TRACKLISTING:



A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine

B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba


• 2024 Record Store Day Exclusive

• Japanese Jazz

• Original released in 1973

• White Coloured Vinyl



Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”



Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY)

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(clear pink color vinyl / LP with OBI) Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



TRACKLIST

A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up


INFO

Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



Originally released in 1975
Features a cover of “Funky Stuff” by Kool & The Gang
All songs written and arranged by Hiromasa Suzuki
Pressed on Pink Vinyl

Tenor Sax, Alto Sax, Flute, Producer – Jiro Inagaki
Electric Piano – Hiromasa Suzuki
Drums – Hajime Ishimatsu
Bass – Akira Okazawa
Guitar – Hiroshi Yasukawa
Trombone – Takashi Imai

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Tracklisting:
A1. Theme~Mustache
A2. Tak's Tune
A3. Joint
B1. Monster
B2. Lullaby For Yuh
B3. Scotland Scene
B4. Theme

(Clear vinyl, LP with OBI, originally released in 1970) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits.

A1. Theme~Mustache A2. Tak's Tune A3. Joint B1. Monster B2. Lullaby For Yuh B3. Scotland Scene B4. Theme INFO The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and musicality with an eye on the times, formed Sound Limited at the end of the 1960s, influenced by the brass rock music that was flourishing at the time. He said, šI wanted to fuse jazz and rock and bring together young musicians to play music with vitality. I want this group to be a group with a large scale that is not confined to the small frame of modern jazz,› he said, launching a new axis. Their first album, šThe Sound of Sound Limited› (1970), became their masterpiece. It is a masterpiece that is full of energy and enthusiasm throughout the album, starting with šTheme~Mustache,› which has become one of the most beloved and iconic songs of the band. Drums, Music Director  Takeshi Inomata Electric Bass  Jun Suzuki Electric Guitar  Ryo Kawasaki, Shigenori Kamiya Flute  Toshiaki Yokota Mixed By  Eiji Uemura Organ  Yusuke Hoguchi Tenor Saxophone  Takao Uematsu Trombone  Shigemichi Domoto, Takashi Imai Trumpet  Shunzo Ohno, Takashi Kumagai




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Tracklisting:
A1. Toshiyuki Miyama & The New Herd With Terumasa Hino – Twilight In Nemu
A2. Itaru Oki Trio – Mood
B1. Terumasa Hino Quintet With George Ohtsuka – Toko
B2. Mototeru Takagi Trio – Four Units
C1. Akira Ishikawa & Count Buffaloes – Blue Soul
C2. Hiroshi Suzuki Sextet – Mira
D1. Jiro Inagaki & Soul Media – Score
D2. Takeshi Inomata & Sound Limited – Mustache

(2LP gatefold with Japanese OBI-Strip) The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.

The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.

Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter. This album "Sensational Jazz '70 Vol. 1/2" is famous as a live sound source that contains this appearance and enthusiasm. Shibuya Public Hall on April 30, 1970. The Three Musketeers of Jazz Rock such as Jiro Inagaki, Takeshi Inomata, and Akira Ishikawa have all stepped on the stage, free jazz musicians such as Mototeru Takagi and Itaru Oki have finally taken the stage, and musicians who support the mainstream such as Toshiyuki Miyama and Terumasa Hino have stepped "beyond". Led by the sound limited "Mustache", which is said to be the deadliest jazz rock live recording, there are hot performances that make smoke rise.

text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)

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TRACKLISTING:



A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine

B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba


• 2024 Record Store Day Exclusive

• Japanese Jazz

• Original released in 1973

• White Coloured Vinyl



Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.

Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.

This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”



Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY)

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(LP with obi strip) A magnificent concept album that will remain in the history of Japanese jazz

TRACKLIST

A1. By The Red Stream
A2. Warm, Honest And Love
B1. There Is Not Any War To End The War
B2. Something Over The War

INFO

The sound that swallows jazz rock, mode jazz, and free jazz is serious and profound.

A magnificent concept album that will remain in the history of Japanese jazz with the theme of global anti-war and peace

Hiromasa Suzuki, a rare pianist/composer/arranger who showed his skills in the groups of Terumasa Hino and Akira Ishikawa. Collaborating with Big Soul Media, led by Jiro Inagaki, one of the best jazz rock groups of our time, this work is unusual for a Japanese jazz work, and the concept is based on the theme of “global anti-war and peace.”

The sound that swallows jazz rock, mode jazz, and free jazz is serious and solid, but at the same time, it is full of overwhelming dynamism.

Suzuki’s ability to manage a big band and create a masterpiece sound is also splendid, and Big Soul Media, which listened to Suzuki’s intentions and responded to his request, is also splendid.

Both Suzuki and Inagaki’s activities in the jazz-rock era are at their peak, and this work is also important in that it captures the overlap.

text by Yusuke Ogawa (universounds/Deep Jazz Reality)

Composition/Arrangement/Conductor: Hiromasa Suzuki
Performed by Jiro Inagaki and Big Soul Media
Jiro Inagaki (S.Sax, T.Sax)
Shigeo Suzuki (A.Sax)
Tadayuki Harada (B.Sax)
Takehisa Suzuki (Trumpet)
Tetsuo Fushimi (Trumpet)
Takeshi Nomura (Trumpet)
Shigemichi Domoto (Trombone)
Tadataka Nakazawa (Trombone)
Kazuo Usui (Trombone)
Tsunehide Matsuki (Guitar)
Masaru Imada (Piano, Organ)
Hiromasa Suzuki (Piano, Organ)
Yasuo Arakawa (Bass) / Gen Ishimatsu (Drums)

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(Gatefold LP with obi-strip) Recorded in 1969, the soundtrack is considered one of the best free jazz albums in Japan. Features icons of the Japanese Free Jazz scene: Masahiko Togashi and Motoki Takagi



TRACKLIST

A1. Isolation I
B1. Isolation II


INFO

Music from the movie “Abbreviated Serial Killer”. In this soundtrack Masahiko Togashi and Motoki Takagi challenged “the limit of improvisational performance”.

The film was directed by Masao Adachi. This is a so-called “landscape film” about Norio Nagayama, a serial killer. Masahiko Togashi, who was asked to compose the music, recorded three songs as a duo with Motoki Takagi. Togashi said, “I thought it was strange to compose the human heart,” and the recording was done with “total improvisation.”

Recorded in December 1969. This year is the beginning of the Japanese free jazz trend.This album is an important work that Togashi, who was the central figure of the scene, and Takagi, who also had a strong presence at the core, said, “I challenged the limits of improvisation.” The soundtrack is one of the best free jazz albums in Japan.

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(LP + insert with obi-strip) Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”



TRACKLIST

A1. Memory Lane
A2. Somethin' Good Is Comin'
A3. I Will Give You Samba
A4. Dried Flowers
B1. Culmination
B2. Rain
B3. Take My Hand
B4. Double Images
B5. Bye Bye So Long

INFO

Soul Media is led by Jiro Inagaki, who played a part in the development of jazz rock in Japan. This album “Memory Lane” was recorded in 1980.

Regarding this work, Inagaki said, “We made this work while anticipating the fate of fusion music.”

This album contains the mellow and emotional track “Memory Lane”, the stormy and refreshing “I Will Give You Samba”, and the groovy and edgy “Take My Hand”

The sound that Jiro created with his sworn friend Norio Maeda while looking ahead to the future of Jazz has an extraordinary degree of perfection in terms of song, arrangement, and performance. Listening to this album years later, it’s still vivid and fresh.

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The Chisa Years: 1965–1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label.

Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”

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(blue transparent vinyl, limited edition of 1000) Age Of Love's 3 most famous remixes on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix

Age Of Love wrote and released their most iconic track in 1990. It went on to become a stone-cold dance classic that inspired a whole trance movement that has endured throughout the years.

Now its 3 most famous remixes are available on 1 record: the legendary 1992 Jam & Spoon 'Watch Out For Stella' Mix, Charlotte de Witte & Enrico Sangiuliano's 2021 Remix & Solomun's 2017 remix.



Limited to 1000 copies.



Tracklist

A. Age Of Love - The Age Of Love (Charlotte de Witte & Enrico Sangiuliano Remix)

B1. Age Of Love - The Age Of Love (Jam & Spoon Watch Out For Stella Mix - 2021 Remaster)
B2. Age Of Love - The Age Of Love (Solomun's Renaissance Remix)




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Saha Gnawa’s self-titled debut pairs Moroccan Gnawa with NYC jazz and groove, channeling North African futurism through cross-cultural improvisation. Building off centuries-old practices, traditional song forms dissolve into psychedelic outer-space explorations.

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Borghesia is an electronic music group, founded in 1982 in Ljubljana, Slovenia. The band was formed by four members of alternative theatrical group Theatre FV-112/15: Dario Seraval, Aldo Ivancic, Neven Korda and Zemira Alajbegovic. They established FV Video to self-publish their video projects and FV Založba – the first independent record label in ex-Yugoslavia. Aldo and Dario took care of songwriting, production and recording while Zemira and Neven handled the visuals. In the late 80s the band signed to PIAS and went on to release a string of successful albums and played world-wide tours.
Clones was Borghesia's second album, self-released on cassette only in 1984. The band borrowed synthesizers (Roland SH-101, Casio VL-1, Korg Polysix) and a Roland 808 drum machine from friends. Every song was played live - no overdubs - and recorded to a cassette deck over a few nights at their club Disco FV during 1983-1984. The music on Clones is meant to accompany various video installations and performances. All of the songs are instrumental and feature various cutting edge techniques for 1983. Hypnotic proto-techno and acid rhythms and synth lines. Music on the A Side of the LP is faster and club oriented while the B Side offers a drugged out soundtrack to get lost in.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley directly from the original master tape. Each LP is housed in a silver jacket with original gelatin print by photographer Jane Štravs. A fold-out poster is included with unreleased photos, original artwork and liner notes by Željko Luketic. After three decades, Borghesia's "music for video" is finally appearing on vinyl for the first time.



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2025 repress

Tracklisting:
A1 Funk Assault - Signing Your Own Post
A2 Funk Assault - Screenshots Of Compliments
B1 Funk Assault - I Am A DJ Too
B2 Funk Assault - Pre-Gig Selfie
B3 Funk Assault - That's The Funk Assault

Sales Note
Happy to launch this label with the first release of Funk Assault! Chlär and Alarico selected those tracks which embodie Primal Instinct Rec. vision.

The records features some highly awaited tunes as well as a very distinctive style that is meant to set the tone of the label. Expect nothing but music that focuses on gritty, organic if not bionic soundscapes wrapped in tribal and soul driving grooves.

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Tracklisting:
A1 SHDW & Obscure Shape - Conquest Of Paradise
A2 Invexis - Elektronenwind
B1 Vil & Cravo - Apolonia Loop
B2 Alarico - I'm Into You
C1 Lars Huismann - Hyper Dub
C2 Nicolas Volger - Sauva Bite
D1 Grindvik - Your Dry Lips
D2 Stigmata - Gestas

Release Note:
SHDW & Obscure Shape launch new label Mutual Rytm with powerful eight-track V/A "Federation Of Rytm I", featuring VIL & Cravo, Lars Huismann, Grindvik and more.

Favourites for many within today's modern techno landscape, Stuttgart-based pairing Marco Blasi and Luigi Urban, aka SHDW & Obscure Shape, continue to grow their profile and position as artists leading the current new wave of techno. Having launched their first label From Another Mind in 2014, releasing material from themselves alongside remixes from the likes of Rodhad, James Ruskin and Dax J, early December welcomes the arrival of a new project and a second imprint to the fold, Mutual Rytm.

Showcasing a new dimension of techno and electronic music, celebrating originality and innovation by combining timeless cuts from the past with cutting edge sounds of the present and the future, the label will serve as a breeding ground for new artists alongside established talent and legends from the scene. Opening the imprint in style, the label bosses head up the first-ever release and the first V/A "Federation Of Rytm I" as they welcome a selection of new and established talent.

"Since the beginning of the global pandemic, we have been diving deep into the roots of our music and working on the aesthetics of our sound. That's when we realized that now is the right time to start a new project which differs from FAM, in both musical and artistic direction. The project will showcase a new dimension that aims to channel the authentic perspectives of both established and up-and-coming talents. With our new label, we want to give all artists the opportunity of musical freedom and expression of their versatility as producers. It is an honour to accompany the young artists on their careers, to see them grow and to help them in their development as musicians." - SHDW & Obscure Shape

The duos rolling opener "Conquest Of Paradise" quickly sets the tone and builds to reveal a classy and slick offering, combining rich stabs with tough drums and sharp hats, while Invexis keeps the tempo high as he weaves escalating synths and pacy kicks across "Elektronenwind". VIL & Cravo combine on the jacking and lively "Apolonia Loop", as eerie synths work amongst warped vocals across a tweaked out peak-time effort, before Alarico keeps the energy levels up throughout the relentless funk of "I'm Into You".

The second half of the package sees Lars Huismann enter the fray with the no-nonsense, snaking grooves of "Hyper Dub", with Nicolas Vogler's "Sauva Bite" fusing hypnotic tones with straight regimented claps for an intense yet playful ride through sounds and sonics. "Your Dry Lips" switches up the aesthetic as Grindvik journeys down a wormhole of metallic percussion and warping low-ends, before closing the show with authority via Stigmata's grinding and menacing offering "Gestas".


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Charlotte de Witte releases more hot news on her eagerly awaited eponymous self-titled debut LP, which drops November 7th on her KNTXT label. Fans already stirred to frenzy by two killer LP singles can now pre-order/pre-save the album digitally and on vinyl. She also reveals the cover art and track list in its entirety. Already hailed by Vogue DE, BBC 6 Music, Resident Advisor, DJ Mag, Mixmag, Rolling Stone, Billboard amm., the acid-drenched, unstoppable lead single and set staple ‘The Realm’, and powerful organ-heavy cut ‘No Division’ (feat. XSALT) reflect the power of the full 11 track release. The ‘No Division’ vinyl was pre-released during her recent six instantly sold-out New York City shows in four days triumph. With one more LP single promised before the full drop, fans will have to wait and see which that will be… After a fifteen year long career of propelling the techno scene forward and 25 standout EPs, the Belgian DJ & producer ‘started to feel the urge to embrace a format that allowed me to showcase my sonic identity in its entirety.’ Though the album is deeply personal – ‘these are tracks that move me, songs that carry me away like only club music and a night lost in it can’ – it’ll be a must-have for fans & techno/acid fiends. ‘Make no mistake, this is a true DJ album. I’m a club kid, always will be, and every track on this record makes me want to dance.’ It’ll do the same for other ravers. One more LP single to come… which of these is it to be?

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Bézier ripples their way back to Dark Entries with Decompose, an LP of doomed spa music. Multi-instrumentalist Robert Yang has made numerous appearances on Dark Entries for more than a decade, with releases spanning the stylistic gamut from hi-NRG disco floor-fillers to lush ambient epics. Decompose, Bézier’s second LP, is perhaps his most introspective work yet. It is an album almost ten years in the making, a deep investigation of life, loss, and the struggle of knowing oneself. If one were to pull a tarot deck for this album it would be the Nine of Swords. The album honors the lives of the fallen victims of Pulse Nightclub. It honors lives lost or suffering through the ongoing genocide in Gaza. The title track takes the form of a Buddhist chant, a brooding synth-driven meditation that scales steadily until breaking into John Carpenter-esque arpeggios halfway through. Tracks like “Egg,” “Marionette,” and “A Fading Citadel Atop Black Sand Bluffs” build on this soundworld, one in which intricate melodies and cavernous reverb induce in the listener feelings of both claustrophobia and free-fall. The album’s dancefloor-leaning moments, like “Codebreaking” and “Split a Path Towards the Thicket” are spartan, tunnel-vision techno tracks speeding towards ego-death. Decompose chronicles Yang’s journey to find peace with himself, as a gay Asian American. During this process, they learned to “repot” long-lost parts of their identity so they could grow forth in wholesome fashion. The sleeve for Decompose was designed by Eloise Shir-Juen Leigh, and features a photograph by Frankie Casillo of Robert laying on a bed of rocks in savasana pose, resembling an ascetic, evocative of the monastic vibes of the record.

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Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.

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Nils Frahm fulfills last year’s promise to follow up 'Day', the collection of solo piano music he released last March. 'Night', which contains five new tracks, will be out on May 9 on vinyl as well as via all digital platforms. A CD version, 'Night & Day', including all eleven tracks from both albums, will also be made available at the same time. The new music follows Nils' latest live album, 'Paris', which was released in December last year.

Nils recorded the pieces on 'Night' on the Klavins M450 piano, installed in his studio at the renowned Funkhaus complex in Berlin. It was built by German-Latvian piano maker David Klavins for the first Piano Day in 2015, a celebration that marked its 10th anniversary this March. At 4.5 meters tall and weighing over a tonne, the model was the largest upright piano in the world at the time. The record is a reminder that, although he has since become celebrated for the complex, intricate arrangements of his most commercially successful multi-instrumental albums, Nils first made his name with similarly meditative piano compositions on albums like 2009’s 'The Bells', 2011’s 'Felt' and 2012’s 'Screws'.

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re-release Mit seinen einzigartig intimen Klavieraufnahmen wurde der in Berlin lebende Pianist Nils Frahm zum Star der internationalen Neo-Klassik-Szene. Dabei machen seine Studioaufnahmen nur einen Bruchteil dessen aus, was auf einem Nils-Frahm-Konzert zu erwarten ist. Frahms Herz liegt nämlich in der Improvisation, in der Magie des Moments, in dem seine Finger, inspiriert vom Raum und Publikum, neue Kompositionen kreieren. "Spaces" ist eine Ode an die Lust des Livespiels, ein Ausdruck der Experimentierfreude und gleichzeitig eine Antwort auf die Frage seiner Fans nach einer Platte, die das Erlebnis eines Nils-Frahm-Konzerts widerspiegelt. Entgegen den Konventionen eines traditionellen Livealbums wurde "Spaces" über einen Zeitraum von zwei Jahren hinweg mithilfe von tragbaren Tonbandgeräten und Kassettendecks an verschiedenen Orten aufgenommen. Diese Momente wurden später in seinem Berliner Studio zu einer Art Collage an Feldaufnahmen zusammengesetzt. Mitunter mit überraschenden Momenten wie saitenhämmernden Klobürsten oder einem Huster aus dem Publikum. Das Doppelvinyl erscheint mit Downloadcode.

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