1
Prince Istari Meets Erik Satie - Gnossienne Dub No 1
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Prince Istari Meets Erik Satie - Gnossienne Dub No 2
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Prince Istari Meets Erik Satie - Gnossienne Dub No 3
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Prince Istari Meets Erik Satie - Gnossienne Dub No 4
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Prince Istari Meets Erik Satie - Gnossienne Dub No 5
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Prince Istari Meets Erik Satie - Gymnopedie Dub No 1
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Prince Istari Meets Erik Satie - Gymnopedie No 3
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Prince Istari Meets Erik Satie - Gnossine
[Green Sleeve Repress]. 200 copies.
The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions.
In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning.
In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.
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The earliest musical memories of young Prince Istari are of his mother beautifying the home with her piano playing. She would repeatedly play the tranquil pieces of Erik Satie. Skipping school and sitting in the sun, young Prince would listen to these catchy, calm compositions.
In the first week of 2024, the older Prince Istari rediscovered himself and found a box containing his mother's old sheet music. He transferred them to his computer and began spinning dub versions from them. It became a tapestry. As his mother used to say: "To weave a net, one must first spin." The form of the pieces dictated the direction each would take. The heavy dub transforms here into a light weightiness until it dissolves into a pure piano piece accompanied by a synthesizer. However, the last piece is much older, from the time when Prince was still known as Istari Lasterfahrer. The ending includes a distorted recording of Huberta, Prince's mother, playing a Gnossienne by Satie. At the end, she turns the sheet music, and the record can be turned back to the beginning.
In the essence of its material, this record rejects the Loudness War. The originality of the compositions guided the dub within their tracks, thereby imparting to each a form descriptive of its essence.
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Germany
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More records from Sozialistischer Plattenbau
1
Prince Istari - Cellphone Love (Acid Bass In Your Face)
2
Prince Istari - I’ll Never Let You Dub (Answer On Me Bass)
Prince Istari attends the Riddim Dub School. 1st Grade lessons brings us computerized acid and dub. Nothing to say about this one, except that it brings you original flavours for computerized riddims and stepper lovers. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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Germany
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Germany
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1
Prince Istari - Everlasting Dub (Thunder And Lightning Dub)
2
Prince Istari - Ebb And Flow (Drum And Bass Is The Place)
Prince Istari in the 2nd Grade of the Riddim Dub School dropping an original classic cover in rockers style on the first side, while on the flipside he comes down for some stepper and playing his melodica. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Prince Istari - Hail King Zukale (Killer Fire Ant Dub)
2
Prince Istari - Ital Bounce (Love In Your Chest Dub)
Prince Istari in the 3rd Grade of the Riddim Dub School dropping hails King Zukale with some heavy weight rockers dub tune. On the flipside the rockers invites you for some bass and brass inflicted lover style riddim. Made on earth with love, for space exploration and bass. Limited to 300 copies and comes in stamped cardboard sleeves.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
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F. K. Raeithel - No Title
The second album by F.K. Raeithel, just after the operetta DIE WURLITZERORGEL DES GEISTES, explores the realms of interlocked rhythm sample and hold music. On 16 tracks different setups of self generating modular synthesizer patches are gathered on this release.
The concept of Dance With Uncertainty is deeply rooted in philosophical, artistic, and cultural traditions. The notion of embracing uncertainty and change has been explored in various forms throughout history, often symbolizing the human experience and the impermanence of life. In the context of music and sound, Dance With Uncertainty could be seen as a reflection of the constant ebb and flow of life‘s uncertainties, captured and conveyed through sonic textures and evolving compositions.
Interlocked Rhythm Sample & Hold Music, this approach to sound creation weaves a mesmerizing tapestry of rhythm, texture, and sonic exploration, captivating listeners and defying traditional musical boundaries. At its core, Interlocked Rhythm Sample & Hold Music is a synthesis of technology, creativity, and a deep understanding of rhythmic intricacies. The foundation lies in the Sample & Hold circuit, a device that captures and freezes incoming voltages, creating distinct musical snapshots that evolve over time or an Linear Feedback Shift Register (eg. Rungler), a circuit used in electronic music synthesis and sound manipulation to create unique and evolving musical textures. The Rungler was created by Rob Hordijk. A more sophisticated use of a 8 bit shift register and by combining this with a typical sequencer design is the Klee Sequencer developed by Scott Stites. A cheap version of this design is the Turing Machine. Another tool is the Analog Shift Register. In the context of creating arabesque melodies, an analog shift register (invented by Fukushi Kawakami and later adapted by Serge Tcherepnin) can be a fascinating tool to generate intricate and ornamented musical patterns. Yet, it‘s the interlocking of these snapshots that sets this genre apart, infusing the compositions with an intricate dance of patterns and pulses. A fourth device is a pendulum or random addressed sequencer, that in the first case moves in a drunken unpredictable manner. Each of these devices for uncertainty becomes a rhythmic sculptor, freezing the dynamic interplay of melodies, beats, and textures. These frozen moments are then interwoven, each snapshot forming a unique thread in a sound tableau that stretches and contracts, pulses and breathes. The result is an auditory experience that challenges preconceptions of rhythm and structure. The interlocked rhythms give rise to complex grooves that ebb and flow in unpredictable ways, evoking a sense of perpetual motion and transformation. The music becomes a living organism, its heartbeats synchronized yet untamed, its evolution both deliberate and free-spirited. The juxtaposition of staccato bursts and fluid flows, of machine-like precision and organic unpredictability. As listeners delve into the world of Interlocked Rhythmic Sample & Hold Music, they embark on a sonic odyssey. The music becomes a companion, guiding them through a labyrinth of rhythmic landscapes that simultaneously challenge and invite them to the dance with uncertainty.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The concept of Dance With Uncertainty is deeply rooted in philosophical, artistic, and cultural traditions. The notion of embracing uncertainty and change has been explored in various forms throughout history, often symbolizing the human experience and the impermanence of life. In the context of music and sound, Dance With Uncertainty could be seen as a reflection of the constant ebb and flow of life‘s uncertainties, captured and conveyed through sonic textures and evolving compositions.
Interlocked Rhythm Sample & Hold Music, this approach to sound creation weaves a mesmerizing tapestry of rhythm, texture, and sonic exploration, captivating listeners and defying traditional musical boundaries. At its core, Interlocked Rhythm Sample & Hold Music is a synthesis of technology, creativity, and a deep understanding of rhythmic intricacies. The foundation lies in the Sample & Hold circuit, a device that captures and freezes incoming voltages, creating distinct musical snapshots that evolve over time or an Linear Feedback Shift Register (eg. Rungler), a circuit used in electronic music synthesis and sound manipulation to create unique and evolving musical textures. The Rungler was created by Rob Hordijk. A more sophisticated use of a 8 bit shift register and by combining this with a typical sequencer design is the Klee Sequencer developed by Scott Stites. A cheap version of this design is the Turing Machine. Another tool is the Analog Shift Register. In the context of creating arabesque melodies, an analog shift register (invented by Fukushi Kawakami and later adapted by Serge Tcherepnin) can be a fascinating tool to generate intricate and ornamented musical patterns. Yet, it‘s the interlocking of these snapshots that sets this genre apart, infusing the compositions with an intricate dance of patterns and pulses. A fourth device is a pendulum or random addressed sequencer, that in the first case moves in a drunken unpredictable manner. Each of these devices for uncertainty becomes a rhythmic sculptor, freezing the dynamic interplay of melodies, beats, and textures. These frozen moments are then interwoven, each snapshot forming a unique thread in a sound tableau that stretches and contracts, pulses and breathes. The result is an auditory experience that challenges preconceptions of rhythm and structure. The interlocked rhythms give rise to complex grooves that ebb and flow in unpredictable ways, evoking a sense of perpetual motion and transformation. The music becomes a living organism, its heartbeats synchronized yet untamed, its evolution both deliberate and free-spirited. The juxtaposition of staccato bursts and fluid flows, of machine-like precision and organic unpredictability. As listeners delve into the world of Interlocked Rhythmic Sample & Hold Music, they embark on a sonic odyssey. The music becomes a companion, guiding them through a labyrinth of rhythmic landscapes that simultaneously challenge and invite them to the dance with uncertainty.
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DE - 22113 Hamburg
Germany
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1
Istari Lasterfahrer - Sensitive People
2
Istari Lasterfahrer - Too Much Sensitive
Acid Basslines and Breaks! First side delivers a hardcore tune at 142bpm with piano & vocal hooks and acid bassline and on the other hand the version jumps up to 160bpm jukes jungle workout to the final peak on that track. dedicated to all the snowflakes in the place!
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DE - 22113 Hamburg
Germany
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Germany
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1
Istari Lasterfahrer - Why Can't That Be All The Time
2
Istari Lasterfahrer - Isolated
Two darkside tunes on the Acid Skanking Volume 5. The a side brings in first a rude hardcore stomper at 150 bpm with a dub wise bassline. Flipside then drops down to a wave garage dub track on 140 bpm.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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FORUM - Angel Magic
2
FORUM - Buga Sphere
3
FORUM - Warped Space
4
FORUM - Wooden Man
5
FORUM - Aileron
6
FORUM - Gateway
Tracklisting
A1 FORUM - Angel Magic
A2 FORUM - Buga Sphere
A3 FORUM - Warped Space
B1 FORUM - Wooden Man
B2 FORUM - Aileron
B3 FORUM - Gateway
Sales Note
FORUM arrives with his 'Arbiter EP' and masters the craft of steady repetition until sweat is running down the club walls. It's a stripped-back yet forceful statement with raw and polished sounds in equal measure.
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Liebigstrasse 2-20
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Germany
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A1 FORUM - Angel Magic
A2 FORUM - Buga Sphere
A3 FORUM - Warped Space
B1 FORUM - Wooden Man
B2 FORUM - Aileron
B3 FORUM - Gateway
Sales Note
FORUM arrives with his 'Arbiter EP' and masters the craft of steady repetition until sweat is running down the club walls. It's a stripped-back yet forceful statement with raw and polished sounds in equal measure.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Chlär - Close Contract
2
Chlär - Pressure Point
3
Chlär - Anaerobic
4
Chlär - Volte Face
5
Chlär - No Ceilings
Tracklisting
A1 Chlär - Close Contract
A2 Chlär - Pressure Point
B1 Chlär - Anaerobic
B2 Chlär - Volte Face
B3 Chlär - No Ceilings
Sales Note
Breakthrough opens a new chapter for Primal Instinct. After nine releases built around our stickman tribe, this EP is the first in a new visual era where each cover is sourced from the open archive of Wikipedia and subtly reworked. Choosing these images is not aesthetic coincidence but a statement: if the label is about the human condition, then it makes sense to dig into one of the biggest, most accessible repositories of our collective memory. For breakthrough, a karateka high-kicking a punching ball becomes the perfect symbol: direct, physical, and aimed at breaking through limits-of self, of sound, of format.
Artist: Chlar
Title: Breakthrough
Label: Primal Instinct Rec.
Catalogue: PI010
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: December 12.12.2025
Mastering by Charles Accarisi
Artwork based on an idea by Cardle Design, made by Robert Radziejewski
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A1 Chlär - Close Contract
A2 Chlär - Pressure Point
B1 Chlär - Anaerobic
B2 Chlär - Volte Face
B3 Chlär - No Ceilings
Sales Note
Breakthrough opens a new chapter for Primal Instinct. After nine releases built around our stickman tribe, this EP is the first in a new visual era where each cover is sourced from the open archive of Wikipedia and subtly reworked. Choosing these images is not aesthetic coincidence but a statement: if the label is about the human condition, then it makes sense to dig into one of the biggest, most accessible repositories of our collective memory. For breakthrough, a karateka high-kicking a punching ball becomes the perfect symbol: direct, physical, and aimed at breaking through limits-of self, of sound, of format.
Artist: Chlar
Title: Breakthrough
Label: Primal Instinct Rec.
Catalogue: PI010
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: December 12.12.2025
Mastering by Charles Accarisi
Artwork based on an idea by Cardle Design, made by Robert Radziejewski
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Liebigstrasse 2-20
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Germany
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1
Unknown Artist - I've Taken (Too Many Garys)
2
Unknown Artist - Gary's Ballad
3
Unknown Artist - Gary's Garage (Is A Good Garage)
4
Unknown Artist - Nigel Garage
Picture a world without Garys. Picture a world without a Garage. Not a pleasant thought? That’s where Gary’s Garage comes in.
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.
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WAS - Word and Sound Medien GmbH
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Germany
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He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Floorplan aka Robert Hood - Never Grow Old (Re-Plant)
2
Floorplan aka Robert Hood - Phobia (Re-Plant)
(Long awaited 2026 repress, Black vinyl) While the original, 2013 version of Robert and Lyric Hood's bittersweet banger had already managed to leave tear stains on dancefloors across the globe, the 2014-released “Re-Plant” of 'Never Grow Old' has undeniably lived up to its name. As likely to be rolled out by Carl Cox as Ricardo Villalobos, 'Never Grow Old''s quickening synth stabs and piercing symbols wrap tenderly around a heart-wrenching vocal to make up a track that is both poignant and euphoric. It's the ultimate crying in the club track, the cheat code to getting crowds to embrace each other, and the track you'll probably want to ring your loved ones to tell them about, all wrapped into one.
“Never Grow Old” is one of the century’s best tracks according to Mixmag.
Tracklist
A. Floorplan aka Robert Hood - Never Grow Old (Re-Plant)
B. Floorplan aka Robert Hood - Phobia (Re-Plant)
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Germany
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“Never Grow Old” is one of the century’s best tracks according to Mixmag.
Tracklist
A. Floorplan aka Robert Hood - Never Grow Old (Re-Plant)
B. Floorplan aka Robert Hood - Phobia (Re-Plant)
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Germany
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1
Mr. Thelonious - Crazy (Break edit)
2
Mr. Thelonious - Body (Drum Break edit)
3
Mr. Thelonious - Crazy (Drum Break DJ edit)
A no-nonsense 7" from Galaxy Sound Co that strips classic disco-funk down to its most useful parts. The A-side edit of locks onto the Pointer Sisters' rolling rhythm section, tightening the drums into a punchy tool primed for blends and quick drops. On the flip, Gene Chandler's 'In My Body's House' is reduced to its skeletal break, sitting comfortably across disco, boogie and hip hop-adjacent territory. A second, even leaner Pointer Sisters edit follows and is aimed squarely at loops, intros and sampling. Functional and effective edit form the master of this form.
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DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
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1
Black Mirror Park - 313 Hotline
2
Black Mirror Park - Isotope
3
Black Mirror Park - Burnt Out
4
Black Mirror Park - Studio Dub
5
Black Mirror Park - Chamsin
Tracklisting
A1 Black Mirror Park - 313 Hotline
A2 Black Mirror Park - Isotope
B1 Black Mirror Park - Burnt Out
B2 Black Mirror Park - Studio Dub
B3 Black Mirror Park - Chamsin
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Black Mirror Park - 313 Hotline
A2 Black Mirror Park - Isotope
B1 Black Mirror Park - Burnt Out
B2 Black Mirror Park - Studio Dub
B3 Black Mirror Park - Chamsin
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Arsene - Jack Shit
2
Arsene - The Breeze Of Your Shirt
3
Arsene - Smacking Your Head
4
Arsene - DX Days
Repress!
ARSENE returns to his native Chicago with a 4 piece slab of the real windy city house sound - this time appropriately sized up to 12" & including the full length version of "JACK SHIT". The other 3 bangers on the EP are "THE BREEZE OF YOUR SHIRT", "SMACKING YOUR HEAD" and "DX DAYS".
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Germany
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ARSENE returns to his native Chicago with a 4 piece slab of the real windy city house sound - this time appropriately sized up to 12" & including the full length version of "JACK SHIT". The other 3 bangers on the EP are "THE BREEZE OF YOUR SHIRT", "SMACKING YOUR HEAD" and "DX DAYS".
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Heavenphetamine - Sonzai
2
Heavenphetamine - Irohanihoheto
3
Heavenphetamine - Kemono
4
Heavenphetamine - Karappo
5
Heavenphetamine - Tamatebako
6
Heavenphetamine - Kurenai
Who would expect that a new Krautrock release on Macadam Mambo would come from a Japanese band called Heavenphetamine?! The duo/couple have been touring all over Europe in the past two years, and started to build a serious fan base, as every performance they deliver is leaving an imperishable memory. This is on a date in Belgrade at Karmakoma that they met with Sacha. They had this album recorded and auto-release on tape but not on vinyl, and it came completely naturally to decide to release it as a LP on Macadam Mambo. The tracks on the album are new versions a bit different from the tape, let’s say a bit more mature and minimal than from the first ones recorded and give the feeling of listening to a masterpiece in the genre. It can be dark and profound but also enough light to bring back this little sun that has trouble to shine in the winter. This album has been highly influenced by their experience with the war in Ukraine, and the friendship they made there, where it has been recorded, and it express this mix of emotions due to the feeling of exasperation and the hope to see someday this conflict come to an end and the relief of the peace…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:RWR03LP
Release-Date:13.03.2026
Configuration:LP Excl
Cat-No:RWR03LP
Release-Date:13.03.2026
Configuration:LP Excl
1
Danny Scott Lane - A1 - House Of Alice
2
Danny Scott Lane - A2 - Love Is Mine
3
Danny Scott Lane - A3 - Music World
4
Danny Scott Lane - A4 - Time Changes
5
Danny Scott Lane - B1 - High End
6
Danny Scott Lane - B2 - Paradise
7
Danny Scott Lane - B3 - Marc Six
8
Danny Scott Lane - B4 - Save Ass
LP
2. GENRE/S:
New age jazz, funk
3. TRACKLISTS:
A1 - House Of Alice
A2 - Love Is Mine
A3 - Music World
A4 - Time Changes
B1 - High End
B2 - Paradise
B3 - Marc Six
B4 - Save Ass
4. SHORT INFO:
Danny Scott Lane is a New York-based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings - music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.
Since his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.
The album's title is derived from the Alice Austen House. Danny took an interest in the prolific 'street' photography of Alice where she often captured everyday life and intimate depictions of women's lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.
Expect a gentle mix of electronic new age jazz and soft funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S:
New age jazz, funk
3. TRACKLISTS:
A1 - House Of Alice
A2 - Love Is Mine
A3 - Music World
A4 - Time Changes
B1 - High End
B2 - Paradise
B3 - Marc Six
B4 - Save Ass
4. SHORT INFO:
Danny Scott Lane is a New York-based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings - music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.
Since his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.
The album's title is derived from the Alice Austen House. Danny took an interest in the prolific 'street' photography of Alice where she often captured everyday life and intimate depictions of women's lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.
Expect a gentle mix of electronic new age jazz and soft funk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Fruko Y Sus Tesos - A La Memoria Del Muerto
2
The Latin Brothers - Buscándote
Fresh on the Discos Panorama series, we head back to Colombia with the undisputed king Fruko y Sus Tesos, pairing him with another all-time classic on the flip from The Latin Brothers. Two heavyweight dancefloor cuts, one essential 7inch.
On the A-side, Fruko does what he does best — driving, percussive salsa built for movement, locked-in rhythm section, sharp horns, and that unmistakable swing that’s kept his records in DJ bags for decades. On the flip, “Buscándote” from The Latin Brothers brings a slower, more melodic touch without losing any punch — real music.
Both sides feature the presence of the legendary Piper Pimienta Díaz on vocals. His voice is raw, expressive, and instantly recognisable. A true legend of the game.
Part of PANORAMA’s Discos Panorama series, this release continues the label’s focus on Colombian salsa at its most vital and dancefloor-ready. Carefully selected, respectfully remastered, and pressed for DJs and collectors alike — music that’s been doing the work for years, now brought back where it belongs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On the A-side, Fruko does what he does best — driving, percussive salsa built for movement, locked-in rhythm section, sharp horns, and that unmistakable swing that’s kept his records in DJ bags for decades. On the flip, “Buscándote” from The Latin Brothers brings a slower, more melodic touch without losing any punch — real music.
Both sides feature the presence of the legendary Piper Pimienta Díaz on vocals. His voice is raw, expressive, and instantly recognisable. A true legend of the game.
Part of PANORAMA’s Discos Panorama series, this release continues the label’s focus on Colombian salsa at its most vital and dancefloor-ready. Carefully selected, respectfully remastered, and pressed for DJs and collectors alike — music that’s been doing the work for years, now brought back where it belongs.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Thomas Prestin / Carsten Uhlig - A1.Untitled 00:00:000 - 03:13:900
2
Thomas Prestin / Carsten Uhlig - A2.Untitled 03:13:900 - 06:20:900
3
Thomas Prestin / Carsten Uhlig - A3.Untitled 06:20:900 - 09:05:700
4
Thomas Prestin / Carsten Uhlig - A4.Untitled 09:05:700 - 13:32:350
5
Thomas Prestin / Carsten Uhlig - A5.Untitled 13:32:350 - 16:47:000
6
Thomas Prestin / Carsten Uhlig - B1.Untitled 00:00:000 - 02:34:500
7
Thomas Prestin / Carsten Uhlig - B2. Untitled 02:34:500 - 06:04:265
8
Thomas Prestin / Carsten Uhlig - B3.Untitled 06:04:265 - 09:07:460
9
Thomas Prestin / Carsten Uhlig - B4.Untitled 09:07:460 - 13:43:500
LP - hand numbered edition of 300 / live recording / photo: ine lamers / layout: mandy mozart
Thomas Prestin "Saxophon"
Carsten Uhlig "Piano"
2. GENRE/S: Jazz
3. TRACKLISTS:
Please add track lists for all listed formats.
Set I
1.) 00:00:000 - 03:13:900
2.) 03:13:900 - 06:20:900
3.) 06:20:900 - 09:05:700
4.) 09:05:700 - 13:32:350
5.) 13:32:350 - 16:47:000
Set II
1.) 00:00:000 - 02:34:500
2.) 02:34:500 - 06:04:265
3.) 06:04:265 - 09:07:460
4.) 09:07:460 - 13:43:500
4. SHORT INFO:
Released in 2026 under the catalog number Z-ONE, the album "the river" is a live recording - a snapshot of music from the Hamburger "ZustandsZone" scene between 2014 and 2025. Blending free improvisation with structural depth, the album offers a sonic exploration that will appeal to both purists of the genre and lovers of avant-garde sounds in the contemporary jazz landscape. The striking artwork underscores the artistic ambition of this highly personal work, which fluidly transcends the boundaries between tradition and modern abstraction. "Sound arises, passes away, what has been and is perceived, for a sky's length."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Thomas Prestin "Saxophon"
Carsten Uhlig "Piano"
2. GENRE/S: Jazz
3. TRACKLISTS:
Please add track lists for all listed formats.
Set I
1.) 00:00:000 - 03:13:900
2.) 03:13:900 - 06:20:900
3.) 06:20:900 - 09:05:700
4.) 09:05:700 - 13:32:350
5.) 13:32:350 - 16:47:000
Set II
1.) 00:00:000 - 02:34:500
2.) 02:34:500 - 06:04:265
3.) 06:04:265 - 09:07:460
4.) 09:07:460 - 13:43:500
4. SHORT INFO:
Released in 2026 under the catalog number Z-ONE, the album "the river" is a live recording - a snapshot of music from the Hamburger "ZustandsZone" scene between 2014 and 2025. Blending free improvisation with structural depth, the album offers a sonic exploration that will appeal to both purists of the genre and lovers of avant-garde sounds in the contemporary jazz landscape. The striking artwork underscores the artistic ambition of this highly personal work, which fluidly transcends the boundaries between tradition and modern abstraction. "Sound arises, passes away, what has been and is perceived, for a sky's length."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More