1
Civilistjävel! - I
2
Civilistjävel! - II
3
Civilistjävel! - III
4
Civilistjävel! - IV (Ft. Mayssa Jallad)
5
Civilistjävel! - V
6
Civilistjävel! - VI (Ft. Thommy Wahlström)
7
Civilistjävel! - VII
8
Civilistjävel! - VIII (Ft. ELDON & Withdrawn)
9
Civilistjävel! - IX (Ft. Laila Sakini)
10
Civilistjävel! - X
11
Civilistjävel! - XI
12
Civilistjävel! - XII
Civilistjävel! returns with Brödföda, the successor to 2022’s Järnnätter and his fourth release for FELT. The record features collaborations with Laila Sakini, Mayssa Jallad, Thommy Wahlström, ELDON, and Withdrawn.
Tomas Bodén is a revered figure of the aural murk, known primarily for his work as Civilistjävel. It’s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden.
On Brödföda, his latest album for Fergus Jones’s FELT imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistjävel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on “IV”, “VIII” hosts Coldlight’s ELDON & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on “IX”, and Thommy Wahlström floats scant acid dub stylings on “VI”. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for.
FELT’s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistjävel! often its primary culprit; Brödföda gently modifies this path to pursue some of his and the label’s most quaintly beautiful music yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tomas Bodén is a revered figure of the aural murk, known primarily for his work as Civilistjävel. It’s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden.
On Brödföda, his latest album for Fergus Jones’s FELT imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistjävel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on “IV”, “VIII” hosts Coldlight’s ELDON & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on “IX”, and Thommy Wahlström floats scant acid dub stylings on “VI”. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for.
FELT’s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistjävel! often its primary culprit; Brödföda gently modifies this path to pursue some of his and the label’s most quaintly beautiful music yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Civilistjävel!
1
Civilistjävel! - XIII
2
Civilistjävel! - XIV
3
Civilistjävel! - XV
4
Civilistjävel! - XVI
5
Civilistjävel! - XVII
6
Civilistjävel! - XVIII
7
Civilistjävel! - XIX (Ft. Thomas Bush)
FELT welcomes back Civilistjävel! with Följd, the follow up to last year’s Brödföda. 7 tracks further chronicling his melancholic murk, ever drifting towards that faint dub glow. Features a collaboration with Thomas Bush [Jolly Discs].
Uncanny are the nocturnal sounds that ebb patiently from Tomas Bodén and his machines. His music continues to uncover equal parts beauty and dread from isolation, a purposeful slow pace guiding those gentle noises through the arctic air surrounding its author. No matter the weather, these expressions as Civilistjävel! continue to find a loving home on Fergus Jones’s FELT imprint.
On Följd, he naturally develops on the inclinations found on Brödföda. XIII’s unsettling warble melts into the dusky spurts of XIV. Further on, the dew-glowed ambience of XV precedes XVI’s dub trudge which casts a hypnotic grey shadow. XVII’s wind-swept acid redux then quietly transitions into the stunning introspective drone of XVIII before closer XIX comes into view, its positive dawn enacted through Thomas Bush’s croons lilting amongst organs, guitars and tempered sound design.
Civilistjävel! continues to emote a great deal with very little, a reliable abstract practitioner that posits Följd as an arresting audio tale within his celebrated oeuvre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Uncanny are the nocturnal sounds that ebb patiently from Tomas Bodén and his machines. His music continues to uncover equal parts beauty and dread from isolation, a purposeful slow pace guiding those gentle noises through the arctic air surrounding its author. No matter the weather, these expressions as Civilistjävel! continue to find a loving home on Fergus Jones’s FELT imprint.
On Följd, he naturally develops on the inclinations found on Brödföda. XIII’s unsettling warble melts into the dusky spurts of XIV. Further on, the dew-glowed ambience of XV precedes XVI’s dub trudge which casts a hypnotic grey shadow. XVII’s wind-swept acid redux then quietly transitions into the stunning introspective drone of XVIII before closer XIX comes into view, its positive dawn enacted through Thomas Bush’s croons lilting amongst organs, guitars and tempered sound design.
Civilistjävel! continues to emote a great deal with very little, a reliable abstract practitioner that posits Följd as an arresting audio tale within his celebrated oeuvre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - Järnnätter (A Made Up Sound Remix)
2
Civilistjävel! - Järnnätter (Ossia’s Disoriented Dub)
FELT summon the hand of two of the most uncannily suited producers around to remix cuts from Civilistjävel!’s "Järnnätter" album one year on from its initial release.
As a regular collaborator with SVN and Dynamo Dreesen as well as having a slew of experimental techno 12”s to his name, A Made Up Sound immediately got the memo. The Dutch producer takes the foggier, subdued angle of his own craft into wildly captivating effect when tasked to build upon the stems from the “civilian bastard”.
Whilst the A Made Up Sound remix constantly builds in intensity, Ossia’s “Disoriented Dub” explores a much more radiophonic, lost-at-sea headspace with echoes of early concrete compositions and a spectral approach to dub; an olive branch of muggy hauntological weirdness extending from Bristol up to Scandinavia and back via the lowlands.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
As a regular collaborator with SVN and Dynamo Dreesen as well as having a slew of experimental techno 12”s to his name, A Made Up Sound immediately got the memo. The Dutch producer takes the foggier, subdued angle of his own craft into wildly captivating effect when tasked to build upon the stems from the “civilian bastard”.
Whilst the A Made Up Sound remix constantly builds in intensity, Ossia’s “Disoriented Dub” explores a much more radiophonic, lost-at-sea headspace with echoes of early concrete compositions and a spectral approach to dub; an olive branch of muggy hauntological weirdness extending from Bristol up to Scandinavia and back via the lowlands.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - Sebäng
2
Civilistjävel! - Louhivesi (Ft. Cucina Povera)
3
Civilistjävel! - Kolugn
4
Civilistjävel! - Valmsta
Repress!
Civilistjävel! returns to Copenhagen label FELT with a four track EP following on from 2022's Järnnätter album.
Equally well placed next to the Biosphere / early Fax +49-69/450464 camp as well as various decades of electro-acoustic drone practitioners, Fyra platser (Four Places) also includes a trip-hop leaning collaboration with Cucina Povera. Whilst Järnnätter drew influence from the cyclical, chasmic nature of dub techno, Fyra platser hones further in on the ‘between’ areas in a minimal, reductivist fashion. The rhythms are there to follow but are primarily beatless and more expansive, though skewing perceptions of time in the same trademark manner.
Three locations in the Nordingrå area of the Swedish high coast are exorcised and channelled through sound. ‘Kolugn’ is a deliberately grainy, sepia-tinged continuation of the likes of Robert Rutman’s work across the 70s American avant-garde. It sits in contrast to the more obviously synthesis-led direction of fellow longform piece ‘Valmsta’. The location slowly changes to Finland via Athens, scenes of cafe conversations and hazy polaroids informing the lyrics of ‘Louhivesi’. The result sounds like a 90s illbient record dropped around 30 bpm and the stylus has caught on a perennial 8-bar loop. The balance of Cucina Povera’s cold, reverb-heavy vocal inflections drive the track into another dimension. If Moral were the Scandi Joy Division, this pairing must be the Scandi Massive Attack.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Civilistjävel! returns to Copenhagen label FELT with a four track EP following on from 2022's Järnnätter album.
Equally well placed next to the Biosphere / early Fax +49-69/450464 camp as well as various decades of electro-acoustic drone practitioners, Fyra platser (Four Places) also includes a trip-hop leaning collaboration with Cucina Povera. Whilst Järnnätter drew influence from the cyclical, chasmic nature of dub techno, Fyra platser hones further in on the ‘between’ areas in a minimal, reductivist fashion. The rhythms are there to follow but are primarily beatless and more expansive, though skewing perceptions of time in the same trademark manner.
Three locations in the Nordingrå area of the Swedish high coast are exorcised and channelled through sound. ‘Kolugn’ is a deliberately grainy, sepia-tinged continuation of the likes of Robert Rutman’s work across the 70s American avant-garde. It sits in contrast to the more obviously synthesis-led direction of fellow longform piece ‘Valmsta’. The location slowly changes to Finland via Athens, scenes of cafe conversations and hazy polaroids informing the lyrics of ‘Louhivesi’. The result sounds like a 90s illbient record dropped around 30 bpm and the stylus has caught on a perennial 8-bar loop. The balance of Cucina Povera’s cold, reverb-heavy vocal inflections drive the track into another dimension. If Moral were the Scandi Joy Division, this pairing must be the Scandi Massive Attack.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - A1
2
Civilistjävel! - A2
3
Civilistjävel! - A3
4
Civilistjävel! - B1
5
Civilistjävel! - B2
6
Civilistjävel! - B3
7
Civilistjävel! - B4
Another Repress coming in July.
There isn’t much to go on other than the soundscapes when it comes to Civilistjävel! What is rumoured to be a figment of the pre-internet era tapping into a similar consciousness as Biosphere, Chain Reaction or early Fax +49-69/450464 is ultimately left up to second guessing. For the average listener crossing paths with the project, a steady run of small-run, minimally packaged LPs has cemented Civilistjävel! as a leading force in the dub techno/glacial drone scene of present.
However niche that may sound, this collection of tracks for Perko’s new FELT imprint navigates the same territories as the previous outings but with the folkloric tag “Iron Night” to help guide our ears. A Swedish expression for long nights of frost that damage plants and crops, the spectral and foreboding atmosphere of the opening cut already hints at the direction of the album. Combining dense ambient synth layers with hard to place industrial motifs (sometimes in rhythm, sometimes chaotically arranged are what Civilistjävel! does best, indeed Järnnätter unfolds as a piece of work you can really spend time with. At points it feels as if the machines in some old factory complex have spluttered back to life through some unknown force and have begun to sing to one another. Other times the atmosphere is akin to a hydrophone placed deep into an ice-covered lake and the synthetic pulses of ‘A2’ are the only vaguely human touch. However, the sparse melodic flourishes across the record stem from an interest in psalms and early Swedish folk music, the juxtaposition of machine-led intuition and personable studiousness adding a hidden depth to the album.
If the collectability of previous Civilistjävel! outings are anything to go by, we encourage you to act fast!
Artwork by Rebecka Holmström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
There isn’t much to go on other than the soundscapes when it comes to Civilistjävel! What is rumoured to be a figment of the pre-internet era tapping into a similar consciousness as Biosphere, Chain Reaction or early Fax +49-69/450464 is ultimately left up to second guessing. For the average listener crossing paths with the project, a steady run of small-run, minimally packaged LPs has cemented Civilistjävel! as a leading force in the dub techno/glacial drone scene of present.
However niche that may sound, this collection of tracks for Perko’s new FELT imprint navigates the same territories as the previous outings but with the folkloric tag “Iron Night” to help guide our ears. A Swedish expression for long nights of frost that damage plants and crops, the spectral and foreboding atmosphere of the opening cut already hints at the direction of the album. Combining dense ambient synth layers with hard to place industrial motifs (sometimes in rhythm, sometimes chaotically arranged are what Civilistjävel! does best, indeed Järnnätter unfolds as a piece of work you can really spend time with. At points it feels as if the machines in some old factory complex have spluttered back to life through some unknown force and have begun to sing to one another. Other times the atmosphere is akin to a hydrophone placed deep into an ice-covered lake and the synthetic pulses of ‘A2’ are the only vaguely human touch. However, the sparse melodic flourishes across the record stem from an interest in psalms and early Swedish folk music, the juxtaposition of machine-led intuition and personable studiousness adding a hidden depth to the album.
If the collectability of previous Civilistjävel! outings are anything to go by, we encourage you to act fast!
Artwork by Rebecka Holmström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from FELT
1
Civilistjävel! - XIII
2
Civilistjävel! - XIV
3
Civilistjävel! - XV
4
Civilistjävel! - XVI
5
Civilistjävel! - XVII
6
Civilistjävel! - XVIII
7
Civilistjävel! - XIX (Ft. Thomas Bush)
FELT welcomes back Civilistjävel! with Följd, the follow up to last year’s Brödföda. 7 tracks further chronicling his melancholic murk, ever drifting towards that faint dub glow. Features a collaboration with Thomas Bush [Jolly Discs].
Uncanny are the nocturnal sounds that ebb patiently from Tomas Bodén and his machines. His music continues to uncover equal parts beauty and dread from isolation, a purposeful slow pace guiding those gentle noises through the arctic air surrounding its author. No matter the weather, these expressions as Civilistjävel! continue to find a loving home on Fergus Jones’s FELT imprint.
On Följd, he naturally develops on the inclinations found on Brödföda. XIII’s unsettling warble melts into the dusky spurts of XIV. Further on, the dew-glowed ambience of XV precedes XVI’s dub trudge which casts a hypnotic grey shadow. XVII’s wind-swept acid redux then quietly transitions into the stunning introspective drone of XVIII before closer XIX comes into view, its positive dawn enacted through Thomas Bush’s croons lilting amongst organs, guitars and tempered sound design.
Civilistjävel! continues to emote a great deal with very little, a reliable abstract practitioner that posits Följd as an arresting audio tale within his celebrated oeuvre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Uncanny are the nocturnal sounds that ebb patiently from Tomas Bodén and his machines. His music continues to uncover equal parts beauty and dread from isolation, a purposeful slow pace guiding those gentle noises through the arctic air surrounding its author. No matter the weather, these expressions as Civilistjävel! continue to find a loving home on Fergus Jones’s FELT imprint.
On Följd, he naturally develops on the inclinations found on Brödföda. XIII’s unsettling warble melts into the dusky spurts of XIV. Further on, the dew-glowed ambience of XV precedes XVI’s dub trudge which casts a hypnotic grey shadow. XVII’s wind-swept acid redux then quietly transitions into the stunning introspective drone of XVIII before closer XIX comes into view, its positive dawn enacted through Thomas Bush’s croons lilting amongst organs, guitars and tempered sound design.
Civilistjävel! continues to emote a great deal with very little, a reliable abstract practitioner that posits Följd as an arresting audio tale within his celebrated oeuvre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Firnis DC - Zweite Trommel
2
Firnis DC - Augen Offen
3
Firnis DC - Funktion Form
4
Firnis DC - Spiegel Zeigen
5
Firnis DC - Parallel Strom
6
Firnis DC - Mutter Maria
7
Firnis DC - Photo Manipulation
8
Firnis DC - Dreifach Fiktierung
9
Firnis DC - Innozenz Jahr
Firnis DC lands on Perko’s FELT imprint with Firnis der Civilisation, an eponymous collection of 9 tracks that transmit the enigmatic meditations of its author; discordant trudges of twilight romanticism from pastures far beyond.
The uncommon threads that bind FELT intersect neatly at Firnis DC. Their previous outings as ????, for Blackest Ever Black, Climate of Fear and AD93, and a pair of The News Cycle releases, were cult hits of uncanny ambient techno and jungle volleys interpreted through lenses of outsider electronics. A snug fit, in other words, for Perko’s unpredictable stable.
On Firnis der Civilisation, we find things paired back further than before. Its 9 tracks play out like beatless symphonies of wayward folk music who’s basement transmissions have been intercepted from the ether; a stirring limbo of grotty emotions that inspire and conflict in equal measure. Tracks offer brief portals into zones of sampladelic oddities, haunted vocals and scatty euphoria that is collectively driven by an (un)willingness to straddle familiar pastures. By the time you reach its finale gut-punch of Dreifach Fiktierung’s twitching breakcore and Innozenz Jahr funk rollage, you are offered a light at the end of a rather odd tunnel that you never quite understood how you got there in the first place.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
The uncommon threads that bind FELT intersect neatly at Firnis DC. Their previous outings as ????, for Blackest Ever Black, Climate of Fear and AD93, and a pair of The News Cycle releases, were cult hits of uncanny ambient techno and jungle volleys interpreted through lenses of outsider electronics. A snug fit, in other words, for Perko’s unpredictable stable.
On Firnis der Civilisation, we find things paired back further than before. Its 9 tracks play out like beatless symphonies of wayward folk music who’s basement transmissions have been intercepted from the ether; a stirring limbo of grotty emotions that inspire and conflict in equal measure. Tracks offer brief portals into zones of sampladelic oddities, haunted vocals and scatty euphoria that is collectively driven by an (un)willingness to straddle familiar pastures. By the time you reach its finale gut-punch of Dreifach Fiktierung’s twitching breakcore and Innozenz Jahr funk rollage, you are offered a light at the end of a rather odd tunnel that you never quite understood how you got there in the first place.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Carrier - FATHOM
2
Carrier - The Cusp
3
Carrier - Markers
4
Carrier - Trooper
FELT’s sixth volume extracts another fascinating mineral from Guy Brewer’s Carrier alias, further descending the wormhole of darkside minimalism with his most obfuscated rhythmic explorations yet.
FATHOM witnesses Guy Brewer’s unrelenting distillation of precision electronics develop beyond prior incarnations into unclassifiable mutations. Carrier is his sonic vessel in this new era, liberating his prior restrictions to highlight the outer kinetic recesses of experimental sounds that finds a natural home on Perko’s ever-evolving FELT imprint.
The title track twitches along in hallucinatory abstraction, circling the depths with glitched-out programming and fogged-out atmospherics. The Cusp narrows its gaze, meditating on a tense drum rollage that teeters on mellowed menace. Markers then forms a mechanised rinse-out of rumbling subs and plummeting steppers momentum. Trooper unfurls in a finale of future-shocked half time rollage and arpeggiated textures that affirms Carrier’s unwavering vision in sound and style.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
FATHOM witnesses Guy Brewer’s unrelenting distillation of precision electronics develop beyond prior incarnations into unclassifiable mutations. Carrier is his sonic vessel in this new era, liberating his prior restrictions to highlight the outer kinetic recesses of experimental sounds that finds a natural home on Perko’s ever-evolving FELT imprint.
The title track twitches along in hallucinatory abstraction, circling the depths with glitched-out programming and fogged-out atmospherics. The Cusp narrows its gaze, meditating on a tense drum rollage that teeters on mellowed menace. Markers then forms a mechanised rinse-out of rumbling subs and plummeting steppers momentum. Trooper unfurls in a finale of future-shocked half time rollage and arpeggiated textures that affirms Carrier’s unwavering vision in sound and style.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
IYA SHILLELAGH - reGenaRation
2
IYA SHILLELAGH - WaterWeight (ft. How du)
3
IYA SHILLELAGH - out ere as a outlaw (ft. Shifting Borders)
4
IYA SHILLELAGH - Scyatta
Stark, cavernous and politically critical dub-poetry lands next on FELT in a vital sign-of-the-times fashion. Where much new music in our scene seems to act as a conduit for escapism, usually via melodic mind-balm or, if vocal at all, lyrical surrealism and ambiguity, the collaborative works of ELDON & Withdrawn take the left turn. The sound design perfectly fits into the FELT jigsaw puzzle: cold, slightly glitch-inspired, echo/reverb minimalism etc, but things are kicked up a stratosphere with the half dancehall-toasting, half scathing analysis of modern Britain coming straight from the mouth of ELDON.
Processed, enveloping kalimba notes shatter off into the distance in the opening moments of 'reGenaRation' before we're plunged into the depths. Bleeding into the title track, the A-side is all claustrophobic commentary on trickle down economics, overdrafts, killer shark metaphors and empire. Adam & Eve? Rewind and there's Shango, god of thunder and lightning. 5 rewinds later - still going. The B-side continues with equal strength, amazing wordplay and broken, industrial rhythms for a broken United Kingdom.
IYA SHILLELAGH is ELDON & Withdrawn
Recorded at Zig Zag Zig Studios
A2 co-produced by How-du
B1 co-produced by Shifting Borders
Mastered by GENG PTP
Design by Fergus Jones
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Processed, enveloping kalimba notes shatter off into the distance in the opening moments of 'reGenaRation' before we're plunged into the depths. Bleeding into the title track, the A-side is all claustrophobic commentary on trickle down economics, overdrafts, killer shark metaphors and empire. Adam & Eve? Rewind and there's Shango, god of thunder and lightning. 5 rewinds later - still going. The B-side continues with equal strength, amazing wordplay and broken, industrial rhythms for a broken United Kingdom.
IYA SHILLELAGH is ELDON & Withdrawn
Recorded at Zig Zag Zig Studios
A2 co-produced by How-du
B1 co-produced by Shifting Borders
Mastered by GENG PTP
Design by Fergus Jones
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - Järnnätter (A Made Up Sound Remix)
2
Civilistjävel! - Järnnätter (Ossia’s Disoriented Dub)
FELT summon the hand of two of the most uncannily suited producers around to remix cuts from Civilistjävel!’s "Järnnätter" album one year on from its initial release.
As a regular collaborator with SVN and Dynamo Dreesen as well as having a slew of experimental techno 12”s to his name, A Made Up Sound immediately got the memo. The Dutch producer takes the foggier, subdued angle of his own craft into wildly captivating effect when tasked to build upon the stems from the “civilian bastard”.
Whilst the A Made Up Sound remix constantly builds in intensity, Ossia’s “Disoriented Dub” explores a much more radiophonic, lost-at-sea headspace with echoes of early concrete compositions and a spectral approach to dub; an olive branch of muggy hauntological weirdness extending from Bristol up to Scandinavia and back via the lowlands.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
As a regular collaborator with SVN and Dynamo Dreesen as well as having a slew of experimental techno 12”s to his name, A Made Up Sound immediately got the memo. The Dutch producer takes the foggier, subdued angle of his own craft into wildly captivating effect when tasked to build upon the stems from the “civilian bastard”.
Whilst the A Made Up Sound remix constantly builds in intensity, Ossia’s “Disoriented Dub” explores a much more radiophonic, lost-at-sea headspace with echoes of early concrete compositions and a spectral approach to dub; an olive branch of muggy hauntological weirdness extending from Bristol up to Scandinavia and back via the lowlands.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - Sebäng
2
Civilistjävel! - Louhivesi (Ft. Cucina Povera)
3
Civilistjävel! - Kolugn
4
Civilistjävel! - Valmsta
Repress!
Civilistjävel! returns to Copenhagen label FELT with a four track EP following on from 2022's Järnnätter album.
Equally well placed next to the Biosphere / early Fax +49-69/450464 camp as well as various decades of electro-acoustic drone practitioners, Fyra platser (Four Places) also includes a trip-hop leaning collaboration with Cucina Povera. Whilst Järnnätter drew influence from the cyclical, chasmic nature of dub techno, Fyra platser hones further in on the ‘between’ areas in a minimal, reductivist fashion. The rhythms are there to follow but are primarily beatless and more expansive, though skewing perceptions of time in the same trademark manner.
Three locations in the Nordingrå area of the Swedish high coast are exorcised and channelled through sound. ‘Kolugn’ is a deliberately grainy, sepia-tinged continuation of the likes of Robert Rutman’s work across the 70s American avant-garde. It sits in contrast to the more obviously synthesis-led direction of fellow longform piece ‘Valmsta’. The location slowly changes to Finland via Athens, scenes of cafe conversations and hazy polaroids informing the lyrics of ‘Louhivesi’. The result sounds like a 90s illbient record dropped around 30 bpm and the stylus has caught on a perennial 8-bar loop. The balance of Cucina Povera’s cold, reverb-heavy vocal inflections drive the track into another dimension. If Moral were the Scandi Joy Division, this pairing must be the Scandi Massive Attack.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Civilistjävel! returns to Copenhagen label FELT with a four track EP following on from 2022's Järnnätter album.
Equally well placed next to the Biosphere / early Fax +49-69/450464 camp as well as various decades of electro-acoustic drone practitioners, Fyra platser (Four Places) also includes a trip-hop leaning collaboration with Cucina Povera. Whilst Järnnätter drew influence from the cyclical, chasmic nature of dub techno, Fyra platser hones further in on the ‘between’ areas in a minimal, reductivist fashion. The rhythms are there to follow but are primarily beatless and more expansive, though skewing perceptions of time in the same trademark manner.
Three locations in the Nordingrå area of the Swedish high coast are exorcised and channelled through sound. ‘Kolugn’ is a deliberately grainy, sepia-tinged continuation of the likes of Robert Rutman’s work across the 70s American avant-garde. It sits in contrast to the more obviously synthesis-led direction of fellow longform piece ‘Valmsta’. The location slowly changes to Finland via Athens, scenes of cafe conversations and hazy polaroids informing the lyrics of ‘Louhivesi’. The result sounds like a 90s illbient record dropped around 30 bpm and the stylus has caught on a perennial 8-bar loop. The balance of Cucina Povera’s cold, reverb-heavy vocal inflections drive the track into another dimension. If Moral were the Scandi Joy Division, this pairing must be the Scandi Massive Attack.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
The Carburgers - Holiday House
2
The Carburgers - The Acid Tree (Ft. Jowe Head)
3
The Carburgers - Diving For The Brick
Swell Maps / Television Personalities affiliated C86-era indie pop rescued from sheer obscurity and thrust into semi-obscurity by FELT. The Catburgers were a short-lived Scottish group, this recording initially primed for release on Dan Treacy’s Dreamworld imprint yet placed on the perennial backburner as so many creative projects inevitably are.
Soundcloud uploads dating back over a decade ago and the odd blog/twitter post aside, the group seemingly lived on only in the memories of those who happened to catch them on the Edinburgh scene back in the day. Until now! With the help of the National Sound Archives, the original master tape containing these three tracks has been rebaked, cut and mastered for seven-inch.
‘Holiday House’ sounds immediately at home in the Postcard Records nexus, the influence of 1980 particularly tangible. Slower paced and with a touch more melancholy than its companions, the song sounds both in and out of time, as if some young teens raised on a hand-me-down diet of Pastels CDs might have laid it down yesterday.
Jowe Head of Swell Maps joins the group for ‘The Acid Tree’, whilst EP closer ‘Diving For The Brick’ sees the band ruminating on weak knees, sore lungs and stinging eyes down at the local swimming pool.
Accompanying the release is the original demo tape predating this record, recorded at The Rocking Horse Studios in Bathgate in Autumn 1986. The demo is restored from a tape copy owned by journalist Simon Reynolds and contains some of the tracks that made it onto the 7".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Soundcloud uploads dating back over a decade ago and the odd blog/twitter post aside, the group seemingly lived on only in the memories of those who happened to catch them on the Edinburgh scene back in the day. Until now! With the help of the National Sound Archives, the original master tape containing these three tracks has been rebaked, cut and mastered for seven-inch.
‘Holiday House’ sounds immediately at home in the Postcard Records nexus, the influence of 1980 particularly tangible. Slower paced and with a touch more melancholy than its companions, the song sounds both in and out of time, as if some young teens raised on a hand-me-down diet of Pastels CDs might have laid it down yesterday.
Jowe Head of Swell Maps joins the group for ‘The Acid Tree’, whilst EP closer ‘Diving For The Brick’ sees the band ruminating on weak knees, sore lungs and stinging eyes down at the local swimming pool.
Accompanying the release is the original demo tape predating this record, recorded at The Rocking Horse Studios in Bathgate in Autumn 1986. The demo is restored from a tape copy owned by journalist Simon Reynolds and contains some of the tracks that made it onto the 7".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Civilistjävel! - A1
2
Civilistjävel! - A2
3
Civilistjävel! - A3
4
Civilistjävel! - B1
5
Civilistjävel! - B2
6
Civilistjävel! - B3
7
Civilistjävel! - B4
Another Repress coming in July.
There isn’t much to go on other than the soundscapes when it comes to Civilistjävel! What is rumoured to be a figment of the pre-internet era tapping into a similar consciousness as Biosphere, Chain Reaction or early Fax +49-69/450464 is ultimately left up to second guessing. For the average listener crossing paths with the project, a steady run of small-run, minimally packaged LPs has cemented Civilistjävel! as a leading force in the dub techno/glacial drone scene of present.
However niche that may sound, this collection of tracks for Perko’s new FELT imprint navigates the same territories as the previous outings but with the folkloric tag “Iron Night” to help guide our ears. A Swedish expression for long nights of frost that damage plants and crops, the spectral and foreboding atmosphere of the opening cut already hints at the direction of the album. Combining dense ambient synth layers with hard to place industrial motifs (sometimes in rhythm, sometimes chaotically arranged are what Civilistjävel! does best, indeed Järnnätter unfolds as a piece of work you can really spend time with. At points it feels as if the machines in some old factory complex have spluttered back to life through some unknown force and have begun to sing to one another. Other times the atmosphere is akin to a hydrophone placed deep into an ice-covered lake and the synthetic pulses of ‘A2’ are the only vaguely human touch. However, the sparse melodic flourishes across the record stem from an interest in psalms and early Swedish folk music, the juxtaposition of machine-led intuition and personable studiousness adding a hidden depth to the album.
If the collectability of previous Civilistjävel! outings are anything to go by, we encourage you to act fast!
Artwork by Rebecka Holmström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
There isn’t much to go on other than the soundscapes when it comes to Civilistjävel! What is rumoured to be a figment of the pre-internet era tapping into a similar consciousness as Biosphere, Chain Reaction or early Fax +49-69/450464 is ultimately left up to second guessing. For the average listener crossing paths with the project, a steady run of small-run, minimally packaged LPs has cemented Civilistjävel! as a leading force in the dub techno/glacial drone scene of present.
However niche that may sound, this collection of tracks for Perko’s new FELT imprint navigates the same territories as the previous outings but with the folkloric tag “Iron Night” to help guide our ears. A Swedish expression for long nights of frost that damage plants and crops, the spectral and foreboding atmosphere of the opening cut already hints at the direction of the album. Combining dense ambient synth layers with hard to place industrial motifs (sometimes in rhythm, sometimes chaotically arranged are what Civilistjävel! does best, indeed Järnnätter unfolds as a piece of work you can really spend time with. At points it feels as if the machines in some old factory complex have spluttered back to life through some unknown force and have begun to sing to one another. Other times the atmosphere is akin to a hydrophone placed deep into an ice-covered lake and the synthetic pulses of ‘A2’ are the only vaguely human touch. However, the sparse melodic flourishes across the record stem from an interest in psalms and early Swedish folk music, the juxtaposition of machine-led intuition and personable studiousness adding a hidden depth to the album.
If the collectability of previous Civilistjävel! outings are anything to go by, we encourage you to act fast!
Artwork by Rebecka Holmström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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Masako Ohta, Matthias Lindermayr - Hatsuhinode (06:54 min)
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Masako Ohta, Matthias Lindermayr - Agora (02:38 min)
3
Masako Ohta, Matthias Lindermayr - Ostinato (03:56 min)
4
Masako Ohta, Matthias Lindermayr - Hibari (04:59 min)
5
Masako Ohta, Matthias Lindermayr - Maya (06:55 min)
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Masako Ohta, Matthias Lindermayr - Shizuku (04:40 min)
7
Masako Ohta, Matthias Lindermayr - Niwa (04:06 min)
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Masako Ohta, Matthias Lindermayr - Tio (08:03 min)
LP
Special remarks: 180g
Tracklist:
A1) Hatsuhinode 06:55 min
A2) Agora 02:39 min
A3) Ostinato 03:56 min
A4) Hibari 04:59 min
B1) Maya 06:55 min
B2) Shizuku 04:40 min
B3) Niwa 04:07 min
B4) Tio 08:04 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.
The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto’s ‘Hibari’, the arrangements are largely improvised, letting the duo’s intuition guide the course and build the form.
Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Special remarks: 180g
Tracklist:
A1) Hatsuhinode 06:55 min
A2) Agora 02:39 min
A3) Ostinato 03:56 min
A4) Hibari 04:59 min
B1) Maya 06:55 min
B2) Shizuku 04:40 min
B3) Niwa 04:07 min
B4) Tio 08:04 min
Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.
The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto’s ‘Hibari’, the arrangements are largely improvised, letting the duo’s intuition guide the course and build the form.
Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Another Channel feat. Prince Morella - Nameless Woman
2
Another Channel feat. Marina P - Find a Way
3
Another Channel - Version of Love
2025 Repress!
Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Fatimah Razak - Dahaga
2
Black Brothers - Mangge Mangge
3
Marini & The Steps - Kuingin Dekatmu
4
Tian Niu - Deng Ni Zai Yu Zhong
5
The Rollies - Disco
6
Regalado - Pinoy Funk
7
John Philips & The Steps - Ayo Ke Disco
8
Aria Yunior - Salah Tingkah
9
Ahmadi Hassan - Habibi (Mari Bersatu)
10
Pongsri Woranuch - Aew...Phu Chai
Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Bonobo - Intro
2
Bonobo - Sleepy Seven
3
Bonobo - Dinosaurs
4
Bonobo - Kota
5
Bonobo - Terrapin
6
Bonobo - The Plug
7
Bonobo - Shadow Tricks
8
Bonobo - Gypsy
9
Bonobo - Sugar Rhyme
10
Bonobo - Silver
Repress!
An awe-inspiring showcase of a young man´s staggering musical ability. Greeted with swoons of delight and vast mountains of fawning praise from the press on its release, its heart-meltingly lysergic melodies, with everything from bellchimes to backwards vocals weaving a thick gauze of sound around the tunes, slayed practically anyone who heard it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
An awe-inspiring showcase of a young man´s staggering musical ability. Greeted with swoons of delight and vast mountains of fawning praise from the press on its release, its heart-meltingly lysergic melodies, with everything from bellchimes to backwards vocals weaving a thick gauze of sound around the tunes, slayed practically anyone who heard it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Huerco S. - A Sea Of Love
2
Huerco S. - Lifeblood (Naïve Melody)
3
Huerco S. - Hear Me Out
4
Huerco S. - Kraanvogel
5
Huerco S. - On The Embankment
6
Huerco S. - Marked For Life
7
Huerco S. - Cubist Camouflage
8
Huerco S. - Promises Of Fertility
9
Huerco S. - The Sacred Dance
Format: 2LP, incl inlay - 2025 Re Edition
Tracklist
A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance
Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
A1. A Sea Of Love
A2. Lifeblood (Naïve Melody)
B1. Hear Me Out
B2. Kraanvogel
C1. On The Embankment
C2. Marked For Life
C3. Cubist Camouflage
D1. Promises Of Fertility
D2. The Sacred Dance
Monolithic and stark but extremely warm, intensely personal, and for every one in every which way. We are very happy to present to you "For Those Of You Who Have Never (And Also Those Who Have), an album by Huerco S.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Soft Power (2025 Limited Repress on Black BIO vinyl)
- due to overwhelming demand and sold out again, now being pressed on BIO Black vinyl (1st Pressing). Don't miss out -
1. LTD LP - Territory: WW Minus UK/Eire,Usa, Canada
- Black Bio Vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Alternative / Experimental / Ambient
3. TRACKLISTS: see next page
Please add track lists for all listed formats.
A1. Future Sand (feat. David Lackner)
A2. Soft Power (feat. David Lackner)
A3. Pose Beams (feat. Jefre Cantu-Ledesma, Robbie Lee)
A4. Flutter Intensity (feat. Russell Greenberg)
B1. The Big Clock (feat. David Moore, Britt Hewitt)
B2. There Was Somebody There (feat. David Moore, Jefre Cantu-Ledesma)
B3. Get Some Rest (feat. Mary Lattimore)
4. SHORT INFO:
Ezra Feinberg's third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single 'Future Sand'.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San Francisco psychedelic collective Citay (Dead Oceans / Important Records) resides in the artistic enclave of upstate New York's Hudson River valley. Initial recordings emerged in the late summer of 2020, before added synthesis with collaborator John Thayer (Arp, Sunwatchers) during early 2021. Soft Power follows previous albums 'Recumbent Speech' (2020) and 'Pentimento and Others' (2018).
Feinberg artfully transcends the listener to an enriched place, his compositions distinguished by the deep humanity that lies at their core, plugging the listener into a state of wide eyed being, open and alive. Soft Power then is Ezra's own mantra but also one of power giving - a colourful catharsis translated into music.
Feinberg's music always speaks to the listener, but Soft Power, in whispering, speaks loudest.
"Much like everyday life, I wanted to convey these very plain, simple, tranquil, nearly quotidian aspects, but each piece contains this arc in which that form expands, is broken out of, so what starts out like a painting of flowers in a seaside motel turns into a riot of color and sound, or you feel slipped into a dream that feels like it could go on forever"
5. VITAL SALES POINTS:
- PR + Radio campaign by Five Worlds (UK/USA) / Dense PR + Radio campaign (EU)
6.
Ezra Feinberg - Previous Press / Quotes
"Invites you to a world so vivid and intricately textured that you might feel like you are part of it"
- Pitchfork
"Gently propulsive gems that evoke the kosmische sounds of Michael Rother, Brian Eno at his most sublime"
- Aquarium Drunkard
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
- due to overwhelming demand and sold out again, now being pressed on BIO Black vinyl (1st Pressing). Don't miss out -
1. LTD LP - Territory: WW Minus UK/Eire,Usa, Canada
- Black Bio Vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Alternative / Experimental / Ambient
3. TRACKLISTS: see next page
Please add track lists for all listed formats.
A1. Future Sand (feat. David Lackner)
A2. Soft Power (feat. David Lackner)
A3. Pose Beams (feat. Jefre Cantu-Ledesma, Robbie Lee)
A4. Flutter Intensity (feat. Russell Greenberg)
B1. The Big Clock (feat. David Moore, Britt Hewitt)
B2. There Was Somebody There (feat. David Moore, Jefre Cantu-Ledesma)
B3. Get Some Rest (feat. Mary Lattimore)
4. SHORT INFO:
Ezra Feinberg's third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single 'Future Sand'.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San Francisco psychedelic collective Citay (Dead Oceans / Important Records) resides in the artistic enclave of upstate New York's Hudson River valley. Initial recordings emerged in the late summer of 2020, before added synthesis with collaborator John Thayer (Arp, Sunwatchers) during early 2021. Soft Power follows previous albums 'Recumbent Speech' (2020) and 'Pentimento and Others' (2018).
Feinberg artfully transcends the listener to an enriched place, his compositions distinguished by the deep humanity that lies at their core, plugging the listener into a state of wide eyed being, open and alive. Soft Power then is Ezra's own mantra but also one of power giving - a colourful catharsis translated into music.
Feinberg's music always speaks to the listener, but Soft Power, in whispering, speaks loudest.
"Much like everyday life, I wanted to convey these very plain, simple, tranquil, nearly quotidian aspects, but each piece contains this arc in which that form expands, is broken out of, so what starts out like a painting of flowers in a seaside motel turns into a riot of color and sound, or you feel slipped into a dream that feels like it could go on forever"
5. VITAL SALES POINTS:
- PR + Radio campaign by Five Worlds (UK/USA) / Dense PR + Radio campaign (EU)
6.
Ezra Feinberg - Previous Press / Quotes
"Invites you to a world so vivid and intricately textured that you might feel like you are part of it"
- Pitchfork
"Gently propulsive gems that evoke the kosmische sounds of Michael Rother, Brian Eno at his most sublime"
- Aquarium Drunkard
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Territories : WW -FR -BENELUX -ITALY
To celebrate the 20th anniversary of the album Tales Of The Forgotten Melodies, Wax Tailor unveils a 2LP Gatefold reissue of his iconic album Tales Of The Forgotten Melodies. A true must-have for all fans of the artist and vinyl enthusiasts!
Tracklist
A1. Behind the Curtain (opening)
A2. Que Sera
A3. Ungodly Fruit
A4. Between Fellows
A5. Hypnosis Theme (feat. Marina Quaisse)
B1. Damn that Music Made my Day
B2. Where my Heart's at (feat. The Others)
B3. Birth of a Struggle
B4. Am I Free
C1. Ringing Score
C2. I Don't Know
C3. Our Dance (feat. Charlotte Savary)
C4. Stay Tuned
C5. Walk the Line (feat. The Others)
D1. A Woman's Voice
D2. Don't You Remember
D3. How I Feel
D4. Behind the Disguise "Closing" (feat. Marina Quaisse)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
To celebrate the 20th anniversary of the album Tales Of The Forgotten Melodies, Wax Tailor unveils a 2LP Gatefold reissue of his iconic album Tales Of The Forgotten Melodies. A true must-have for all fans of the artist and vinyl enthusiasts!
Tracklist
A1. Behind the Curtain (opening)
A2. Que Sera
A3. Ungodly Fruit
A4. Between Fellows
A5. Hypnosis Theme (feat. Marina Quaisse)
B1. Damn that Music Made my Day
B2. Where my Heart's at (feat. The Others)
B3. Birth of a Struggle
B4. Am I Free
C1. Ringing Score
C2. I Don't Know
C3. Our Dance (feat. Charlotte Savary)
C4. Stay Tuned
C5. Walk the Line (feat. The Others)
D1. A Woman's Voice
D2. Don't You Remember
D3. How I Feel
D4. Behind the Disguise "Closing" (feat. Marina Quaisse)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Over the course of 2025 International Anthem will be celebrating their eleventh year of existence by revisiting some of the most celebrated (and hard to find) entries in their decade of releases. These LP packages will be presented with new liner notes, new insert booklets, and the fresh 2025 redesign of their iconic obi strip and dome logo. They will also be at a price point intended to help make it easier for stores to stock and sell these essential pieces of their catalog.
Makaya McCraven’s International Anthem debut In The Moment is the album that properly introduced the then-burgeoning drummer/producer to the world.
140g Classic Black LP in heavyweight jacket, with 12x12" insert booklet, IA OBI strip & printed poly-lined inner sleeve. Pressed at Pallas in Germany.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Makaya McCraven’s International Anthem debut In The Moment is the album that properly introduced the then-burgeoning drummer/producer to the world.
140g Classic Black LP in heavyweight jacket, with 12x12" insert booklet, IA OBI strip & printed poly-lined inner sleeve. Pressed at Pallas in Germany.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
2LP, 2025 Repress
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Cornell Campbell - Change Your Ways
2
Yakka - Change That Dub
Poor Man’s Friend Records is proud to present a brand new 7” featuring the legendary Cornell Campbell. This 45 delivers a powerful message from The Gorgon, a prolific artist whose recording career spans over 60 years. First recording for the venerable Coxone Dodd at Studio one, Mr Campbell has built a cult following with his trademark Falsetto voice. Equally adept at writing beautiful love songs as he is deep spiritual roots cuts, It's fair to say many of his works have become Iconic milestones in the evolution of the genre. In the year 2025 Cornell Campbell warns us of the pitfalls of living our life in an egotistical way, “ Just try sweeping up your backyard, before you find fault with people's yard.” A searing condemnation of those that judge others based on their wealth, this mid seventies style roots production was cut by the Poor Man’s Friend Rhythm section at their studio in Bristol. The B side dub was masterfully orchestrated by label stalwart Yakka, whilst the horns were played by Cornerstone Horn section.
This one is super limited, only 300 copies have been printed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
This one is super limited, only 300 copies have been printed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
* Listen: https://open.spotify.com/track/5oS60iZAtHVmHc9QUs2ciW?si=8f220915bef44eda
* The legendary music publisher KPM, famous for its iconic music library catalogue, commissioned a group of session musicians in 2018 to write and record an authentic tribute to the early 70’s Latin Soul Boogaloo blending heavy funk/soul with the infectious latin rhythms (cha cha, mambo, rumba and bossa nova)
* Although not originally intended for commercial release, this vinyl LP is a limited pressing of just 500 copies and features 15 new songs inspired by pioneers such as Tito Puente, Ray Barretto and Machito.
* Ray Lopez and his band recorded the session in the traditional way for this style using vintage microphones direct to analogue tape to get that classic authentic tone
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
* The legendary music publisher KPM, famous for its iconic music library catalogue, commissioned a group of session musicians in 2018 to write and record an authentic tribute to the early 70’s Latin Soul Boogaloo blending heavy funk/soul with the infectious latin rhythms (cha cha, mambo, rumba and bossa nova)
* Although not originally intended for commercial release, this vinyl LP is a limited pressing of just 500 copies and features 15 new songs inspired by pioneers such as Tito Puente, Ray Barretto and Machito.
* Ray Lopez and his band recorded the session in the traditional way for this style using vintage microphones direct to analogue tape to get that classic authentic tone
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore