1
Prince Istari Meets Erik Satie - Gnossienne Dub No 1
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Prince Istari Meets Erik Satie - Gnossienne Dub No 2
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Prince Istari Meets Erik Satie - Gnossienne Dub No 3
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Prince Istari Meets Erik Satie - Gnossienne Dub No 4
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Prince Istari Meets Erik Satie - Gnossienne Dub No 5
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Prince Istari Meets Erik Satie - Gymnopedie Dub No 1
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Prince Istari Meets Erik Satie - Gymnopedie No 3
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Prince Istari Meets Erik Satie - Gnossine
[Green Sleeve Repress]. 200 copies.
The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions.
In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning.
In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions.
In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning.
In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Sozialistischer Plattenbau
1
Prince Istari - Cellphone Love (Acid Bass In Your Face)
2
Prince Istari - I’ll Never Let You Dub (Answer On Me Bass)
Prince Istari attends the Riddim Dub School. 1st Grade lessons brings us computerized acid and dub. Nothing to say about this one, except that it brings you original flavours for computerized riddims and stepper lovers. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Prince Istari - Everlasting Dub (Thunder And Lightning Dub)
2
Prince Istari - Ebb And Flow (Drum And Bass Is The Place)
Prince Istari in the 2nd Grade of the Riddim Dub School dropping an original classic cover in rockers style on the first side, while on the flipside he comes down for some stepper and playing his melodica. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Prince Istari - Hail King Zukale (Killer Fire Ant Dub)
2
Prince Istari - Ital Bounce (Love In Your Chest Dub)
Prince Istari in the 3rd Grade of the Riddim Dub School dropping hails King Zukale with some heavy weight rockers dub tune. On the flipside the rockers invites you for some bass and brass inflicted lover style riddim. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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1
F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
The second album by F.K. Raeithel, just after the operetta DIE WURLITZERORGEL DES GEISTES, explores the realms of interlocked rhythm sample and hold music. On 16 tracks different setups of self generating modular synthesizer patches are gathered on this release.
The concept of Dance With Uncertainty is deeply rooted in philosophical, artistic, and cultural traditions. The notion of embracing uncertainty and change has been explored in various forms throughout history, often symbolizing the human experience and the impermanence of life. In the context of music and sound, Dance With Uncertainty could be seen as a reflection of the constant ebb and flow of life‘s uncertainties, captured and conveyed through sonic textures and evolving compositions.
Interlocked Rhythm Sample & Hold Music, this approach to sound creation weaves a mesmerizing tapestry of rhythm, texture, and sonic exploration, captivating listeners and defying traditional musical boundaries. At its core, Interlocked Rhythm Sample & Hold Music is a synthesis of technology, creativity, and a deep understanding of rhythmic intricacies. The foundation lies in the Sample & Hold circuit, a device that captures and freezes incoming voltages, creating distinct musical snapshots that evolve over time or an Linear Feedback Shift Register (eg. Rungler), a circuit used in electronic music synthesis and sound manipulation to create unique and evolving musical textures. The Rungler was created by Rob Hordijk. A more sophisticated use of a 8 bit shift register and by combining this with a typical sequencer design is the Klee Sequencer developed by Scott Stites. A cheap version of this design is the Turing Machine. Another tool is the Analog Shift Register. In the context of creating arabesque melodies, an analog shift register (invented by Fukushi Kawakami and later adapted by Serge Tcherepnin) can be a fascinating tool to generate intricate and ornamented musical patterns. Yet, it‘s the interlocking of these snapshots that sets this genre apart, infusing the compositions with an intricate dance of patterns and pulses. A fourth device is a pendulum or random addressed sequencer, that in the first case moves in a drunken unpredictable manner. Each of these devices for uncertainty becomes a rhythmic sculptor, freezing the dynamic interplay of melodies, beats, and textures. These frozen moments are then interwoven, each snapshot forming a unique thread in a sound tableau that stretches and contracts, pulses and breathes. The result is an auditory experience that challenges preconceptions of rhythm and structure. The interlocked rhythms give rise to complex grooves that ebb and flow in unpredictable ways, evoking a sense of perpetual motion and transformation. The music becomes a living organism, its heartbeats synchronized yet untamed, its evolution both deliberate and free-spirited. The juxtaposition of staccato bursts and fluid flows, of machine-like precision and organic unpredictability. As listeners delve into the world of Interlocked Rhythmic Sample & Hold Music, they embark on a sonic odyssey. The music becomes a companion, guiding them through a labyrinth of rhythmic landscapes that simultaneously challenge and invite them to the dance with uncertainty.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The concept of Dance With Uncertainty is deeply rooted in philosophical, artistic, and cultural traditions. The notion of embracing uncertainty and change has been explored in various forms throughout history, often symbolizing the human experience and the impermanence of life. In the context of music and sound, Dance With Uncertainty could be seen as a reflection of the constant ebb and flow of life‘s uncertainties, captured and conveyed through sonic textures and evolving compositions.
Interlocked Rhythm Sample & Hold Music, this approach to sound creation weaves a mesmerizing tapestry of rhythm, texture, and sonic exploration, captivating listeners and defying traditional musical boundaries. At its core, Interlocked Rhythm Sample & Hold Music is a synthesis of technology, creativity, and a deep understanding of rhythmic intricacies. The foundation lies in the Sample & Hold circuit, a device that captures and freezes incoming voltages, creating distinct musical snapshots that evolve over time or an Linear Feedback Shift Register (eg. Rungler), a circuit used in electronic music synthesis and sound manipulation to create unique and evolving musical textures. The Rungler was created by Rob Hordijk. A more sophisticated use of a 8 bit shift register and by combining this with a typical sequencer design is the Klee Sequencer developed by Scott Stites. A cheap version of this design is the Turing Machine. Another tool is the Analog Shift Register. In the context of creating arabesque melodies, an analog shift register (invented by Fukushi Kawakami and later adapted by Serge Tcherepnin) can be a fascinating tool to generate intricate and ornamented musical patterns. Yet, it‘s the interlocking of these snapshots that sets this genre apart, infusing the compositions with an intricate dance of patterns and pulses. A fourth device is a pendulum or random addressed sequencer, that in the first case moves in a drunken unpredictable manner. Each of these devices for uncertainty becomes a rhythmic sculptor, freezing the dynamic interplay of melodies, beats, and textures. These frozen moments are then interwoven, each snapshot forming a unique thread in a sound tableau that stretches and contracts, pulses and breathes. The result is an auditory experience that challenges preconceptions of rhythm and structure. The interlocked rhythms give rise to complex grooves that ebb and flow in unpredictable ways, evoking a sense of perpetual motion and transformation. The music becomes a living organism, its heartbeats synchronized yet untamed, its evolution both deliberate and free-spirited. The juxtaposition of staccato bursts and fluid flows, of machine-like precision and organic unpredictability. As listeners delve into the world of Interlocked Rhythmic Sample & Hold Music, they embark on a sonic odyssey. The music becomes a companion, guiding them through a labyrinth of rhythmic landscapes that simultaneously challenge and invite them to the dance with uncertainty.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Istari Lasterfahrer - Sensitive People
2
Istari Lasterfahrer - Too Much Sensitive
Acid Basslines and Breaks! First side delivers a hardcore tune at 142bpm with piano & vocal hooks and acid bassline and on the other hand the version jumps up to 160bpm jukes jungle workout to the final peak on that track. dedicated to all the snowflakes in the place!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Istari Lasterfahrer - Why Can't That Be All The Time
2
Istari Lasterfahrer - Isolated
Two darkside tunes on the Acid Skanking Volume 5. The a side brings in first a rude hardcore stomper at 150 bpm with a dub wise bassline. Flipside then drops down to a wave garage dub track on 140 bpm.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Deep Dish - Say Hello (PARAMIDA's Tokyo Remix)
2
Deep Dish - Say Hello (PARAMIDA's Tokyo To Tehran Dub)
Early support by Gerd Janson, Moxie, Tim Sweeney, James Zabiela, Prins Thomas
Berghain’s Panorama Bar resident and Love On Rocks founder, Paramida delivers her take on Deep Dish’s classic ‘Say Hello’.
For the Lisbon based, international superstar DJ and producer, it’s a full-circle moment. As a teenager living in Tehran, she listened to “Say Hello” on her daily car rides to and from an internship at an Iranian newspaper while attending a German school.
Paramida explained the remix idea came together very quickly, in a single take, with everything falling perfectly into place.
An essential remix that is sure to be played everywhere from sweaty basements to festival throughout the Summer.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Berghain’s Panorama Bar resident and Love On Rocks founder, Paramida delivers her take on Deep Dish’s classic ‘Say Hello’.
For the Lisbon based, international superstar DJ and producer, it’s a full-circle moment. As a teenager living in Tehran, she listened to “Say Hello” on her daily car rides to and from an internship at an Iranian newspaper while attending a German school.
Paramida explained the remix idea came together very quickly, in a single take, with everything falling perfectly into place.
An essential remix that is sure to be played everywhere from sweaty basements to festival throughout the Summer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
BPS - A1. Within Reason
2
5ATMs - A2. A Dub Called Mondo
3
Scott K. - A3.Tighter & Tighter
4
Gryph - B1. Winona At Sunset
5
SSRI - B2.Omnicallora
6
Scott Coats - B3. Be Work Zone Alert (PW Edit)
7
Gold Code & Dave Aju - C1.Yolo Jungle
8
Warehouse Preservation Society - C2. Data Bliss
9
Stacy Christine - C3.Smart Move
10
SOS - D1. Obsesion Romantica (Free Winona Dub)
11
Dave Aju & Moniker - D2. Chuy Luis
12
Vastir - D3. Turnpike
LA underground hubs DISCOS XXX aka DX3 and Elbow Grease join forces to proudly
present Point Winona Sound Library Vol 1 — featuring 20 distinct artists from the inspired
local dance music scene, working under one unified studio roof in various collaborative
formation at the mighty Los Feliz hilltop palace Point Winona, overseeing the city they
collectively represent. These timeless warehouse-wrecking tracks all stand on their own, but
the compilation as a whole offers a solid geographic sonic statement with shared rhythmic
DNA and bold rooted-futurist production blueprints, guided by the champion efforts of studio
executive producers/curators Tavish DJ and Dave Aju.
The BPS stage-setting opener evokes crispy A.M. hours with lush Detroit-meets-Cali feels on
“Within Reason” — then studio dream team 5 ATMs bring the dubwise floor vibes up a notch
on “A Dub Called Mondo” and Chitown-to-LA legend Scott K lays down an FM bass-laced
acid house heater with “Tighter & Tighter”. Nashville-born producer Gryph funks things up
on the live space boogie bump of “Winona at Sunset” while SSRI, comprised of
Underground Resistance’s DJ Dex/Nomadico, Aju, and Black Lodge’s fearless leader
Kosmik, drop fierce robo-Italo bliss on “Omnicallora”. Things take a further psychedelic
twist with the PW edit of Scotty Coats’ sublime midtempo tripper “Be Work Zone Alert”, then
Omakase’s own Gold Code alongside longtime rave brother Aju drop the nasty J Saul-salute
“Yolo Jungle”, and Warehouse Preservation Society aka Tavish DJ & TK fully detonate
floors inna raucous Wicked Crew stylee with “Data Bliss”. Undisputed LA scene queen Stacy
Christine arrives with her shining debut “Smart Move”, where she and Aju trade sly vox lines
of party advice over a bouncing tech banger for the ages, before the “Obsesion Romantica
(Free Winona Dub)” sees Sisters Of Sound aka Maddy Maia and Tottie's, OG track getting
stripped back and fired up to acidic peak time form. Then Dave Aju and SF homies Moniker
aka EO & Kenneth Scott unleash wild uptempo melodic bruk heaven on “Chuy Luis”, and
Vastir sends us home with the stratospheric drum n bass closer "Turnpike"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
present Point Winona Sound Library Vol 1 — featuring 20 distinct artists from the inspired
local dance music scene, working under one unified studio roof in various collaborative
formation at the mighty Los Feliz hilltop palace Point Winona, overseeing the city they
collectively represent. These timeless warehouse-wrecking tracks all stand on their own, but
the compilation as a whole offers a solid geographic sonic statement with shared rhythmic
DNA and bold rooted-futurist production blueprints, guided by the champion efforts of studio
executive producers/curators Tavish DJ and Dave Aju.
The BPS stage-setting opener evokes crispy A.M. hours with lush Detroit-meets-Cali feels on
“Within Reason” — then studio dream team 5 ATMs bring the dubwise floor vibes up a notch
on “A Dub Called Mondo” and Chitown-to-LA legend Scott K lays down an FM bass-laced
acid house heater with “Tighter & Tighter”. Nashville-born producer Gryph funks things up
on the live space boogie bump of “Winona at Sunset” while SSRI, comprised of
Underground Resistance’s DJ Dex/Nomadico, Aju, and Black Lodge’s fearless leader
Kosmik, drop fierce robo-Italo bliss on “Omnicallora”. Things take a further psychedelic
twist with the PW edit of Scotty Coats’ sublime midtempo tripper “Be Work Zone Alert”, then
Omakase’s own Gold Code alongside longtime rave brother Aju drop the nasty J Saul-salute
“Yolo Jungle”, and Warehouse Preservation Society aka Tavish DJ & TK fully detonate
floors inna raucous Wicked Crew stylee with “Data Bliss”. Undisputed LA scene queen Stacy
Christine arrives with her shining debut “Smart Move”, where she and Aju trade sly vox lines
of party advice over a bouncing tech banger for the ages, before the “Obsesion Romantica
(Free Winona Dub)” sees Sisters Of Sound aka Maddy Maia and Tottie's, OG track getting
stripped back and fired up to acidic peak time form. Then Dave Aju and SF homies Moniker
aka EO & Kenneth Scott unleash wild uptempo melodic bruk heaven on “Chuy Luis”, and
Vastir sends us home with the stratospheric drum n bass closer "Turnpike"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Helen Ripley-Marshall - Green Chaos
2
Helen Ripley-Marshall - Feathers
3
Helen Ripley-Marshall - Bodø
4
Helen Ripley-Marshall - Pyramidal Tract
5
Helen Ripley-Marshall - Kodiak Sound
6
Helen Ripley-Marshall - Under The Sun
7
Helen Ripley-Marshall - Ma Bohème
Reissue of Helen Ripley-Marshall's highly sought after 1988 Australian private press release "Green Chaos".
GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S: Ambient/Balearic/Kraut/Electro
TRACKLIST LP:
A1 Green Chaos
A2 Feathers
A3 Bodø
B1 Pyramidal Tract
B2 Kodiak Sound
B3 Under The Sun
B4 Ma Bohème
SHORT INFO:
Fresh Hold Releases presents Helen Ripley-Marshall's mysterious Australian ambient electronic album "Green Chaos", reissued for the first time on vinyl LP. Originally released in 1988 on Sydney based private press label Freefall, "Green Chaos" marks the sole release from Ripley-Marshall.
In the late 80's Ripley-Marshall lived a Bohemian lifestyle in inner city Sydney; "surrounded by musicians, actors and artists, there was an amazing creative experimental vibe going on". While playing in new wave/art rock band "D Face" she began Green Chaos as a personal project to counteract the creative friction sometimes experienced within a group dynamic, heavily inspired by Arnold Frolows' "Ambience" radio show on Australia's Triple J and particularly the music of Tangerine Dream, Harold Budd and Brian Eno.
Initially a solitary endeavour, once she decided to record in a studio Green Chaos morphed into a somewhat collaborative, improvisational project with other musicians invited into the studio to improvise and add their own interpretations and ideas, additional layers and dimensions, resulting in a work that combines a clear influence from the electronic repetition of the Berlin school with a meandering, futuristic lyricism. Although influenced by the long form sonic journeys of artists like Tangerine Dream, Ripley-Marshall's background in art rock and new wave brings a more concise approach, each song a self-contained universe that says only what is necessary in the arrangement.
After completing a sound engineering course Ripley-Marshall recorded the album at Sydney's Exeter House Studio over several months alongside studio engineer Andrew Knight, met through a fellow member of D Face. Knight ran Freefall, a private press recording label releasing folk and bluegrass music, which had Green Chaos as its sole ambient release. Ripley-Marshall self distributed the album to local inner city record stores and dropped a copy to Triple J, where it became a regular staple of Arnold Frolows' show.
These days Ripley-Marshall has moved away from music and is predominantly focused on visual art. "Green Chaos" stands as the only released product of her musical years, both a personal window into the vibrant experimental art scene of late 1980s Sydney and a deep, timeless anomaly of Australian electronic music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Miles J Paralysis - It's Only Shadows Falling
2
Miles J Paralysis - Don't Forget The Ritual
3
Miles J Paralysis - Come On Fleet
4
Miles J Paralysis - The Delicate Fairytale
An EP of the darker side of electronic dance music is always a welcome addition to Especial. Up and coming producer / DJ Miles J Paralysis steps away from releasing on his own Crying Outcast label to explore left of centre, new wave and cosmic sounds; songs woven from his own vocals and samples.
A love of Dub, Hip Hop and Electro-Funk led into electronic music. Sampling TV shows, making beats, jamming. Exposed to Leeds and Manchester club cultures, seeking the more experimental. African Head Charge, Muslimgauze, The Rootsman and Weatherall were early influences in forming a no rules philosophy.
Born and raised around West Yorkshire, the beauty and bleakness of the moors have a strong bond on Miles Henry aka Miles J Paralysis and his music. Folklore and the occult link and connect an interest in Northern Hauntology. Unresolved histories, stuck between past glory and phantoms of possible futures.
The EP starts with It’s Only Shadows Talking. A play on the Paralysis persona, the spectral dub house groove meets industrial overtures, encasing his own eerie and unsettling vocals to begin the narrative.
Don’t Forget The Ritual takes a direct link from British folk traditions. Sacred and ceremonial; the laid-back breakbeat, samples and delays are the transition to the evocative embrace of melancholia.
Come On Fleet, the hypnotic Latin (vocal) sample creates a lurking murmuration, rimshot percussion meets gothic sound design for the EPs’ most straight forward and direct club cut.
Surreal and dreamlike soundscape, closing track The Delicate Fairytale is the perfect platform for Miles own phantasm. Inspired by the stories of Dorothy K Haynes and Robert Hickman, the pervading sense of a David Lynch aesthetic, exploring the nostalgic nature of memory.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A love of Dub, Hip Hop and Electro-Funk led into electronic music. Sampling TV shows, making beats, jamming. Exposed to Leeds and Manchester club cultures, seeking the more experimental. African Head Charge, Muslimgauze, The Rootsman and Weatherall were early influences in forming a no rules philosophy.
Born and raised around West Yorkshire, the beauty and bleakness of the moors have a strong bond on Miles Henry aka Miles J Paralysis and his music. Folklore and the occult link and connect an interest in Northern Hauntology. Unresolved histories, stuck between past glory and phantoms of possible futures.
The EP starts with It’s Only Shadows Talking. A play on the Paralysis persona, the spectral dub house groove meets industrial overtures, encasing his own eerie and unsettling vocals to begin the narrative.
Don’t Forget The Ritual takes a direct link from British folk traditions. Sacred and ceremonial; the laid-back breakbeat, samples and delays are the transition to the evocative embrace of melancholia.
Come On Fleet, the hypnotic Latin (vocal) sample creates a lurking murmuration, rimshot percussion meets gothic sound design for the EPs’ most straight forward and direct club cut.
Surreal and dreamlike soundscape, closing track The Delicate Fairytale is the perfect platform for Miles own phantasm. Inspired by the stories of Dorothy K Haynes and Robert Hickman, the pervading sense of a David Lynch aesthetic, exploring the nostalgic nature of memory.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Yamasuki - Yamasuki
2
Yamasuki - Aisere I Love You
3
Yamasuki - Kono Samourai
4
Yamasuki - Yamamoto Kakapote
5
Yamasuki - Okawa
6
Yamasuki - Aieaoa
7
Yamasuki - Abana Bakana
8
Yamasuki - Seyu Sayonara
9
Yamasuki - Yama Yama
10
Yamasuki - Fudji Yama
11
Yamasuki - Yokomo
12
Yamasuki - Kashi Kofima
A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!
Tracklist
A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!
Tracklist
A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Luca Lozano - Calling All Dancers (101 Dance Nations Mix)
2
Luca Lozano - Calling All Dancers (Jack Trax Mix)
3
Luca Lozano - Calling All Dancers (Do YOu Like To Dance Mix)
4
Luca Lozano - Calling All Dancers (Hell Is Other DJs Mix)
For the first outing of 2026, Klasse Wrecks harks back 10 years or so to a Luca Lozano classic that was originally released on U.K. based Hypercolour Records. 'Calling All Dancers' was a defining moment in the producers discography and proved an evergreen hit even a decade later, to celebrate the milestone Lozano has revisited the original and turned in 4 brand new remixed versions. Ranging from tribalistic rhythms, classic electro stomp and sleaze-ball electronica the remixes provide an updated imagining of the original for audiences both new and old. Grab a copy now and don't forget to put on those dancing shoes...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Innershades - Mind State
2
Innershades - System Breakdown
3
Innershades - Fuse Memory
4
Innershades - Rhythm Composer
Three years after the release of Volume 1, Innershades returns to home turf with a second entry in his Heritage series. The New Beat territory that its predecessor tackled serves as the starting point for the A-side of Volume 2 as well. The glistening arpeggios and choir patches on "Mind State", alongside the unyielding kicks, alarm-like synth lines and plodding tempo of "System Breakdown," reaffirm how the genre's hallmarks smoothly align with the artist's own inclinations. The B-side draws from the broad spectrum of styles that emerged a bit later, in the beginning of the nineties, when it seemed the dance floor would move unimpeded between and bridge genres, its boundaries often not as firmly established. "Fuse Memory" nudges the pace forward, driven by the 909 and a staple hypnotic lead. When the drums come to a halt, a 303 emerges to flesh out the break. "Rhythm Composer" continues in a similar early techno vein, but pulls the track into outer space via its formant-heavy leads and Detroit-tinged sci-fi sweeps. On ALT023 Innershades appears in fine fettle, providing another batch of up-front club tracks that approach history as motion rather than memory, translating the past into forward momentum.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Mutant Volt - Bona Vista
2
Mutant Volt - Mind Domina
3
Mutant Volt - Galapagos
4
Mutant Volt - Wasp Woman
5
Mutant Volt - Danger Zone
6
Mutant Volt - Fly Tune
Mutant Volt emerges from the depths of the underworld with Bona Vista, a six track EP built from unreleased DAT recordings made during the early 90s. Drawn from a vast archive, much of the material had been long forgotten, written at a time when electronic music moved fast and rarely looked back.
Mutant Volt is one of several aliases used by Dan Piu, whose roots sit firmly in early European rave and club culture. The name was originally used to explore a stripped, machine driven sound shaped by early trance structures and bleep influence. Aside from a single release on Superluminal in 2020, much of this material has remained unheard. Recorded on a hardware setup that has changed little since 1991, the tracks were made instinctively and left behind to gather dust.
Today the tracks carry a different kind of weight. What was once made quickly and left behind now feels immediate, proof that some music does not belong to the past, it simply arrives there first.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mutant Volt is one of several aliases used by Dan Piu, whose roots sit firmly in early European rave and club culture. The name was originally used to explore a stripped, machine driven sound shaped by early trance structures and bleep influence. Aside from a single release on Superluminal in 2020, much of this material has remained unheard. Recorded on a hardware setup that has changed little since 1991, the tracks were made instinctively and left behind to gather dust.
Today the tracks carry a different kind of weight. What was once made quickly and left behind now feels immediate, proof that some music does not belong to the past, it simply arrives there first.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Transparent Sound - Potent Mystery
2
Transparent Sound - Trauma Response
3
Transparent Sound - Nutural Oblivion
4
Transparent Sound - Nutural Oblivion (Acidulant Remix)
5
Transparent Sound - What Is You Name
6
Transparent Sound - Art Of Survival
7
Transparent Sound - Static Boomerang
8
Transparent Sound - Static Boomerang (Ben Pest Remix)
The eight long play on the label comes from none other than UK electro royalty – Transparent Sound. If you have been following the music world for a while, then you would know this name as it’s been on the radars since the 1994. From the beginning it was a synergy between two artists Orson Bramley and Martin Brown, now the project solely run by Orson and he is presenting us Potent Mystery, an electro album in the best possible execution of this genre filled with melody and mystery. For the remix duties stepped up Acidulant the Maltese based hardware guru and the master of live sets from Bristol – Ben Pest. Each of these men and stellar artists have spent numerous years perfecting the craft of the electronic music which have resulted of this album being born as we can hear it now. Electro. Magnetic. Radiation.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
FORUM - Angel Magic
2
FORUM - Buga Sphere
3
FORUM - Warped Space
4
FORUM - Wooden Man
5
FORUM - Aileron
6
FORUM - Gateway
Tracklisting
A1 FORUM - Angel Magic
A2 FORUM - Buga Sphere
A3 FORUM - Warped Space
B1 FORUM - Wooden Man
B2 FORUM - Aileron
B3 FORUM - Gateway
Sales Note
FORUM arrives with his 'Arbiter EP' and masters the craft of steady repetition until sweat is running down the club walls. It's a stripped-back yet forceful statement with raw and polished sounds in equal measure.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 FORUM - Angel Magic
A2 FORUM - Buga Sphere
A3 FORUM - Warped Space
B1 FORUM - Wooden Man
B2 FORUM - Aileron
B3 FORUM - Gateway
Sales Note
FORUM arrives with his 'Arbiter EP' and masters the craft of steady repetition until sweat is running down the club walls. It's a stripped-back yet forceful statement with raw and polished sounds in equal measure.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More