1
LF58 - Part One
2
LF58 - Part Two
180g black viny + booklet.
For AI-38 Italian duo LF58 (Giuseppe Tillieci and Filippo Scorcucchi) present ‘Radials’. A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for.
Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice.
Following a landmark renovation of the Fondaco dei Tedeschi by renowned Dutch architect Rem Koolhaas, Sbagliato proposed the spatial transformation of the historic sixteenth-century building that would blur the lines between fiction and the real.
The concept, to create unexpected “voids” within the fixed order of architecture, prompts the observer to question the fleeting and subjective nature of the reality that surrounds us. The building’s main loggia - a series of five archways exposed to the Canal Grande - take on a theme of reproduction and multiplication, giving rise to infinite perspectives in a dizzying mise en abyme. Through the portal-like potentialities of the loggia, the visitor enters the gateway to a fluid realm of distorted time and space.
LF58 arose to translate the visual concept of Radials into sound, delivered through a special quadraphonic concert performed at the Fondaco dei Tedeschi in October 2023. Quadraphonics, with its four distinct audio channels, were used in direct correlation with the visual elements of the installation to immerse the audience in a dreamlike, multisensory experience.
The opening scene of running waters and the cacophony of the bustling city streets quickly dissolves under the chiming of nearby bells, as hidden liminal spaces become revealed. It’s not long before all remnants of the ordinary are left behind, as the listener is submerged into the shimmering frequencies of parallel dimensions.
A spatial soundscape of ever-moving forms and colours, Radials descends into ever-deeper waters. As the facade of what was once known falls away, a transportive journey of mind-body alterations begins.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
For AI-38 Italian duo LF58 (Giuseppe Tillieci and Filippo Scorcucchi) present ‘Radials’. A site-specific concept piece that was recorded live on location in Venice, Radials showcases the powerful and transportive sound world which LF58 have become known for.
Radials takes its name from the homonymous exhibition created by the Roman artist group Sbagliato, for the 2023 Biennale Architettura of Venice.
Following a landmark renovation of the Fondaco dei Tedeschi by renowned Dutch architect Rem Koolhaas, Sbagliato proposed the spatial transformation of the historic sixteenth-century building that would blur the lines between fiction and the real.
The concept, to create unexpected “voids” within the fixed order of architecture, prompts the observer to question the fleeting and subjective nature of the reality that surrounds us. The building’s main loggia - a series of five archways exposed to the Canal Grande - take on a theme of reproduction and multiplication, giving rise to infinite perspectives in a dizzying mise en abyme. Through the portal-like potentialities of the loggia, the visitor enters the gateway to a fluid realm of distorted time and space.
LF58 arose to translate the visual concept of Radials into sound, delivered through a special quadraphonic concert performed at the Fondaco dei Tedeschi in October 2023. Quadraphonics, with its four distinct audio channels, were used in direct correlation with the visual elements of the installation to immerse the audience in a dreamlike, multisensory experience.
The opening scene of running waters and the cacophony of the bustling city streets quickly dissolves under the chiming of nearby bells, as hidden liminal spaces become revealed. It’s not long before all remnants of the ordinary are left behind, as the listener is submerged into the shimmering frequencies of parallel dimensions.
A spatial soundscape of ever-moving forms and colours, Radials descends into ever-deeper waters. As the facade of what was once known falls away, a transportive journey of mind-body alterations begins.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from LF58
1
LF58 - Side A
2
LF58 - Side B
3
LF58 - Side C
4
LF58 - Side D
5
LF58 - Side E
6
LF58 - Side F
3x12" 180g black vinyl with flyer and LF58 sticker included.
Following the arrival of their debut album 'Alterazione', LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome's Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.
With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, 'Live at Brancaleone' has a vastness that cannot really be contained.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following the arrival of their debut album 'Alterazione', LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome's Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.
With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, 'Live at Brancaleone' has a vastness that cannot really be contained.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Astral Industries
1
Pianeti Sintetici - Part One
2
Pianeti Sintetici - Part Two
Pianeti Sintetici presents AI-37, entitled 'Space Opera'. Conceived by Italian artist Davide Perrone, the Pianeti Sintetici ("Synthetic Planets") project hypothesises the creation of future synthetic worlds as told through sound. Although split across two parts, the album is a singular organism that narrates a journey of boundless cosmic exploration. A sonic tapestry woven of intergalactic atmospheres, Space Opera's imaginative sound design contributes to a richly spatial and haptic experience.
Taking place in the dimly lit crevices of deepest space, a swirling pool of chemical abstractions and extraterrestrial transmissions spumes out from the darkness. Elements weave through broad washes of drones and scintillating textures, contrasting a sparse backdrop with dense and multilayered passages. Composed with the use of modular synthesisers and intense audio manipulations, 'Space Opera' comes to life as an entity that transports the listener on an immersive journey into the mysteries of alien worlds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Taking place in the dimly lit crevices of deepest space, a swirling pool of chemical abstractions and extraterrestrial transmissions spumes out from the darkness. Elements weave through broad washes of drones and scintillating textures, contrasting a sparse backdrop with dense and multilayered passages. Composed with the use of modular synthesisers and intense audio manipulations, 'Space Opera' comes to life as an entity that transports the listener on an immersive journey into the mysteries of alien worlds.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rod Modell - Side A
2
Rod Modell - Side B
3
Rod Modell - Side C
4
Rod Modell - Side D
Repress!
2x 12” 180g black vinyl
gatefold cover
mastered by Noel Summerville
original artwork by Theo Ellsworth.
A year on since the collaborative Mystic AM project in 2022, Rod Modell returns solo to Astral Industries with AI-35. The album - entitled 'Ghost Lights' - comes as a gatefold 2x vinyl LP, showcasing the latest epoch of Modell's signature soundscapes. Spread across four parts, 'Ghost Lights' draws out a wide, cinematic sound - with long arching contours, rippling textures and cavernous sound design.
Woven with layer upon layer of hidden fragments and supernal transmissions, each chapter takes the listener successively deeper into the twilight zone. Harking to dramatic off-world topographies and interstellar spaces, the work glistens with opulent sound treatment and monumental grandeur. Dense pulsations move with oceanic force, marked by washes of celestial light and subterranean drones. Exercising another side to Rod Modell's typically atmospheric productions, this album comes with an ambitious framework and a more assertive sound. Featuring some of Modell's most epic storytelling to date, 'Ghost Lights' delivers a powerful immersive experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2x 12” 180g black vinyl
gatefold cover
mastered by Noel Summerville
original artwork by Theo Ellsworth.
A year on since the collaborative Mystic AM project in 2022, Rod Modell returns solo to Astral Industries with AI-35. The album - entitled 'Ghost Lights' - comes as a gatefold 2x vinyl LP, showcasing the latest epoch of Modell's signature soundscapes. Spread across four parts, 'Ghost Lights' draws out a wide, cinematic sound - with long arching contours, rippling textures and cavernous sound design.
Woven with layer upon layer of hidden fragments and supernal transmissions, each chapter takes the listener successively deeper into the twilight zone. Harking to dramatic off-world topographies and interstellar spaces, the work glistens with opulent sound treatment and monumental grandeur. Dense pulsations move with oceanic force, marked by washes of celestial light and subterranean drones. Exercising another side to Rod Modell's typically atmospheric productions, this album comes with an ambitious framework and a more assertive sound. Featuring some of Modell's most epic storytelling to date, 'Ghost Lights' delivers a powerful immersive experience.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Chi Factory - Part One
2
The Chi Factory - Part Two
Repress!
"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.
Hanyo van Oosterom
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"I’ve never met Rod Modell (Deepchord) in person, but we have met through music. He found an obscure cassette of Chi music (from ’86), sent it to Astral Industries and paved the way for the release (30 years later) of ‘The Original Recordings’ in 2016. Since then, we’ve exchanged ideas and good music. I sent Rod a preview of ‘The Kallikatsou Recordings’ - he really liked it - and here came the idea for a remix of ‘Lanterns’. I started working on some random, lo-fi samples from Youtube, using Audacity, perhaps the simplest way of producing loops and samples. It’s the only computer based system that feels like the tape recorders I used to work with. I sent the first sketches to Rod on Facebook, but they ended up in the wrong inbox. I forgot about them, but months later he came back saying he loved them. I decided to go back to working on them, maintaining the lo-fi approach. I began manipulating the samples: time-stretching, tempo and pitch-shifting, mixing different layers and adding old-school monophonic “old speaker” effects, delays and loops. I used a few field recordings, voices and samples from my early ambient cassettes, and they matched. Ario from Astral Industries got involved and the experiment turned into a plan - a vinyl release - ‘Red Lantern at the Kallkatsou’”.
Hanyo van Oosterom
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ear To Ear - Live Recording A
2
Ear To Ear - Live Recording B
3
Ear To Ear - Live Recording C
4
Ear To Ear - Live Recording D
2 x 12" 180g Gatefold Vinyl (digital download included)
AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling.
The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. Stray signals and unknowable artefacts skitter across a vast subaqueous domain, a fathomless womb of potentialities that ebbs into eternity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
AI-36 comes from Ear to Ear - the debut collaboration between label regular Samuel van Dijk (Multicast Dynamics) and Ukrainian artist Yevgen Chebotarenko. Taken from a series of live recording sessions, the album explores in four parts a markedly darker realm of soundscape music. A cornucopia of abstract morphing scenes and heady synesthesia, the album brims with rich sonic detail and evocative gestures. Deftly blending organic sound textures with an experimental austerity, ‘Live Recordings’ displays potent and accomplished storytelling.
The album opens to a grey overcast vista, a natural landscape that slowly melts into a descending chasmic dysphoria. The mood transitions to a drone-based piece on the B-side, characterised by a more psychologically suspenseful framework and exotic blend of sound design. The atmosphere lightens, yet equally pensive as side C takes on a more elemental form, invoking water and its array of microbial and metabolic ecosystems. Brief cathartic moments in the final section pave the way for deeper wayfaring on the D-side. Stray signals and unknowable artefacts skitter across a vast subaqueous domain, a fathomless womb of potentialities that ebbs into eternity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dialog - Side A
2
Dialog - Side B
3
Dialog - Side C
4
Dialog - Side D
AI-31 sees the debut release from a new collaboration between Samuel van Dijk (Netherlands) and Rasmus Hedlund (Finland). Both key proponents to the scene in Northern Europe, they come together with mutual understanding and a common vision to sound. Dialog acts as a conversational exchange that sees the interplay of dynamic frequencies, evocative imagery and contemporary sonic art. Spread across four sides, the album as a whole exists as a kind of metaphysical process, eternally growing and contracting - change is the only constant, marked by a continuous progression of sound and space.
Expansive, deep, and at moments arresting, Dialog unfolds with sweeping soundscapes and shimmers with tactile sonic details. A chasmic rift of scintillating drone structures, each layer exposes a series of ever-deeper shades. In a play of dynamic dualities, the pair harnesses both earthly materials as well as access to more ethereal dimensions in the music. Side A begins with sub-terrestrial ruptures, gestating in a process of constant elemental changes. Rattling hits sputter amongst a state of nascent chaos, yet continues to be maintained in self-regulating stasis. Side B sets a more introspective tone, whispering with ghostly artefacts and bubbling synth lines, before building into a driving energy of layered field recordings and mechanistic timbres. The essence of form continues to be contested, until it subsides into momentary calm on side C. A cleansing period of soft drones float into the space and the pace slows, washing away remnants of past. The journey continues with side D's conclusion - a solemn contour that reaches its internal extent, to then finally return to its source.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Expansive, deep, and at moments arresting, Dialog unfolds with sweeping soundscapes and shimmers with tactile sonic details. A chasmic rift of scintillating drone structures, each layer exposes a series of ever-deeper shades. In a play of dynamic dualities, the pair harnesses both earthly materials as well as access to more ethereal dimensions in the music. Side A begins with sub-terrestrial ruptures, gestating in a process of constant elemental changes. Rattling hits sputter amongst a state of nascent chaos, yet continues to be maintained in self-regulating stasis. Side B sets a more introspective tone, whispering with ghostly artefacts and bubbling synth lines, before building into a driving energy of layered field recordings and mechanistic timbres. The essence of form continues to be contested, until it subsides into momentary calm on side C. A cleansing period of soft drones float into the space and the pace slows, washing away remnants of past. The journey continues with side D's conclusion - a solemn contour that reaches its internal extent, to then finally return to its source.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lucid Dreams - A. Prelucid Dreams
2
Lucid Dreams - B. Out Of The Body Experiences
3
Lucid Dreams - C. Achieving Lucidity
4
Lucid Dreams - D Extrasensory Perception
AI-28 arrives as a double-12" reissue of an album titled "Lucid Dreams". Formerly released in 1996 as a CD on the now defunct UK imprint em:t, the album now becomes available for the first time on vinyl. Produced collaboratively by Chris Allen, David Thompson (both co-founders of em:t), plus label affiliates Tom Smyth and Will Joss, the record features outlier academic and philosopher Celia Green narrating passages of her classic book "Lucid Dreams" (published in 1968), seamlessly embellished with atmospheric soundscapes throughout.
Brooding amorphously on the cusp of the unknown, the music captures the quintessentially mysterious quality of dreams and dreaming. Layer by layer, the listener is submerged deep into the subconscious stream. The record curls and unwinds with bewildering influence whilst exploring key themes of Green's studies, with topics covering hallucinatory states, apparitions, out of body experiences, and extrasensory perception. The collaborative handling of samples and sound material comes together powerfully to create a piece that is both artistically theatrical in flavour and sumptuously immersive - a true documentary for the ears and imagination.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Brooding amorphously on the cusp of the unknown, the music captures the quintessentially mysterious quality of dreams and dreaming. Layer by layer, the listener is submerged deep into the subconscious stream. The record curls and unwinds with bewildering influence whilst exploring key themes of Green's studies, with topics covering hallucinatory states, apparitions, out of body experiences, and extrasensory perception. The collaborative handling of samples and sound material comes together powerfully to create a piece that is both artistically theatrical in flavour and sumptuously immersive - a true documentary for the ears and imagination.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
LF58 - Side A
2
LF58 - Side B
3
LF58 - Side C
4
LF58 - Side D
5
LF58 - Side E
6
LF58 - Side F
3x12" 180g black vinyl with flyer and LF58 sticker included.
Following the arrival of their debut album 'Alterazione', LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome's Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.
With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, 'Live at Brancaleone' has a vastness that cannot really be contained.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following the arrival of their debut album 'Alterazione', LF58 (F.Scorcucchi and G.Tillieci) are back on Astral Industries with a special trove of outer-space explorations. Recorded one evening back in April 2019 as a live performance at Rome's Brancaleone, the eponymously titled album offers a sprawling journey across the pan-dimensional ether. Spread across six sides of vinyl, the performance includes fully improvised material as well as choice selections from Simone Giudice, Jonas Kopp, Nuel, Birds of Prey, Rapoon, Steve Roach and Adham Shaikh. There is no doubt that the unique energy and circumstances of the evening contribute to a certain atmosphere present in the music.
With seemingly no beginning nor end, the session emerges in suspension; an electric ocean of infinite deepness. Gleaming across the patter of galaxies on a wide black backdrop, its myriad vistas are projected like transitioning scenes of an unending story. The gentle tide brings with it specks of cosmic debris and mysterious signals. Soon, quiet drones are overtaken by ripples of solar flare and percussive clamours. Forms melt like liquid, a ball of amorphous plasma pulsating with ecstatic radiance. Prying open universe within universe, 'Live at Brancaleone' has a vastness that cannot really be contained.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Multicast Dynamics & Sid Hille - No Title
2
Multicast Dynamics & Sid Hille - No Title
Multicast Dynamics returns to Astral Industries for AI-26, this time collaborating with Sid Hille, the German born, Finland based instrumentalist and composer. 'Metamorphosis' transmutes both artists' unique styles into a synergistic blend of transportive storytelling, a delicate dance of light and dark.
Divided into two parts, 'Metamorphosis' originates from a live performance recorded at Temppeliaukio church in Helsinki on March 2nd, 2019. The material was then edited, where Hille's soothing keyboard work and haunting passages on the theremin, combine with processed textures and desolate sonic backdrops from Dijk. In this voyage beyond space and time, the subtle dialogue reveals new and perhaps unexpected dimensions in their creative arsenal, finding fresh new boundaries and enriching the palette of both performers. Encounters of sweet fleeting moments of lyricism emerge amidst the chilling outback, in which we're given some final consolation between the long lines of cavernous rifts and deep space tundra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Divided into two parts, 'Metamorphosis' originates from a live performance recorded at Temppeliaukio church in Helsinki on March 2nd, 2019. The material was then edited, where Hille's soothing keyboard work and haunting passages on the theremin, combine with processed textures and desolate sonic backdrops from Dijk. In this voyage beyond space and time, the subtle dialogue reveals new and perhaps unexpected dimensions in their creative arsenal, finding fresh new boundaries and enriching the palette of both performers. Encounters of sweet fleeting moments of lyricism emerge amidst the chilling outback, in which we're given some final consolation between the long lines of cavernous rifts and deep space tundra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Humble Bee - No Title
2
The Humble Bee - No Title
3
The Humble Bee - No Title
4
The Humble Bee - No Title
5
The Humble Bee - No Title
6
The Humble Bee - No Title
7
The Humble Bee - No Title
8
The Humble Bee - No Title
9
The Humble Bee - No Title
10
The Humble Bee - No Title
Another uncovering arrives from Astral Industries by the name of The Humble Bee. The alias of industrious, multi-talented UK artist Craig Tattersall, The Humble Bee's 'A Miscellany For the Quiet Hours' was the inaugural release on Tattersall's now discontinued Cotton Goods imprint. This beautifully intimate work resurfaces after more than a decade since its initial release, now available on vinyl for the first time.
Constructed entirely of tape loops, fragile tapestries of forgotten artefacts canter with teetering rhythmic pulses. Melodic counterpoints drift in soft bucolic reverie, as hazy recollections of undefined pasts seep out in blurs of nostalgic colour. The album is imbued with a close tactile quality, lovingly crafted as a result of both manned and unmanned decay experiments. Undeniably tender yet wilfully introspective, something speaks immediately of those magic sonic moments, illuminated by the quiver of late night candlelight.
Tracklist: A1. The Bedside Book A2. A Century of Sea Stories (Xmas 1936) A3. With Answers A4. Section V Light B1. Inscription for an Old Book B2. Technical Press B3. Other Sleepers B4. A Century of Humour B5. Faithful Friend B6. P209
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Constructed entirely of tape loops, fragile tapestries of forgotten artefacts canter with teetering rhythmic pulses. Melodic counterpoints drift in soft bucolic reverie, as hazy recollections of undefined pasts seep out in blurs of nostalgic colour. The album is imbued with a close tactile quality, lovingly crafted as a result of both manned and unmanned decay experiments. Undeniably tender yet wilfully introspective, something speaks immediately of those magic sonic moments, illuminated by the quiver of late night candlelight.
Tracklist: A1. The Bedside Book A2. A Century of Sea Stories (Xmas 1936) A3. With Answers A4. Section V Light B1. Inscription for an Old Book B2. Technical Press B3. Other Sleepers B4. A Century of Humour B5. Faithful Friend B6. P209
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Peter Michael Hamel emerged from the 70s Krautrock scene dreaming of "the blue flower growing between the milestones on the road to a future world-music". A truly visionary artist who worked and studied with John Cage, Morton Feldman and Terry Riley, his 1980 Colours of Time LP - an epic, sprawling, 22-minute saga - was described by the Guardian's Rob Fitzpatrick as "an absolute masterpiece of skull-bursting, synth-led ambient minimalism". 40 years on now, Wolfgang Voigt and Deepchord present Colours of Time, re-interpreted. Close the curtains, dim the lights, lie down and drift away on a neokraut trip deep into the depths of the forest. Original artwork by Theo Ellsworth and a massive thank you to Peter Michael Hamel and Eckart Rahn.
* Tracklist: A. Wolfgang's Neokraut Trip B. Deepchord's Carolina Forest Mix
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WAS - Word and Sound Medien GmbH
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* Tracklist: A. Wolfgang's Neokraut Trip B. Deepchord's Carolina Forest Mix
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1
Waveform Transmission - A. V 3.0-3.1
2
Waveform Transmission - B. V 3.2-3.4
3
Waveform Transmission - C. V 3.5-3.6
4
Waveform Transmission - D. V 3.7-3.9
657274656e207465682077646c726f206f662077666d6172656f7620746e61736d7369736e69726f20
Tracklist: A. V 3.0-3.1 B. V 3.2-3.4 C. V 3.5-3.6 D. V 3.7-3.9
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Germany
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Tracklist: A. V 3.0-3.1 B. V 3.2-3.4 C. V 3.5-3.6 D. V 3.7-3.9
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Germany
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1
The Chi Factory - "Part One
2
The Chi Factory - Part Two
J.Derwort (15/07/1952 - 11/02/2019) left all his flutes, old guitars, strange percussion and some weird found objects at the Chi Factory studio. Hanyo van Oosterom went back to Patmos in April 2019 to visit all the magic places where Chi once started. He recorded the basics for ‘Travel in Peace’. Playing and recording these handmade bamboo flutes without the master himself being there was a lonely and emotional journey. But along the way the magic connection returned and the last Chi Factory album was born. On ‘Santa Fe’ and ‘Last Breath’ samples were used of J.Derwort during his last weeks in Santa Fe, Spain. The Chi circle is now closed. Chi Factory will move on as ‘Sons of Chi’. A new platform for different collabs and new adventures in sound. The legacy will live on, so will we.
Hanyo: As J.Derwort explained by a dream he is now in a wonderful place far away and still so close. The dream came during the recordings when I asked him how he is and where he is. I saw beautiful and ever changing constructions of plants. Nothing else. No words and just a simple explanation: everything is created and connected by intuitive vegetable intelligence. The opening piece ‘Bless You’ is the last track I recorded, it reflects the memory of my dream the most. I almost decided to start all over again, but I did not. Hope you like the last Chi Factory album, thx for all your support, also to my good friend
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Germany
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Hanyo: As J.Derwort explained by a dream he is now in a wonderful place far away and still so close. The dream came during the recordings when I asked him how he is and where he is. I saw beautiful and ever changing constructions of plants. Nothing else. No words and just a simple explanation: everything is created and connected by intuitive vegetable intelligence. The opening piece ‘Bless You’ is the last track I recorded, it reflects the memory of my dream the most. I almost decided to start all over again, but I did not. Hope you like the last Chi Factory album, thx for all your support, also to my good friend
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
heavenly music corporation - "Energy Portal"
2
heavenly music corporation - "St Giga"
3
heavenly music corporation - "Lunar Phase"
4
heavenly music corporation - "Nautilus"
5
heavenly music corporation - "Cloudless Light"
6
heavenly music corporation - "Orgone"
The material collated on this third release from Heavenly Music Corporation was composed specifically for St. Giga in Japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. What made this station otherworldly was its programming; motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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Murcof - All These Worlds Part. I
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Murcof - All These Worlds Part. II
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Murcof - Tomorrow Part. II
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Murcof - They Glow
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Murcof - Enemy
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territories : ww -fr -benelux -uk
Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, Experimental
Tracklist
A1_Going Home (IRCAM version)
A2_All These Worlds Part. I
A3_All These Worlds Part. II
A4_Tomorrow Part. II
B1_They Glow
B2_Enemy
B3_Fight
Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.
Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.
Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Stojche - Stomping Ground
2
Stojche - Oberheim
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Stojche - Consequence
Tracklisting
A1 Stojche - Stomping Ground
B1 Stojche - Oberheim
B2 Stojche - Consequence
Sales Note
Macedonian artist Stojche kicks off Mutual Rytm Xs 2025 schedule with his blistering new EP, Stomping Ground.
Stojche is an exciting DJ and producer from Skopje, Macedonia, who is currently based in Madrid. He heads up his Tangible Assets imprint and has been making waves in the electronic underground for over 20 years. His music
takes inspiration from the classic sounds of Detroit and dub techno, and in 2024, he impressed with his Metaphor
EP on F.U.S.E. Following on from his superb contribution to Mutual Rytms Federation of Rytm II compilation, here,
he now serves up his first EP of the year with a first outing on X, the sister label of SHDWs Mutual Rytm, w
Stomping Ground.
This EP opens up with the powerful Stomping Ground, a scintillating blend of tightly programmed kicks and
reverberating percussive lines. The textured percussion shimmers over the racing beats and cannot fail to sweep
dancers off their feet. Oberheim is another high-class, high-impact sound with muted melodies thinking over the
twisting and turning drums and bass which never let up and ooze warm machine soul. Consequence keeps the
pressure on with tight drums and raw percussive layers softened by smeared dub chords. Digital bonus The Vault
shuts down with thumping kicks and rave ready synth stabs that will erupt on peak-time floors.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Stojche - Stomping Ground
B1 Stojche - Oberheim
B2 Stojche - Consequence
Sales Note
Macedonian artist Stojche kicks off Mutual Rytm Xs 2025 schedule with his blistering new EP, Stomping Ground.
Stojche is an exciting DJ and producer from Skopje, Macedonia, who is currently based in Madrid. He heads up his Tangible Assets imprint and has been making waves in the electronic underground for over 20 years. His music
takes inspiration from the classic sounds of Detroit and dub techno, and in 2024, he impressed with his Metaphor
EP on F.U.S.E. Following on from his superb contribution to Mutual Rytms Federation of Rytm II compilation, here,
he now serves up his first EP of the year with a first outing on X, the sister label of SHDWs Mutual Rytm, w
Stomping Ground.
This EP opens up with the powerful Stomping Ground, a scintillating blend of tightly programmed kicks and
reverberating percussive lines. The textured percussion shimmers over the racing beats and cannot fail to sweep
dancers off their feet. Oberheim is another high-class, high-impact sound with muted melodies thinking over the
twisting and turning drums and bass which never let up and ooze warm machine soul. Consequence keeps the
pressure on with tight drums and raw percussive layers softened by smeared dub chords. Digital bonus The Vault
shuts down with thumping kicks and rave ready synth stabs that will erupt on peak-time floors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marcel Dettmann - Suffice To Predict (L.B. Dub Corp Remix)
2
Marcel Dettmann - x12 (SHERELLE's x160 Remix)
3
Marcel Dettmann - Fear Of Programming (Dopplereffekt Remix)
4
Marcel Dettmann - Water (Interstellar Funk Remix)
5
Marcel Dettmann - Fear Of Programming (JASSS Remix)
Dopplereffekt, L.B. Dub Corp, JASSS, SHERELLE and Interstellar Funk on remix duty...
Dekmantel return to Marcel Dettmann's celebrated 2022 LP Fear Of Programming for a remix package featuring five of the biggest names in contemporary club music. Dettmann's unmistakably sleek, focused production style is the perfect springboard for all kinds of imaginative interpretations that touch on techno, footwork, electro and ambient.
Donning his L.B. Dub Corp alias, Luke Slater kicks off the A side by paring 'Suffice To Predict' down to its fundamentals and rebuilds a taut, punchy version out of the component parts. SHERELLE explores a sweet spot between techno and footwork in her natural 160 BPM zone on her angular, reverb-heavy version of 'x12'.
On the B side, Dopplereffekt supplement the cascading arpeggios of album closer 'Fear Of Programming' with their inimitable strain of dystopian electro. Interstellar Funk turns album centrepiece 'Water' into an atmospheric techno voyage shaped out by melancholic pads and fluttering leads. JASSS takes 'Fear Of Programming' further out through billowing clouds of ambience and dislocated vocal impressions, arriving at a bold and pensive closing statement to this heavyweight clutch of remixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dekmantel return to Marcel Dettmann's celebrated 2022 LP Fear Of Programming for a remix package featuring five of the biggest names in contemporary club music. Dettmann's unmistakably sleek, focused production style is the perfect springboard for all kinds of imaginative interpretations that touch on techno, footwork, electro and ambient.
Donning his L.B. Dub Corp alias, Luke Slater kicks off the A side by paring 'Suffice To Predict' down to its fundamentals and rebuilds a taut, punchy version out of the component parts. SHERELLE explores a sweet spot between techno and footwork in her natural 160 BPM zone on her angular, reverb-heavy version of 'x12'.
On the B side, Dopplereffekt supplement the cascading arpeggios of album closer 'Fear Of Programming' with their inimitable strain of dystopian electro. Interstellar Funk turns album centrepiece 'Water' into an atmospheric techno voyage shaped out by melancholic pads and fluttering leads. JASSS takes 'Fear Of Programming' further out through billowing clouds of ambience and dislocated vocal impressions, arriving at a bold and pensive closing statement to this heavyweight clutch of remixes.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jeff Mills - The Extremist 04:13
2
Jeff Mills - Solid Sleep 03:49
3
Jeff Mills - Life Cycle 03:52
4
Jeff Mills - Workers 03:15
5
Jeff Mills - Wrath Of The Punisher 03:46
6
Jeff Mills - DNA 03:40
7
Jeff Mills - Condor to Mallorca 5:37
8
Jeff Mills - Basic Human Design 5:53
2025 REPRESS….
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Waveform Transmission Vol.3 initially came out in 1994 on Tresor Records.
The eight titles on the album marked a turning point for Jeff Mills. It indicates a transition from the straightforward sound he had created through the early 1990's, into the different facets and sound pallet he will develop through the remainder of the decade. It is a significant piece within Jeff Mills' masterwork.
TRACKLIST: A1. The Extremist 04:13 A2. Solid Sleep 03:49 B1. Life Cycle 03:52 B2. Workers 03:15 C1. Wrath Of The Punisher 03:46 C2. DNA 03:40 D1. Condor to Mallorca 5:37 D2. Basic Human Design 5:53
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Simon Fisher Turner - A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
2
Simon Fisher Turner - A2. Bluenow2, Virus, Hurricane Bomber
3
Simon Fisher Turner - A3. Derek Jarman Reads White Lies
4
Simon Fisher Turner - B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
5
Simon Fisher Turner - B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Grea
6
Simon Fisher Turner - B3. Electriksnippets
7
Simon Fisher Turner - B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
LP / Special remarks : Full-colour sleeve, postcard, liner notes by Simon Fisher Turner. Terre Thaemlitz Remix appears on vinyl only
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Bluenow1, Out-of-Tune Piano, St Mary's Hospital Basement, Electriksnippets
A2. Bluenow2, Virus, Hurricane Bomber
A3. Derek Jarman Reads White Lies
B1. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ, Bertrand Russell Gives Sound Advice
B2. Brother James Plays J.S. Bach's 'Erbarm dich mein, o Herre Gott' on the Great Rissington Organ
B3. Electriksnippets
B4. Terre Thaemlitz's Remix of Shishapangma, Remixed by Simon Fisher Turner
Shortinfo:
Where to begin with a figure like Simon Fisher Turner? From teenage stage and screen star to illustrious recording artist for Creation and Mute and score composer of Caravaggio, Blue and The Epic of Everest - via a stint with The The and collaborations with Derek Jarman, David Lynch and Tilda Swinton - Turner embodies a distinctly British sensibility and boundless curiosity for sound. For A Colourful Storm, discovering Deux Filles, his mysterious project with Colin Lloyd-Tucker that has since been reissued by Dark Entries, was a significant moment in shaping their identity.
In August 2023, A Colourful Storm presented Simon Fisher Turner and Time is Away at Spanners, London. Performed at the tail end of Blue Now, a series of events celebrating Derek Jarman's last feature film, Blue, the recording reveals a lifetime of significant events and influences. Terre Thaemlitz's remix of Turner's Shishapangma (Comatonse Recordings, 2015) is reworked and appears on vinyl only, Jarman is privately recorded reading White Lies, Bertrand Russell is sampled, and Turner records his brother practising the Great Rissington organ for their father's funeral.
"My wife and I lived in Brixton, near the venue, on Coldharbour Lane, 20 years ago. We were above a takeaway shop. The air extractor was a nightmare and the flat smelled of grease. The market was a great place to buy fish. We adopted a giant snail, who we called Ayrton. I used to take him all over town and he loved lettuce and tomatoes. There was a wonderful small pizza shop too, which was so delicious. But back to the music. Brixton is music and I'm a lucky man."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:GT01
Release-Date:06.12.2024
Configuration:LP Excl
Cat-No:GT01
Release-Date:06.12.2024
Configuration:LP Excl
1
A1 OVA - Rainforest
2
A2 Jean-Michel Bertrand - Engines
3
A3 Terry Keegan - Nutze Die Technik
4
A4 Van Kampen - Java
5
A5 Votu - Beyond
6
B1 Four Drummers Drumming - Wok
7
B2 Cuco Pérez - Calabó Bambú
8
B3 Chóres - Afrikí
9
B4 Angklunk - Das Versprechen
10
B5 Cipriani One Man Band - From Perù To China
LP
GENRE/S: Ambient, New Age, Experimental
TRACKLISTS:
Side A
a1 OVA - Rainforest
a2 Jean-Michel Bertrand - Engines
a3 Terry Keegan - Nutze Die Technik
a4 Van Kampen - Java
a5 Votu - Beyond
Side B
b1 Four Drummers Drumming - Wok
b2 Cuco Pérez - Calabó Bambú
b3 Chóres - Afrikí
b4 Angklunk - Das Versprechen
b5 Cipriani One Man Band - From Perù To China
SHORT INFO:
Ultimo Tango (Milan) & Glossy Mistakes (Madrid) are thrilled to announce the release of "Tribal Organic: Deep Dive into European Percussions 79-90", a compilation of otherworldly percussion-driven tracks, digging deep into this unknown realm of a past era.
Compiled by Luca Fiore and Glossy Mario, the album takes listeners on a rhythmic journey through the diverse sounds of Europe from 1979 to 1990. This collaboration between two like-minded labels highlights forgotten recordings from across Europe, including works by artists from France, Spain, Germany, Italy, Austria, the Netherlands...
Opening with the ethereal “Rainforest” by British female duo Ova, this collection weaves together nine tracks from artists who were deeply influenced by global percussion traditions. With hints of jazz, new age, gamelan, and West African rhythms, these tracks feature instruments like congas, tablas, and shekeres, and reflect a shared fascination with the organic beat of the drum.
From the industrial-meets-African grooves of Jean-Michel Bertrand’s “Engines”, to the hypnotic accordion and tribal chants of Cuco Pérez’s “Calabó Bambú”, the compilation offers a cross-cultural listening experience that is both meditative and invigorating. Despite creating these works in isolation during the last years of the Cold War, each artist was inspired by a borderless world of sound. The compilation pays homage to these nomadic musicians who respected the traditions they drew from, while contributing their own experimental takes on percussion-led music.
In Tribal Organic, Glossy Mario and Luca Fiore have unearthed a treasure trove of rhythm-driven tracks that blur the lines between nations, genres, and cultures. This compilation offers more than just music; it’s a listening experience that is both spiritual and grounded—bold, exploratory, and deeply rooted in the beat of the Earth.
VITAL SALES POINTS:
- Highly sought after and obscure tracks from all corners of Europe put together for first time, covering a wide time range, from 1979 to 1990
- Remastered from source material, artwork by Alicia Carrera
- One of a kind experimental compilation digging deep into the percussion realm of a past era
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient, New Age, Experimental
TRACKLISTS:
Side A
a1 OVA - Rainforest
a2 Jean-Michel Bertrand - Engines
a3 Terry Keegan - Nutze Die Technik
a4 Van Kampen - Java
a5 Votu - Beyond
Side B
b1 Four Drummers Drumming - Wok
b2 Cuco Pérez - Calabó Bambú
b3 Chóres - Afrikí
b4 Angklunk - Das Versprechen
b5 Cipriani One Man Band - From Perù To China
SHORT INFO:
Ultimo Tango (Milan) & Glossy Mistakes (Madrid) are thrilled to announce the release of "Tribal Organic: Deep Dive into European Percussions 79-90", a compilation of otherworldly percussion-driven tracks, digging deep into this unknown realm of a past era.
Compiled by Luca Fiore and Glossy Mario, the album takes listeners on a rhythmic journey through the diverse sounds of Europe from 1979 to 1990. This collaboration between two like-minded labels highlights forgotten recordings from across Europe, including works by artists from France, Spain, Germany, Italy, Austria, the Netherlands...
Opening with the ethereal “Rainforest” by British female duo Ova, this collection weaves together nine tracks from artists who were deeply influenced by global percussion traditions. With hints of jazz, new age, gamelan, and West African rhythms, these tracks feature instruments like congas, tablas, and shekeres, and reflect a shared fascination with the organic beat of the drum.
From the industrial-meets-African grooves of Jean-Michel Bertrand’s “Engines”, to the hypnotic accordion and tribal chants of Cuco Pérez’s “Calabó Bambú”, the compilation offers a cross-cultural listening experience that is both meditative and invigorating. Despite creating these works in isolation during the last years of the Cold War, each artist was inspired by a borderless world of sound. The compilation pays homage to these nomadic musicians who respected the traditions they drew from, while contributing their own experimental takes on percussion-led music.
In Tribal Organic, Glossy Mario and Luca Fiore have unearthed a treasure trove of rhythm-driven tracks that blur the lines between nations, genres, and cultures. This compilation offers more than just music; it’s a listening experience that is both spiritual and grounded—bold, exploratory, and deeply rooted in the beat of the Earth.
VITAL SALES POINTS:
- Highly sought after and obscure tracks from all corners of Europe put together for first time, covering a wide time range, from 1979 to 1990
- Remastered from source material, artwork by Alicia Carrera
- One of a kind experimental compilation digging deep into the percussion realm of a past era
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Valentina Magaletti - A1. A
2
Valentina Magaletti - B1. B
LP+ Postcard Insert
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hajime Mizoguchi - A Monologue 2:50
2
Hajime Mizoguchi - Jin-Roh - Main Theme - Opening Version 2:37
3
Hajime Mizoguchi - Dark Star 2:06
4
Hajime Mizoguchi - Sting 0:37
5
Hajime Mizoguchi - Mad Black 0:47
6
Hajime Mizoguchi - Damp 0:19
7
Hajime Mizoguchi - Gray Black 0:36
8
Hajime Mizoguchi - Blue Clouds 3:10
9
Hajime Mizoguchi - Silence & Wind 1:19
10
Hajime Mizoguchi - Fragrance Rain 1:09
11
Hajime Mizoguchi - Latest Flame 3:01
12
Hajime Mizoguchi - Curse 2:50
13
Hajime Mizoguchi - Pride 2:51
14
Hajime Mizoguchi - Unit One 1:57
15
Hajime Mizoguchi - Long Destiny 0:57
16
Hajime Mizoguchi - The Force 3:41
17
Hajime Mizoguchi - Keel 3:12
18
Hajime Mizoguchi - Angel 1:34
19
Hajime Mizoguchi - Shadow Of Rainbow 1:36
20
Hajime Mizoguchi - Seal 2:41
21
Hajime Mizoguchi - The Top 4:37
22
Hajime Mizoguchi - Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Territories: World excluding Japan
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Soundtrack, Classical, Ambient, Orchestration, Anime, Emo
LP: Heavyweight 350gsm sleeve, sticker
Tracklisting LP
A1. A Monologue 2:50
A2. Jin-Roh - Main Theme - Opening Version 2:37
A3. Dark Star 2:06
A4. Sting 0:37
A5. Mad Black 0:47
A6. Damp 0:19
A7. Gray Black 0:36
A8. Blue Clouds 3:10
A9. Silence & Wind 1:19
A10. Fragrance Rain 1:09
A11. Latest Flame 3:01
A12. Curse 2:50
A13. Pride 2:51
A14. Unit One 1:57
B1. Long Destiny 0:57
B2. The Force 3:41
B3. Keel 3:12
B4. Angel 1:34
B5. Shadow Of Rainbow 1:36
B6. Seal 2:41
B7. The Top 4:37
B8. Grace ~ Jin-Roh - Main Theme ~ Omega 7:18
Info
WRWTFWW Records is overjoyed to present the first ever vinyl release for the outstanding soundtrack of 1999 Japanese action-political-thriller anime Jin-Roh: The Wolf Brigade by Hajime Mizoguchi. The epic full-lenght album is available as a limited-edition LP cut at Emil Berliner Studios and housed in a heavyweight 350gsm sleeve.
Legendary animation film Jin-Roh was penned by Palme d’Or and Leone d’Oro award winning filmmaker, television director and writer Mamoru Oshii whose filmography includes Ghost in the Shell, Patlabor 2: The Movie, and Angel’s Egg – critically acclaimed works praised worldwide, notably by luminaries such as James Cameron, Steven Spielberg and The Wachowskis. The film was directed by leading studio Production I.G. affiliate Hiroyuki Okiura (Record of the Lodoss War, A Letter to Momo…)
The film’s score, courtesy of famed anime and tv score composer, cellist and arranger Hajime Mizoguchi, evokes the dystopian world in which Jin-Roh takes place and captures the Little Red Riding Hood theme that carries the story – a dark, atmospheric, and immensely emotional soundscape that takes you on a grand and immersive journey and stays with you forever. It blends classical, orchestrated ambient, and poignant melodies carried by ominous strings.
This new project by WRWTFWW Records follows previous Japanese soundtracks from the catalogue: Ghost in the Shell, Patlabor 2, Evil Dead Trap, Violent Cop and precedes the upcoming release of Takeshi Kitano’s Sonatine soundtrack by Joe Hisaishi.
Points of interests
For fans of classical, ambient, soundtracks, anime, manga, strings, dark and atmospheric soundscapes, Ghost in the Shell, Patlabor, epic journeys, James Cameron, big emotions, soundtracks that were never released on vinyl until…today!
First ever vinyl release for the soundtrack of acclaimed 1999 anime Jin-Roh!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jonathan Bockelmann - Aoneko No Torso (02:15 min)
2
Jonathan Bockelmann - Dream (01:15 min)
3
Jonathan Bockelmann - Bibo No Aozora (03:19 min)
4
Jonathan Bockelmann - Blu (02:59 min)
5
Jonathan Bockelmann - A Flower Is Not a Flower (03:12 min)
6
Jonathan Bockelmann - 20220302 (02:42 min)
7
Jonathan Bockelmann - Opus (05:21 min)
8
Jonathan Bockelmann - Dancing in the Sky (01:04 min)
9
Jonathan Bockelmann - Suite for Krug in 2008: Movement I. (06:30 min)
10
Jonathan Bockelmann - Suite for Krug in 2008: Movement II. (07:10 min)
11
Jonathan Bockelmann - Suite for Krug in 2008: Movement III. (05:14 min)
LP
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special remarks: 180g
Tracklist:
A1) Aoneko No Torso 02:15 min
A2) Dream 01:15 min
A3) Bibo No Aozora 03:19 min
A4) Blu 02:59 min
A5) A Flower Is Not a Flower 03:12 min
A6) 20220302 02:42 min
A7) Opus 05:21 min
A8) Dancing in the Sky 01:04 min
B1) Suite for Krug in 2008: Movement I. 06:30 min
B2) Suite for Krug in 2008: Movement II. 07:10 min
B3) Suite for Krug in 2008: Movement III. 05:14 min
Info:
Jonathan Bockelmann is a classical guitarist and composer based in Munich who first made waves in 2023 with his debut album ‘Childish Mind’. His entry into composing were arrangements he had made of pieces by Japanese composer Ryuichi Sakamoto. Some of these have been released digitally in three editions and are now available on vinyl for the first time. The record comes in high quality packaging with an embossed art print and features both some of Sakamoto’s lesser-known works like the ‘Suite for Krug’ as well as iconic pieces like ‘Bibo No Aozora’.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Special Remarks: LP 180 G Vinyl
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ash Ra Tempel - A1. Light: Look At Your Sun 6:20
2
Ash Ra Tempel - A2. Darkness: Flowers Must Die 12:20
3
Ash Ra Tempel - Side B : Schwingungen 19:00
- LP , GATEFOLD, STICKER
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 50th Anniversary Re-Edition
- Includes Original Releasesheet Inlay
- Original Release: 1972
- 2021 Re-Cut carefully overseen by Manuel Göttsching
GENRE/S: Krautrock, Kosmische, Early Progressive-/Psychedelic-Rock, Early Ambient
TRACKLIST:
Side A : Light And Darkness
A1. Light: Look At Your Sun 6:20
A2. Darkness: Flowers Must Die 12:20
Side B : Schwingungen 19:00
We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German
Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself.
As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book,
Publisher : Head Heritage (1 Oct. 1995) :
“Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually
introduced to something that is life-changing, as I found out to my cost when first listening to this record.
It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian
blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it
is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and
it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I've written before, PIL sounds like this. John
L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the
Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off. Phasing tears at the whole tracks as this Holy Racket
crosses into Hyper-space and everything gets all hyphenated just-for-the-sake-of-it. “Flowers Must Die”, man, it’s fucked up. Over on Side
2, the title-track (“Vibrations”) begins poetically enough with Wolfgang Muller’s epic and hugely reverbed vibraphone. Organ fades in and
FX guitars, and time passes by. Finally, tom-toms roll and the developing pace is built upon until that great eternal chord sequence finally
materialises — this is the one that Göttsching and Enke believed was the sound of heaven.
They may have been right. And Schwingungen was a gift from the Gods.“
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Troth & Jon Collin - Poet's Recollection
2
Troth & Jon Collin - Whispering Sand
3
Troth & Jon Collin - The Womb It Wanders
4
Troth & Jon Collin - Serra Cantica
5
Troth & Jon Collin - Lune River
6
Troth & Jon Collin - Nocturnal House
7
Troth & Jon Collin - Hallow
8
Troth & Jon Collin - Shepherd's Hill
Special remarks : Full-colour reverse-card sleeve, postcard
Tracklist
A1 Poet's Recollection
A2 Whispering Sand
A3 The Womb It Wanders
A4 Serra Cantica
B1 Lune River
B2 Nocturnal House
B3 Hallow
B4 Shepherd's Hill
Shortinfo:
Debut collaborative album from Troth, the Nipaluna-based duo of Amelia Besseny and Cooper Bowman, and kindred spirit and legendary Mancunian free-form guitarist Jon Collin. A lavish dreamscape conjuring the dramatic beauty of uncharted mountains and streams, it documents both the crystilisation of ideas first shared during an Australian encounter in early 2023 and years of mutual appreciation.
Troth’s sonic universe, a constellation of drifting atmospherics, bedroom pop impulse and modern classical motifs, is deeply intimate and never rushed. Recent sides Forget The Curse and Idle Easel and live performances supporting the likes of Maxine Funke and Treasury of Puppies have seen Besseny’s soaring, celestial voice take centre stage, delicately adorned with Bowman’s synthesiser flourishes and homespun instrumentation. At their heart lies Bowman’s tireless collaborative instinct: his decade-long involvement in the Australian underground and his countless musical outfits (including contemporary trio Th Blisks, with Besseny and Yuta Matsumura).
Summer 2023 saw the duo host two shows for Collin in their former home of Mulubinba, regional New South Wales. Collin is perhaps best known for his playing, deconstructing and reconfiguring of the guitar and other stringed instruments, realised in solo works on his own Early Music and Winebox Press imprints, and collaborations on a trio of albums with Demdike Stare and live sessions with Sarah Hughes and Bill Nace. His unique style of playing, sometimes delicate, at other times frictional, refutes expectations of traditional instruments and fits perfectly within both Troth’s ethos and their lush sonic mise-en-scène.
The objects of devotion perhaps symbolise the group’s devotion towards each other during their music-making process, and the fruits from which they are borne. “I think, any music I have a hand in, is a dialogue with by the people I'm making it with. It's an ongoing conversation between people and sound”, reflects Bowman. The sacredness and ominousness of remote Tasmania is just as affecting, the interplay of Besseny’s haunting vocal washes, Bowman’s sparse instrumentation and Collin’s ritualistic strum evoking the eeriness that lurks beneath the seemingly limitless Australian landscape. “When I think about it, it sounds like being together at the bottom of the Earth. Watching, listening and playing together with no-one else in sight."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1 Poet's Recollection
A2 Whispering Sand
A3 The Womb It Wanders
A4 Serra Cantica
B1 Lune River
B2 Nocturnal House
B3 Hallow
B4 Shepherd's Hill
Shortinfo:
Debut collaborative album from Troth, the Nipaluna-based duo of Amelia Besseny and Cooper Bowman, and kindred spirit and legendary Mancunian free-form guitarist Jon Collin. A lavish dreamscape conjuring the dramatic beauty of uncharted mountains and streams, it documents both the crystilisation of ideas first shared during an Australian encounter in early 2023 and years of mutual appreciation.
Troth’s sonic universe, a constellation of drifting atmospherics, bedroom pop impulse and modern classical motifs, is deeply intimate and never rushed. Recent sides Forget The Curse and Idle Easel and live performances supporting the likes of Maxine Funke and Treasury of Puppies have seen Besseny’s soaring, celestial voice take centre stage, delicately adorned with Bowman’s synthesiser flourishes and homespun instrumentation. At their heart lies Bowman’s tireless collaborative instinct: his decade-long involvement in the Australian underground and his countless musical outfits (including contemporary trio Th Blisks, with Besseny and Yuta Matsumura).
Summer 2023 saw the duo host two shows for Collin in their former home of Mulubinba, regional New South Wales. Collin is perhaps best known for his playing, deconstructing and reconfiguring of the guitar and other stringed instruments, realised in solo works on his own Early Music and Winebox Press imprints, and collaborations on a trio of albums with Demdike Stare and live sessions with Sarah Hughes and Bill Nace. His unique style of playing, sometimes delicate, at other times frictional, refutes expectations of traditional instruments and fits perfectly within both Troth’s ethos and their lush sonic mise-en-scène.
The objects of devotion perhaps symbolise the group’s devotion towards each other during their music-making process, and the fruits from which they are borne. “I think, any music I have a hand in, is a dialogue with by the people I'm making it with. It's an ongoing conversation between people and sound”, reflects Bowman. The sacredness and ominousness of remote Tasmania is just as affecting, the interplay of Besseny’s haunting vocal washes, Bowman’s sparse instrumentation and Collin’s ritualistic strum evoking the eeriness that lurks beneath the seemingly limitless Australian landscape. “When I think about it, it sounds like being together at the bottom of the Earth. Watching, listening and playing together with no-one else in sight."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More