Label:Rosebay Music
Cat-No:RSBY003
Release-Date:26.07.2024
Genre:Drum + Bass
Configuration:12"
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Last in:14.08.2024
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Label:Rosebay Music
Cat-No:RSBY003
Release-Date:26.07.2024
Genre:Drum + Bass
Configuration:12"
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1
Azotix - Hurt
2
Styke & Submorphics - Lonely Dub
3
LO! - Transition
4
imo-Lu - Inhibition
DJ Support: Doc Scott, Glxy, Halogenix, Lenzman
Rosebay Music presents Darker Flowers - a V/A project showcasing 4 hotly-tipped new school producers - all representing a haunting soul sound with elegance and class. Romanian wiz kid Azotix has been making moves recently with his ultra-clean future bangers. But here he shows another side of his sound with the beautiful 'Hurt'. Styke & label boss Submorphics linked up in The Hague for a unique collab in 'Lonely Dub' - channeling dub techno + moody film noir D&B. LO! represents Chicago with the timeless banger 'Transition' - bringing an early 2000s sound into 2024. And imo-Lu finishes the EP with the gorgeous- yet-deadly bassbin rattler 'Inhibition'. Epic soundsystem music straight out of Glasgow.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rosebay Music presents Darker Flowers - a V/A project showcasing 4 hotly-tipped new school producers - all representing a haunting soul sound with elegance and class. Romanian wiz kid Azotix has been making moves recently with his ultra-clean future bangers. But here he shows another side of his sound with the beautiful 'Hurt'. Styke & label boss Submorphics linked up in The Hague for a unique collab in 'Lonely Dub' - channeling dub techno + moody film noir D&B. LO! represents Chicago with the timeless banger 'Transition' - bringing an early 2000s sound into 2024. And imo-Lu finishes the EP with the gorgeous- yet-deadly bassbin rattler 'Inhibition'. Epic soundsystem music straight out of Glasgow.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Rosebay Music
12"
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Label:Rosebay Music
Cat-No:RSBY004
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:12"
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Label:Rosebay Music
Cat-No:RSBY004
Release-Date:08.11.2024
Genre:Drum + Bass
Configuration:12"
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1
Submorphics - Take A Chance (Ft. Upper Reality)
2
Submorphics - Hey Baby
DJ Support: Workforce, Lenzman, LSB, Doc Scott, Jubei.
Rosebay Music returns with its 4th release: a signature soul record from label boss Submorphics and LA soul artist Upper Reality. Two unique slices of D&B funk for the late summer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rosebay Music returns with its 4th release: a signature soul record from label boss Submorphics and LA soul artist Upper Reality. Two unique slices of D&B funk for the late summer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:Rosebay Music
Cat-No:RSBY002
Release-Date:03.05.2024
Genre:Drum + Bass
Configuration:12"
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Last in:23.05.2024
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Last in:23.05.2024
Label:Rosebay Music
Cat-No:RSBY002
Release-Date:03.05.2024
Genre:Drum + Bass
Configuration:12"
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1
Submorphics & Lenzman - Echoes Of November
2
Submorphics - The Messenger
Submorphics’ new imprint Rosebay Music returns with its 2nd release - this time joined by North Quarter boss and soulful D&B aficionado Lenzman. Melding adjacent styles ofsoul and funk once again, this 2 track single is primed for dance floors, headphones, road trips and reflective late nights.
Echoes of November sees the longtime friends and collaborators fusing skanked-outfunk with steppy drums, Detroit-style synths and a haunting soul vocal echoing from thedeep past.
On The Messenger, Submorphics gives us an esoteric solo tune with ultra-rollingdrums, standout catchy vocals and deep musical flourishes.
Rosebay Music continues to wear its heart on its sleeve; presenting emotionally andmelodically engaging music to discerning D&B lovers.
Stay tuned for more!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Echoes of November sees the longtime friends and collaborators fusing skanked-outfunk with steppy drums, Detroit-style synths and a haunting soul vocal echoing from thedeep past.
On The Messenger, Submorphics gives us an esoteric solo tune with ultra-rollingdrums, standout catchy vocals and deep musical flourishes.
Rosebay Music continues to wear its heart on its sleeve; presenting emotionally andmelodically engaging music to discerning D&B lovers.
Stay tuned for more!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Rosebay Music
Cat-No:RSBY001
Release-Date:03.11.2023
Genre:Drum + Bass
Configuration:12"
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Last in:15.01.2024
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Label:Rosebay Music
Cat-No:RSBY001
Release-Date:03.11.2023
Genre:Drum + Bass
Configuration:12"
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1
Submorphics - Blastoff
2
Submorphics - Cinerama
Longtime D&B producer Submorphics launches his new imprint Rosebay Music with a 2 track single showcasing the modern-yet-timeless soul sound that he is known for. Fusing elements of Motown, deep house, footwork, 80s & 90s, funk and orchestral film soundtracks, the nomadic producer displays his love of emotive, eclectic D&B in signature form on this first single.
Rosebay Music releases will connect the dots between disparate styles of soulful music, with unexpected collaborations, remixes and genre hybrids - focusing on melodically strong D&B, adjacent forms of dance music, hip hop and modern soul. Cinematic, visceral, heartfelt music; Rosebay will be a place for honest musical expression.
DJ Support:
LTJ Bukem, Bryan Gee, High Contrast, Logistics, Lenzman, Bredren, Sustance, Satl, DJ Marky, Doc Scott, Bailey, Technimatic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Rosebay Music releases will connect the dots between disparate styles of soulful music, with unexpected collaborations, remixes and genre hybrids - focusing on melodically strong D&B, adjacent forms of dance music, hip hop and modern soul. Cinematic, visceral, heartfelt music; Rosebay will be a place for honest musical expression.
DJ Support:
LTJ Bukem, Bryan Gee, High Contrast, Logistics, Lenzman, Bredren, Sustance, Satl, DJ Marky, Doc Scott, Bailey, Technimatic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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12"
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Label:Nous'klaer Audio
Cat-No:NOUSLP010S
Release-Date:13.09.2024
Genre:House / Techno
Configuration:12"
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Last in:24.09.2024
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Last in:24.09.2024
Label:Nous'klaer Audio
Cat-No:NOUSLP010S
Release-Date:13.09.2024
Genre:House / Techno
Configuration:12"
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1
Nicola Cruz - Perma (Original Mix)
2
Nicola Cruz - Perma (Fauna Extinta Dub)
3
Nicola Cruz - Perma (Fauna Extinta Remix)
Preceding Nicola Cruz' new album Kinesia coming on Nous'klaer Audio this autumn, the Rotterdam label and Ecuadorian producer present the first album single with two vinyl only remixes on a limited 12". Under his alter-ego Fauna Extinta, Nicola Cruz reworked the track Perma into a sublime grooving house remix and dub version. Limited to 200 copies. Stamp design by Pedro Zoz.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:WRWTFWW
Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
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Label:WRWTFWW
Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:24.02.2014
Label:kdj
Cat-No:kdj44
Release-Date:02.12.2013
Genre:House
Configuration:2LP
Barcode:
Leave it up to Kenny Dixon Jr. aka Moodymann, to give us the last jab of 2013. New material from KDJ along with two tracks produced by Andres. This long awaited album features twelve songs over 4 sides of vinyl, a poster, all in custom sleeve with the best album artwork since 1979. A journey further into the weird and wonderful world of the Moodymann...
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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Last in:25.02.2008
Label:3 chairs
Cat-No:3ch3
Release-Date:13.05.2003
Genre:House
Configuration:3LP
Barcode:
An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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12"
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Last in:25.02.2008
Label:3 chairs
Cat-No:3ch4
Release-Date:13.05.2003
Genre:House
Configuration:12"
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An enormous collaboration between the current leaders of the new generation of Detroit dance music MOODYMAN, THEO PARRISH, RICK WILHITE and MARCELUS PITTMAN. Three tracks of deep, afro inspired underground techno soul that, much like anything any of these men has ever produced, is sure to go down in history as one of 'the' records to have bought new.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:Kompakt
Cat-No:Kompakt491
Release-Date:23.08.2024
Genre:Electronic
Configuration:3LP
Barcode:4250101471391
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Label:Kompakt
Cat-No:Kompakt491
Release-Date:23.08.2024
Genre:Electronic
Configuration:3LP
Barcode:4250101471391
1
GAS - GAS 1 (1996)
2
GAS - GAS 2 (1996)
3
GAS - GAS 3 (1996)
4
GAS - GAS 4 (1996)
5
GAS - GAS 5 (1996)
6
GAS - GAS 6 (1996)
Kompakt is proud to announce, finally, a reissue of the first, self-titled GAS album. Originally released on electronica imprint Mille Plateaux back in 1996, it’s been unavailable in its original form ever since – the version of GAS included in 2008’s Nah Und Fern box featured several different tracks. Here, however, GAS is restored in all its glory, the debut full-length from Wolfgang Voigt’s most enigmatic, quixotic project.
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
There had, of course, been signs of what was to come. Back in 1995, Voigt essayed the first GAS release, a slender, yet remarkable four-track EP, Modern. Its centre label featured a reduced symbol – an overhead or lamp light, switched on, its glow radiating outwards in four bold black lines – a perfect representation of the tight, stylised ambient electronic pop contained on that 12”. A few curious compilation tracks were floating around, too, for Mille Plateaux’s Modulation & Transformation and Electric Ladyland series. If you were attentive enough, you could tell something was up.
But nothing quite prepared us for the languorous, effervescing loops and regular-like-clockwork beats that Voigt folded together on GAS. Its six long tracks, all untitled, neither begin nor end but hazily fade into earshot, vibrate majestically in your cochlea for fifteen-or-so minutes – some a bit shorter, some longer – and then meander away, reading the mise-en-scène for the next example of Voigt’s drift and dream logic to unfold. The material is referential in the most distant way, and you can sense only the most evanescent of ghostly presences, haunting these six compositions.
GAS feels, also, like a more pliable hint at what’s to come, as the GAS concept really solidified on its successor, 1997’s Zauberberg, and reach its apotheosis on Königsforst and Pop. Those three albums share a very similar palette – blurred, hazy samples, often of classical music, stacked and cross-thatched across a muted 4/4 thud. GAS, then, is an outlier of sorts: it’s more expansive in its remit, lighter in its mood, perhaps more fleet of foot. This, of course, is part of its charm.
In clearing space for Voigt, by preparing the terrain, GAS sits both at the edge of the forest, and at the verge of an expansive, wide-eyed future; one where GAS would become truly eternal.
Text by Jonathan Dale
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Mr. Disc Organization
Cat-No:MD31802
Release-Date:02.09.2022
Configuration:12"
Barcode:
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Last in:13.05.2024
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Label:Mr. Disc Organization
Cat-No:MD31802
Release-Date:02.09.2022
Configuration:12"
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1
Charlie - Spacer Woman
2
Charlie - Spacer Woman (Instrumental)
Official reissue of this italo classic from 1985!
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DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
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12" Excl
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Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
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Last in:05.07.2024
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Last in:05.07.2024
Label:Be With Records
Cat-No:bewith023twelve
Release-Date:30.08.2024
Configuration:12" Excl
Barcode:4251804181266
1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Cat-No:ITLP19
Release-Date:02.07.2024
Genre:Electronic
Configuration:2LP
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More