Label:333
Cat-No:333LP011
Release-Date:28.06.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580826120
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Cat-No:333LP011
Release-Date:28.06.2024
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Configuration:LP
Barcode:5050580826120
1
The Revolutionaries - Move out of Me Way
2
The Revolutionaries - Meditation Dub
3
The Revolutionaries - Little Bit of Dub
4
The Revolutionaries - Peaceful Natty
5
The Revolutionaries - Political Affair
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The Revolutionaries - Natty Chase the Barber
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The Revolutionaries - Back Whe Dreadie
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The Revolutionaries - Move out Carol
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The Revolutionaries - War Mongrel
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The Revolutionaries - Trod on Natty
Death Is Not The End's 333 series is back with another dig into the catalogue of the NYC-based Flames label on this reissue of a highly coveted Revolutionaries LP, Meditation in Dub. One of reggae music's most famed session bands, The Revolutionaries were an often r/evolving cast of some of the finest session musicians on the island during the roots and early dancehall periods of the mid/late 1970s and early 1980s. These would include Earl 'Wire' Lindo, Radcliffe 'Dougie' Bryan, Ansell Collins, Bobby Kalphat, Lloyd Parks, Uziah 'Sticky' Thompson, Bongo Herman, Stanley Bryan, Bo Peep, Eric 'Bingy Bunny' Lamont, Errol 'Tarzan' Nelson, Skully Simms, Robbie Lyn, Mikey 'Mao' Chung amongst many others. The enduring core of the group, however, was undoubtedly in the coming together of the legendary rhythm section of drummer Sly Dunbar and bassist Robbie Shakespeare - with the formation of The Revolutionaries marking the first time that this often unparalleled duo worked together. The group laid down these rhythm tracks at their base at the storied Channel One recording studio, Maxfield Avenue, Kingston sometime in the mid 1970s - under the arrangement of one of reggae music's great undersung figures, Ossie Hibbert. Early in 1975 Ossie was to move to Maxfield Avenue just as Jo Jo & Ernest Hookim's studio was starting up. A well-respected session musician himself through the late 1960s and early 70s (he played keys for Bunny 'Striker' Lee and Keith Hudson and would also form part of another foundational session band, The Soul Syndicate) he was initially summoned by Jo Jo to be a band member for The Revolutationaries but quickly assumed the role of producer, engineer and talent scout for the studio, responsible for selecting the artists to bring into the studio.These tracks were recorded by Hibbert around this time for Winston Jones, the original singer and composer of Stop That Train (later made world-famous by Keith & Tex's version) with his Spanishtonians for Prince Buster's label in the early 1960s. Jones had moved from JA to NYC in the early 1970s where he established and ran the Flames label. The imprint would go on to form a core part of Brooklyn's reggae scene from the mid-1970s until the early 1990s, though Jones often employed the use of Channel One, Hibbert and The Revolutionaries back home in the recording of rhythm tracks for his productions. Thus the Meditation in Dub LP is essentially formed of stellar dub versions to many of the early Flames labels 45s, produced and released by Jones throughout the mid to late 1970s, including crucial takes on a great many popular rhythms of that period. One of any self-respecting dub LP collectors' holy grails, with originals going for up to £400, it is issued here under license from the now Texas-based Jones with the kind assistance of RB at DKR in sourcing the audio for this new cut.
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Label:333
Cat-No:333023
Release-Date:04.10.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831711
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Cat-No:333023
Release-Date:04.10.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831711
1
Bionic Singer - Botha Warning
2
Bionic Singer - Warning to Botha
Another big Shaka tune from the late 1980s - Bionic Singer's anti-apartheid shot 'Botha Warning' - coming out of the same Jamaazima vaults as Hugh Maddo's Pop Style LP that we reissued late last year under the kind courtesy of the imprint's Nami Harmon. The late Bionic Singer a.k.a Osbert Maddo, or more commonly Madoo, was brought up in East Kingston and as a child attended the legendary Alpha Boys School. He began singing together with his brother UU Madoo (aka Hugh Maddo) and soon became a regular on the Stereophonic soundsystem during the late 1970s. Recording mainly with Joe Gibbs & Errol Thompson and for Winston Riley's famed Techniques stable through the early '80s, he then moved to the US in 1983. Ceasing to record for a period, he returned towards the end of the decade under the Bionic Singer alias on the Bronx-based Jamaazima label, recording this searing indictment of South Africa's apartheid government under P.W. Botha following his stroke in 1989.credits
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Label:333
Cat-No:333020
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831513
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Label:333
Cat-No:333020
Release-Date:20.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580831513
1
Gumbae Culture - Take It Easy
2
Gumbae Culture - Take It Easy Version
Death Is Not The End's 333 series continues with this killer slice of digi roots out of late 90s NY, also a big Jah Shaka selection at the time.
Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based HC&F Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise. More
Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based HC&F Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise. More
Label:333
Cat-No:333017
Release-Date:13.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580830301
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Label:333
Cat-No:333017
Release-Date:13.09.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580830301
1
Dennis Walks - Waste Time in Babylon
2
Dennis Walks - Version in Babylon
Foundation reggae artist Dennis Walks' much in demand Waste Time in Babylon becomes the latest 1980s digital masterpiece to be reissued on 45 from Death Is Not The End's 333 series. Produced by Prince Jazzbo for his Ujama label in 1987, the singer who first came through voicing tracks for producers Harry Mudie and Joe Gibbs in the early 1970s lends his vocals to the "Racecourse Rock" rhythm played here by the legendary keyboardist Winston Wright.
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Label:333
Cat-No:333018
Release-Date:16.08.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580830288
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Label:333
Cat-No:333018
Release-Date:16.08.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580830288
1
Hortense Ellis & Big Youth - Hell & Sorrow
2
Hortense Ellis & Big Youth - Tribulation
The outstanding original cut of the late Hortense Ellis' Hell & Sorrow, originally produced and released by Jimmy Radway for his Fe Me Time label in the mid 1970s and backed with the legendary Big Youth's DJ counteraction Tribulation - now reissued via Death Is Not The End's 333 series.
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Label:333
Cat-No:333LP015
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580822832
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Cat-No:333LP015
Release-Date:03.05.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580822832
1
U-Roy - I Feel Good
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U-Roy - Waterboot
3
U-Roy - Holo Gow
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U-Roy - Jah Ja Call You
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U-Roy - Reggae Party
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U-Roy - Warm Them Now
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U-Roy - Musical Addick
The late foundation deejay U-Roy recorded The Seven Gold at Michael Carroll's Creative Sounds Studio in Kingston (with assistance from engineer, and singer & producer in his own right, Paul Davidson) for Prince Jazzbo's Ujama imprint - with the LP then seeing the light of day on the label in 1987, and now a reissue on Death Is Not The End sub-label 333.
It features the late, great Ewart Beckford appearing on a range of killer Jazzbo-produced late-80s digitap rhythms - from the inspired Replay version on 'Holo Gow', to the updated digital take on the Heavenless rhythm on 'Jah Jah Call You' and his take on Horace Ferguson's Sensi Addict in 'Musikal Addick'. The bulk of these rhythm tracks were performed by revered multi-instrumentalist Tyrone Downie (a long-time member of Bob Marley & The Wailers since the mid 70s) alongside Tony "Asher" Brissett - another massively undersung session musician perhaps most notable for laying down the initial Sleng Teng rhythm track for Jammys in 1984. More
It features the late, great Ewart Beckford appearing on a range of killer Jazzbo-produced late-80s digitap rhythms - from the inspired Replay version on 'Holo Gow', to the updated digital take on the Heavenless rhythm on 'Jah Jah Call You' and his take on Horace Ferguson's Sensi Addict in 'Musikal Addick'. The bulk of these rhythm tracks were performed by revered multi-instrumentalist Tyrone Downie (a long-time member of Bob Marley & The Wailers since the mid 70s) alongside Tony "Asher" Brissett - another massively undersung session musician perhaps most notable for laying down the initial Sleng Teng rhythm track for Jammys in 1984. More
Label:333
Cat-No:333013
Release-Date:08.03.2024
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580817180
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Cat-No:333013
Release-Date:08.03.2024
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580817180
1
Cooly - Freedom
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Cooly - Freedom Version
Rare as hen's teeth digital dancehall from out of late 80s/early 90s NYC, via Cooly aka Koolindian aka Super Cat's cousin Andrew Maragh, originally released on his own Mad Indian Records - reissued here for Death Is Not The End sub-label 333.
Maragh sang in church choirs and on soundsystems in Jamaica before moving to New York in the 1980s where he quickly became involved on the underground music circuit, taking inspiration from his cousin the legendary Super Cat. "Freedom" was penned while he was incarcerated, and details the unfairness of the judicial system at that time, alongside the heartfelt need to "hustle everyday to make ends meet, whether that's picking up scrap metal or cutting lawns or voicing dubplates, whatever you do to make a dollar", says Maragh.
Having bought an Ampex tape in Manhattan, Maragh headed over to the legendary Philip Smart's HC&F studio on Long Island with the intention of laying down his lyrics on the version to Dennis Brown's "Children of Israel". After hearing the song however, Smart went ahead and built this one-away "Freedom" rhythm on the spot. The track was then carried to Count Shelly's Super Power Records where it was then pressed & distributed as the first and only release on the Mad Indian label around the turn of 1989/1990. More
Maragh sang in church choirs and on soundsystems in Jamaica before moving to New York in the 1980s where he quickly became involved on the underground music circuit, taking inspiration from his cousin the legendary Super Cat. "Freedom" was penned while he was incarcerated, and details the unfairness of the judicial system at that time, alongside the heartfelt need to "hustle everyday to make ends meet, whether that's picking up scrap metal or cutting lawns or voicing dubplates, whatever you do to make a dollar", says Maragh.
Having bought an Ampex tape in Manhattan, Maragh headed over to the legendary Philip Smart's HC&F studio on Long Island with the intention of laying down his lyrics on the version to Dennis Brown's "Children of Israel". After hearing the song however, Smart went ahead and built this one-away "Freedom" rhythm on the spot. The track was then carried to Count Shelly's Super Power Records where it was then pressed & distributed as the first and only release on the Mad Indian label around the turn of 1989/1990. More
Label:333
Cat-No:333014
Release-Date:09.02.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580817463
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Cat-No:333014
Release-Date:09.02.2024
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580817463
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Stanford Shirley - The System
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Stanford Shirley - The System Version
333 reissues a massive sought-after and obscure Jazzbo-produced 45 from Stanford Shirley. The System was recorded at Harry J's studio and released in 1987 on the late Linval Carter's Ujama label. Though one of the lesser known cuts from Jazzbo's late 80s production stable, it is surely up there with one of the best. Killer archetypal digi business.
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Label:333
Cat-No:333LP012
Release-Date:20.10.2023
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580810730
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Label:333
Cat-No:333LP012
Release-Date:20.10.2023
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580810730
1
Hugh Maddo - Pop Style
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Hugh Maddo - Baby Don't Go
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Hugh Maddo - Country Girl
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Hugh Maddo - Take Bribe
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Hugh Maddo - Budget
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Hugh Maddo - Everywhere You Go in This World
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Hugh Maddo - Give Me the Sensi
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Hugh Maddo - Jah Jah
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Hugh Maddo - Travellin' Man
Rare late 80s reggae/dancehall heat coming yet again on DINTE sub-label 333. This time it's the turn of Hugh Maddo's Pop Style LP. Recorded in Jamaica at Byron Lee's Dynamics & Herman Chin-Loy's Aquarius studios for the Bronx-based Jamaazima label in 1987, it is issued here under license from co-producer and label owner, Nami Harmon. The record features a host of celebrated and renowned musicians incl. Winston Wright, Bobby Ellis, Carlton "Santa" Davis, Dwight Pinkney, Willie Lindo and Mikey "Boo" Richards amongst many others - alongside the sublime vocals of Killamanjaro's Hugh Maddo aka UU Madoo. A must.
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Label:333
Cat-No:333006
Release-Date:04.08.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580801929
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Label:333
Cat-No:333006
Release-Date:04.08.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580801929
1
Dessus - Ghetto Children
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Dessus - Dessus Jammin'
Death Is Not The End's 333 sub-label digs out a synth-heavy early 80s disco/punk-inflected reggae 45 from short-lived Birmingham group Dessus - produced by British-Cypriot Kim Nicoloau and originally pressed in extremely limited numbers in 1981. Originally formed around 1976 under the initial name Odessus, Dessus spent the late 70s performing a selection of reggae covers and original compositions in venues across the UK, though mostly in the West Midlands area, with a stint supporting local group Steel Pulse on tour. Meeting the band in a chip shop on Soho Road, Birmingham, British Cypriot record producer Kim Nicoloau asked to sit in on a rehearsal and subsequently booked them in for a session at engineer Gary Lucas' Spaceward Studios in Cambridge. 4 tracks in total were laid down over a 2 day period in early December 1980, with Ghetto Children and b-side Dessus Jammin' eventually seeing release shortly after on an extremely limited pressing on Ellie Jay Records (a short lived outfit that provided cheap P&D deals for jobbing bands and producers). The single became a BBC radio "Hit Pick" and recevied a fair amount of airplay, yet no further material from the group ever saw the light of day.
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Label:333
Cat-No:333010
Release-Date:07.07.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580805170
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Label:333
Cat-No:333010
Release-Date:07.07.2023
Genre:Dub/Reggae
Configuration:7"
Barcode:5050580805170
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Jasaro People - Suffering
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Jasaro People - Timba Version
Death Is Not The End sub-label 333 drops a huge late-70s UK roots grail in the form of Jasaro People's Suffering 45. Originally pressed up in super limited quantities and self-distributed out of North West London in 1976, this record was rare even when it was new. Now given fresh new life thanks to a license courtesy of Jasaro's Everand Thompson.
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Label:333
Cat-No:333004
Release-Date:16.06.2023
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580797802
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Label:333
Cat-No:333004
Release-Date:16.06.2023
Genre:Dub/Reggae
Configuration:12"
Barcode:5050580797802
1
Rupie Dan - My Black Race
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Rupie Dan - Black Race Dub
Death Is Not The End's 333 sub-label drops a much needed reissue of Rupie Dan's My Black Race 12" from 1982. A huge Shaka selection featuring one of the heaviest dubs available from this era of UK roots production. Originally written and produced by Rupie for his Flag Records label, with engineering from Tony Addis (later of Addis Posse and the Warriors Dance label).
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Label:333
Cat-No:333LP002
Release-Date:17.03.2023
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580798052
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Cat-No:333LP002
Release-Date:17.03.2023
Genre:Dub/Reggae
Configuration:LP
Barcode:5050580798052
1
Robert Ffrench - Give Me Your Love
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Robert Ffrench - Sweet Sixteen
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Robert Ffrench - I Am Wondering
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Robert Ffrench - I Can't Finance You
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Robert Ffrench - You Are so Special
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Robert Ffrench - Heart Breaker
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Robert Ffrench - Roots Man Session
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Robert Ffrench - Dance Hall Seen
Death Is Not The End's 333 sub-label follows the reissue of Devon Russell's Darker Than Blue LP late last year with a first-time reissue of a veritable reggae-dancehall holy grail - Robert Ffrench's 1985 LP 'Wondering'. Pioneering artist and producer (and cousin of the late, great Pat Kelly) Robert Ffrench was born in central Kingston in 1962, recording his first records in 1979 at the age of 17. Coming out off the back of a slew of roots & early dancehall-style 45s cut with a wide range of producers thoughout the early '80s, the Wondering LP followed closely after two acclaimed LP sets ('Showcase' produced with Lord Koos & 'The Favourite' for Ossie Thomas' Black Solidarity label - plus a split showcase LP with Anthony "Gunshot" Johnson for Jah Thomas' Midnight Rock label). Ffrench would write and produce the Wondering LP himself in it's entirity, laying down the tracks at Herman Chin-Loy's Aquarius & Michael Carroll's Creative Sounds studios with the help of engineer Christopher Daley. Representing the sound of an artist first confidently sriking out on his own, the album elegantly mixes a classic rub-a-dub & lovers rock-inspired sound with nascent digi-esque flourishes. It boasts an enviable list of contributors too, incl. Sly & Robbie, Dwight Pinkney, Robbie Lyn, Nelson Miller (Burning Spear) and Ronald "Nambo" Robinson among others, with Beres Hammond also providing backing vocals in places. Following the release of Wondering, Ffrench would continue to write and produce, soon after releasing two further self-produced LPs for Edgar White's Parish label - and founded his own 'France' label in the late 80s, through which his productions would start to hit big, most notably alongside Courtney Melody on 'Modern Girl', and with US rapper Heavy D on the track 'More Love'. Robert's productions released through later label 'Ffrench' would go on to boast the cream of the crop of dancehall artists throughout the 90s and early 2000s, and he is often credited with discovering Buju Banton (producing his first single "Ruler" on the Stamina riddim). Ffrench is still actively producing music of his own to this day, having released singles 'Everyday of My Life' and 'Black Is a Colour' in late 2022 and Feb 2023 respectively,
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Label:Mutual Rytm
Cat-No:MR-029
Release-Date:08.11.2024
Genre:Techno
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1
Alpharisc - Peace Be With You
2
Alpharisc - Hail
3
Alpharisc - Remain Seated
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Alpharisc - Look At This
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Alpharisc - In Your Mind
Aussie techno innovator Alpharisc returns to Mutual Rytm for a second standout EP.
Shane Yates, aka Alpharisc, has been living and breathing techno for over 30 years. He first began producing in the mid-90s and has amassed a fine hardware collection that lends his sounds a raw, rugged feel. After breaking through with the Wetmusik party and label collective, he has let his music do the talking and isn't afraid of colouring it with a hint of nostalgia. Previous material has come via several notable labels over the years, but his most recent outings have been on SHDW's Mutual Rytm imprint, with his solo EP 'Ram Face' from 2023 becoming an underground favourite alongside a fine outing as part of the label's 'Federation Of Rytm II' and 'Federation Of Rytm III' compilations. Once again, he returns in style, uncovering an impactful selection of gems across his new 'Remain Seated' EP.
The opener 'Peace Be With You' is a straight-up techno weapon with urgent synth flashes peeling off the groove like a police siren. The drums hit hard in true Alpharisc style before 'Hail' builds on that with a more hard-edge groove topped with frosty waves of white noise that electrify the dance floor. 'Remain Seated' brings a hint of trance-leaning energy with its bright sheets of synth lighting up the driving drums and saw-tooth bass loops. Next, 'Look At This' is another brilliantly forceful techno sound with slamming drums and rusty synth loops, layering melancholic pads up top and adding a cerebral edge, while closer 'In Your Mind' is from the Jeff Mills school of synth-laced and serene deep techno with lush pads radiating cosmic light. As a bonus, digital-only cut 'Expedition' brings some backlit celestial synth work to a rubbery and pummelling drum pattern for pure techno escapism.
Alpharisc 'Remain Seated' EP lands via Mutual Rytm on 8th November 2024.
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Shane Yates, aka Alpharisc, has been living and breathing techno for over 30 years. He first began producing in the mid-90s and has amassed a fine hardware collection that lends his sounds a raw, rugged feel. After breaking through with the Wetmusik party and label collective, he has let his music do the talking and isn't afraid of colouring it with a hint of nostalgia. Previous material has come via several notable labels over the years, but his most recent outings have been on SHDW's Mutual Rytm imprint, with his solo EP 'Ram Face' from 2023 becoming an underground favourite alongside a fine outing as part of the label's 'Federation Of Rytm II' and 'Federation Of Rytm III' compilations. Once again, he returns in style, uncovering an impactful selection of gems across his new 'Remain Seated' EP.
The opener 'Peace Be With You' is a straight-up techno weapon with urgent synth flashes peeling off the groove like a police siren. The drums hit hard in true Alpharisc style before 'Hail' builds on that with a more hard-edge groove topped with frosty waves of white noise that electrify the dance floor. 'Remain Seated' brings a hint of trance-leaning energy with its bright sheets of synth lighting up the driving drums and saw-tooth bass loops. Next, 'Look At This' is another brilliantly forceful techno sound with slamming drums and rusty synth loops, layering melancholic pads up top and adding a cerebral edge, while closer 'In Your Mind' is from the Jeff Mills school of synth-laced and serene deep techno with lush pads radiating cosmic light. As a bonus, digital-only cut 'Expedition' brings some backlit celestial synth work to a rubbery and pummelling drum pattern for pure techno escapism.
Alpharisc 'Remain Seated' EP lands via Mutual Rytm on 8th November 2024.
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Label:Poker Flat
Cat-No:pfrlp18
Release-Date:09.10.2006
Genre:House
Configuration:2LP Excl
Barcode:827170113114
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Cat-No:pfrlp18
Release-Date:09.10.2006
Genre:House
Configuration:2LP Excl
Barcode:827170113114
Finally: the long awaited Trentemøller debut album - maybe one of the most anticipated independent albums of the year - is ready to be released in October!The danish producer Anders Trentemøller is one of the hottest artists on the electronic circuit - the man of the moment!His 12“es broke many sales-records and he‘s been voted as the shooting star in 2005 by many reader polls.So the time is right to release his debut album The Last Resort“ - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods, „The Last Resort“ without a doubt contains Trentemøller’s best work to date. Although it’s an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. „Something I couldn’t manage with just electronica“, according to the producer.
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Label:Dubwax
Cat-No:DUBWAX009
Release-Date:15.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
Stoerung - Tuatapere
2
Stoerung - Taupo
3
Stoerung - Bluff
4
Stoerung - Ohangai
RAWAX welcomes STOERUNG aka Alex Bau to the artist Family!
We are very happy to present you Alex under his new moniker with this deep dub monster! More
We are very happy to present you Alex under his new moniker with this deep dub monster! More
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Label:Pampa
Cat-No:pampa004
Release-Date:25.11.2022
Genre:House
Configuration:12" Excl
Barcode:827170358461
1
Axel Boman, - Holy Love feat. J Jonasson
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Axel Boman, - Purple Drank
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Axel Boman, - Not So Much
2022 Repress
For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.
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For the fourth release on DJ Koze and Marcus Fink's Pampa imprint, hyperactive hotshot house hunk Axel Boman steps up and delivers a stunning debut EP for the label. Since many years an important force on the small but friendly Swedish club scene, and one third of the Studio Barnhus crew together with Kornél Kovács and Petter, Axel is as experienced a producer as his ideas are fresh. This tattooed Swede often talks about creating "worlds" rather than "tracks", and on his "Holy Love" EP we are transported to three very different places indeed. The title track, a collaboration with vocalist J Jonason, invites you to take part in a lazy afternoon cocktail party onboard an old sailing boat in Gothenburg's archipelago. Ten City are mixing up the White Russians and Giorgio Moroder's estranged Swedish grandson is peeling the shrimp. You fall asleep on the patio and wake up in a sweaty basement later that night. Through the shabby speakers of one of those small but friendly Stockholm night clubs, you hear "Purple Drank", a sleazy, sexy number that draws influences from Houston style screw music, classic deep house and hypnotic techno. The irresistible vocal hook - "I woke up with your name on my lips" has already echoed across dance floors from Tokyo to Amsterdam. Bouncy yet unsettling, this track is probably the most obvious DJ's favorite on the EP. Morning comes yet again, and for the after party we head to Axel's private rooftop terrace in sunny Gröndal. The laptop speakers are banging out the most loved up piano loop you ever heard. "Not So Much" is as simple and naïve as Axel Boman's haircut, a perfect ending to a perfect night and a perfect little record from this imperfect genius of a dance music producer.
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Tracklisting:
A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
Release Info:
(clear green color vinyl / LP with OBI, originally released in 1975) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. Features a cover of “Funky Stuff” by Kool & The Gang. All songs written and arranged by Hiromasa Suzuki
An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
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A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
Release Info:
(clear green color vinyl / LP with OBI, originally released in 1975) 2024 pressing Japanese Import of the Japanese Jazz-Funk classic. Features a cover of “Funky Stuff” by Kool & The Gang. All songs written and arranged by Hiromasa Suzuki
An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
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Label:Omnidisc
Cat-No:OMD909
Release-Date:29.11.2024
Genre:Techno
Configuration:2LP
Barcode:
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Label:FELT
Cat-No:FELT008
Release-Date:13.09.2024
Genre:Electronic
Configuration:2LP
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Last in:24.10.2024
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Label:FELT
Cat-No:FELT008
Release-Date:13.09.2024
Genre:Electronic
Configuration:2LP
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Civilistjävel! - I
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Civilistjävel! - II
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Civilistjävel! - III
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Civilistjävel! - IV (Ft. Mayssa Jallad)
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Civilistjävel! - V
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Civilistjävel! - X
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Civilistjävel! - XI
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Civilistjävel! - XII
Civilistjävel! returns with Brödföda, the successor to 2022’s Järnnätter and his fourth release for FELT. The record features collaborations with Laila Sakini, Mayssa Jallad, Thommy Wahlström, ELDON, and Withdrawn.
Tomas Bodén is a revered figure of the aural murk, known primarily for his work as Civilistjävel. It’s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden.
On Brödföda, his latest album for Fergus Jones’s FELT imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistjävel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on “IV”, “VIII” hosts Coldlight’s ELDON & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on “IX”, and Thommy Wahlström floats scant acid dub stylings on “VI”. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for.
FELT’s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistjävel! often its primary culprit; Brödföda gently modifies this path to pursue some of his and the label’s most quaintly beautiful music yet. More
Tomas Bodén is a revered figure of the aural murk, known primarily for his work as Civilistjävel. It’s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden.
On Brödföda, his latest album for Fergus Jones’s FELT imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistjävel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on “IV”, “VIII” hosts Coldlight’s ELDON & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on “IX”, and Thommy Wahlström floats scant acid dub stylings on “VI”. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for.
FELT’s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistjävel! often its primary culprit; Brödföda gently modifies this path to pursue some of his and the label’s most quaintly beautiful music yet. More
12"
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Label:Optimo Music
Cat-No:OM60
Release-Date:20.09.2024
Configuration:12"
Barcode:4250101469985
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Last in:04.10.2024
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Label:Optimo Music
Cat-No:OM60
Release-Date:20.09.2024
Configuration:12"
Barcode:4250101469985
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GAEG (Monkey Timers & Keita Sao)n - Brother
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GAEG (Monkey Timers & Keita Sao)n - Crazy Pa Pa
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G?G say – ?DISKO KLUBB boss MONKEY TIMERS, who leads Tokyo’s underground disco scene, and KEITA SANO, who has been gaining attention for his releases on labels around the world, have started the project “G?G”.
Using a variety of sampling and unique FX, our music has created a unique G?G sound that is psychedelic and anarchic.
This subversive sound is sure to be the key to shaking the dancefloor. More
G?G say – ?DISKO KLUBB boss MONKEY TIMERS, who leads Tokyo’s underground disco scene, and KEITA SANO, who has been gaining attention for his releases on labels around the world, have started the project “G?G”.
Using a variety of sampling and unique FX, our music has created a unique G?G sound that is psychedelic and anarchic.
This subversive sound is sure to be the key to shaking the dancefloor. More
Label:Raster
Cat-No:r-m215-2
Release-Date:01.11.2024
Genre:Electronic
Configuration:LP
Barcode:4260115999156
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Last in:01.11.2024
Label:Raster
Cat-No:r-m215-2
Release-Date:01.11.2024
Genre:Electronic
Configuration:LP
Barcode:4260115999156
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Unequal cycles searching for synchronous experiences: On his new album »Pounding«, Frank Bretschneider tells of distance, convergence and congruence in a continuous, ever-changing flow of events. What is often considered to be an unquestionable dogma in club music (for which Bretschneider has provided significant impetus since the 1990s) – the groove – appears precarious, unstable, and in motion. Pulse and accent are volatile encounters and have to be found again and again for short, delightful moments. Music becomes a constant process of negotiation.
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting. More
In search of new sound spaces, Bretschneider has recently worked a lot with modular synthesizers, both solo (for example on »abtasten_halten«, 2020) and in collaborations, including the project Beispiel together with Jan Jelinek. »Pounding« was created using similar means – conceived in 2020 for the Pochen Biennale in Chemnitz, subsequently developed further and recorded in March and April 2023 on a sample-based modular system. And in fact, Bretschneider is once again exemplarily scanning his own sound material, for example Dub effects that listen to themselves crumbling. But also the human voice, or more precisely: the stuttering of fragments of speech, far in the distance but omnipresent, like a mysterious narration. Aesthetically, the eleven pieces form part of a series of works with a focus on percussion. Bretschneider has already perfected this approach with albums like »Rhythm« (2007) and has been shifting the perspective ever since, for ever new results.
Shifting is the basic principle of »Pounding«. Bretschneider combines elements that are in different aggregate states, changing their relationship to each other and thus ensuring the complex overall movement. He lets one to two-bar loops run against each other and through manipulations, develops a network of rhythms that creates a hypnotic state in the counterplay of repetition and mutation, between clearly recognizable meter and disorientation. There are comparable approaches in aleatoric music. Bretschneider combines them with sounds and patterns that are reminiscent of step sequencer logic and at the same time go far beyond it. The result is relational techno. Never clear, constantly restless and exciting. More
Label:GT Flip
Cat-No:GTFlips313-002
Release-Date:26.07.2024
Genre:Detroit House
Configuration:12"
Barcode:
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Last in:21.10.2024
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Last in:21.10.2024
Label:GT Flip
Cat-No:GTFlips313-002
Release-Date:26.07.2024
Genre:Detroit House
Configuration:12"
Barcode:
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Andrés, a renowned DJ and producer from Detroit, is celebrated for his eclectic blend of house, hip-hop, Latin, and soul. Known for his dynamic DJ sets and innovative productions, he has carved a unique niche in the electronic music scene. His work, featuring smooth grooves and deep, rhythmic beats, reflects Detroit's rich musical heritage. Andrés’ GT Flips series showcases his ability to transform classic tracks into head-nodding bangers. With releases on prestigious labels and captivating live performances, Andrés continues to inspire audiences worldwide.
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Last in:06.11.2024
Label:Incienso
Cat-No:INC-027
Release-Date:02.08.2024
Genre:Techno
Configuration:2LP Excl
Barcode:4251804181655
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Loidis - A1. Tell Me
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Loidis - D1. All Of Em
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Loidis - D2. Why Do
Format: 2LP
Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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Tracklist
A1. Tell Me
A2. Wait & See
B1. Tequa
B2. Love's Lineaments
C1. Sugar Snot
C2. Dollarama
D1. All Of Em
D2. Why Do
Six years after the release of the "A Parade, In The Place I Sit, The Floating World (& All Its Pleasures)" EP on anno Records, Brian Leeds, aka Huerco S., returns to the Loidis project with his debut album "One Day" on Incienso.
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