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IAPIGI - The Edge NY (North Power) (Danilo Braca Remix)
2
IAPIGI - Daytona (Danilo Braca Remix)
3
IAPIGI - Accord (Qubiko & Fabio Ricciuti Remix)
4
IAPIGI - Everones Funkin (Danilo Braca Remix)
5
IAPIGI - Daytona 78
6
IAPIGI - The Edge
7
IAPIGI - Everybody Funk
"Everybody Funk is the first album from Japigia Records, which launches into 2024 with great ardor. This is the first splendid house music album by Pasquale Fanelli, an industrialist from Bari with boundless passion for music and for the show in general, whose greatest merit is of having created a working group full of ideas and talent: the IAPIGI team. The DJ-arranger Paky Fanelli - so called by his friends - with the help of the multifaceted artist-DJ Fabio Ricciuti has dug extensively into the hinterland of the Puglia region in search of his own roots to find the right synergies and give meaning and value to the context, to the habits, to the organization of a city generous in history and culture like Bari, which crossed the ocean via the Adriatic Sea and the Mediterranean. Thanks to IAPIGI we have therefore arrived in New York where Danilo Braca captures Paky's work and shapes it with excellent Italian taste, which is exactly that of a DJ resident for several decades in the Big Apple where he generates surprising and always current sounds. Although radically different, "Daytona" and "Everybody Funk" represent some of the most exciting Italian house songs of this season. In addition to the skilful remix of these two songs, it is worth mentioning "The Edge", whose main melody develops slowly. Once again Danilo Braca has raised the bar and changed the rules of the game. Good boy! The experts Qubiko & Fabio Ricciuti bring a worthy close to this first work by Paky Fanelli with a short piece, originally entitled "Disaccord" and then merged into "Accord", with the aim of putting everyone on the same wavelength. on the same level or musical chord. Comes with an amazing embossed cover too."
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Roberto Onofri & DJ Program Band - Living With Passion (Dave Mathmos Remix)
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Roberto Onofri & DJ Program Band - Living With Passion (Original Vocal 1983)
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Roberto Onofri & DJ Program Band - Living With Passion (Original Dub 1983)
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Roberto Onofri & DJ Program Band - Living With Passion (Miami Remix 2015)
Black Vinyl!
Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun. More
Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun. More
NO SALES TO JAPAN- Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Sticker
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
More
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
More
TRACKLISTING:
A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY) More
1
DJ Monchan - Silent Dub
2
DJ Monchan - Finally
1
Jorge Ben - Solitário Surfista
2
Almir Ricardi - São Paulo (High Society)
3
Guilherme Arantes - Fio Da Navalha
4
Marcos Valle - Bicicleta
5
Sandra Sá - Pela Cidade
6
Tony Bizarro - Apenas Uma Vez
7
Viva Voz - Fugitivos De Azul
8
Hanna - Deixa Rodar
9
Marilia Barbosa - Manifesto
10
Tony Bizarro - O Que Se Faz Da Vida
11
Coral Som Livre - Fogo Sobre Terra
12
Ana Maria E Mauricio - Figa De Guiné
13
Djalma Dias - Nada Sei De Preconceito
14
Inema Trio - Arué Pam
15
Jeremias - A Vida É Um Buraco
Repress!
DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI
A tribute to a glorious and sophisticated era in Brazil music.
"Disco é Cultura, vol. 2" brings 15 tracks of the funkiest Brazilian music from the 70s and 80s.
Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.
80’s side
JORGE BEN – Solitário Surfista
ALMIR RICARDI – Sao Paulo (High Society)
GUILHERME ARANTES – Fio Da Navalha
MARCOS VALLE - Bicicleta
SANDRA SÁ – Pela Cidade
TONY BIZARRO – Apenas Uma Vez
VIVA VOZ – Fugitivos de Azul
70’s side
HANNA – Deixa Rodar
MARILIA BARBOSA – Manifesto
TONY BIZARRO – O Que Se Faz Da Vida
CORAL SOM LIVRE – Fogo Sobre Terra
ANA MARIA E MAURICIO – Figa de Guiné
DJALMA DIAS – Nada Sei de Preconceito
INEMA TRIO – Arué Pam
JEREMIAS – A Vida É Um Buraco More
DELUXE HARD-CARDBOARD SLEEVE COVER + 180g VINYL + OBI
A tribute to a glorious and sophisticated era in Brazil music.
"Disco é Cultura, vol. 2" brings 15 tracks of the funkiest Brazilian music from the 70s and 80s.
Soul and Funk were taking the world by storm in the 1970s. Brazilians developed their own sound by combining influences from Funk and Soul music from abroad to create something uniquely Brazilian.
80’s side
JORGE BEN – Solitário Surfista
ALMIR RICARDI – Sao Paulo (High Society)
GUILHERME ARANTES – Fio Da Navalha
MARCOS VALLE - Bicicleta
SANDRA SÁ – Pela Cidade
TONY BIZARRO – Apenas Uma Vez
VIVA VOZ – Fugitivos de Azul
70’s side
HANNA – Deixa Rodar
MARILIA BARBOSA – Manifesto
TONY BIZARRO – O Que Se Faz Da Vida
CORAL SOM LIVRE – Fogo Sobre Terra
ANA MARIA E MAURICIO – Figa de Guiné
DJALMA DIAS – Nada Sei de Preconceito
INEMA TRIO – Arué Pam
JEREMIAS – A Vida É Um Buraco More
1
Black Devil - "H" Friend
2
Black Devil - Timing, Forget The Timing
3
Black Devil - One To Choose
4
Black Devil - We Never Fly Away Again
5
Black Devil - Follow Me (Instrumental)
6
Black Devil - No Regrets
Territories: WW minus FR
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets
Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself. More
1
Vier - Count-A-Round
2
Secret Tip Corner Band - Scarabäus
3
Jaro - Song For My Father
4
Baobab - Keine Nummer
5
Sounds - Sound Spirit
6
Big Band Der Otto-Hahn-Schule Hamburg - Regenwetter
7
Jazz Oder Nie Big Band - Work Song
8
Big Band Blechschaden - Limestone Knave
9
Stuttgarter Jazz Workshop - A Night In Stuttgart
10
Seelow & Mayer Formation - Soul-In
11
Bernd Reichow Jazz Formation - Bolero In Jazz
"This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence."
For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time More
For German musicians the mid-70s to mid-80s were an extremely fertile and fruitful time. Though The Peace Chant series is focused mainly on amateur bands, private pressings, and long lost acetates, many of the artists included here nevertheless made their mark upon the German and world music scene and even played with many of the giants of the movement.
As the 60s were coming to a close, many German musicians began experimenting with fusing jazz, rock, pop, electronic, and world music with a harder, more aggressive sound. The resulting movement, originally called "kosmische music" or "cosmic music" would give way to the kaleidoscope of sounds now known as Krautrock.
Many labels and compilations, not to mention reissues have been focused on this moment and in many ways, today, there could be said to be a global revival in the art form by younger, modern bands. But this is where Tramp Records, always peeking behind the curtain, has decided to take "the road less traveled" as we trust them to do. This edition of the Peace Chant series explores the artists that, instead of going full steam ahead in the rock and world music direction, decided to play the role of 'spiritual advisor' to the movement and continue building a legacy of jazz and pop infusions to their more rock-oriented counterparts. Of course, there may not have been much commercial appeal of these recordings and many of them fell into obscurity. But it is thanks to the tireless efforts of Tramp Records that we are able to catch a glimpse of what undoubtedly the Giants of the genre at the time were already well aware of and likely being influenced by. As you will see, many of the artists in this compilation went on to become music teachers and mentors in their own right and surely influenced the course of music history in Germany. Now their stories are finally being told. And though the music is amazing on its own, it is truly astounding when cast in its historical context. This landmark compilation continues the unfoldment of diabolically obscure yet culturally and artistically essential recordings that have been hidden and precariously balanced on the precipice of obsolescence.
For the first time ever, Tramp Records is proud to present an "all German" artists version of the Peace Chant series, including liner notes printed in German exclusively with an English translation downloadable.
~Joel Ricci (August 2024)
Key selling points:
- deluxe double-gatefold LP containing detailed liner notes & unpublished photographs
- incl. full album download code
- ALL songs appear on LP for the very first-time More
1
Rare Pleasure - Let Me Down Easy
2
Rare Pleasure - Let Me Down Easy (Long Version)
The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7 Inch. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue. Limited Red Vinyl version in a tasty South Street Disco Sleeve.
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1
Rahaan - Ghetto Muzik
2
Rahaan - Dark Places
Tracklisting:
A1. Toshiyuki Miyama & The New Herd With Terumasa Hino – Twilight In Nemu
A2. Itaru Oki Trio – Mood
B1. Terumasa Hino Quintet With George Ohtsuka – Toko
B2. Mototeru Takagi Trio – Four Units
C1. Akira Ishikawa & Count Buffaloes – Blue Soul
C2. Hiroshi Suzuki Sextet – Mira
D1. Jiro Inagaki & Soul Media – Score
D2. Takeshi Inomata & Sound Limited – Mustache
(2LP gatefold with Japanese OBI-Strip) The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter. This album "Sensational Jazz '70 Vol. 1/2" is famous as a live sound source that contains this appearance and enthusiasm. Shibuya Public Hall on April 30, 1970. The Three Musketeers of Jazz Rock such as Jiro Inagaki, Takeshi Inomata, and Akira Ishikawa have all stepped on the stage, free jazz musicians such as Mototeru Takagi and Itaru Oki have finally taken the stage, and musicians who support the mainstream such as Toshiyuki Miyama and Terumasa Hino have stepped "beyond". Led by the sound limited "Mustache", which is said to be the deadliest jazz rock live recording, there are hot performances that make smoke rise.
text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY) More
A1. Toshiyuki Miyama & The New Herd With Terumasa Hino – Twilight In Nemu
A2. Itaru Oki Trio – Mood
B1. Terumasa Hino Quintet With George Ohtsuka – Toko
B2. Mototeru Takagi Trio – Four Units
C1. Akira Ishikawa & Count Buffaloes – Blue Soul
C2. Hiroshi Suzuki Sextet – Mira
D1. Jiro Inagaki & Soul Media – Score
D2. Takeshi Inomata & Sound Limited – Mustache
(2LP gatefold with Japanese OBI-Strip) The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter. This album "Sensational Jazz '70 Vol. 1/2" is famous as a live sound source that contains this appearance and enthusiasm. Shibuya Public Hall on April 30, 1970. The Three Musketeers of Jazz Rock such as Jiro Inagaki, Takeshi Inomata, and Akira Ishikawa have all stepped on the stage, free jazz musicians such as Mototeru Takagi and Itaru Oki have finally taken the stage, and musicians who support the mainstream such as Toshiyuki Miyama and Terumasa Hino have stepped "beyond". Led by the sound limited "Mustache", which is said to be the deadliest jazz rock live recording, there are hot performances that make smoke rise.
text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY) More
1
Alicia Myers - I Want To Thank You
2
Alicia Myers - Don't Stop What You're Doin'
Alicia Myers - I Want To Thank You & Don't Stop What You're Doin' are staple classics and for the first time since their initial release in 1981 are together on one piece of vinyl. A serious double header!
Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.
At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.
Another fully licenced and remastered essential release from the South Street family! More
Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.
At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.
Another fully licenced and remastered essential release from the South Street family! More
1
Barbara York - Tonight (Disco Version)
2
Barbara York - Tonight (Radio Version)
3
Barbara York - Tonight (Special Disco Version)
4
Barbara York - Tonight (Instrumental Disco Version)
"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.
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