1
Spirits Rejoice - Emakhaya
2
Spirits Rejoice - Woza Uzo Kudanisa Nathi
3
Spirits Rejoice - Music Is Our Purpose
4
Spirits Rejoice - Spirits
5
Spirits Rejoice - Happy And In Love
6
Spirits Rejoice - Confusions
7
Spirits Rejoice - Why All This Time
8
Spirits Rejoice - Papa's Funk
*Remastered from tape - includes booklet with detailed liner notes.**
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.
With a line-up hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.
With a line-up hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Frederiksberg Records
50th Anniversary Reissue! Step into the wild heart of New York’s underground avant-garde jazz scene with Voyage from Jericho. Recorded in 1974, released in 1975, this landmark session finds the Charles Tyler Ensemble pushing boundaries with fearless improvisation, deep spiritual yearning, and a raw emotional fire.
Tracklist
1.1Voyage from Jericho
1.2Return to the East
1.3Just For Two
1.4Childrens's Music March
1.5Surf Ravin
Listen: https://listen.k7.com/882c3aef-51dd-493e-a3cb-c783296e4b25
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DE - 22113 Hamburg
Germany
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Tracklist
1.1Voyage from Jericho
1.2Return to the East
1.3Just For Two
1.4Childrens's Music March
1.5Surf Ravin
Listen: https://listen.k7.com/882c3aef-51dd-493e-a3cb-c783296e4b25
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Frederiksberg Records is proud to announce the long-awaited reissue of Ambonisye Lord Shepherd’s 1981 debut album, Evidence For Real — a deeply personal and spiritual fusion of Soul and Jazz that has remained a hidden treasure for more than four decades.
Tracklist
1.124th and Lake Street
1.2Life and Times of Malcolm X
1.3Fight for It
1.4Death Land
1.5I'll Always Love You
1.6The Day the Little Shepherd
1.7Verline
1.8The Teachings of Don Juan
1.925TH
https://listen.k7.com/2d96dfe1-f81a-40a2-9c99-d3566d309f45
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
1.124th and Lake Street
1.2Life and Times of Malcolm X
1.3Fight for It
1.4Death Land
1.5I'll Always Love You
1.6The Day the Little Shepherd
1.7Verline
1.8The Teachings of Don Juan
1.925TH
https://listen.k7.com/2d96dfe1-f81a-40a2-9c99-d3566d309f45
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Emerging from the depths of private-press obscurity, The People’s People Present The Spirit of David is a remarkable testament to the ambition and discipline of its creators. This singular album, originally recorded in 1974 and released in 1976, marks the first original work by tenor saxophonist Jeff Jones, who also arranged, wrote, and conceptualised the project.
Track list
A1 Monica
A2 Q Street
B1 Fritz
B2 Where Is My Autumn Love
Listen: https://listen.k7.com/31245c38-b72d-419d-aac1-68de15bb3ca6
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DE - 22113 Hamburg
Germany
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Track list
A1 Monica
A2 Q Street
B1 Fritz
B2 Where Is My Autumn Love
Listen: https://listen.k7.com/31245c38-b72d-419d-aac1-68de15bb3ca6
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DE - 22113 Hamburg
Germany
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1
Margeeah - Looking For Love
2
Margeeah - Bring The People Home
3
Margeeah - Open Up My Mind
4
Margeeah - Rise Black Spirit
5
Margeeah - I Ask The Question
6
Margeeah - Daughters Of Zion
7
Margeeah - Music Is My Love
8
Margeeah - I Know That It's Love
In July 1983, the Hebrew Israelite vocalist and multi-instrumentalist Margeeah Aharon recorded her debut album "Looking For Love", a melange of devotional jazz, soul, funk and reggae.
Reissued on Frederiksberg Records for the first time and a very much sought after soul / funk / reggae record.
500 copies press
"In July 1983, the Hebrew Israelite vocalist and multi- instrumentalist Margeeah Aharon recorded her debut album "Looking For Love" with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace.
Margeeah was born and raised in the American capital of Washington D.C. She grew up in a Baptist family with Hebrew cultural underpinnings. She was accepted into the Howard University School of Fine Arts as a music major in classical voice and a minor in English.
During her Howard years, Margeeah’s musical and spiritual horizons began to evolve, by way of a love of Doug and Jean Carn, Keith Jarrett, Roberta Flack and Donny Hathaway and stretch out towards the infinite. “Throughout my upbringing and training in classical music, my soul and spirit were on a journey,” she explains. “I began to become aware of social dynamics, racism, injustice, homelessness, poverty and disparity. I started to study the isms... Socialism, Communism, Buddhism. I was searching.” Forty years after it was released as a private press LP, Looking For Love’s central themes and music remain timeless and eternal."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissued on Frederiksberg Records for the first time and a very much sought after soul / funk / reggae record.
500 copies press
"In July 1983, the Hebrew Israelite vocalist and multi- instrumentalist Margeeah Aharon recorded her debut album "Looking For Love" with the Kingdom Sounds community band at P.C. Studios in Tel Aviv, Israel. Fittingly - given the meaning of her Hebrew name, soothing, calm and tranquil - it’s a questing melange of devotional jazz, soul, funk and reggae. More than just that, Looking For Love is an album full of yearning and reflective songs of spirit, heart and inner solace.
Margeeah was born and raised in the American capital of Washington D.C. She grew up in a Baptist family with Hebrew cultural underpinnings. She was accepted into the Howard University School of Fine Arts as a music major in classical voice and a minor in English.
During her Howard years, Margeeah’s musical and spiritual horizons began to evolve, by way of a love of Doug and Jean Carn, Keith Jarrett, Roberta Flack and Donny Hathaway and stretch out towards the infinite. “Throughout my upbringing and training in classical music, my soul and spirit were on a journey,” she explains. “I began to become aware of social dynamics, racism, injustice, homelessness, poverty and disparity. I started to study the isms... Socialism, Communism, Buddhism. I was searching.” Forty years after it was released as a private press LP, Looking For Love’s central themes and music remain timeless and eternal."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Green Cosmos - Über dem Berg
2
Green Cosmos - Nach dem Sandsturm
3
Green Cosmos - Lovely Suite
4
Green Cosmos - Vollmondscheinsonate
5
Green Cosmos - Kalimba Suite, Part 1
6
Green Cosmos - Fools of Paradise
7
Green Cosmos - Concentration
8
Green Cosmos - Opus X
First-time reissue in 40 years of German jazz group Green Cosmos. Night time jazz music from 1983.
LP with printed 4 page insert, 500 copies
"Some melodies are like taking a deep, refreshing breath. They strike us with the compelling force of a heartbeat or the moon reappearing from behind dark clouds. The music of Green Cosmos makes us realize that our never- ending quest for love can find fulfillment. You take a long, slow breath and feel the magic of transcendent wisdom. It’s like looking up from your room to the brightly lit windows of the home of your neighbours. Might someone be standing there, watching us? Let’s listen to Abendmusiken and imagine what life would be like if we were one again with God’s original ideas. Green Cosmos enchant us with their blend of Jazz, the sound of heartbeats, emotional outburst, and Folk-music (From which country? In which language and tradtion? I really don’t know... it seems to be everyone’s language and the universal breath of all places.)
There is not one note too many, and everything gets to the heart of the matter. A saxophone that sails ahead on a world- map of sound, driven by the beat of Kalimba and drums, sometimes fraternizing with a bass that‘s now insistent and then shy, and closely listens to a reassuringly omniscient piano until the music merges into a unit that‘s greater than its parts and sees us through the night
We can feel that the musicians plunge headlong into their tales of grace and high spirits. It’s no exaggeration to say that this band has created something new and unique, and that the excellence of the moment got captured in this recording.
This, quite simply, is beautiful and exciting music thatsteers us through the night. And if you are standing by a window seeing someone looking at you from their window – give them a wave! Wave at them to the beat of the music and feel at home, feel free to pause and wonder, and come up for air."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP with printed 4 page insert, 500 copies
"Some melodies are like taking a deep, refreshing breath. They strike us with the compelling force of a heartbeat or the moon reappearing from behind dark clouds. The music of Green Cosmos makes us realize that our never- ending quest for love can find fulfillment. You take a long, slow breath and feel the magic of transcendent wisdom. It’s like looking up from your room to the brightly lit windows of the home of your neighbours. Might someone be standing there, watching us? Let’s listen to Abendmusiken and imagine what life would be like if we were one again with God’s original ideas. Green Cosmos enchant us with their blend of Jazz, the sound of heartbeats, emotional outburst, and Folk-music (From which country? In which language and tradtion? I really don’t know... it seems to be everyone’s language and the universal breath of all places.)
There is not one note too many, and everything gets to the heart of the matter. A saxophone that sails ahead on a world- map of sound, driven by the beat of Kalimba and drums, sometimes fraternizing with a bass that‘s now insistent and then shy, and closely listens to a reassuringly omniscient piano until the music merges into a unit that‘s greater than its parts and sees us through the night
We can feel that the musicians plunge headlong into their tales of grace and high spirits. It’s no exaggeration to say that this band has created something new and unique, and that the excellence of the moment got captured in this recording.
This, quite simply, is beautiful and exciting music thatsteers us through the night. And if you are standing by a window seeing someone looking at you from their window – give them a wave! Wave at them to the beat of the music and feel at home, feel free to pause and wonder, and come up for air."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Søren Skov Orbit - Notifications of Nothingness
2
Søren Skov Orbit - The Valley
3
Søren Skov Orbit - Orbiting
4
Søren Skov Orbit - Reflections of Rif
5
Søren Skov Orbit - Naration
6
Søren Skov Orbit - Adrift
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bertil Strandbergs Kvintett - Cirrus
2
Bertil Strandbergs Kvintett - Glir
3
Bertil Strandbergs Kvintett - Relik
4
Bertil Strandbergs Kvintett - Intakt
5
Bertil Strandbergs Kvintett - Cambodia
6
Bertil Strandbergs Kvintett - Elegi
Deep swedish modal jazz reissued ! - The first reissue of Bertil Strandberg Kvintett’s “Cirrus” album, following on earlier Scandinavian Jazz reissues by Christian Schwindt Quintet and Carsten Meinert Kvartet.
In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again ! Comes with an insert with unpublished photos and liner notes by Mats Gustafsson
Cirrus is full of melancholy. Yet it is balanced with a curiosity and an awareness of the world. Named after a white, wispy cloudscape made up of ice crystals, one can almost picture the deep woods of Sweden as the backdrop to these six compositions.
The group, lead by trombonist Bertil Strandberg, recorded only this album. Bertil wrote the title track which gives you a hint at how he sees the world. Bertil’s brother, Göran Stranberg is on piano and wrote most of the songs on the album. American ex-pat Ed Epstein is on tenor. Ove Gustavsson and Bjarne Boman on bass and drums respectively
"Terrific reissue" - Gilles Peterson
There's a lot to love in this universe and beautiful free spirit jazz from
Sweden is but one of the great creative manifestations of LIFE and
Strandberg's CIRRUS LP is at the top of the list. A rare-as-hen's-teeth
masterpiece newly unwrapped for your sonic pleasure head!
- Thurston Moore
Cirrus represents stunning musicianship, strong personal
compositions and arrangements, highly individual improvisations
and is truly a collective jazz masterpiece. Every detail interacts
with the overall form in the most creative and beautiful way.
- Mats Gustafsson
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again ! Comes with an insert with unpublished photos and liner notes by Mats Gustafsson
Cirrus is full of melancholy. Yet it is balanced with a curiosity and an awareness of the world. Named after a white, wispy cloudscape made up of ice crystals, one can almost picture the deep woods of Sweden as the backdrop to these six compositions.
The group, lead by trombonist Bertil Strandberg, recorded only this album. Bertil wrote the title track which gives you a hint at how he sees the world. Bertil’s brother, Göran Stranberg is on piano and wrote most of the songs on the album. American ex-pat Ed Epstein is on tenor. Ove Gustavsson and Bjarne Boman on bass and drums respectively
"Terrific reissue" - Gilles Peterson
There's a lot to love in this universe and beautiful free spirit jazz from
Sweden is but one of the great creative manifestations of LIFE and
Strandberg's CIRRUS LP is at the top of the list. A rare-as-hen's-teeth
masterpiece newly unwrapped for your sonic pleasure head!
- Thurston Moore
Cirrus represents stunning musicianship, strong personal
compositions and arrangements, highly individual improvisations
and is truly a collective jazz masterpiece. Every detail interacts
with the overall form in the most creative and beautiful way.
- Mats Gustafsson
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Milt Ward And Virgo Spectrum - Mr. Cheese
2
Milt Ward And Virgo Spectrum - The Foreignor
3
Milt Ward And Virgo Spectrum - Morning Glories
4
Milt Ward And Virgo Spectrum - The Charle
5
Milt Ward And Virgo Spectrum - Virgo Paths
6
Milt Ward And Virgo Spectrum - Juneboy's Frismas
Milt Ward & Virgo Spectrum - a selftitled album of spacey rare groove jazz - reissued !LP plus booklet, 500 copies, pressed at Pallas
It seemed trumpeter/composer Milton Ward had all he needed for a breakthrough in the world of contemporary jazz in the late 1970s. Blessed with a beautiful trumpet tone and an impressive work ethic, Ward found a home in Boston’s exploding soul and jazz scenes of the early 1970s. His star never joined the constellation of jazz luminaries, but Ward did leave one fantastic album of spiritual jazz that has become a collectors’ favorite: Milt Ward and Virgo Spectrum.
Frederiksberg Records is proud to present the first and only authorized reissue of this funky jazz classic. The release includes remastered tracks from the original LP along with in-depth liner notes that provide a detailed account of Ward’s journey from his early years discovering music in the South to his toils finding a hold in the music business in Boston and New York City.
Born in Michigan but raised in New Orleans, Ward came up through the Crescent City’s legendary musical educaCon system. AWer a sCnt in the Air Force, Ward and his friend Stanton Davis (of Ghetto/Mysticism fame) looked to the Berklee College of Music in Boston for the next step in their development. Immediately, the two were immersed in Boston’s busy music scene, finding trumpet chairs in Herschel Dwellingham’s Orchestra at the Sugar Shack, where they backed up many of the day’s soul greats.
Ward worked with many up-and-coming musicians emerging from Berklee’s nurturing arms. He recruited many to his projects, including his Ultra Modern Quintet Plus Two, which played regularly around Boston in the early 1970s. It was in the mid-1970s that Ward took it upon himself and his entrepreneurial spirit to start his own record label, Twin Quest, and record his stand-alone release.
Milt Ward and Virgo Spectrum brought together great young musicians who would quickly make names for themselves within the jazz world, including keyboard wizard Delmar Brown and future Jazz Messenger saxophonist Billy Pierce. Saxophonist/flutist Eddie Alex is a standout, as is baritone saxophonist Glenn Barbour, who soon would head to Atlanta to join The Whole Darn Family. Percussionist Ignacio Mena, bassist Cucho MarCnez, and drummer Hugh Petersen all hailed from farther south: Chile, Venezuela, and St. Croix, respectively. The recording also incorporated two bona fide New York jazz masters and veterans of the spiritual jazz movement, bassist Cecil McBee and saxophonist Carlos Ward.
The recording still stands as a hallmark to the creative music scene of Boston and New York City when soul and funk began to emmesh themselves in jazz. Milton Ward’s Milt Ward and Virgo Spectrum remains a youthfully vibrant recording that is ripe for rediscovery by a new generation of explorative listeners.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music.The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres -electronic, disco, ambient and more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It seemed trumpeter/composer Milton Ward had all he needed for a breakthrough in the world of contemporary jazz in the late 1970s. Blessed with a beautiful trumpet tone and an impressive work ethic, Ward found a home in Boston’s exploding soul and jazz scenes of the early 1970s. His star never joined the constellation of jazz luminaries, but Ward did leave one fantastic album of spiritual jazz that has become a collectors’ favorite: Milt Ward and Virgo Spectrum.
Frederiksberg Records is proud to present the first and only authorized reissue of this funky jazz classic. The release includes remastered tracks from the original LP along with in-depth liner notes that provide a detailed account of Ward’s journey from his early years discovering music in the South to his toils finding a hold in the music business in Boston and New York City.
Born in Michigan but raised in New Orleans, Ward came up through the Crescent City’s legendary musical educaCon system. AWer a sCnt in the Air Force, Ward and his friend Stanton Davis (of Ghetto/Mysticism fame) looked to the Berklee College of Music in Boston for the next step in their development. Immediately, the two were immersed in Boston’s busy music scene, finding trumpet chairs in Herschel Dwellingham’s Orchestra at the Sugar Shack, where they backed up many of the day’s soul greats.
Ward worked with many up-and-coming musicians emerging from Berklee’s nurturing arms. He recruited many to his projects, including his Ultra Modern Quintet Plus Two, which played regularly around Boston in the early 1970s. It was in the mid-1970s that Ward took it upon himself and his entrepreneurial spirit to start his own record label, Twin Quest, and record his stand-alone release.
Milt Ward and Virgo Spectrum brought together great young musicians who would quickly make names for themselves within the jazz world, including keyboard wizard Delmar Brown and future Jazz Messenger saxophonist Billy Pierce. Saxophonist/flutist Eddie Alex is a standout, as is baritone saxophonist Glenn Barbour, who soon would head to Atlanta to join The Whole Darn Family. Percussionist Ignacio Mena, bassist Cucho MarCnez, and drummer Hugh Petersen all hailed from farther south: Chile, Venezuela, and St. Croix, respectively. The recording also incorporated two bona fide New York jazz masters and veterans of the spiritual jazz movement, bassist Cecil McBee and saxophonist Carlos Ward.
The recording still stands as a hallmark to the creative music scene of Boston and New York City when soul and funk began to emmesh themselves in jazz. Milton Ward’s Milt Ward and Virgo Spectrum remains a youthfully vibrant recording that is ripe for rediscovery by a new generation of explorative listeners.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music.The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres -electronic, disco, ambient and more.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hugo Moolenaar - Children Children
2
Hugo Moolenaar - We Can Live Together
3
Hugo Moolenaar - Big Man Cry
4
Hugo Moolenaar - Give It Your Best Shot
Compilation of the best tracks of Mocko Jumbie's only two albums, infectious blend between funk/soul/soca, has a disco tinged feel on 'Children Children' and a electronic edge on 'We Can Live Together', flipside holds lovely soca tunes.
The second youngest of eight children, Hugo Leanzo Moolenaar was born on September 23rd, 1948, in St. Thomas, US Virgin Islands. His mother was from Puerto Rico; his Dutch-German father worked as a contractor, but also played the guitar and had a 6-piece band that performed at house parties. The young Hugo was a born entertainer. Watching his elders, particularly an uncle who played the ukulele, he began to teach himself to play guitar, practicing on his own. Eventually he began to perform his own songs as he gradually gained confidence and ability.
As well as being a proficient musician, Hugo would also become a highly skilled Mocko Jumbie — a performer of the carnival stilt dancing tradition which has had a presence in the Virgin Islands for several hundred years, and which historians consider to have been brought to the Caribbean by enslaved West Africans.
Carnival in the Virgin Islands was revived in 1952, and from then on it became an annual event. The two most famous Mocko Jumbies at this time were John Magnus Farrell and William Richardson (to whom Hugo would dedicate his second album). The pair mentored a young talent named Alvin “Allie” Paul who later in turn would go on to teach many others. In 1964, at age 14, Paul entered the St. Thomas carnival as a stilt-dancer, and revolutionized the Mocko Jumbie style. While Farrell and Richardson would perform in a more European influenced outfit — usually a conical shaped hat, a female dress and a wire mask — Allie brought back some of the older African influence, wearing what some say is a Ghanaian-style hat and striped pants to cover the stilts.
Paul founded his own troupe in the late 1960s. He was the first to allow female students, starting by teaching family members and friends. One of his best students was Hugo Moolenaar, who quickly became known as one of the fastest dancers on the 6’ stilts, and was renowned for adding kung-fu-style moves to his performances.
In 1968, Hugo enlisted in the US army. He served in Vietnam, where he was severely injured. In 1970 he was honorably discharged and was awarded the prestigious Purple Heart for his service. Nevertheless, his injuries did not stop him from returning to Mocko Jumbie performance, and his reputation continued to grow. He also began to work for local government in St. Thomas. In the fall of 1982, Hugo was asked to become a resident performer at the Hotel Shibui in Contant Hill, St. Thomas after a convincing audition for the manager. Hugo brought in his girlfriend Juanita, a singer since high school, and a duo was born. Together, they performed Hugo’s compositions. Eventually, Juanita started to learn Mocko Jumbie as well. The couple, who were married in 1983, later founded a Mocko Jumbie school, that at its peak had 75 students.
The steady income from the hotel residency provided financial opportunity that the entrepreneurial Hugo seized. Travelling with their band to Puerto Rico, Hugo and Juanita hired a local horn section and created Hugo’s first album, entitled High, High, High, a reference to the Mocko Jumbie tradition. The cover depicts Hugo dressed in a golden outfit on stilts, on a palm beach, holding a guitar while Juanita looks on from the ground, holding their two children. Hugo’s second release, Mocko Jumbie Jamboree, came out not long after and also featured original compositions. It was recorded at the local Virgin Island studio Turtle Point. Both albums were self-distributed and feature a heady cocktail of island and popular sounds – from jump-up calypsos and kaisos to drummachine modern soul and upful disco.
During his career, Hugo performed the Mocko Jumbie on many neighboring Caribbean islands, as well as in the US, in New York, Portland, Oregon, and at the 1979 Super Bowl show in Miami, alongside the Grammacks band from Dominica. He also performed in Japan, as well as at the Festival de Música del Caribe in Cartagena, Columbia, where he appeared in a bullfighting arena with a group of the finest Mocko Jumbies and a local Virgin Islands band. But in 1989 a hurricane — ironically named Hugo —destroyed many of the Moolenaar’s belongings, including master tapes and photos, leaving them with very little to show for their long careers.
Hugo retired in 2008, after working 32 years for the local government. In 2009, the Virgin Islands Department of Tourism adapted a new logo, a Mocko Jumbie. I’d like to think Hugo Moolenaar was a part of the reason.
Hugo passed away on January 25th, 2012, from cancer. It is thought that the disease may have been a result of exposure to Agent Orange during his military service in Vietnam.
To his very last day, Hugo lived by his motto: “Peace, Love and Happiness Always”.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The second youngest of eight children, Hugo Leanzo Moolenaar was born on September 23rd, 1948, in St. Thomas, US Virgin Islands. His mother was from Puerto Rico; his Dutch-German father worked as a contractor, but also played the guitar and had a 6-piece band that performed at house parties. The young Hugo was a born entertainer. Watching his elders, particularly an uncle who played the ukulele, he began to teach himself to play guitar, practicing on his own. Eventually he began to perform his own songs as he gradually gained confidence and ability.
As well as being a proficient musician, Hugo would also become a highly skilled Mocko Jumbie — a performer of the carnival stilt dancing tradition which has had a presence in the Virgin Islands for several hundred years, and which historians consider to have been brought to the Caribbean by enslaved West Africans.
Carnival in the Virgin Islands was revived in 1952, and from then on it became an annual event. The two most famous Mocko Jumbies at this time were John Magnus Farrell and William Richardson (to whom Hugo would dedicate his second album). The pair mentored a young talent named Alvin “Allie” Paul who later in turn would go on to teach many others. In 1964, at age 14, Paul entered the St. Thomas carnival as a stilt-dancer, and revolutionized the Mocko Jumbie style. While Farrell and Richardson would perform in a more European influenced outfit — usually a conical shaped hat, a female dress and a wire mask — Allie brought back some of the older African influence, wearing what some say is a Ghanaian-style hat and striped pants to cover the stilts.
Paul founded his own troupe in the late 1960s. He was the first to allow female students, starting by teaching family members and friends. One of his best students was Hugo Moolenaar, who quickly became known as one of the fastest dancers on the 6’ stilts, and was renowned for adding kung-fu-style moves to his performances.
In 1968, Hugo enlisted in the US army. He served in Vietnam, where he was severely injured. In 1970 he was honorably discharged and was awarded the prestigious Purple Heart for his service. Nevertheless, his injuries did not stop him from returning to Mocko Jumbie performance, and his reputation continued to grow. He also began to work for local government in St. Thomas. In the fall of 1982, Hugo was asked to become a resident performer at the Hotel Shibui in Contant Hill, St. Thomas after a convincing audition for the manager. Hugo brought in his girlfriend Juanita, a singer since high school, and a duo was born. Together, they performed Hugo’s compositions. Eventually, Juanita started to learn Mocko Jumbie as well. The couple, who were married in 1983, later founded a Mocko Jumbie school, that at its peak had 75 students.
The steady income from the hotel residency provided financial opportunity that the entrepreneurial Hugo seized. Travelling with their band to Puerto Rico, Hugo and Juanita hired a local horn section and created Hugo’s first album, entitled High, High, High, a reference to the Mocko Jumbie tradition. The cover depicts Hugo dressed in a golden outfit on stilts, on a palm beach, holding a guitar while Juanita looks on from the ground, holding their two children. Hugo’s second release, Mocko Jumbie Jamboree, came out not long after and also featured original compositions. It was recorded at the local Virgin Island studio Turtle Point. Both albums were self-distributed and feature a heady cocktail of island and popular sounds – from jump-up calypsos and kaisos to drummachine modern soul and upful disco.
During his career, Hugo performed the Mocko Jumbie on many neighboring Caribbean islands, as well as in the US, in New York, Portland, Oregon, and at the 1979 Super Bowl show in Miami, alongside the Grammacks band from Dominica. He also performed in Japan, as well as at the Festival de Música del Caribe in Cartagena, Columbia, where he appeared in a bullfighting arena with a group of the finest Mocko Jumbies and a local Virgin Islands band. But in 1989 a hurricane — ironically named Hugo —destroyed many of the Moolenaar’s belongings, including master tapes and photos, leaving them with very little to show for their long careers.
Hugo retired in 2008, after working 32 years for the local government. In 2009, the Virgin Islands Department of Tourism adapted a new logo, a Mocko Jumbie. I’d like to think Hugo Moolenaar was a part of the reason.
Hugo passed away on January 25th, 2012, from cancer. It is thought that the disease may have been a result of exposure to Agent Orange during his military service in Vietnam.
To his very last day, Hugo lived by his motto: “Peace, Love and Happiness Always”.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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First-time reissue in 40 years of German jazz group Green Cosmos. Night time jazz music from 1983.
LP with printed 4 page insert, 500 copies
"Some melodies are like taking a deep, refreshing breath. They strike us with the compelling force of a heartbeat or the moon reappearing from behind dark clouds. The music of Green Cosmos makes us realize that our never- ending quest for love can find fulfillment. You take a long, slow breath and feel the magic of transcendent wisdom. It’s like looking up from your room to the brightly lit windows of the home of your neighbours. Might someone be standing there, watching us? Let’s listen to Abendmusiken and imagine what life would be like if we were one again with God’s original ideas. Green Cosmos enchant us with their blend of Jazz, the sound of heartbeats, emotional outburst, and Folk-music (From which country? In which language and tradtion? I really don’t know... it seems to be everyone’s language and the universal breath of all places.)
There is not one note too many, and everything gets to the heart of the matter. A saxophone that sails ahead on a world- map of sound, driven by the beat of Kalimba and drums, sometimes fraternizing with a bass that‘s now insistent and then shy, and closely listens to a reassuringly omniscient piano until the music merges into a unit that‘s greater than its parts and sees us through the night
We can feel that the musicians plunge headlong into their tales of grace and high spirits. It’s no exaggeration to say that this band has created something new and unique, and that the excellence of the moment got captured in this recording.
This, quite simply, is beautiful and exciting music thatsteers us through the night. And if you are standing by a window seeing someone looking at you from their window – give them a wave! Wave at them to the beat of the music and feel at home, feel free to pause and wonder, and come up for air."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP with printed 4 page insert, 500 copies
"Some melodies are like taking a deep, refreshing breath. They strike us with the compelling force of a heartbeat or the moon reappearing from behind dark clouds. The music of Green Cosmos makes us realize that our never- ending quest for love can find fulfillment. You take a long, slow breath and feel the magic of transcendent wisdom. It’s like looking up from your room to the brightly lit windows of the home of your neighbours. Might someone be standing there, watching us? Let’s listen to Abendmusiken and imagine what life would be like if we were one again with God’s original ideas. Green Cosmos enchant us with their blend of Jazz, the sound of heartbeats, emotional outburst, and Folk-music (From which country? In which language and tradtion? I really don’t know... it seems to be everyone’s language and the universal breath of all places.)
There is not one note too many, and everything gets to the heart of the matter. A saxophone that sails ahead on a world- map of sound, driven by the beat of Kalimba and drums, sometimes fraternizing with a bass that‘s now insistent and then shy, and closely listens to a reassuringly omniscient piano until the music merges into a unit that‘s greater than its parts and sees us through the night
We can feel that the musicians plunge headlong into their tales of grace and high spirits. It’s no exaggeration to say that this band has created something new and unique, and that the excellence of the moment got captured in this recording.
This, quite simply, is beautiful and exciting music thatsteers us through the night. And if you are standing by a window seeing someone looking at you from their window – give them a wave! Wave at them to the beat of the music and feel at home, feel free to pause and wonder, and come up for air."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Jan Jelinek - Moiré (Piano & Organ)
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Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
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Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
White Vinyl 2LP (Contains original album and mono-mix retrieved from original tapes)
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eden Burns - A1) Invercargirl (06:10 min)
2
Eden Burns - A2) Intro Manus (03:48 min)
3
Eden Burns - B1) 22 Dance Demo (07:48 min)
4
Eden Burns - B2) Yes You Sexy (05:21 min)
2025 Repress
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released via 'Insanity' - Purple Disco Machine's third studio album 'Paradise'. Purple Disco Machine has collaborated with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more. The album is another homage to the new age of disco and surprises with numerous top-class dance features, as well as of course the big hits of recent months. A x15 song album available on Double Purple LP Vinyl,
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2022 Repress
Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
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DE - 22113 Hamburg
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Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
2
Tommiboy feat. DM Disco Band - La Sfinge
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M¥SS KETA & Kapote - Italomania Intermezzo
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Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
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Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
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Munk & Kapote - La Musica (Hot DJ Version)
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Fimiani & Angeleri - SessoSpaghetti (Extended Version)
8
Kapote - Sono Tropical (Extended Version)
9
Giovanni Damico - Tropica (feat. Martina)
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Lele Sacchi Feat Elasi - Malamore (Extended Version)
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Daniel Monaco Band - Milly
2 x 12"
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
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DE - 22113 Hamburg
Germany
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Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pete Blaker - Harry's Little Vocoder
2
Pete Blaker - Neverending (Cosmic Version) Feat. Dionisos
DISCO EDITS
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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1
Eden Burns - A1) Big Beat Manifesto (00:07:50)
2
Eden Burns - A2) Robokinky (00:06:13)
3
Eden Burns - B1) Big Bark Manifesto (00:06:19)
4
Eden Burns - B2) A Far Way To Fall (00:09:01)
2025 Repress
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Voilaaa - L'Intro
2
Voilaaa - System System (ft. Lass)
3
Voilaaa - Love and Death (ft. Joao Selva)
4
Voilaaa - Trouble Travel (ft. Nai-Jah)
5
Voilaaa - Anna est partie (ft. Pat Kalla & Ayuune Sule)
6
Voilaaa - Too Young To Die (ft. Olivya)
7
Voilaaa - Mtae Rock
8
Voilaaa - Sane Kunda (ft. Lass)
9
Voilaaa - Jolie Sarah (ft. Pat Kalla)
10
Voilaaa - Les temps ont changé (ft. Fouley Badiaga)
11
Voilaaa - Faché (ft. Pat Kalla)
12
Voilaaa - Tu nous fatigues (ft. Fouley Badiaga)
13
Voilaaa - C'est la danse
14
Voilaaa - Life
For almost 10 years and with 3 albums on the clock, Voilaaa has established itself with a unique style, reviving African rhythms and atmospheres in the colors of Disco dancefloors and Funky arrangements, all often accompanied by lyrics and vocals tinged with humor and commitment.
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As a result, the Afro-Tropical adventure launched by producer Bruno “Patchworks” Hovart today leaves behind a host of hits (“On te l’avait dit”, “Spies Are Watching Me”, “Ben Bene La”, …), as well as trips around the globe and as many gigs and festivals, but also and above all numerous and lasting collaborations with singers like Lass, Pat Kalla, Sir Jean, Ayuune Sule, Rama Traore, or Fouley Badiaga, the latter which also marks its great return on two tracks of the album.
With C'est tout, Voilaaa returns to us without revisiting this unstoppable recipe, while seasoning things with a more Latin and Caribbean inspiration, brought back in Bruno Hovart's suitcases after several stays in South America in recent years. Introduced last spring with the release of a first maxi single, this new opus once again delivers hit after hit.
As on the already famous “Faché” alongside Pat Kalla, which displays all the classic assets of Voilaaa’s sound: punchy Afrobeat horns, woozy chords and crunchy clavinet licks rising above a low-slung, hypnotic, dub disco-meets-Afro-boogie groove. The rest of the album is not to be outdone with a total of 14 wild tracks entirely composed by an unstoppable Bruno Hovart.
Two exceptions confirm the rule, a beautiful interpretation of the song "Love and Death" by Ebo Taylor, where Voilaaa's Afro skills perfectly melt with Angolan and Brazilian vapors, beamed by Joao Selva's lovely vocals; as well as a magical cover of “Too Young to Die”, transporting Jamiroquai to the crossroads of Africa and the Antilles, carried by the superb vocal performance of singer Olivya (Dowdelin) for a first collaboration.
Well, Voilaaa is back as its best, “that’s all” (C’est tout).
A1 - L'Intro
A2 - System System (ft. Lass)
A3 - Love and Death (ft. Joao Selva)
B1 - Trouble Travel (ft. Nai-Jah)
B2 - Anna est partie (ft. Pat Kalla & Ayuune Sule)
B3 - Too Young To Die (ft. Olivya)
C1 - Mtae Rock
C2 - Sane Kunda (ft. Lass)
C3 - Jolie Sarah (ft. Pat Kalla)
C4 - Les temps ont changé (ft. Fouley Badiaga)
D1 - Faché (ft. Pat Kalla)
D2 - Tu nous fatigues (ft. Fouley Badiaga)
D3 - C'est la danse
D4 - Life
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Endlessness is a deep dive into the cycle of existence. The 45-minute album delicately spans 10 tracks with a continuous arpeggio playing throughout, creating an expansive, mesmerising celebration of life cycles and rebirth. Following Sinephro’s critically acclaimed 2021 debut album Space 1.8, Endlessness further elevates her as a transcendent and multi-dimensional composer, beautifully morphing jazz, orchestral, and electronic music.
The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.
The album will be available on black 2LP vinyl with d-side etching as well as CD.
- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.
Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10
Praise for Space 1.8:
"An ambient jazz classic" - The Guardian
"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork
"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album was composed, produced, arranged, and engineered by Sinephro. Performing on the album are Sheila Maurice-Grey, Morgan Simpson, James Mollison, Lyle Barton, Nubya Garcia, Natcyet Wakili, and Dwayne Kilvington, joined by Orchestrate’s 21 string players.
The album will be available on black 2LP vinyl with d-side etching as well as CD.
- Specs Black 2LP vinyl with etching to d-side in printed inner sleeves in 5mm spine sleeve. Housed in PVC wallet with flap.
Tracklist:
A1. Continuum 1
A2. Continuum 2
B1. Continuum 3
B2. Continuum 4
B3. Continuum 5
B4. Continuum 6
B5. Continuum 7
B6. Continuum 8
C1. Continuum 9
C2. Continuum 10
Praise for Space 1.8:
"An ambient jazz classic" - The Guardian
"A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements." - 8.3 ‘Best New Music’ Pitchfork
"Music so vast could feel lonely, but the sense of smallness one feels listening to Nala’s music is humbling and reassuring; the magnitudes of beauty we can create are unbound." - Jazzwise
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More