1
MIND - For Peace I:Cube Special Mix
2
MIND - For Peace Mindful Oyapok Mix
3
MIND - For Peace I:Cube En Direct Remix
Jean-Phi Dary's much-anticipated *MIND* project gets its first release with the *For Peace Remixes EP*. The record is set for release on September 20, 2024, via Comet Records. Featuring the extraordinary talents of French producer *I:Cube*, who brings his extensive expertise in the electronic scene to reinterpret Dary's original MIND compositions in his own unique way.
The record opens with a masterful blend of rhythmic precision and electronic depth, infused with Dary's signature style with a mindful, meditative quality. This 3-tracker delivers a dynamic and immersive experience with *I:Cube* signature rhythmic excellence and sharp focus on dance floor ready grooves.
Jean-Phi Dary, a producer and keyboardist with deep roots in Paris, London, West Africa, the Caribbean, and the United States, has crafted his debut project MIND to serve as a culmination of his musical journey. With sounds inspired by legends such as Herbie Hancock, Wally Badarou, and Brian Eno - Dary's work is bedded deeply in the modern modular synth culture and enriched by his collaborations with renowned artists like Tony Allen, Papa Wemba, and Jeff Mills - who Jean-Phi is currently collaborating with on "Tomorrow Comes The Harvest" with their album Evolution out last year, soon to be followed by a worldwide tour in 2024!
His innovative use of technology and analog instruments, combined with the unique contributions of I:Cube make the *For Peace Remixes* a notable release.
*Artist Quote* "I had the opportunity to use magnificent samples of the voices of singers from the Maroni River in French Guiana on certain tracks, these voices of the Bushinengé people reconnect me to my Guyanese and neg-maroon origins, my mother was born on the river and my father grew up in the Amazon region..”
A1 - For Peace I:Cube Special Mix
A2 - For Peace Mindful Oyapok Mix
B1 - For Peace I:Cube En Direct Remix
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DE - 22113 Hamburg
Germany
Conatct: [email protected]More
The record opens with a masterful blend of rhythmic precision and electronic depth, infused with Dary's signature style with a mindful, meditative quality. This 3-tracker delivers a dynamic and immersive experience with *I:Cube* signature rhythmic excellence and sharp focus on dance floor ready grooves.
Jean-Phi Dary, a producer and keyboardist with deep roots in Paris, London, West Africa, the Caribbean, and the United States, has crafted his debut project MIND to serve as a culmination of his musical journey. With sounds inspired by legends such as Herbie Hancock, Wally Badarou, and Brian Eno - Dary's work is bedded deeply in the modern modular synth culture and enriched by his collaborations with renowned artists like Tony Allen, Papa Wemba, and Jeff Mills - who Jean-Phi is currently collaborating with on "Tomorrow Comes The Harvest" with their album Evolution out last year, soon to be followed by a worldwide tour in 2024!
His innovative use of technology and analog instruments, combined with the unique contributions of I:Cube make the *For Peace Remixes* a notable release.
*Artist Quote* "I had the opportunity to use magnificent samples of the voices of singers from the Maroni River in French Guiana on certain tracks, these voices of the Bushinengé people reconnect me to my Guyanese and neg-maroon origins, my mother was born on the river and my father grew up in the Amazon region..”
A1 - For Peace I:Cube Special Mix
A2 - For Peace Mindful Oyapok Mix
B1 - For Peace I:Cube En Direct Remix
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Germany
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More records from Comet Records
1
La BOA - Tony Allen - Ale
2
La BOA - Tony Allen - Tambor
3
La BOA - Tony Allen - Patas Arriba
4
La BOA - Tony Allen - Cuento Feat Bejuco
5
La BOA - Tony Allen - Interludio
6
La BOA - Tony Allen - La Maquina De Tony
7
La BOA - Tony Allen - Poder
8
La BOA - Tony Allen - Tarifa Plena Feat. N. Hardem
9
La BOA - Tony Allen - Te Voy A Ver
Few sounds transcend time and space quite like the driving pulse of Afrobeat, and few artists, for that matter, have defined their own domains quite as profoundly as Tony Allen—the very beat of Afrobeat itself. In 2011, Allen recorded one of his inimitable rhythmic dialogues as part of the Afrobeat Makers Series for the Parisian imprint Comet Records. Charged with the same fervour for uninhibited expression that defined his trailblazing career, Tony Allen’s drumming, free from convention and charting its own course, emanates a cadenced stream of consciousness that speaks its own truth.
If Allen’s language was his beat, then on this record, La BOA—La Bogotá Orquesta Afrobeat—becomes his latest and most fitting interlocutor. What began as a tribute—a song named after Allen—now feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance.
Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in Bogotá, Michel’s Mambo Negro Records has become a cornerstone of Colombia’s underground scene championing Afro-Colombian and independent music throughout that time.
Across this LP, Allen’s recordings lay down the canvas upon which La BOA paints its own vision of Afrobeat—raw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is Bogotá. What ensues is an enduring conversation that crosses eras, borders, even life and death—a celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of Bogotá, so too La BOA meets Tony Allen.
A1 - Ale
A2 - Tambor
A3 - Patas Arriba
A4 - Cuento Feat Bejuco
B1 - Interludio
B2 - La Maquina De Tony
B3 - Poder
B4 - Tarifa Plena Feat. N. Hardem
B5 - Te Voy A Ver
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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If Allen’s language was his beat, then on this record, La BOA—La Bogotá Orquesta Afrobeat—becomes his latest and most fitting interlocutor. What began as a tribute—a song named after Allen—now feels like the prelude to a deeper dialogue in a meeting that seems more like fate than mere happenstance.
Led by producer Daniel Michel, the ever-evolving band has spent over ten years embodying the fluid, transformative spirit of Afrobeat, imprinting it with their distinctly Colombian sensibilities. From Casa Mambo in Bogotá, Michel’s Mambo Negro Records has become a cornerstone of Colombia’s underground scene championing Afro-Colombian and independent music throughout that time.
Across this LP, Allen’s recordings lay down the canvas upon which La BOA paints its own vision of Afrobeat—raw and expansive, locking step with his drum tracks while building around the unmistakable blueprint of their Colombian rhythms: exuding Caribbean beat, rolling with Pacific groove, and, above all, shaped by the rarefied air of the Andean melting pot that is Bogotá. What ensues is an enduring conversation that crosses eras, borders, even life and death—a celebration of the passing of the baton and the boundless nature of Afrobeat as a genre that refuses to settle. Where the beat of Lagos meets the brass of Bogotá, so too La BOA meets Tony Allen.
A1 - Ale
A2 - Tambor
A3 - Patas Arriba
A4 - Cuento Feat Bejuco
B1 - Interludio
B2 - La Maquina De Tony
B3 - Poder
B4 - Tarifa Plena Feat. N. Hardem
B5 - Te Voy A Ver
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DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Edoardo Florio Di Grazia - C’è Una Stanza Per Te
2
Edoardo Florio Di Grazia - Chiedo Scusa
3
Edoardo Florio Di Grazia - J’ai Vu
4
Edoardo Florio Di Grazia - Fratellacci
5
Edoardo Florio Di Grazia - Costiera
6
Edoardo Florio Di Grazia - J’oublie
7
Edoardo Florio Di Grazia - Rose Bianche
8
Edoardo Florio Di Grazia - Quarta Domenica
9
Edoardo Florio Di Grazia - Mare Blu
Edoardo Florio Di Grazia is a Cantautore (singer-songwriter) and story collector from the Amalfi coast, born in Florence and living in Paris, of a Neapolitan family..
Edoardo tries, like an antenna, to pick up signals and transform them into songs. Writing songs allows him to travel and unite distant worlds, to create imaginary landscapes on which to dream up new music: the Amalfi rocks of Tangier harbor can lead directly to a house in Belleville overlooking a Florentine piazza.
Edoardo is also a writer, with a PhD in medieval history from the University of Florence, a podcast author, radio show host, and DJ Selector, a compulsive Digger constantly on the lookout for the rare gem. He will publish next spring "Italia Express" the podcast produced by Radiooooo. (https://radiooooo.com) It is a journey in five stages through the main Italian cities (Naples, Rome, Bologna, Milan, and Genoa) to discover music and history, from the post-war period to today.
After a first EP “Indossare Il Mare” released in June 2023, the spring of 2024 will see the release of “Ambra e Corallo”, Edoardo Florio Di Grazia’s first album, produced by the Parisian afro-beat label Comet Records (Tony Allen, Ebo Taylor, etc.). 9 songs about journeys, a small collection of stories found in the deep and mythological Mediterranean Sea. Like bottles in the sea, these songs belong to no one and are timeless, messages whispering us the dream of a new path to explore. The story of his first album, "Ambra e Corallo" has the flavor of a novel, the aftertaste of a contemporary fairy tale.
A1 - C’è Una Stanza Per Te
A2 - Chiedo Scusa
A3 - J’ai Vu
A4 - Fratellacci
B1 - Costiera
B2 - J’oublie
B3 - Rose Bianche
B4 - Quarta Domenica
B5 - Mare Blu
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Edoardo tries, like an antenna, to pick up signals and transform them into songs. Writing songs allows him to travel and unite distant worlds, to create imaginary landscapes on which to dream up new music: the Amalfi rocks of Tangier harbor can lead directly to a house in Belleville overlooking a Florentine piazza.
Edoardo is also a writer, with a PhD in medieval history from the University of Florence, a podcast author, radio show host, and DJ Selector, a compulsive Digger constantly on the lookout for the rare gem. He will publish next spring "Italia Express" the podcast produced by Radiooooo. (https://radiooooo.com) It is a journey in five stages through the main Italian cities (Naples, Rome, Bologna, Milan, and Genoa) to discover music and history, from the post-war period to today.
After a first EP “Indossare Il Mare” released in June 2023, the spring of 2024 will see the release of “Ambra e Corallo”, Edoardo Florio Di Grazia’s first album, produced by the Parisian afro-beat label Comet Records (Tony Allen, Ebo Taylor, etc.). 9 songs about journeys, a small collection of stories found in the deep and mythological Mediterranean Sea. Like bottles in the sea, these songs belong to no one and are timeless, messages whispering us the dream of a new path to explore. The story of his first album, "Ambra e Corallo" has the flavor of a novel, the aftertaste of a contemporary fairy tale.
A1 - C’è Una Stanza Per Te
A2 - Chiedo Scusa
A3 - J’ai Vu
A4 - Fratellacci
B1 - Costiera
B2 - J’oublie
B3 - Rose Bianche
B4 - Quarta Domenica
B5 - Mare Blu
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ebo Taylor - Twer Nyame
2
Ebo Taylor - Peace On Earth
3
Ebo Taylor - Atwer Abroba
Ebo Taylor “Twer Nyame” is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs
and artwork as per the original release.
Originally released in 1978 on Philips-West African-Records. Classic highlife sounds; uptempo grooves, vocals, tons of
percussion, guitar, horns and organ lines. Featuring
the stand-out ‘Atwer Abroba’.
Ebo Taylor is one of Ghana's finest producer/arrangers.
Taylor was heavily influential in the unique sound that emerged from the country in the 70's; a combination of traditional
Ghanaian with Afro-beat, jazz, and funk rhythms.
He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and
Sol Amarfio who later joined Osibisa), Apagya Show Band and fellow musicians C.K.Mann, Gyedu-Blay Ambolley and the
legendary Pat Thomas.
TRACKLIST:
Side A
A1. Twer Nyame
Side B
B1. Peace On Earth
B2. Atwer Abroba
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DE - 22113 Hamburg
Germany
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and artwork as per the original release.
Originally released in 1978 on Philips-West African-Records. Classic highlife sounds; uptempo grooves, vocals, tons of
percussion, guitar, horns and organ lines. Featuring
the stand-out ‘Atwer Abroba’.
Ebo Taylor is one of Ghana's finest producer/arrangers.
Taylor was heavily influential in the unique sound that emerged from the country in the 70's; a combination of traditional
Ghanaian with Afro-beat, jazz, and funk rhythms.
He worked with bands including Stargazers Band, Broadway Dance Band, Black Star Highlife Band (with Teddy Osei and
Sol Amarfio who later joined Osibisa), Apagya Show Band and fellow musicians C.K.Mann, Gyedu-Blay Ambolley and the
legendary Pat Thomas.
TRACKLIST:
Side A
A1. Twer Nyame
Side B
B1. Peace On Earth
B2. Atwer Abroba
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
1
Ebo Taylor And The Pelikans - Enye Nyame Nko
2
Ebo Taylor And The Pelikans - Gyae Su Na Nkomo
3
Ebo Taylor And The Pelikans - Reality
4
Ebo Taylor And The Pelikans - Egya Edu
5
Ebo Taylor And The Pelikans - Mber No Aso
6
Ebo Taylor And The Pelikans - Come Along
7
Ebo Taylor And The Pelikans - If You Care
A Ghanaian funk LP from the afrofunk master. one of Ebo Taylor's rarest and most sought-after!
Ebo Taylor and The Pelikans is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs
and artwork as per the original release.
Originally released by Ghanian Abookyi label in 1976, Ebo Taylor and The Pelikans is one of Taylor’s most elusive releases,
and marked the first time he sang on the seminal Ghana Funk anthem “Come Along”.
The album saw the legendary musician, producer, composer and arranger joining forces with 12-piece Cape Coast Ghanian
band ‘The Pelikans’ led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.
Put simply, there has never been a musician and artist quite like Ebo Taylor. As an artist, arranger, musician and producer
he’s a combination of James Brown, Nile Rodgers and Quincy Jones: He not only created some of the greatest funk songs
ever recorded but as much if not more than that, his genius as an arranger gave the signature sound to high life and afrobeat
that was made famous by his one-time London roommate (from when they were both music students, in The early 1960s)
Fela. And his funky guitar brought a percussive sound to the rhythm section that didn't exist before.
TRACKLIST:
A Side
A1. Enye Nyame Nko
A2. Gyae Su Na Nkomo
A3. Reality
B Side
B1. Egya Edu
B2. Mber No Aso
B3. Come Along
B4. If You Care
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Ebo Taylor and The Pelikans is being reissued on vinyl by Comet Records, pressed on high quality vinyl, with label designs
and artwork as per the original release.
Originally released by Ghanian Abookyi label in 1976, Ebo Taylor and The Pelikans is one of Taylor’s most elusive releases,
and marked the first time he sang on the seminal Ghana Funk anthem “Come Along”.
The album saw the legendary musician, producer, composer and arranger joining forces with 12-piece Cape Coast Ghanian
band ‘The Pelikans’ led by Bessa Simmona with rhythm guitarist Fifi Orleans Lindsay.
Put simply, there has never been a musician and artist quite like Ebo Taylor. As an artist, arranger, musician and producer
he’s a combination of James Brown, Nile Rodgers and Quincy Jones: He not only created some of the greatest funk songs
ever recorded but as much if not more than that, his genius as an arranger gave the signature sound to high life and afrobeat
that was made famous by his one-time London roommate (from when they were both music students, in The early 1960s)
Fela. And his funky guitar brought a percussive sound to the rhythm section that didn't exist before.
TRACKLIST:
A Side
A1. Enye Nyame Nko
A2. Gyae Su Na Nkomo
A3. Reality
B Side
B1. Egya Edu
B2. Mber No Aso
B3. Come Along
B4. If You Care
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DE - 22113 Hamburg
Germany
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1
Melanie - Mélanie
2
Melanie - L’Alpha Beta
3
Melanie - It’s Not Too Late
4
Melanie - Paris
5
Melanie - La Folia
6
Melanie - Le Pornographe
7
Melanie - La Belle Histoire
8
Melanie - Nausica
9
Melanie - Le Soleil
10
Melanie - Cri D'amour
11
Melanie - C’est Dans l’Air
12
Melanie - Folk Silencio
13
Melanie - Les Croisés
True concept albums are actually few and far between. While it can be said that The Who’s Tommy and Quadrophenia, or Pink Floyd’s The Wall were designed from the ground up, that’s not necessarily the case for equally mythical, yet composite, albums such as Bowie’s The Rise And Fall of Ziggy Stardust…, or Lou Reed’s Berlin. In France, the genre established its pedigree in the 1970s with Serge Gainsbourg, then in the early 1980s with Léo Ferré. Cri d'amour by Mélanie Chédeville adds to this list of albums that tell a story through characters.
Cri d'amour was produced in a seaside setting, which may explain its flowing, organic character. It is all by herself that the violinist-by-training composed, wrote and arranged this collection of string-drenched songs that recall Jean-Claude Vannier’s work for Serge Gainsbourg. The latter would undoubtedly have been impressed by Mélanie’s fine-cut lyrics and melodies that are as raw as they are sophisticated, vocalized in a sprechgesang recalling his own. The deliberately retro palette, up to the bass sound so typical of 1960s English rock, betrays an artist indebted to the creator of Bonnie & Clyde and Initials B.B. through a sensual, clear tonality. Yet, polyrhythms borrowed from the late afro-beat legend Tony Allen, and the touches of guitar, piano, percussion and synthesizers distilled here and there by Éric and Mélanie, end up giving the whole affair a resolutely atemporal color.
Mélanie was sixteen with a head full of Beethoven and Brahms when she succumbed to an unexpected fascination for the world of Éric, a pianist, composer and sound engineer, who regularly delivered scores for Marc Dorcel’s X-rated films. She evokes him in L'Alpha-bêta and Le Pornographe, through whispered choruses that would suit the late Julee Cruise or Vanessa Daou to a tee, and explicit allusions to a “sword of Damocles” of “XXL” dimensions.
These are not the only texts on this album that remind us of the Franco-American author Anaïn Nin’s erotic poems, a model that Mélanie willingly takes on, adding to the list of her literary influences alongside Apollinaire and his Debauched Hospodar:
Some may find this album old-fashioned, which, far from being a flaw, is a credit to the fine musician that Mélanie is. Others will call it a charming album, which is not a bad way to describe it, provided that it is a powerfully relentless charm.
Tracklist:
A1 - Mélanie
A2 - L’Alpha Beta
A3 - It’s Not Too Late
A4 - Paris
A5 - La Folia
A6 - Le Pornographe
A7 - La Belle Histoire
B1 - Nausica
B2 - Le Soleil
B3 - Cri D'amour
B4 - C’est Dans l’Air
B5 - Folk Silencio
B6 - Les Croisés
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DE - 22113 Hamburg
Germany
Conatct: [email protected]More
Cri d'amour was produced in a seaside setting, which may explain its flowing, organic character. It is all by herself that the violinist-by-training composed, wrote and arranged this collection of string-drenched songs that recall Jean-Claude Vannier’s work for Serge Gainsbourg. The latter would undoubtedly have been impressed by Mélanie’s fine-cut lyrics and melodies that are as raw as they are sophisticated, vocalized in a sprechgesang recalling his own. The deliberately retro palette, up to the bass sound so typical of 1960s English rock, betrays an artist indebted to the creator of Bonnie & Clyde and Initials B.B. through a sensual, clear tonality. Yet, polyrhythms borrowed from the late afro-beat legend Tony Allen, and the touches of guitar, piano, percussion and synthesizers distilled here and there by Éric and Mélanie, end up giving the whole affair a resolutely atemporal color.
Mélanie was sixteen with a head full of Beethoven and Brahms when she succumbed to an unexpected fascination for the world of Éric, a pianist, composer and sound engineer, who regularly delivered scores for Marc Dorcel’s X-rated films. She evokes him in L'Alpha-bêta and Le Pornographe, through whispered choruses that would suit the late Julee Cruise or Vanessa Daou to a tee, and explicit allusions to a “sword of Damocles” of “XXL” dimensions.
These are not the only texts on this album that remind us of the Franco-American author Anaïn Nin’s erotic poems, a model that Mélanie willingly takes on, adding to the list of her literary influences alongside Apollinaire and his Debauched Hospodar:
Some may find this album old-fashioned, which, far from being a flaw, is a credit to the fine musician that Mélanie is. Others will call it a charming album, which is not a bad way to describe it, provided that it is a powerfully relentless charm.
Tracklist:
A1 - Mélanie
A2 - L’Alpha Beta
A3 - It’s Not Too Late
A4 - Paris
A5 - La Folia
A6 - Le Pornographe
A7 - La Belle Histoire
B1 - Nausica
B2 - Le Soleil
B3 - Cri D'amour
B4 - C’est Dans l’Air
B5 - Folk Silencio
B6 - Les Croisés
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1
Full Moon Ensemble - 43 W. 77 Street sur Mémoire de Guerre
2
Full Moon Ensemble - Samba Miaou
3
Full Moon Ensemble - 43 W. 77 Street sur Peut Etre
4
Full Moon Ensemble - W. 85th Street
5
Full Moon Ensemble - King Kong
Comet Records present the first release out of the Comet new reissue series with this cult French Free
Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo,
check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French
poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover,
set to become collectible as the original is impossible to find.
TRACKLIST:
A1. 43 W. 77 Street sur Mémoire de Guerre
A2. Samba Miaou
A3. 43 W. 77 Street sur Peut Etre
B1. W. 85th Street
B2. King Kong
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Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo,
check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French
poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover,
set to become collectible as the original is impossible to find.
TRACKLIST:
A1. 43 W. 77 Street sur Mémoire de Guerre
A2. Samba Miaou
A3. 43 W. 77 Street sur Peut Etre
B1. W. 85th Street
B2. King Kong
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DE - 22113 Hamburg
Germany
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1
Tony Allen - African Man (Ricardo Villalobos & Max Loderbauer Remix)
2
Brighter Nights - Cotton’s Field (Jeff Sharel Minimal Edit)
3
Theo Parrish, Tony Allen & Eska - Day Like This (Molo Remix)
4
Donso - Awakening (Krazy Baldhead Remix)
5
Tony Allen - Afrodiscobeat (Africaine 808 Rework)
Comet Records presents Afro Rhythms Vol. 2, the first repress of Comet’s singles and
Remixes from 2009 – 2017 with floor filler tracks from Tony Allen Afrobeat pioneer 'African Man"
remix by Ricardo Villalobos & Max Loderbauer along with the afro deep house reedit of "Cotton’s
Field" by French producer Jeff Sharel, the "Awakening" remix from Krazy Baldhead, former artist
of Ed Banger and producer of electro malian band Donso and finally Africaine 808 to end this Afro
Rhythms comp with their stunning remix of Afrobeat classic tune "Afrodiscobeat". A proper trawl
through the vaults of Comet Records.
A1. Tony Allen – African Man (Ricardo Villalobos & Max Loderbauer Remix)
A2. Brighter Nights - Cotton’s Field (Jeff Sharel Minimal Edit)
B1. Theo Parrish, Tony Allen & Eska - Day Like This (Molo Remix)
B2. Donso – Awakening (Krazy Baldhead Remix)
B3. Tony Allen - Afrodiscobeat (Africaine 808 Rework)
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DE - 22113 Hamburg
Germany
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Remixes from 2009 – 2017 with floor filler tracks from Tony Allen Afrobeat pioneer 'African Man"
remix by Ricardo Villalobos & Max Loderbauer along with the afro deep house reedit of "Cotton’s
Field" by French producer Jeff Sharel, the "Awakening" remix from Krazy Baldhead, former artist
of Ed Banger and producer of electro malian band Donso and finally Africaine 808 to end this Afro
Rhythms comp with their stunning remix of Afrobeat classic tune "Afrodiscobeat". A proper trawl
through the vaults of Comet Records.
A1. Tony Allen – African Man (Ricardo Villalobos & Max Loderbauer Remix)
A2. Brighter Nights - Cotton’s Field (Jeff Sharel Minimal Edit)
B1. Theo Parrish, Tony Allen & Eska - Day Like This (Molo Remix)
B2. Donso – Awakening (Krazy Baldhead Remix)
B3. Tony Allen - Afrodiscobeat (Africaine 808 Rework)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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Label:Smallville Records
Cat-No:smallville65
Release-Date:13.09.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville65
Release-Date:13.09.2024
Genre:Deephouse
Configuration:12" Excl
1
Joe Davies - Errol Dub
2
Joe Davies - Unknown
3
Joe Davies - 1234 Love
4
Joe Davies - Hi Life (Frankfurt Mix)
Artwork and Typography by Stefan Marx
Joe Davies aka DJ Assam makes a welcome return to Smallville following his ‘Shields In Full Sunlight’ LP with the ‘Pardon My Late Response’ EP.
The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Records sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond.
Last year he made his debut on Smallville appearing under his own name- Joe Davies with a long player project. Here he returns with more of his distinctive deep and hypnotic style on a new EP for Smallville.
Up first on the package is ‘Errol Dub’, a six minute journey traversing through bouncy bass tones, airy chords, crisp shuffled percussion and modulating synth lines before ‘Unknown’ dives deeper via a reduced rhythm section, acid synth bleeps, soft bell tones and subtly naunced atmospherics. Opening the flip-side ‘1234 Love’ captures a more raw aesthetic with saturated drums at its core while an amalgamation of modulating synth licks and ethereal pads ebb and flow throughout. The Frankfurt Mix of ‘Hi Life’, known from Joe's mesmerizing Smallville album, rounds out the release, journeying into dub territory courtesy of spiralling echoes and slowly unfurling chords underpinned by a bumpy off-kilter drum groove.
Tracklist:
A1 Errol Dub
A2 Unknown
B1 1234 Love
B2 Hi Life (Frankfurt Mix)
All tracks written, produced and mixed by Joe Davies, additional production on B2 by Ossia, Vocals on B2 by Ocker
Mastering by Helmut Erler, Vinyl Cut by Lathesville
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Joe Davies aka DJ Assam makes a welcome return to Smallville following his ‘Shields In Full Sunlight’ LP with the ‘Pardon My Late Response’ EP.
The past decade has seen DJ Assam releasing material for the likes of (his own imprint) Lehult, that he runs with a few friends, KANN Records, Super Tuff and Smallville Records sub-label Down by the Lake, as well as Djing regularly at hotspots across Europe and beyond.
Last year he made his debut on Smallville appearing under his own name- Joe Davies with a long player project. Here he returns with more of his distinctive deep and hypnotic style on a new EP for Smallville.
Up first on the package is ‘Errol Dub’, a six minute journey traversing through bouncy bass tones, airy chords, crisp shuffled percussion and modulating synth lines before ‘Unknown’ dives deeper via a reduced rhythm section, acid synth bleeps, soft bell tones and subtly naunced atmospherics. Opening the flip-side ‘1234 Love’ captures a more raw aesthetic with saturated drums at its core while an amalgamation of modulating synth licks and ethereal pads ebb and flow throughout. The Frankfurt Mix of ‘Hi Life’, known from Joe's mesmerizing Smallville album, rounds out the release, journeying into dub territory courtesy of spiralling echoes and slowly unfurling chords underpinned by a bumpy off-kilter drum groove.
Tracklist:
A1 Errol Dub
A2 Unknown
B1 1234 Love
B2 Hi Life (Frankfurt Mix)
All tracks written, produced and mixed by Joe Davies, additional production on B2 by Ossia, Vocals on B2 by Ocker
Mastering by Helmut Erler, Vinyl Cut by Lathesville
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1
Hayley Zalassi - Lose Your Head
2
Hayley Zalassi - Time
3
Hayley Zalassi - Raining Angels
4
Hayley Zalassi - Tell Me Why
5
Hayley Zalassi - All Night Long
6
Hayley Zalassi - Freddies Miracle
Tracklisting
A1 Hayley Zalassi - Lose Your Head
A2 Hayley Zalassi - Time
A3 Hayley Zalassi - Raining Angels
B1 Hayley Zalassi - Tell Me Why
B2 Hayley Zalassi - All Night Long
B3 Hayley Zalassi - Freddies Miracle
Sales Note
Hayley Zallasi serves up a delightful six track record of dance music goodness for Bristol label Shall Not Fade! Ord
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A1 Hayley Zalassi - Lose Your Head
A2 Hayley Zalassi - Time
A3 Hayley Zalassi - Raining Angels
B1 Hayley Zalassi - Tell Me Why
B2 Hayley Zalassi - All Night Long
B3 Hayley Zalassi - Freddies Miracle
Sales Note
Hayley Zallasi serves up a delightful six track record of dance music goodness for Bristol label Shall Not Fade! Ord
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1
e s g - you're no good
2
e s g - moody
3
e s g - ufo
4
e s g - eam it
5
e s g - esg
6
e s g - hey!
Still sounding as fresh as when first released some 20 years ago, this EP, produced by Ed Bahlman for his label, 99 Records, is a classic. Much sampled by DJ's and record producers all over the world, includes 'You're No Good', 'Moody', and 'UFO', in pic
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Z Records proudly presents Vol.3 in its 90’s House & Garage compilation series, this time presented by Jeremy Underground, a man who should need no introduction when it comes to all things House & Garage. Jeremy is a passionate record collector, DJ, music lover whose collection and knowledge surpasses his years of collecting and he’s made it his personal mission to bring the warm vibes of this sound back and showcase the spirit of this golden era in House. His third ever House music compilation and much like the previous two in this series, the compiler digs deep into his collection to select tracks that haven’t been re-released digitally and, in one case, never released at all! Meaning a lot of the tracks included here are being digitised for the very first time. Sourcing material from the original DAT tapes of the artists or in some cases painstakingly transferred from Vinyl, cleaned and treated to the highest professional standards of today. Split over two parts on Gatefold Double 12” Vinyl, Double CD or Digital/Streaming for the first time, this is a very carefully curated album, showcasing a deep love & understanding for the sound represented here, from what is a definitive decade for House & Garage. Featuring tracks and remixes from the likes of Kerri Chandler, Murk & 95 North…
Tracklist Under Embargo
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Tracklist Under Embargo
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1
Liquid Liquid - No Title
2
Liquid Liquid - No Title
3
Liquid Liquid - No Title
4 of the biggest tunes by this groundbreaking artschool-guys band who mixed Nu Wave with Funk, Disco and Polyrhythmics. included are "Cavern" - which formed the basis for "White Lines" - "optimo", "scraper' and "out"
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1
UR - The Final Frontier
2
UR - Entering Quadrant Five
3
UR - Base Camp Alpha 808
Outer space or Cyber space, you decide… Fantasy or an urban introduction into the vast possibilities of the internet? Honoring sci fi heroes, citing inspiration, or something more sinister?
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1
Andrés - No. 1
2
Andrés - Doobie
Andrés a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. GT Flips series showcases his ability to transform classic tracks into head-nodding bangers..
New Volumes 3, 4, 5 & 6.
Whitelabel, limited copies.
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New Volumes 3, 4, 5 & 6.
Whitelabel, limited copies.
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1
Böhm - It Is Hard To Feel Good
2
Böhm - Healing
3
Böhm - Material 1
4
Böhm - Planet Purple
More classic sounding early 90's housegrooves by B?hm on the follow up for Land of Lost.
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1
norma jean bell - No Title
2
norma jean bell - No Title
3
norma jean bell - No Title
re-pressing of this in-demand Moodyman produced classic!
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1
Raw Silk - Do It To The Music (Michael Gray Extended Mix)
2
Raw Silk - Do It To The Music (Michael Gray Reprise)
3
Raw Silk - Do It To The Music (Michael Gray Extended Dub Mix)
DJ support from Husky, Hector Romero, Javi Bora,Grace Bones, Judge Jules, Sebb Junior, Jay Vegas,Odyssey Inc, ATFC, Claptone, Black Legend, CevinFisher, Michael Gray, Kisch, Hoxton Whores, FullIntention, Booker T, Jamie Jones, Knights Of TheTurntable, Sam Divine, DJ Rae, CASSIMM, Alex Preston
We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!
Radio support on BBC Radio 2, BBC Radio 6 Music,BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul,Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio,Rinse fm, Select Radio, Totally Wired Radio, PointBlank, RTE, Power fm (Ireland), Metro FM (SA), CoolFm, Radio Reverb, Radio FG (France), Release Radioand many more.
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We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!
Radio support on BBC Radio 2, BBC Radio 6 Music,BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul,Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio,Rinse fm, Select Radio, Totally Wired Radio, PointBlank, RTE, Power fm (Ireland), Metro FM (SA), CoolFm, Radio Reverb, Radio FG (France), Release Radioand many more.
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