Label:Japigia Records
Cat-No:JA-12001
Release-Date:12.07.2024
Genre:Funk
Configuration:LP
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Label:Japigia Records
Cat-No:JA-12001
Release-Date:12.07.2024
Genre:Funk
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1
IAPIGI - The Edge NY (North Power) (Danilo Braca Remix)
2
IAPIGI - Daytona (Danilo Braca Remix)
3
IAPIGI - Accord (Qubiko & Fabio Ricciuti Remix)
4
IAPIGI - Everones Funkin (Danilo Braca Remix)
5
IAPIGI - Daytona 78
6
IAPIGI - The Edge
7
IAPIGI - Everybody Funk
"Everybody Funk is the first album from Japigia Records, which launches into 2024 with great ardor. This is the first splendid house music album by Pasquale Fanelli, an industrialist from Bari with boundless passion for music and for the show in general, whose greatest merit is of having created a working group full of ideas and talent: the IAPIGI team. The DJ-arranger Paky Fanelli - so called by his friends - with the help of the multifaceted artist-DJ Fabio Ricciuti has dug extensively into the hinterland of the Puglia region in search of his own roots to find the right synergies and give meaning and value to the context, to the habits, to the organization of a city generous in history and culture like Bari, which crossed the ocean via the Adriatic Sea and the Mediterranean. Thanks to IAPIGI we have therefore arrived in New York where Danilo Braca captures Paky's work and shapes it with excellent Italian taste, which is exactly that of a DJ resident for several decades in the Big Apple where he generates surprising and always current sounds. Although radically different, "Daytona" and "Everybody Funk" represent some of the most exciting Italian house songs of this season. In addition to the skilful remix of these two songs, it is worth mentioning "The Edge", whose main melody develops slowly. Once again Danilo Braca has raised the bar and changed the rules of the game. Good boy! The experts Qubiko & Fabio Ricciuti bring a worthy close to this first work by Paky Fanelli with a short piece, originally entitled "Disaccord" and then merged into "Accord", with the aim of putting everyone on the same wavelength. on the same level or musical chord. Comes with an amazing embossed cover too."
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DE - 22113 Hamburg
Germany
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Label:WRWTFWW
Cat-No:wrwtfww032
Release-Date:26.10.2018
Configuration:Vinyl Album Excl
Barcode:4260544824319
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Label:WRWTFWW
Cat-No:wrwtfww032
Release-Date:26.10.2018
Configuration:Vinyl Album Excl
Barcode:4260544824319
NO SALES TO JAPAN- Beautiful 1 LP Edition 140g Vinyl, Heavy 350gsm Sleeve, Sticker
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
WRWTFWW Records is extremely excited to present the official reissue of cult album Lingua Franca-1 (originally released in 1983) by groundbreaking Kyoto band EP-4, available on vinyl housed in heavy 350gsm sleeve and digipack CD.
Straight from the delirious minds of unconventional geniuses Kaoru Sato (who had previously released an album as R.N.A. Organism on legendary Osaka label Vanity Records) and Yuji "Banana" Kawashima, Lingua Franca-1 is a seamless voyage of spellbinding mutant funk grooves, joyful post-punk explorations, synth fantasies, sexy distortions, and fluid cool-no-sweat vocals. Constantly mutating in an almost biological way (similarly to Colored Music's self-titled album), always mysterious and seductive, sometimes reminiscing of a freaky cross between PiL, Liquid Liquid, Bowie and Yello, EP-4's debut is hard to label, although "Debonair Wave" could be a legitimate way to describe this Japan's best-kept-secret of an album.
Defying the rules wasn't limited to sonic experimentations for band leader Kaoru Sato. To promote Lingua Franca-1, he and his crew plastered gigantic (illegal) billboards all over Shibuya and Harajuku, announcing performances in four different cities on odd hours of the same day (May 5th 1983). Other of his notable antics included originally sub-titling the album Death to the Emperor Showa causing a controversy (which led to censorship and a title-change), trying to release two albums on the same day without the concerned labels being aware of the plan or, in the R.N.A. Organism days, fooling Vanity Records into believing the demo he sent them came from a foreign band (it worked). Unique personality, unique music!
Tracklisting LP
A1. Robothood Process
A2. The Frump Jump
A3. Similar
A4. Coconut
B1. E-Power
B2. Talkin' Trash
B3. Broken Bi-Psycle
B4. Tide Gauge
- For fans of electronic, post-punk, new wave, no wave, industrial, experimental, mutant funk, proto-techno, R.N.A. Organism, Liquid Liquid, PiL, Talking Heads, Colored Music, Grauzone, David Bowie, Yello, wonderful weirdness, unique personalities, unconventional minds.
- Official reissue of cult album Lingua Francia-1 by Japan's best kept secret EP-4 aka RNA Organism.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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TRACKLISTING:
A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY)
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A1. That's How I Feel
A2. Blue Blood
A3. It's Impossible
A4. Put It Where You Want It
A5. Crazy Medicine
B1. Joie De Vivre
B2. Papa Hooper's Barrel House Groove
B3. Thrill Is Gone
B4. Raven Speaks
B5. Samba Chimba
• 2024 Record Store Day Exclusive
• Japanese Jazz
• Original released in 1973
• White Coloured Vinyl
Refined jazz. Well-crafted rock. Finely honed funk. Swallowing everything, a strong groove begins to run.
Since their formation in 1969, Soul Media has advocated a fusion of jazz and rock. This work, ``In the Groove,'' recorded in 1973, took this route to the next step. Bringing the sharpness of jazz to the fore, blending rock to give it an edge, and injecting funk to exude power and elasticity. They created strong, sophisticated, and simply "cool music" that could not be categorized into existing genres such as jazz-rock, jazz-funk, and fusion.
This work is said to be a response to The Crusaders, which Jiro Inagaki was paying attention to at the time. The aim was on point. With this work, Soul Media acquires a "sophisticated black feeling" and heads toward their final destination, "Funky Stuff.”
Text by Yusuke Ogawa (UNIVERSOUND/DEEP JAZZ REALITY)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Best Record
Cat-No:BST-X103BLACK
Release-Date:23.08.2024
Configuration:12"
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Label:Best Record
Cat-No:BST-X103BLACK
Release-Date:23.08.2024
Configuration:12"
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1
Roberto Onofri & DJ Program Band - Living With Passion (Dave Mathmos Remix)
2
Roberto Onofri & DJ Program Band - Living With Passion (Original Vocal 1983)
3
Roberto Onofri & DJ Program Band - Living With Passion (Original Dub 1983)
4
Roberto Onofri & DJ Program Band - Living With Passion (Miami Remix 2015)
Black Vinyl!
Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Valuable reissue of slow Italo classic! Roberto Onofri, since he was a teenager, has developed his own culture independently. Whatever he liked to do, he immediately embodied it, instantly identifying with what he was passionate about. However, one certainly cannot expect the sixteen-year-old and self-taught disc jockey to be ready as a composer for his first time in a recording studio. He became an author, arranger and performer shortly after, but for his first experience on vinyl he had to resort to a cover, as many did to get noticed and have the limelight on him. There was no mistake in choosing 'Living with Passion'' by the Canadian band Moral Support, but only how to write the title of the piece on the album cover!!! At the time, not all Italian printers knew English well, which is why Italo Disco soon became sadly famous for the huge blunders that were written. It was love at first sight for Roberto, who played the song written and produced by Richard Cranford and Sandro Durante every night in the disco. There were some imperfections due to inexperience, but the electronics, more and more imperious and overwhelming, won over everything, effectively decreeing the beginning of a new musical style. The Italian one. Dave Mathmos did well to have the same passion as Onofri and his DJ Program Band, developing an excellent version that gave new life to the piece from 40 years ago, reprinted by Best Record in two different and limited editions, in black vinyl and in green vinyl with black shades. Both editions come out with the artwork and credits in relief and with the image of the very young DJ Onofri immortalized next to a drum kit with the microphone in his hand, ready as always to make people jump and have fun.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
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Label:South Street Disco
Cat-No:SSD7001PR
Release-Date:11.10.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202594993
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Label:South Street Disco
Cat-No:SSD7001PR
Release-Date:11.10.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202594993
1
Rare Pleasure - Let Me Down Easy
2
Rare Pleasure - Let Me Down Easy (Long Version)
The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7 Inch. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue. Limited Red Vinyl version in a tasty South Street Disco Sleeve.
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DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
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Label:Typewriter Record Pool
Cat-No:TYPE04
Release-Date:18.10.2024
Configuration:12"
Barcode:
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Last in:29.10.2024
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Label:Typewriter Record Pool
Cat-No:TYPE04
Release-Date:18.10.2024
Configuration:12"
Barcode:
1
Rahaan - Ghetto Muzik
2
Rahaan - Dark Places
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Liebigstrasse 2-20
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2LP
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Cat-No:hmjy209-210
Release-Date:06.09.2024
Genre:Jazz
Configuration:2LP
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Cat-No:hmjy209-210
Release-Date:06.09.2024
Genre:Jazz
Configuration:2LP
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Tracklisting:
A1. Toshiyuki Miyama & The New Herd With Terumasa Hino – Twilight In Nemu
A2. Itaru Oki Trio – Mood
B1. Terumasa Hino Quintet With George Ohtsuka – Toko
B2. Mototeru Takagi Trio – Four Units
C1. Akira Ishikawa & Count Buffaloes – Blue Soul
C2. Hiroshi Suzuki Sextet – Mira
D1. Jiro Inagaki & Soul Media – Score
D2. Takeshi Inomata & Sound Limited – Mustache
(2LP gatefold with Japanese OBI-Strip) The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter. This album "Sensational Jazz '70 Vol. 1/2" is famous as a live sound source that contains this appearance and enthusiasm. Shibuya Public Hall on April 30, 1970. The Three Musketeers of Jazz Rock such as Jiro Inagaki, Takeshi Inomata, and Akira Ishikawa have all stepped on the stage, free jazz musicians such as Mototeru Takagi and Itaru Oki have finally taken the stage, and musicians who support the mainstream such as Toshiyuki Miyama and Terumasa Hino have stepped "beyond". Led by the sound limited "Mustache", which is said to be the deadliest jazz rock live recording, there are hot performances that make smoke rise.
text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)
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DE - 22113 Hamburg
Germany
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A1. Toshiyuki Miyama & The New Herd With Terumasa Hino – Twilight In Nemu
A2. Itaru Oki Trio – Mood
B1. Terumasa Hino Quintet With George Ohtsuka – Toko
B2. Mototeru Takagi Trio – Four Units
C1. Akira Ishikawa & Count Buffaloes – Blue Soul
C2. Hiroshi Suzuki Sextet – Mira
D1. Jiro Inagaki & Soul Media – Score
D2. Takeshi Inomata & Sound Limited – Mustache
(2LP gatefold with Japanese OBI-Strip) The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. The definitive live recording that captures the chaos and climax of jazz in Japan.
Japan's jazz scene around 1970 is very interesting. The agony of hard bop, the rise of jazz-rock, and the emergence of free jazz. New music and values were born one after another, and chaos was reached, and up-and-coming musicians ran at a speed that shook off the meter. This album "Sensational Jazz '70 Vol. 1/2" is famous as a live sound source that contains this appearance and enthusiasm. Shibuya Public Hall on April 30, 1970. The Three Musketeers of Jazz Rock such as Jiro Inagaki, Takeshi Inomata, and Akira Ishikawa have all stepped on the stage, free jazz musicians such as Mototeru Takagi and Itaru Oki have finally taken the stage, and musicians who support the mainstream such as Toshiyuki Miyama and Terumasa Hino have stepped "beyond". Led by the sound limited "Mustache", which is said to be the deadliest jazz rock live recording, there are hot performances that make smoke rise.
text by Yusuke Ogawa (UNIVERSOUNDS / DEEP JAZZ REALITY)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
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Label:South Street Soul
Cat-No:SSS703
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202598540
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Label:South Street Soul
Cat-No:SSS703
Release-Date:01.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5060202598540
1
Alicia Myers - I Want To Thank You
2
Alicia Myers - Don't Stop What You're Doin'
Alicia Myers - I Want To Thank You & Don't Stop What You're Doin' are staple classics and for the first time since their initial release in 1981 are together on one piece of vinyl. A serious double header!
Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.
At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.
Another fully licenced and remastered essential release from the South Street family!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Both tracks are produced by Kevin ‘Mr Groove’ McCord, heralded as Dam Funk’s favourite producers and one of the founding members of Al Hudson & The Soul Partners & One Way before going on to contribute to hundreds of r&b, funk, disco, and boogie dancefloor movers in the ’70s and ’80s.
At the height of his career he produced his One Way band members, Alicia Myers debut solo album, Alicia featuring both tracks on this release. I Want To Thank You, a certified classic that never fails to elicit a joyous reaction anytime it’s played & Don't Stop What You're Doin' famously sampled by J Dilla for ‘What It’s All About’ by Slum Village feat. Busta Rhymes on the legendary ‘Fantastic Vol.2’ album.
Another fully licenced and remastered essential release from the South Street family!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Best Record
Cat-No:BST-X093
Release-Date:07.07.2023
Configuration:12"
Barcode:
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Last in:11.10.2024
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Label:Best Record
Cat-No:BST-X093
Release-Date:07.07.2023
Configuration:12"
Barcode:
1
Barbara York - Tonight (Disco Version)
2
Barbara York - Tonight (Radio Version)
3
Barbara York - Tonight (Special Disco Version)
4
Barbara York - Tonight (Instrumental Disco Version)
"Tonight" is a captivating, extraordinarily song written and arranged by Paolo Gianolio (one of Mauro Malavasi's most valid collaborators), who strongly wanted Ivana Spagna as a vocalist. In those very early 80s Spagna used to lend her refined voice.to successful productions using various pseudonyms: Mirage, Carol Kane and Yvonne Kay and precisely Barbara York The piece released in 1982 with Delirium Records was then released in 1983 on Smash One Music by Pino Toma who jealously preserved it making it one of the many rare gems of Italo-Disco. Now after 40 years here it is revived by Best Record in all four original versions, perfectly remastered by Dom Scuteri.
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WAS - Word and Sound Medien GmbH
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6LP
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Label:!K7 Records
Cat-No:K7073XXVLP
Release-Date:25.10.2024
Genre:Trip Hop/Headz
Configuration:6LP
Barcode:4062548090178
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Last in:18.11.2024
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Label:!K7 Records
Cat-No:K7073XXVLP
Release-Date:25.10.2024
Genre:Trip Hop/Headz
Configuration:6LP
Barcode:4062548090178
- 6x 12" LPs, 2 Piece Hard Shell, ribbon pull tab Box Set with 40pp Perfect Bound Book, Gold PMS and Spot UV, A2 Poster. (not returnable)
To celebrate this monumental milestone, we’ve created a limited boxset in 6LP and 3CD of ‘The K&D Sessions’, mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna’s “Nothing Really Matters”.
6LP Tracklist:
A1 Roni Size, Reprazent - Heroes (Kruder's Long Loose Bossa)
A2 Alex Reece - Jazzmaster (K&D Session TM)
B1 Bomb The Bass - Bug Powder Dust (K&D Session TM)
B2 Lamb - Trans Fatty Acid (K&D Session TM)
C1 Count Basic - Speechless (Drum 'n' Bass)
C2 Rockers Hi-Fi - Going Under (K&D Session TM)
D1 Depeche Mode - Useless (K&D Session TM)
D2 Count Basic - Gotta Jazz (Richard Dorfmeister Remix)
E1 Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
E2 Knowtoryus – The Revenge Of The Bomberclad Joint (K&D Session)
F Truby Trio - Donaueschingen (Peter Kruder's Donaudampfschifffahrtsgesellschaftskapitänskajütenremix)
G1 David Holmes - Gone ft. Sarah Cracknell (K&D Session TM)
G2 Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
H1 Mama Oliver - Eastwest (Stoned Together)
H2 Bomb The Bass - Bug Powder Dust (Dub)
H3 Kruder & Dorfmeister - Boogie Woogie
I1 Sin - Where Shall I Turn (K&D Session TM)
I2 Bone Thugs-n-Harmony - 1st of Tha Month (K&D Session TM)
I3 Kruder & Dorfmeister - Lexicon
J1 Knowtoryus - Bomberclad Joint (K&D Session TM)
J2 Rockers Hi-Fi - Going Under (Evil Love & Insanity Dub)
J3 Strange Cargo - Million Town (K&D Session TM)
K1 Count Basic - Speechless (Peter Kruder Vocal Mix)
K2 Lewis Taylor - Lucky (Kruder & Dorfmeister Suicide Mix)
K3 Roni Size - Heroes (Peter Kruder Powercut Mix)
L1 Madonna - Nothing Really Matters (Kruder & Dorfmeister Remix)
L2 UFO - L.O.V.E. (K&D Session TM)
L3 Lewis Taylor - Lucky (Kruder & Dorfmeister Reprise Mix)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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To celebrate this monumental milestone, we’ve created a limited boxset in 6LP and 3CD of ‘The K&D Sessions’, mastered and cut by LA luminary Bernie Grundman for a luxurious listening experience, with newly designed inner sleeves using unseen photos from the original photo shoot. Inserted in the box is a forty-page booklet containing multitudes more never before seen photos from the same shoot and notes. Included on the 6th LP is their legendary 11 minute shimmering remix of Madonna’s “Nothing Really Matters”.
6LP Tracklist:
A1 Roni Size, Reprazent - Heroes (Kruder's Long Loose Bossa)
A2 Alex Reece - Jazzmaster (K&D Session TM)
B1 Bomb The Bass - Bug Powder Dust (K&D Session TM)
B2 Lamb - Trans Fatty Acid (K&D Session TM)
C1 Count Basic - Speechless (Drum 'n' Bass)
C2 Rockers Hi-Fi - Going Under (K&D Session TM)
D1 Depeche Mode - Useless (K&D Session TM)
D2 Count Basic - Gotta Jazz (Richard Dorfmeister Remix)
E1 Aphrodelics - Rollin' On Chrome (Wild Motherfucker Dub)
E2 Knowtoryus – The Revenge Of The Bomberclad Joint (K&D Session)
F Truby Trio - Donaueschingen (Peter Kruder's Donaudampfschifffahrtsgesellschaftskapitänskajütenremix)
G1 David Holmes - Gone ft. Sarah Cracknell (K&D Session TM)
G2 Sofa Surfers - Sofa Rockers (Richard Dorfmeister Remix)
H1 Mama Oliver - Eastwest (Stoned Together)
H2 Bomb The Bass - Bug Powder Dust (Dub)
H3 Kruder & Dorfmeister - Boogie Woogie
I1 Sin - Where Shall I Turn (K&D Session TM)
I2 Bone Thugs-n-Harmony - 1st of Tha Month (K&D Session TM)
I3 Kruder & Dorfmeister - Lexicon
J1 Knowtoryus - Bomberclad Joint (K&D Session TM)
J2 Rockers Hi-Fi - Going Under (Evil Love & Insanity Dub)
J3 Strange Cargo - Million Town (K&D Session TM)
K1 Count Basic - Speechless (Peter Kruder Vocal Mix)
K2 Lewis Taylor - Lucky (Kruder & Dorfmeister Suicide Mix)
K3 Roni Size - Heroes (Peter Kruder Powercut Mix)
L1 Madonna - Nothing Really Matters (Kruder & Dorfmeister Remix)
L2 UFO - L.O.V.E. (K&D Session TM)
L3 Lewis Taylor - Lucky (Kruder & Dorfmeister Reprise Mix)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:High Fashion Music
Cat-No:MS536
Release-Date:27.09.2024
Configuration:12"
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Release-Date:27.09.2024
Configuration:12"
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1
BB & Q Band - Ricochet (Dr Packer & Michael Gray Remix)
2
BB & Q Band - Ricochet (Dr Packer & Michael Gray Dubstrumental)
Dr Packer and Michael Gray have teamed up to create a fresh, new rendition of the 80’s funk and soul hit “Ricochet” by the BB&Q Band. Staying true to the original 80s version, which was produced by Kae Williams Jr. under the mentorship of the legendary Jimmy Jam & Terry Lewis, this collaboration preserves the song’s integrity while infusing it with a modern edge. The beats are crisp, the groove is infectious, and the bassline exudes funky vibes. With the addition of staccato strings, the resulting disco house jam is nothing short of sensational.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Be With Records
Cat-No:bewith126lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137928
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Last in:18.04.2023
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Last in:18.04.2023
Label:Be With Records
Cat-No:bewith126lp
Release-Date:26.05.2023
Genre:Jazz
Configuration:LP Excl
Barcode:4251804137928
1
Nucleus - Song For The Bearded Lady (7:22)
2
Nucleus - Sun Child (5:16)
3
Nucleus - Lullaby For A Lonely Child (4:21)
4
Nucleus - We’ll Talk About It Later (6:13)
5
Nucleus - Oasis (9:44)
6
Nucleus - Ballad Of Joe Pimp (3:45)
7
Nucleus - Easter 1916 (8:49)
Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: Worldwide no restrictions
Track List:
A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)
Release Notes:
Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.
We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.
The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.
The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.
This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Hot Biscuit Recrodings
Cat-No:NATURE003HBR
Release-Date:18.10.2024
Configuration:2LP
Barcode:
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Last in:13.12.2024
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Last in:13.12.2024
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Release-Date:18.10.2024
Configuration:2LP
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1
DJ Nature - Felix
2
DJ Nature - Caso De Amor Brasileiro
3
DJ Nature - Steppin'
4
DJ Nature - Tarzoon's March
5
DJ Nature - Disco Queen
6
DJ Nature - Gave Mercy
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More