the Warehouse, the legendary ‘Music Box’ club, eponymous for the new album. On ‘House Music’, nomen est omen naturally applies: over the flawless house from the quality brand of Hell, he loops various samples, fragments of sentences such as ‘Acid comes from house music’, ‘Techno comes from house’, ‘Foundation of house music is’, or ‘Chicago house music’. Through their persistent repetition plus grooving beats, a hypnotic effect soon arrives, so that the music – thanks to the magic production of Hell – starts to speak.
On ‘Electrifying Mojo’, on the other hand, Hell honours the visionary and enigmatic Charles Johnson a.k.a. The Electrifying Mojo, whose radio show (airing from 1977 until the mid 80s) had a substantial influence on the development of techno in Detroit. As he frequently played Kraftwerk, for instance, the publicly shy Electrifying Mojo emerged as a key facilitator of future electronic music in the spirit of the Detroit-Dusseldorf axis.
Almost self-evidently, Kraftwerk - the grey eminence of German electronic music – shaped the background of Hell’s new record too, via the usage of vocoder vocals as a rhythmic element or the bass frequencies as the carrying foundation for each track. Clearly recognizable is the influence of Kraftwerk’s 1986 work Electric Café (now: Techno Pop) on the groovy track ‘Tonstrom’. Fans of the ‘industrial folk music’ will hardly be surprised, as this was Kraftwerk’s working title for the record. Along with sound poetic vocals, Hell tickles a cool funk from the warm machine sounds over nimble bass lines, as on House Music Box he uses – not only for this track – the same analogue synths from the seventies as Kraftwerk once did.
The oeuvre of DJ Hell is famously characterised by his artistic desire to have a different approach to each album, while at the same time constants provide inner cohesiveness and cross references. One example would be the theme of automobiles, as an influence of Kraftwerk’s ‘Autobahn’: just think of songs like ‘Hellracer’ or ‘Car Car Car’. The car motive is again present on House Music Box, with the ambitious track ‘GPS’. Conceptually speaking it is a highlight of the record: over sparse Roland drum machine beats, we can hear the female computer voice of a navigation device devising the fastest route to ‘destination Berlin nightlife’. This almost has a double meaning, as once inside the club, the music will guide the dancers.
No DJ Hell album, without cover versions. Or, should we better call his idiosyncratic electronic editions of established hits new originals – referring to a term that Laibach coined. This definitely holds true for ‘The Revolution Will Not Be Televised’: his update of Gil Scott Heron’s soul classic turned into a veritable 4-on-the-floor version. The slogan, which originally came from the Black Power movement, carved out a remarkable career, not only thanks to several new versions, but equally alienated as an advertising slogan for bar chains. The fact that Hell takes up this track in the days of YouTube, Instagram and Facebook illustrates us today that the idea of a political revolution is long gone. For that reason, all he keeps from the wordy original is its headline while the impulsive beats prove all more, that at least the revolution of the dancefloor is nowhere near over.
Past, Present, No Future – even if Hell’s deep bow to the trailblazers and pioneers of electronic club music was already completed when the corona pandemic broke out, the subtitle of House Music Box proved apt even so in the light of the circumstance that especially the club scene is seriously affected from the coercive measures of the crisis. It was therefore quite prophetic that on ‘Jimi Hendrix’ you can hear pieces of the last interview that the guitarist gave shortly before his controversial death. „I can’t build anything right now, you know, because of the things that are happing right now. I just have to lay back and think about it all.” House Music Box is, in many ways, the right record at the right time. Because as DJ Hell speaks about his album: ‘House Music for me has always been a spiritual experience, a higher, different form of communication, so to speak’. So, let’s listen carefully what he reports about his musical excursions in the Past, Present and Future of House.
More
12" Excl
backorder
Cat-No:GIGOLO310B
Release-Date:28.09.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466392651
backorder
Last in:14.09.2018
+ Show full info- Close
backorder
Last in:14.09.2018
Cat-No:GIGOLO310B
Release-Date:28.09.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466392651
1
DJ Hell - I Want U (Darren Emerson Remix)
2
DJ Hell - I Want U (The Hacker 2018 Remix)
Tracklisting:
A1 I Want U (Darren Emerson Remix)
B1 I Want U (The Hacker 2018 Remix)
Short Info:
International Deejay Gigolo Records presents its second remix package from the single "I Want U" of label boss DJ Hell. The original get´s a new twist with the reinterpretation of Darren Emerson. His own view on the track has a high intense energy and a pumping upfront attitude. French techno head The Hacker reworks his own remix and gives it a dark & playful 2018 facelift.
More
A1 I Want U (Darren Emerson Remix)
B1 I Want U (The Hacker 2018 Remix)
Short Info:
International Deejay Gigolo Records presents its second remix package from the single "I Want U" of label boss DJ Hell. The original get´s a new twist with the reinterpretation of Darren Emerson. His own view on the track has a high intense energy and a pumping upfront attitude. French techno head The Hacker reworks his own remix and gives it a dark & playful 2018 facelift.
More
12" Excl
backorder
Cat-No:GIGOLO328
Release-Date:14.09.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466392644
backorder
Last in:06.09.2018
+ Show full info- Close
backorder
Last in:06.09.2018
Cat-No:GIGOLO328
Release-Date:14.09.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466392644
1
DJ Hell - Anything, Anytime FJAAK Remix
2
DJ Hell - Mantra - Marco Faraone Remix
3
DJ Hell - Guede - VRILs 13th Symphony Of Artefacts RMX (Edit)
4
DJ Hell - Mantra - Edouardo della Calle Remix
Tracklisting:
A1 Anything, Anytime (Fjaak Remix)
A2 Mantra (Marco Faraone Remix)
B1 Guede (VRILs 13th Symphony of Artifacts Remix)
B2 Mantra (Eduardo de la Calle Remix)
Short Info:
International Deejay Gigolo Records presents a special package of remixes. This compilation of remix productions taken from Dj Hell´s album "Zukunftsmusik" are dedicated to the vinyl collectors. Special edits of the remixes by Fjaak, Vril, Marco Faraone and Eduardo de la Calle have been produced to make this vinyl a unique tool.
More
A1 Anything, Anytime (Fjaak Remix)
A2 Mantra (Marco Faraone Remix)
B1 Guede (VRILs 13th Symphony of Artifacts Remix)
B2 Mantra (Eduardo de la Calle Remix)
Short Info:
International Deejay Gigolo Records presents a special package of remixes. This compilation of remix productions taken from Dj Hell´s album "Zukunftsmusik" are dedicated to the vinyl collectors. Special edits of the remixes by Fjaak, Vril, Marco Faraone and Eduardo de la Calle have been produced to make this vinyl a unique tool.
More
12" Excl
backorder
Cat-No:GIGOLO320V
Release-Date:15.06.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391883
backorder
Last in:12.06.2018
+ Show full info- Close
backorder
Last in:12.06.2018
Cat-No:GIGOLO320V
Release-Date:15.06.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391883
1
DJ Hell - Wir reiten durch die Nacht (Adriatique Remix)
2
DJ Hell - DJ Hell - Wir Reiten Durch Die Natch (Coyu Remix)
Tracklisting:
A1 Wir reiten durch die Nacht (Adriatique Remix)
B1 Wir reiten durch die Nacht (Coyu Remix)
Short Info:
International Deejay Gigolo Records are releasing a remix compilation of DJ Hell produced experimental track "Wir Reiten Durch Die Nacht", taken from his 5th studio album "Zukunftsmusik".
This release features remixes of internationally renowned artists Adriatique and Coyu. First up is Adriatique's remix, a reflection of their own interpretation of electronic music with a strong and playful vibe. Coyu's remix is a dancefloor ready interpretation of the original cut, with a decidedly more pumped up and dark atmosphere.
More
A1 Wir reiten durch die Nacht (Adriatique Remix)
B1 Wir reiten durch die Nacht (Coyu Remix)
Short Info:
International Deejay Gigolo Records are releasing a remix compilation of DJ Hell produced experimental track "Wir Reiten Durch Die Nacht", taken from his 5th studio album "Zukunftsmusik".
This release features remixes of internationally renowned artists Adriatique and Coyu. First up is Adriatique's remix, a reflection of their own interpretation of electronic music with a strong and playful vibe. Coyu's remix is a dancefloor ready interpretation of the original cut, with a decidedly more pumped up and dark atmosphere.
More
12" Excl
backorder
Cat-No:gigolo304
Release-Date:23.03.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391500
backorder
Last in:13.03.2018
+ Show full info- Close
backorder
Last in:13.03.2018
Cat-No:gigolo304
Release-Date:23.03.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391500
2018 Remastered
Tracklisting:
A1 DJ Hell - Hot In The Heels Of Love (Dave Clark Remix)
B1 DJ Hell - Allerseelen (Jeff Mills Remix)
Description:
Remix classics of Jeff Mills and Dave Clark for DJ Hell - remastered for vinyl.
More
Tracklisting:
A1 DJ Hell - Hot In The Heels Of Love (Dave Clark Remix)
B1 DJ Hell - Allerseelen (Jeff Mills Remix)
Description:
Remix classics of Jeff Mills and Dave Clark for DJ Hell - remastered for vinyl.
More
12" Excl
backorder
Cat-No:gigolo324
Release-Date:09.02.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391494
backorder
Last in:26.01.2018
+ Show full info- Close
backorder
Last in:26.01.2018
Cat-No:gigolo324
Release-Date:09.02.2018
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391494
Tracklisting:
A1 Guede (Joyce Muniz Passing Lights Remix)
B1 Guede (Paul Nazca Remix)
Description:
Guede Remixes is a remix compilation of DJ Hell taken from his 5th studio album Zukunftsmusik. The release features two remixes by Joyce Muniz and one by Paul Nazca. Guede's soundscape is acidic yet minimal, with its distorted vocals and raucous instrumentation lending the track an eerie and at times ethereal vibe. Each artist brings a uniquely different perspective on the sound of the original cut, whilst never completely abandoning the track's core identity. Paul Nazca infuses it with trance, Joyce Muniz keeps the acid and adds the deep.
More
A1 Guede (Joyce Muniz Passing Lights Remix)
B1 Guede (Paul Nazca Remix)
Description:
Guede Remixes is a remix compilation of DJ Hell taken from his 5th studio album Zukunftsmusik. The release features two remixes by Joyce Muniz and one by Paul Nazca. Guede's soundscape is acidic yet minimal, with its distorted vocals and raucous instrumentation lending the track an eerie and at times ethereal vibe. Each artist brings a uniquely different perspective on the sound of the original cut, whilst never completely abandoning the track's core identity. Paul Nazca infuses it with trance, Joyce Muniz keeps the acid and adds the deep.
More
12" Excl
backorder
Cat-No:gigolo313bv
Release-Date:13.10.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391173
backorder
Last in:28.09.2017
+ Show full info- Close
backorder
Last in:28.09.2017
Cat-No:gigolo313bv
Release-Date:13.10.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391173
1
DJ Hell - CAR (Fango Needs a New Car Remix)
2
DJ Hell - Car Car Car - METROPOLIS SNELWEG REMIX
3
DJ Hell - Car Car Car - BETONKUST Remix
Tracklisting:
A1 Car Car Car (Fango Needs a New Car Remix)
B1 Car Car Car (Metropolis Snelweg Remix)
B2 Car Car Car (Betonkunst Remix)
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
After the first vinyl with remixes from Roman Fluegel and Phil, now is the turn of Fango, Metropolis and Bentonkunst.
Fango turns the track into a proper techno banger. Powerful instrumental with noises from outer space.
Dark and raw techno remix comes from the german producer Metropolis.
The third and rarest remix from Betonkust, keeps the esence of the original track but adding his touch with those melancholic and powerful melodies characteristics of his sound.
More
A1 Car Car Car (Fango Needs a New Car Remix)
B1 Car Car Car (Metropolis Snelweg Remix)
B2 Car Car Car (Betonkunst Remix)
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
After the first vinyl with remixes from Roman Fluegel and Phil, now is the turn of Fango, Metropolis and Bentonkunst.
Fango turns the track into a proper techno banger. Powerful instrumental with noises from outer space.
Dark and raw techno remix comes from the german producer Metropolis.
The third and rarest remix from Betonkust, keeps the esence of the original track but adding his touch with those melancholic and powerful melodies characteristics of his sound.
More
12" Excl
backorder
Cat-No:gigolo313v7
Release-Date:15.09.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391159
backorder
Last in:18.09.2017
+ Show full info- Close
backorder
Last in:18.09.2017
Cat-No:gigolo313v7
Release-Date:15.09.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391159
1
DJ Hell - Car Car Car Japanese Version
2
DJ Hell - Car Car Car Spanish Version
Tracklisting:
A1 Car Car Car (Japanese Version)
B1 Car Car Car (Spanish Version)
Special Limited 7inch Collector's Item - Only 300 units worldwide.
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
After the first two 12inch vinyls with remixes from Roman Fluegel, Phil Kieran, Thomas Mayr & Ken Hayakawa, Fango, Metropolis and Bentonkunst; Gigolo now presents a limited collector's item. A special Japanese and Spanish version of Car Car Car on a 7inch vinyl including a special Gigolo sticker.
A car is not just a car! It drives u near or far!
More
A1 Car Car Car (Japanese Version)
B1 Car Car Car (Spanish Version)
Special Limited 7inch Collector's Item - Only 300 units worldwide.
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
After the first two 12inch vinyls with remixes from Roman Fluegel, Phil Kieran, Thomas Mayr & Ken Hayakawa, Fango, Metropolis and Bentonkunst; Gigolo now presents a limited collector's item. A special Japanese and Spanish version of Car Car Car on a 7inch vinyl including a special Gigolo sticker.
A car is not just a car! It drives u near or far!
More
12" Excl
backorder
Cat-No:gigolo313v
Release-Date:01.09.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391166
backorder
Last in:28.09.2017
+ Show full info- Close
backorder
Last in:28.09.2017
Cat-No:gigolo313v
Release-Date:01.09.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391166
1
DJ Hell - Car Car Car
2
DJ Hell - Car Car Car - Roman Fluegel Remix
3
DJ Hell - CAR_ PHIL KIERAN'S AUTOBAHN REMIX
Tracklisting:
A1 Car Car Car
B1 Car Car Car (Roman Flügel Remix)
B2 Car Car Car (Phil Kieran's Autobahn Remix)
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
Roman Fluegel presents his own eclectic and diverse interpretation in a playful and artistic vibe, while Phil Kieran´s Autobahn remix is a straight, deep and dark version of the original track, which is featured on the vinyl too.
More
A1 Car Car Car
B1 Car Car Car (Roman Flügel Remix)
B2 Car Car Car (Phil Kieran's Autobahn Remix)
The new album of DJ Hell ''Zukunftsmusik'' keeps bringing us good news. The latest single to drop from the album, "Car Car Car," arrives with remixes from some of the scenes most enigmatic producers.
Roman Fluegel presents his own eclectic and diverse interpretation in a playful and artistic vibe, while Phil Kieran´s Autobahn remix is a straight, deep and dark version of the original track, which is featured on the vinyl too.
More
12" Excl
in stock
Cat-No:gigolo309v
Release-Date:25.08.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391197
in stock
Last in:22.08.2017
+ Show full info- Close
in stock
Last in:22.08.2017
Cat-No:gigolo309v
Release-Date:25.08.2017
Genre:House / Techno
Configuration:12" Excl
Barcode:4260466391197
1
DJ Hell - Anything Anytime Extended Version
2
DJ Hell - Anything, Anytime - Solomun Remix
A1 Anything, Anytime (Extended Version)
B1 Anything, Anytime (Solomun Remix)
Left for top, right for bottom, colours for every piquant taste your deepest thoughts dare to divulge; your hankie tells tales, and orange tells the most. Anything, anytime, nothing is left off the table. An open invitation to explore and excite. Looking for a ride?
This is the story behind the third single and opening track from DJ Hell's critically-acclaimed fifth album Zukunfstmusik, 'Anything, Anytime' pays homage to the handkerchief code, a unique flagging practice most popular during the most critical creative explosion of club music.
Barbed, delicate, bittersweet and introspective, the 14-minute track's softness and gradual sense of piano-laced theatre carries certain shades of a love song. In many ways, it is…. There's love in a brute sense. Physical openness in its most honest and forthright form. But there's also a sense of romance for the most sensational outburst of hedonism and pleasure that dancefloor music ever experienced - the 70s gay movement wherein major metropolises throbbed awoke and boundaries and barriers were challenged and shattered every night.
These lightning strikes of illicit freedom, carnal energy and momentary abandonment are the deepest seeds of all forms of electronic music; sentiments that echo throughout Hell's unhurried, unrestrained salvo. Percussive connotations of leather, the cavernous reverb conjuring open industrial spaces such as you might find in New York City's meatpacking district at the time. The palpitating heartbeat, occasional flashes of sense-blurring giddy physical fizz… Up above, down below, choose your colour; while many love songs are babymakers, 'Anything, Anytime' is much more of a bed breaker.
While the original wears orange with pride, the remixes wear their own colours. The first of two remix packages, both Solomun and Argy come at Hell's original from contrasting sides. Solomun's is a light blue. The molten bass and slinky electro breakbeats creating a sensual, slippery experience that could lead to absolutely anything, it writhes and continually pleasures with every twist and turn. Argy's, meanwhile, is bold jet black. Dominant, intense and unrelenting. It's 'straight outta hell' by-line fulfilled with every sweaty arpeggiated peak and vivid flashing strobes, this is visceral, sweaty techno and there's no release without the safeword.
Two more remixes will follow imminently while the original comes complete with its own stark visual representation. In keeping with Hell's use of Tom Of Finland's cult visuals on the artwork of the album's first single 'I Want U', 'Anything, Anytime' continues to reference seminal cultural documents of the era. This time with its video; a stylised and provocative, black and white piece that riffs on the ground-breaking 1980 Al Pacino movie Cruising. An exploration of the iconography and stark fashion that visually represented progression, a celebration of overt sexuality but also a sense of restraint and composure… The calm before any storm your handkerchief may cause. Let's go cruising…
More
B1 Anything, Anytime (Solomun Remix)
Left for top, right for bottom, colours for every piquant taste your deepest thoughts dare to divulge; your hankie tells tales, and orange tells the most. Anything, anytime, nothing is left off the table. An open invitation to explore and excite. Looking for a ride?
This is the story behind the third single and opening track from DJ Hell's critically-acclaimed fifth album Zukunfstmusik, 'Anything, Anytime' pays homage to the handkerchief code, a unique flagging practice most popular during the most critical creative explosion of club music.
Barbed, delicate, bittersweet and introspective, the 14-minute track's softness and gradual sense of piano-laced theatre carries certain shades of a love song. In many ways, it is…. There's love in a brute sense. Physical openness in its most honest and forthright form. But there's also a sense of romance for the most sensational outburst of hedonism and pleasure that dancefloor music ever experienced - the 70s gay movement wherein major metropolises throbbed awoke and boundaries and barriers were challenged and shattered every night.
These lightning strikes of illicit freedom, carnal energy and momentary abandonment are the deepest seeds of all forms of electronic music; sentiments that echo throughout Hell's unhurried, unrestrained salvo. Percussive connotations of leather, the cavernous reverb conjuring open industrial spaces such as you might find in New York City's meatpacking district at the time. The palpitating heartbeat, occasional flashes of sense-blurring giddy physical fizz… Up above, down below, choose your colour; while many love songs are babymakers, 'Anything, Anytime' is much more of a bed breaker.
While the original wears orange with pride, the remixes wear their own colours. The first of two remix packages, both Solomun and Argy come at Hell's original from contrasting sides. Solomun's is a light blue. The molten bass and slinky electro breakbeats creating a sensual, slippery experience that could lead to absolutely anything, it writhes and continually pleasures with every twist and turn. Argy's, meanwhile, is bold jet black. Dominant, intense and unrelenting. It's 'straight outta hell' by-line fulfilled with every sweaty arpeggiated peak and vivid flashing strobes, this is visceral, sweaty techno and there's no release without the safeword.
Two more remixes will follow imminently while the original comes complete with its own stark visual representation. In keeping with Hell's use of Tom Of Finland's cult visuals on the artwork of the album's first single 'I Want U', 'Anything, Anytime' continues to reference seminal cultural documents of the era. This time with its video; a stylised and provocative, black and white piece that riffs on the ground-breaking 1980 Al Pacino movie Cruising. An exploration of the iconography and stark fashion that visually represented progression, a celebration of overt sexuality but also a sense of restraint and composure… The calm before any storm your handkerchief may cause. Let's go cruising…
More
More records from Time Passages
2LP
pre-sale
Label:Time Passages
Cat-No:TP024
Release-Date:11.10.2024
Genre:House / Techno
Configuration:2LP
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Time Passages
Cat-No:TP024
Release-Date:11.10.2024
Genre:House / Techno
Configuration:2LP
Barcode:
1
DJ Hell - Alienation
2
The Model - Eat More House
3
Barnt - Text You
4
Bezier - Roter Faden
5
Z@p - Unclear
6
DC Salas - Perception Of Truth
7
Innershades - Juno
8
Latress - Last Thing
9
Andrew Red Hand - In the Cemetery (Hardfloor Remix)
Time Passages celebrates their 10 years of existence with a stellar line up of artists.
More
Label:Time Passages
Cat-No:TP23
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Time Passages
Cat-No:TP23
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
1
Latress - Asplenium
2
Latress - Demolition
3
Latress - Running With The Wolves
4
Latress - Subtle Vapors
Welcoming Time Passages to the distro fam!
More
Label:time passages
Cat-No:tp04
Release-Date:06.06.2016
Genre:techhouse
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:time passages
Cat-No:tp04
Release-Date:06.06.2016
Genre:techhouse
Configuration:12"
Barcode:
Vinly Only, Onur O¨zer releases solo EP from Binh’s Time Passages under his new alias, Onur.
More
Label:time passages
Cat-No:tp03
Release-Date:04.02.2016
Genre:techhouse
Configuration:12"
Barcode:
backorder
Last in:29.03.2016
+ Show full info- Close
backorder
Last in:29.03.2016
Label:time passages
Cat-No:tp03
Release-Date:04.02.2016
Genre:techhouse
Configuration:12"
Barcode:
Customers who bought this also bought this
LP Excl
pre-sale
Label:Night School Records
Cat-No:LSSN096GLOW
Release-Date:01.11.2024
Configuration:LP Excl
Barcode:5061041820717
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Night School Records
Cat-No:LSSN096GLOW
Release-Date:01.11.2024
Configuration:LP Excl
Barcode:5061041820717
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
LIMITED GLOW-IN-THE-DARK VINYL REPRESS DUE TO THE RAPID SELLING OUT OF THE FIRST PRESSING!!
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023. More
+ Show full info- Close
backorder
Last in:05.06.2024
Label:SEA~RÈNE
Cat-No:srn002
Release-Date:07.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
GiGi FM - Gabriella
2
GiGi FM - Tempelhof
3
GiGi FM - Awakening The World’s Heart
4
GiGi FM - Lucid Dreaming
Tracklist
A1. Gabriella
A2. Tempelhof
B1. Awakening The World’s Heart
B2. Lucid Dreaming
As a trained dancer, movement has always guided GiGi FM’s work, whether through developing movement based instruments, or questing to make you move via sound-systems across the world. These ephemeral moments of altered sleep patterns and dance are now present in the music of ‘Sea~rène’, sounds for a trip in the mind held with a desire to dance.
A sense of brightness prevails in ‘Movimiento’, the feeling of white light rising from the dark of your mind as you lay with closed eyes.
Opener ‘Gabriella’ takes you by the hand to spin you across the ballroom floor, dancing in a dusky glow. Piano twinkles along with your step; a gradual ascension as a graceful dance can be. Lost in thoughtful yet thoughtless drift to the rumble of sound, we can confront parts of ourselves and our connection to others, the spirit of B side opener ’Awakening The World’s Heart’.
Place is important to movement also, as heard in the kinetic motion of ‘Tempelhof’, reminiscent of the feld in Berlin (GiGi’s home) itself. Blurred lines of people weaving their way through, either high speed on skates or on a leisurely stroll. It's summer in the city, where the nighttime shortens and daylight extends, yet the simulated night of the club never ends. Eventually reaching slumber, ‘Lucid Dreaming’ is the record's swan-song, a final lift of propulsion to remind that the dream of dance is a physical act, belonging to the imagined and the real. Digi bonus ‘Raspberry Pie’ is a sweet treat at the end of the dance, a familiar taste and a reminder of joy, ready for the next ‘Movimiento’.
More
Label:BOY Records
Cat-No:BOY8824-12
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:BOY Records
Cat-No:BOY8824-12
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Time Modem - Welcome To The 90s
2
Time Modem - Intensive World
BOY Records re-issues one of the most wanted records.
It's Time Modem - Welcome To The 90s from 1990!!!
Re-mastered edition. More
It's Time Modem - Welcome To The 90s from 1990!!!
Re-mastered edition. More
12" Excl
backorder
Label:Tresor Records
Cat-No:tresor362
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141451
backorder
Last in:19.07.2024
+ Show full info- Close
backorder
Last in:19.07.2024
Label:Tresor Records
Cat-No:tresor362
Release-Date:24.11.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804141451
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
12" Excl
backorder
Label:Disco Disco Records
Cat-No:DISCO011
Release-Date:14.06.2024
Genre:House
Configuration:12" Excl
Barcode:
backorder
Last in:14.06.2024
+ Show full info- Close
backorder
Last in:14.06.2024
Label:Disco Disco Records
Cat-No:DISCO011
Release-Date:14.06.2024
Genre:House
Configuration:12" Excl
Barcode:
1
Carlos Benedetti - Latino
2
Carlos Benedetti - Paradise
3
Carlos Benedetti - It was just a dream
4
Carlos Benedetti - RUFF Menace
Vinyl Only / NO Return!
700 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Latino
A2: Paradise
B1: It was just a dream
B2: RUFF Menace
More
700 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Latino
A2: Paradise
B1: It was just a dream
B2: RUFF Menace
More
12"
pre-sale
Label:Sacred Rhythm Music
Cat-No:praise.0.3.17
Release-Date:18.10.2024
Genre:House
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Sacred Rhythm Music
Cat-No:praise.0.3.17
Release-Date:18.10.2024
Genre:House
Configuration:12"
Barcode:
1
Joaquin Joe Claussell - Cosmic Arts-A Prayer For The Fallen
2
Joaquin Joe Claussell - Soul Sanctification-Spirit Sanctified
3
Joaquin Joe Claussell - A Bargain With The Lord (dub)
Label:BOY Records
Cat-No:BOY8828-24
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:
backorder
Last in:13.09.2024
+ Show full info- Close
backorder
Last in:13.09.2024
Label:BOY Records
Cat-No:BOY8828-24
Release-Date:28.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
Time Modem - Der Mantel Der Nacht
2
Time Modem - Werkzeug Eines Fernen Willens
3
Time Modem - Alien Elemnts
BOY Records re-issues Time Modem - Der Mantel Der Nacht from 1991!
This special vinyl edition will include for the first time also the track called "Alien Elements"
which was only available on the maxi-cd. More
This special vinyl edition will include for the first time also the track called "Alien Elements"
which was only available on the maxi-cd. More
12" Excl
pre-sale
Label:Caribbean Shaketown
Cat-No:ST02
Release-Date:04.10.2024
Configuration:12" Excl
Barcode:
pre-sale
Last in:26.09.2024
+ Show full info- Close
pre-sale
Last in:26.09.2024
Label:Caribbean Shaketown
Cat-No:ST02
Release-Date:04.10.2024
Configuration:12" Excl
Barcode:
1
Unknown - Zisou (Magic Jams' Dub Edit)
2
Unknown - Soleil Choco (Magic Jams' Extended Club Remix)
3
Unknown - Love Energy (Noema Edit)
4
Unkown - Cha Cha (Magic Jams' Rondo Edit)
Vinyl Only!
The Shaketown series strikes again! This time, we’re diving into the vibrant rhythms of the Caribbean,
delivering four dazzling zouk gems, each reimagined with a fresh and modern twist. Following in the
footsteps of Noema’s legendary edit of Ata Kak’s “Daa Nyinaa”, the brand new CARIBBEAN
SHAKETOWN EP is packed with uplifting grooves, infectious Balearic synths, and vocals that will
keep you hooked from start to finish.
Guiding this sonic adventure is David Benjamin, aka NOEMA, aka MAGIC JAMS - a DJ, Producer,
Guitarist and Label Owner from Berlin. In his studio work, he has released one very well received
album as well as several EPs, remixes and edits. In this context he collaborated with heavy weights
like Apparat, Dj Dixon, and Grammy winners Basement Jaxx as well as electronic music underground
heroes such as Lauer, Kalabrese, Shubostar, O/Y, Acid Pauli, Auntie Flo, Dreems, Khidja, Panthera
Krause and Mehmet Aslan.
Looking back at more than 25 years of DJing, David is a true master at the decks. Constantly refining
his craft during a former 10-year residency at the legendary Berlin Club institution Wilde Renate, he
developed a unique style combining an outstanding selection, ranging from Disco to IndieDance and
House, with out-of-this-world mixing skills. While David releases and plays rather electronic,
contemporary and psychedelic music under his NOEMA moniker, his MAGIC JAMS alias is all about
acoustic sounds and crate digging, with focus on Music of the African diaspora, Cosmic Disco and
Balearic Beat.
Furthermore David holds a diploma in classical guitar with focus on music theory, works as a
teacher/mentor and runs the highly acclaimed The Magic Movement label and released music by the
likes of Nicola Cruz, Axel Boman, Dengue Dengue Dengue, Xique-Xique, Eddie C and many more.
All proceeds of this release will be donated to the LOVE AND HOPE MUSIC SCHOOL in City Soleil,
Haiti. This beautiful project is offering free music lessons in several orphanages in one of the most
dangerous slums of Port Au Prince.
Tracklist:
THIS 1 // Zisou (Magic Jams' Dub Edit)
THIS 2 // Soleil Choco (Magic Jams' Extended Club Remix)
THAT 1 // Love Energy (Noema Edit)
THAT 2 // Cha Cha (Magic Jams' Rondo Edit) More
The Shaketown series strikes again! This time, we’re diving into the vibrant rhythms of the Caribbean,
delivering four dazzling zouk gems, each reimagined with a fresh and modern twist. Following in the
footsteps of Noema’s legendary edit of Ata Kak’s “Daa Nyinaa”, the brand new CARIBBEAN
SHAKETOWN EP is packed with uplifting grooves, infectious Balearic synths, and vocals that will
keep you hooked from start to finish.
Guiding this sonic adventure is David Benjamin, aka NOEMA, aka MAGIC JAMS - a DJ, Producer,
Guitarist and Label Owner from Berlin. In his studio work, he has released one very well received
album as well as several EPs, remixes and edits. In this context he collaborated with heavy weights
like Apparat, Dj Dixon, and Grammy winners Basement Jaxx as well as electronic music underground
heroes such as Lauer, Kalabrese, Shubostar, O/Y, Acid Pauli, Auntie Flo, Dreems, Khidja, Panthera
Krause and Mehmet Aslan.
Looking back at more than 25 years of DJing, David is a true master at the decks. Constantly refining
his craft during a former 10-year residency at the legendary Berlin Club institution Wilde Renate, he
developed a unique style combining an outstanding selection, ranging from Disco to IndieDance and
House, with out-of-this-world mixing skills. While David releases and plays rather electronic,
contemporary and psychedelic music under his NOEMA moniker, his MAGIC JAMS alias is all about
acoustic sounds and crate digging, with focus on Music of the African diaspora, Cosmic Disco and
Balearic Beat.
Furthermore David holds a diploma in classical guitar with focus on music theory, works as a
teacher/mentor and runs the highly acclaimed The Magic Movement label and released music by the
likes of Nicola Cruz, Axel Boman, Dengue Dengue Dengue, Xique-Xique, Eddie C and many more.
All proceeds of this release will be donated to the LOVE AND HOPE MUSIC SCHOOL in City Soleil,
Haiti. This beautiful project is offering free music lessons in several orphanages in one of the most
dangerous slums of Port Au Prince.
Tracklist:
THIS 1 // Zisou (Magic Jams' Dub Edit)
THIS 2 // Soleil Choco (Magic Jams' Extended Club Remix)
THAT 1 // Love Energy (Noema Edit)
THAT 2 // Cha Cha (Magic Jams' Rondo Edit) More
+ Show full info- Close
pre-sale
Last in:-
Label:G.A.M.M
Cat-No:GAMM185
Release-Date:01.11.2024
Genre:House
Configuration:12"
Barcode:
1
Felipe Gordon - Self Love
2
Felipe Gordon - The Punk Automata
3
Felipe Gordon - Your Feelings
4
Felipe Gordon - Please Don't Go (Feat. Bob The Egoist)
Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".
The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.
The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.
Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs. More
The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.
The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.
Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs. More
12"
pre-sale
Label:Rant & Rave Records
Cat-No:rar008
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Rant & Rave Records
Cat-No:rar008
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
MAEDON - Working Out The Kinks
2
MAEDON - Temporal
3
MAEDON - Growing Pains
4
MAEDON - Breakthrough
Tracklisting
A1 MAEDON - Working Out The Kinks
A2 MAEDON - Temporal
B1 MAEDON - Growing Pains
B2 MAEDON - Breakthrough
Sales Note
Following 5 years in Berlin, two albums and a continuing residency at Tresor all bringing acclaim, Maedon is now an established voice and one also in transition. The 8th release for her own Rant & Rave label announces this in its title, 2.0, and its sound, a bold move away from her industrial roots towards the groove-laden techno that earned her bones im Keller. The product of careful study of techno's roots and evolution, this gradual process reaps rewards here, showcasing a bracing new direction for an already-accomplished artist.
'Working Out the Kinks' leads off, more a kinky workout than the work-in-progress its title suggests. A vocal sample and rugged groove initially brings an old school feel, something quickly offset by strikingly modern production details. The EPs middle stride, 'Temporal' and 'Growing Pains', attacks heads-down techno head on with style to spare. On the former, growling lows and rotating pads are gradually joined by a symphony of sonic detritus, with razor sharp drums slicing through the murk. A bouncing bassline and blink-and-miss fills on the latter hammer the rhythm onwards, surrounded by reduced industrial elements and grimy ambiance. 'Breakthrough' does exactly that, it's uneasily modulating lead and bruising EBM bass buffeted by waves of percussion then jackhammering to a climax confirming Maedon's 2nd coming. More
A1 MAEDON - Working Out The Kinks
A2 MAEDON - Temporal
B1 MAEDON - Growing Pains
B2 MAEDON - Breakthrough
Sales Note
Following 5 years in Berlin, two albums and a continuing residency at Tresor all bringing acclaim, Maedon is now an established voice and one also in transition. The 8th release for her own Rant & Rave label announces this in its title, 2.0, and its sound, a bold move away from her industrial roots towards the groove-laden techno that earned her bones im Keller. The product of careful study of techno's roots and evolution, this gradual process reaps rewards here, showcasing a bracing new direction for an already-accomplished artist.
'Working Out the Kinks' leads off, more a kinky workout than the work-in-progress its title suggests. A vocal sample and rugged groove initially brings an old school feel, something quickly offset by strikingly modern production details. The EPs middle stride, 'Temporal' and 'Growing Pains', attacks heads-down techno head on with style to spare. On the former, growling lows and rotating pads are gradually joined by a symphony of sonic detritus, with razor sharp drums slicing through the murk. A bouncing bassline and blink-and-miss fills on the latter hammer the rhythm onwards, surrounded by reduced industrial elements and grimy ambiance. 'Breakthrough' does exactly that, it's uneasily modulating lead and bruising EBM bass buffeted by waves of percussion then jackhammering to a climax confirming Maedon's 2nd coming. More
Label:Large Music
Cat-No:LAR100
Release-Date:06.09.2024
Genre:House
Configuration:12"
Barcode:197188518097
in stock
Last in:25.09.2024
+ Show full info- Close
in stock
Last in:25.09.2024
Label:Large Music
Cat-No:LAR100
Release-Date:06.09.2024
Genre:House
Configuration:12"
Barcode:197188518097
1
kerri chandler - Return 2 Acid
2
kerri chandler - Return 2 Acid (Acapella)
3
kerri chandler - Planet Sonic
Iconic Deep House label Large Music returns to the vinyl market with a limited repress of the classic Kerri Chandler release Return 2 Acid. First pressed in 2005, this was the 100th release on Large and has been out of print for 10 years. The A side features Kerri's powerhouse tribute to the glorious days of Acid House laced with driving beats and an incessant 808 acid line. On the flip side Kerri goes old-school, this time with an electro Afrika Bambaataa influenced jam entitled Planet Sonic. Also included for this special reissue is the unreleased Acapella of Return 2 Acid solidifying this as a true collectors item.
More
2LP
backorder
Label:Qilla Records
Cat-No:QV001
Release-Date:13.09.2024
Genre:Techno
Configuration:2LP
Barcode:
backorder
Last in:24.09.2024
+ Show full info- Close
backorder
Last in:24.09.2024
Label:Qilla Records
Cat-No:QV001
Release-Date:13.09.2024
Genre:Techno
Configuration:2LP
Barcode:
1
Polygonia - Shadow Cave
2
Alpi - Novilunio
3
Midnight Traffic - Mantis
4
Human Space Machine - Cell
5
Kohra, Shft - Morjim Mystery
6
Monophonik - Hypertension
7
Temple Rat - Walpurgis Nacht
8
Sunju Hargun - ??????
'Chakravyuh', in ancient Sanskrit, evokes the imagery of a spinning wheel, embodying interpretations of rotating defence formations, mathematical constructs, and symbolic cyclical
journeys, all mirroring movement through frequencies and time.
This compilation weaves together the essence of 34 artists from 12 countries. Spanning 222 minutes, each track leads deeper into a collective sonic exploration, blending introspective techno
with vibrant psychedelia. The artwork's radial constellation of 100 spheres represents the interconnectedness of the human experience, with each sphere symbolizing a pivotal step in our journey, highlighting the perpetual motion of creation and evolution.
‘Chakravyuh’ stands as a testament to the Qilla ethos: forging new frontiers while remaining grounded in a community with a shared vision—a reflection of our past, present, and the boundless future.
Immerse yourself in the eternal dance of the cosmos. More
journeys, all mirroring movement through frequencies and time.
This compilation weaves together the essence of 34 artists from 12 countries. Spanning 222 minutes, each track leads deeper into a collective sonic exploration, blending introspective techno
with vibrant psychedelia. The artwork's radial constellation of 100 spheres represents the interconnectedness of the human experience, with each sphere symbolizing a pivotal step in our journey, highlighting the perpetual motion of creation and evolution.
‘Chakravyuh’ stands as a testament to the Qilla ethos: forging new frontiers while remaining grounded in a community with a shared vision—a reflection of our past, present, and the boundless future.
Immerse yourself in the eternal dance of the cosmos. More