One of the key 45s in the output of Prince Jazzbo's Ujama label during the digital era of the late 80s - originally reissued via NYC's Deadly Dragon some 15 or so years back - gets a much needed new cut & press via Death Is Not The End's 333 series. The late Earlando Neil aka Early B first started performing on soundsystems in the late 1970s, often appearing with his young apprentice Wild Apache, later known as Super Cat. It was alongside Cat that he is credited as a key driver behind the popularisation of the King Majesty and Killamanjaro stables in the early 1980s, following which he had a string of hit records for the likes of Harry J's Sunset imprint, Ossie Thomas' Black Solidarity and Jah Thomas' Midnight Rock label amongst many others. Following a run of stellar LPs in the mid 1980s Early B's output began to wane as the sound of digital production began to take precedence, but not without firing off one the most killer shots ever recorded on a computerized rhythm for Jazzbo's Ujama in 1987. Reportedly the first time around for the hallowed Replay version, Imitator's subject matter takes aim at the new kids on the dancehall block ripping off the veterans, while he simultaneously pays hard-earned dues to the dancehall's foundation deejays such as Jazzbo himself, U-Roy, Big Youth, Dennis Alcapone, King Stitch, Trinity & Dillinger. More

Tracklisting
A1 Colombo & Dassier Chams - Made In The Street
A2 Colombo & Dassier Chams - Welcome To The Bahamas
B1 Colombo & Dassier Chams - Don't Say Nothing
B2 Colombo & Dassier Chams - Everything Has A Price

Sales Note
Made in the Street is one of those records that's destined to stand the test of time. Brought to you by the 333 Frequency label, the legendary Malaga-based producer Colombo and his incombustible sister-in-arms, Dassier Chams, have released their latest breakbeat masterpiece.

Pure, non-stop virtuosity is one way of describing this musical treatise, which condenses the essence of the last 30 years of breakbeat into 4 outstanding cuts. Throughout these 4 tracks, the pair take you through a range of transcendental moments, from mental passages, dance floor drops and cosmic transitions, to epic pauses and frantic crescendos. There are also countless sensations and narratives that listeners will be able to experience for themselves all faithful to the label's distinctive sound, where outstanding bass and rhythm work plays a fundamental role and is a common denominator throughout its catalogue.

Cut by Simon Davey at the Exchange Vinyl (London) and mastered by Colombo himself, the resulting sound is truly mind-blowing. The Andalusian designer Javier Sutil puts the icing on the cake with artwork that will take you back to a time when cassette tapes recorded off the radio were doing the rounds of public parks and street gatherings. More