1
Spirits Rejoice - Emakhaya
2
Spirits Rejoice - Woza Uzo Kudanisa Nathi
3
Spirits Rejoice - Music Is Our Purpose
4
Spirits Rejoice - Spirits
5
Spirits Rejoice - Happy And In Love
6
Spirits Rejoice - Confusions
7
Spirits Rejoice - Why All This Time
8
Spirits Rejoice - Papa's Funk
*Remastered from tape - includes booklet with detailed liner notes.**
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.
With a line-up hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished. More
Released in 1978- now re-issued for the first time, the 2nd album from South African jazz/fusion power house, Spirits Rejoice.
The 1970s is regarded as a period of experimentation, boundary-breaking and hybridization in modern music and this spirit certainly informed the mushrooming of ideas that occurred in South African jazz during this time. In the shadow of more commercial township jive and soul, South African jazz evolved on the fringe, nurtured by passionate and enterprising independent producers who courted the interest of the mainstream with enchanting concoctions of jazz with folk, rock, soul and funk.
With a line-up hailing from far flung regions of South Africa, the mercurial sound of Spirits Rejoice and its willingness to weave a patchwork of different influences into its recordings is not hard to account for. More difficult to reconcile is that the band didn’t manage to level up to the status enjoyed by its peers in larger music markets abroad. Nevertheless, Spirits Rejoice has maintained its revered status in the collective memory of South African jazz for over four decades and their recorded artifacts return in the 2020s with the group’s vitality and energy undiminished. More
More records from Frederiksberg Records
1
Søren Skov Orbit - Notifications of Nothingness
2
Søren Skov Orbit - The Valley
3
Søren Skov Orbit - Orbiting
4
Søren Skov Orbit - Reflections of Rif
5
Søren Skov Orbit - Naration
6
Søren Skov Orbit - Adrift
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.
More
More
1
Bertil Strandbergs Kvintett - Cirrus
2
Bertil Strandbergs Kvintett - Glir
3
Bertil Strandbergs Kvintett - Relik
4
Bertil Strandbergs Kvintett - Intakt
5
Bertil Strandbergs Kvintett - Cambodia
6
Bertil Strandbergs Kvintett - Elegi
Deep swedish modal jazz reissued ! - The first reissue of Bertil Strandberg Kvintett’s “Cirrus” album, following on earlier Scandinavian Jazz reissues by Christian Schwindt Quintet and Carsten Meinert Kvartet.
In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again ! Comes with an insert with unpublished photos and liner notes by Mats Gustafsson
Cirrus is full of melancholy. Yet it is balanced with a curiosity and an awareness of the world. Named after a white, wispy cloudscape made up of ice crystals, one can almost picture the deep woods of Sweden as the backdrop to these six compositions.
The group, lead by trombonist Bertil Strandberg, recorded only this album. Bertil wrote the title track which gives you a hint at how he sees the world. Bertil’s brother, Göran Stranberg is on piano and wrote most of the songs on the album. American ex-pat Ed Epstein is on tenor. Ove Gustavsson and Bjarne Boman on bass and drums respectively
"Terrific reissue" - Gilles Peterson
There's a lot to love in this universe and beautiful free spirit jazz from
Sweden is but one of the great creative manifestations of LIFE and
Strandberg's CIRRUS LP is at the top of the list. A rare-as-hen's-teeth
masterpiece newly unwrapped for your sonic pleasure head!
- Thurston Moore
Cirrus represents stunning musicianship, strong personal
compositions and arrangements, highly individual improvisations
and is truly a collective jazz masterpiece. Every detail interacts
with the overall form in the most creative and beautiful way.
- Mats Gustafsson More
In 1973, a snowstorm almost prevented the band from making it to the studio to record this album. Cirrus, released in 1974 in tiny numbers, has since become a heralded object among jazz aficionados. Now 45 years later, Cirrus is finally available on vinyl again ! Comes with an insert with unpublished photos and liner notes by Mats Gustafsson
Cirrus is full of melancholy. Yet it is balanced with a curiosity and an awareness of the world. Named after a white, wispy cloudscape made up of ice crystals, one can almost picture the deep woods of Sweden as the backdrop to these six compositions.
The group, lead by trombonist Bertil Strandberg, recorded only this album. Bertil wrote the title track which gives you a hint at how he sees the world. Bertil’s brother, Göran Stranberg is on piano and wrote most of the songs on the album. American ex-pat Ed Epstein is on tenor. Ove Gustavsson and Bjarne Boman on bass and drums respectively
"Terrific reissue" - Gilles Peterson
There's a lot to love in this universe and beautiful free spirit jazz from
Sweden is but one of the great creative manifestations of LIFE and
Strandberg's CIRRUS LP is at the top of the list. A rare-as-hen's-teeth
masterpiece newly unwrapped for your sonic pleasure head!
- Thurston Moore
Cirrus represents stunning musicianship, strong personal
compositions and arrangements, highly individual improvisations
and is truly a collective jazz masterpiece. Every detail interacts
with the overall form in the most creative and beautiful way.
- Mats Gustafsson More
1
Suzanne Menzel - Farewell, Nancy
2
Suzanne Menzel - Goodbyes And Beginnings
3
Suzanne Menzel - What A Winter's Day
4
Suzanne Menzel - Under The Surface
5
Suzanne Menzel - I Feel It Starts Again
6
Suzanne Menzel - This Is Not Your Life
7
Suzanne Menzel - She Was A Really Beautiful Lady
8
Suzanne Menzel - The Ghost
9
Suzanne Menzel - Winter Comes
10
Suzanne Menzel - On The Corner Of July
11
Suzanne Menzel - Summer Rain
12
Suzanne Menzel - The Advertising Song
This sought-after rarity presents a blend of ambient, new-age, 60’s inspired folk music. The melancholic lyrics of singer-songwriter Suzanne Menzel are transformed by Danish New-Age pioneer, Klaus Schonning’s, futuristic soundscape.
Schonning, not only produced “Goodbyes and Beginnings,” Menzel also credits him as giving her the artistic courage to
self-release her first and only album. “Goodbye’s and Beginnings” sits at the cross-section of many genres.
Menzel’s voice is as timeless as her heartfelt, somber lyrics. While Schønning’s synthesizer, organ and rhythm computers offer a playful contrast. The beautiful tension between them creates a fresh, unique sound and makes “Goodbye’s and Beginnings” hard to categorize even today.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music. As a collector of vinyl records, he’s travelled extensively to acquire fresh sounds - Sudan, Ethiopia, Togo, Benin, Trinidad among other places.
The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015).
The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, will include a wide spectrum of genres - electronic, disco, ambient and more. More
Schonning, not only produced “Goodbyes and Beginnings,” Menzel also credits him as giving her the artistic courage to
self-release her first and only album. “Goodbye’s and Beginnings” sits at the cross-section of many genres.
Menzel’s voice is as timeless as her heartfelt, somber lyrics. While Schønning’s synthesizer, organ and rhythm computers offer a playful contrast. The beautiful tension between them creates a fresh, unique sound and makes “Goodbye’s and Beginnings” hard to categorize even today.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music. As a collector of vinyl records, he’s travelled extensively to acquire fresh sounds - Sudan, Ethiopia, Togo, Benin, Trinidad among other places.
The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015).
The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, will include a wide spectrum of genres - electronic, disco, ambient and more. More
1
Admas - Anchi Bale Game
2
Admas - Bahtas Highlife
3
Admas - Tez Alegn Yetintu
4
Admas - Kalatashew Waga
5
Admas - Wed Enate
6
Admas - Samba Shegitu
7
Admas - Astawesalehu
2023 REPRESS - PRICE TBC
Sons of Ethiopia by Admas, the 1984 Ethiopian synth treasure - reissued !
Frederiksberg Records is proud to announce the first ever vinyl / digital reissue of Admas’ “Sons of Ethiopia”, the privately pressed album from 1984. Fully licensed from Admas, released with their support, the album includes restored sound and art. The extensively researched booklet features unseen photographs and interviews with the band.
Sons of Ethiopia is a mostly instrumental album, rich with global influences. It is one of the few recordings to be produced outside Ethiopia in the early 1980s. It is a key document of the Washington DC exile scene. The core members of Admas – Tewodros ‘Teddy’ Aklilu, Henock Temesgen, and Abegasu Shiota – had previously played in a group called Gasha, one of the few local Ethiopian bands. Admas was born from Gasha, as an outlet for their more experimental instincts.
Emerging from the community of Ethiopian exiles who fled the brutality of the Derg – the military dictatorship that had deposed Haile Selassie – the album was the sound of a new generation. The members of Admas were not musicians from the ‘golden age’: they were children of the terror of the Derg time. Their music formed during an era of state-sponsored neighbourhood bands and a propaganda-tinged traditional music scene, where the weekends were sound-tracked by the remaining hotel groups of a bygone Imperial world.
Admas took Ethiopian popular music into wholly new territory. Having established a residency at the Red Sea restaurant in the early 1980s, the Admas players were steeped in the polyglot musical culture of the American capital. The diverse sonic influences of the city filter into the music, making the album a radically modern work of Ethiopian fusion.Mulatu, Girma Beyene and their peers in 1960s Addis Ababa had created an Ethiopian pop sound by using rhythms from Latin music, soul and jazz. Admas threw their net wider still, adding highlife, electro, go-go, samba, and roots reggae to the mix.
Sons of Ethiopia is the fresh sound of youth, freedom and imagination, which the band made for themselves and by themselves, owning every part of the process. But it is also a music of exile. Admas performed week in, week out, for crowds of fellow Ethiopians, many of whom had lost family and friends to the Derg. Sons of Ethiopia channels this loss, longing and hope. It is at once imbued with the melancholy and nostalgia so typical of Ethiopian song. And at the same time, is a joyful work of synthesis and experiment with deep roots.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and discovered his passion for music and storytelling.
The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the “To You” re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres - electronic, disco, ambient and more. More
Sons of Ethiopia by Admas, the 1984 Ethiopian synth treasure - reissued !
Frederiksberg Records is proud to announce the first ever vinyl / digital reissue of Admas’ “Sons of Ethiopia”, the privately pressed album from 1984. Fully licensed from Admas, released with their support, the album includes restored sound and art. The extensively researched booklet features unseen photographs and interviews with the band.
Sons of Ethiopia is a mostly instrumental album, rich with global influences. It is one of the few recordings to be produced outside Ethiopia in the early 1980s. It is a key document of the Washington DC exile scene. The core members of Admas – Tewodros ‘Teddy’ Aklilu, Henock Temesgen, and Abegasu Shiota – had previously played in a group called Gasha, one of the few local Ethiopian bands. Admas was born from Gasha, as an outlet for their more experimental instincts.
Emerging from the community of Ethiopian exiles who fled the brutality of the Derg – the military dictatorship that had deposed Haile Selassie – the album was the sound of a new generation. The members of Admas were not musicians from the ‘golden age’: they were children of the terror of the Derg time. Their music formed during an era of state-sponsored neighbourhood bands and a propaganda-tinged traditional music scene, where the weekends were sound-tracked by the remaining hotel groups of a bygone Imperial world.
Admas took Ethiopian popular music into wholly new territory. Having established a residency at the Red Sea restaurant in the early 1980s, the Admas players were steeped in the polyglot musical culture of the American capital. The diverse sonic influences of the city filter into the music, making the album a radically modern work of Ethiopian fusion.Mulatu, Girma Beyene and their peers in 1960s Addis Ababa had created an Ethiopian pop sound by using rhythms from Latin music, soul and jazz. Admas threw their net wider still, adding highlife, electro, go-go, samba, and roots reggae to the mix.
Sons of Ethiopia is the fresh sound of youth, freedom and imagination, which the band made for themselves and by themselves, owning every part of the process. But it is also a music of exile. Admas performed week in, week out, for crowds of fellow Ethiopians, many of whom had lost family and friends to the Derg. Sons of Ethiopia channels this loss, longing and hope. It is at once imbued with the melancholy and nostalgia so typical of Ethiopian song. And at the same time, is a joyful work of synthesis and experiment with deep roots.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and discovered his passion for music and storytelling.
The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the “To You” re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres - electronic, disco, ambient and more. More
1
Milt Ward And Virgo Spectrum - Mr. Cheese
2
Milt Ward And Virgo Spectrum - The Foreignor
3
Milt Ward And Virgo Spectrum - Morning Glories
4
Milt Ward And Virgo Spectrum - The Charle
5
Milt Ward And Virgo Spectrum - Virgo Paths
6
Milt Ward And Virgo Spectrum - Juneboy's Frismas
Milt Ward & Virgo Spectrum - a selftitled album of spacey rare groove jazz - reissued !LP plus booklet, 500 copies, pressed at Pallas
It seemed trumpeter/composer Milton Ward had all he needed for a breakthrough in the world of contemporary jazz in the late 1970s. Blessed with a beautiful trumpet tone and an impressive work ethic, Ward found a home in Boston’s exploding soul and jazz scenes of the early 1970s. His star never joined the constellation of jazz luminaries, but Ward did leave one fantastic album of spiritual jazz that has become a collectors’ favorite: Milt Ward and Virgo Spectrum.
Frederiksberg Records is proud to present the first and only authorized reissue of this funky jazz classic. The release includes remastered tracks from the original LP along with in-depth liner notes that provide a detailed account of Ward’s journey from his early years discovering music in the South to his toils finding a hold in the music business in Boston and New York City.
Born in Michigan but raised in New Orleans, Ward came up through the Crescent City’s legendary musical educaCon system. AWer a sCnt in the Air Force, Ward and his friend Stanton Davis (of Ghetto/Mysticism fame) looked to the Berklee College of Music in Boston for the next step in their development. Immediately, the two were immersed in Boston’s busy music scene, finding trumpet chairs in Herschel Dwellingham’s Orchestra at the Sugar Shack, where they backed up many of the day’s soul greats.
Ward worked with many up-and-coming musicians emerging from Berklee’s nurturing arms. He recruited many to his projects, including his Ultra Modern Quintet Plus Two, which played regularly around Boston in the early 1970s. It was in the mid-1970s that Ward took it upon himself and his entrepreneurial spirit to start his own record label, Twin Quest, and record his stand-alone release.
Milt Ward and Virgo Spectrum brought together great young musicians who would quickly make names for themselves within the jazz world, including keyboard wizard Delmar Brown and future Jazz Messenger saxophonist Billy Pierce. Saxophonist/flutist Eddie Alex is a standout, as is baritone saxophonist Glenn Barbour, who soon would head to Atlanta to join The Whole Darn Family. Percussionist Ignacio Mena, bassist Cucho MarCnez, and drummer Hugh Petersen all hailed from farther south: Chile, Venezuela, and St. Croix, respectively. The recording also incorporated two bona fide New York jazz masters and veterans of the spiritual jazz movement, bassist Cecil McBee and saxophonist Carlos Ward.
The recording still stands as a hallmark to the creative music scene of Boston and New York City when soul and funk began to emmesh themselves in jazz. Milton Ward’s Milt Ward and Virgo Spectrum remains a youthfully vibrant recording that is ripe for rediscovery by a new generation of explorative listeners.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music.The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres -electronic, disco, ambient and more. More
It seemed trumpeter/composer Milton Ward had all he needed for a breakthrough in the world of contemporary jazz in the late 1970s. Blessed with a beautiful trumpet tone and an impressive work ethic, Ward found a home in Boston’s exploding soul and jazz scenes of the early 1970s. His star never joined the constellation of jazz luminaries, but Ward did leave one fantastic album of spiritual jazz that has become a collectors’ favorite: Milt Ward and Virgo Spectrum.
Frederiksberg Records is proud to present the first and only authorized reissue of this funky jazz classic. The release includes remastered tracks from the original LP along with in-depth liner notes that provide a detailed account of Ward’s journey from his early years discovering music in the South to his toils finding a hold in the music business in Boston and New York City.
Born in Michigan but raised in New Orleans, Ward came up through the Crescent City’s legendary musical educaCon system. AWer a sCnt in the Air Force, Ward and his friend Stanton Davis (of Ghetto/Mysticism fame) looked to the Berklee College of Music in Boston for the next step in their development. Immediately, the two were immersed in Boston’s busy music scene, finding trumpet chairs in Herschel Dwellingham’s Orchestra at the Sugar Shack, where they backed up many of the day’s soul greats.
Ward worked with many up-and-coming musicians emerging from Berklee’s nurturing arms. He recruited many to his projects, including his Ultra Modern Quintet Plus Two, which played regularly around Boston in the early 1970s. It was in the mid-1970s that Ward took it upon himself and his entrepreneurial spirit to start his own record label, Twin Quest, and record his stand-alone release.
Milt Ward and Virgo Spectrum brought together great young musicians who would quickly make names for themselves within the jazz world, including keyboard wizard Delmar Brown and future Jazz Messenger saxophonist Billy Pierce. Saxophonist/flutist Eddie Alex is a standout, as is baritone saxophonist Glenn Barbour, who soon would head to Atlanta to join The Whole Darn Family. Percussionist Ignacio Mena, bassist Cucho MarCnez, and drummer Hugh Petersen all hailed from farther south: Chile, Venezuela, and St. Croix, respectively. The recording also incorporated two bona fide New York jazz masters and veterans of the spiritual jazz movement, bassist Cecil McBee and saxophonist Carlos Ward.
The recording still stands as a hallmark to the creative music scene of Boston and New York City when soul and funk began to emmesh themselves in jazz. Milton Ward’s Milt Ward and Virgo Spectrum remains a youthfully vibrant recording that is ripe for rediscovery by a new generation of explorative listeners.
About Frederiksberg Records
Frederiksberg Records was founded in New York in 2013 by Danish video journalist and music lover Andreas Vingaard. The name, Frederiksberg, is the part of Copenhagen where Andreas grew up and first discovered his passion for music.The idea for the label emerged when Andreas befriended renowned Jazz saxophonist, Carsten Meinert. Committed to telling the story of Meinert’s music the right way, Andreas resolved to take full ownership of the To You re-release (2015). The result has been a rollercoaster journey of running an independent record label. Frederiksberg Records, with roots in Scandinavian Jazz, includes a wide spectrum of genres -electronic, disco, ambient and more. More
1
Hugo Moolenaar - Children Children
2
Hugo Moolenaar - We Can Live Together
3
Hugo Moolenaar - Big Man Cry
4
Hugo Moolenaar - Give It Your Best Shot
Compilation of the best tracks of Mocko Jumbie's only two albums, infectious blend between funk/soul/soca, has a disco tinged feel on 'Children Children' and a electronic edge on 'We Can Live Together', flipside holds lovely soca tunes.
The second youngest of eight children, Hugo Leanzo Moolenaar was born on September 23rd, 1948, in St. Thomas, US Virgin Islands. His mother was from Puerto Rico; his Dutch-German father worked as a contractor, but also played the guitar and had a 6-piece band that performed at house parties. The young Hugo was a born entertainer. Watching his elders, particularly an uncle who played the ukulele, he began to teach himself to play guitar, practicing on his own. Eventually he began to perform his own songs as he gradually gained confidence and ability.
As well as being a proficient musician, Hugo would also become a highly skilled Mocko Jumbie — a performer of the carnival stilt dancing tradition which has had a presence in the Virgin Islands for several hundred years, and which historians consider to have been brought to the Caribbean by enslaved West Africans.
Carnival in the Virgin Islands was revived in 1952, and from then on it became an annual event. The two most famous Mocko Jumbies at this time were John Magnus Farrell and William Richardson (to whom Hugo would dedicate his second album). The pair mentored a young talent named Alvin “Allie” Paul who later in turn would go on to teach many others. In 1964, at age 14, Paul entered the St. Thomas carnival as a stilt-dancer, and revolutionized the Mocko Jumbie style. While Farrell and Richardson would perform in a more European influenced outfit — usually a conical shaped hat, a female dress and a wire mask — Allie brought back some of the older African influence, wearing what some say is a Ghanaian-style hat and striped pants to cover the stilts.
Paul founded his own troupe in the late 1960s. He was the first to allow female students, starting by teaching family members and friends. One of his best students was Hugo Moolenaar, who quickly became known as one of the fastest dancers on the 6’ stilts, and was renowned for adding kung-fu-style moves to his performances.
In 1968, Hugo enlisted in the US army. He served in Vietnam, where he was severely injured. In 1970 he was honorably discharged and was awarded the prestigious Purple Heart for his service. Nevertheless, his injuries did not stop him from returning to Mocko Jumbie performance, and his reputation continued to grow. He also began to work for local government in St. Thomas. In the fall of 1982, Hugo was asked to become a resident performer at the Hotel Shibui in Contant Hill, St. Thomas after a convincing audition for the manager. Hugo brought in his girlfriend Juanita, a singer since high school, and a duo was born. Together, they performed Hugo’s compositions. Eventually, Juanita started to learn Mocko Jumbie as well. The couple, who were married in 1983, later founded a Mocko Jumbie school, that at its peak had 75 students.
The steady income from the hotel residency provided financial opportunity that the entrepreneurial Hugo seized. Travelling with their band to Puerto Rico, Hugo and Juanita hired a local horn section and created Hugo’s first album, entitled High, High, High, a reference to the Mocko Jumbie tradition. The cover depicts Hugo dressed in a golden outfit on stilts, on a palm beach, holding a guitar while Juanita looks on from the ground, holding their two children. Hugo’s second release, Mocko Jumbie Jamboree, came out not long after and also featured original compositions. It was recorded at the local Virgin Island studio Turtle Point. Both albums were self-distributed and feature a heady cocktail of island and popular sounds – from jump-up calypsos and kaisos to drummachine modern soul and upful disco.
During his career, Hugo performed the Mocko Jumbie on many neighboring Caribbean islands, as well as in the US, in New York, Portland, Oregon, and at the 1979 Super Bowl show in Miami, alongside the Grammacks band from Dominica. He also performed in Japan, as well as at the Festival de Música del Caribe in Cartagena, Columbia, where he appeared in a bullfighting arena with a group of the finest Mocko Jumbies and a local Virgin Islands band. But in 1989 a hurricane — ironically named Hugo —destroyed many of the Moolenaar’s belongings, including master tapes and photos, leaving them with very little to show for their long careers.
Hugo retired in 2008, after working 32 years for the local government. In 2009, the Virgin Islands Department of Tourism adapted a new logo, a Mocko Jumbie. I’d like to think Hugo Moolenaar was a part of the reason.
Hugo passed away on January 25th, 2012, from cancer. It is thought that the disease may have been a result of exposure to Agent Orange during his military service in Vietnam.
To his very last day, Hugo lived by his motto: “Peace, Love and Happiness Always”. More
The second youngest of eight children, Hugo Leanzo Moolenaar was born on September 23rd, 1948, in St. Thomas, US Virgin Islands. His mother was from Puerto Rico; his Dutch-German father worked as a contractor, but also played the guitar and had a 6-piece band that performed at house parties. The young Hugo was a born entertainer. Watching his elders, particularly an uncle who played the ukulele, he began to teach himself to play guitar, practicing on his own. Eventually he began to perform his own songs as he gradually gained confidence and ability.
As well as being a proficient musician, Hugo would also become a highly skilled Mocko Jumbie — a performer of the carnival stilt dancing tradition which has had a presence in the Virgin Islands for several hundred years, and which historians consider to have been brought to the Caribbean by enslaved West Africans.
Carnival in the Virgin Islands was revived in 1952, and from then on it became an annual event. The two most famous Mocko Jumbies at this time were John Magnus Farrell and William Richardson (to whom Hugo would dedicate his second album). The pair mentored a young talent named Alvin “Allie” Paul who later in turn would go on to teach many others. In 1964, at age 14, Paul entered the St. Thomas carnival as a stilt-dancer, and revolutionized the Mocko Jumbie style. While Farrell and Richardson would perform in a more European influenced outfit — usually a conical shaped hat, a female dress and a wire mask — Allie brought back some of the older African influence, wearing what some say is a Ghanaian-style hat and striped pants to cover the stilts.
Paul founded his own troupe in the late 1960s. He was the first to allow female students, starting by teaching family members and friends. One of his best students was Hugo Moolenaar, who quickly became known as one of the fastest dancers on the 6’ stilts, and was renowned for adding kung-fu-style moves to his performances.
In 1968, Hugo enlisted in the US army. He served in Vietnam, where he was severely injured. In 1970 he was honorably discharged and was awarded the prestigious Purple Heart for his service. Nevertheless, his injuries did not stop him from returning to Mocko Jumbie performance, and his reputation continued to grow. He also began to work for local government in St. Thomas. In the fall of 1982, Hugo was asked to become a resident performer at the Hotel Shibui in Contant Hill, St. Thomas after a convincing audition for the manager. Hugo brought in his girlfriend Juanita, a singer since high school, and a duo was born. Together, they performed Hugo’s compositions. Eventually, Juanita started to learn Mocko Jumbie as well. The couple, who were married in 1983, later founded a Mocko Jumbie school, that at its peak had 75 students.
The steady income from the hotel residency provided financial opportunity that the entrepreneurial Hugo seized. Travelling with their band to Puerto Rico, Hugo and Juanita hired a local horn section and created Hugo’s first album, entitled High, High, High, a reference to the Mocko Jumbie tradition. The cover depicts Hugo dressed in a golden outfit on stilts, on a palm beach, holding a guitar while Juanita looks on from the ground, holding their two children. Hugo’s second release, Mocko Jumbie Jamboree, came out not long after and also featured original compositions. It was recorded at the local Virgin Island studio Turtle Point. Both albums were self-distributed and feature a heady cocktail of island and popular sounds – from jump-up calypsos and kaisos to drummachine modern soul and upful disco.
During his career, Hugo performed the Mocko Jumbie on many neighboring Caribbean islands, as well as in the US, in New York, Portland, Oregon, and at the 1979 Super Bowl show in Miami, alongside the Grammacks band from Dominica. He also performed in Japan, as well as at the Festival de Música del Caribe in Cartagena, Columbia, where he appeared in a bullfighting arena with a group of the finest Mocko Jumbies and a local Virgin Islands band. But in 1989 a hurricane — ironically named Hugo —destroyed many of the Moolenaar’s belongings, including master tapes and photos, leaving them with very little to show for their long careers.
Hugo retired in 2008, after working 32 years for the local government. In 2009, the Virgin Islands Department of Tourism adapted a new logo, a Mocko Jumbie. I’d like to think Hugo Moolenaar was a part of the reason.
Hugo passed away on January 25th, 2012, from cancer. It is thought that the disease may have been a result of exposure to Agent Orange during his military service in Vietnam.
To his very last day, Hugo lived by his motto: “Peace, Love and Happiness Always”. More
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Repress!
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth) More
In February 2021, Jan Jelinek's seminal album "Loop-Finding-Jazz-Records" turned 20. The anniversary repress, a double LP with two bonus tracks (B-sides from the Tendency EP, 2000), is a little late to the party.
What the press said about Loop-Finding-Jazz-Records:
“Don’t be misled by the title, though for there isn’t a finger-snapping rhythm c bebop lead anywhere on the album. Instead, Jelinek chooses to explore the visual effect moiré - two shifting patterns creating an implied third dimension - in the audio realm.” (Alternative Press)
“The title acts as explanation for the studio technique that provided the basis for this album, snippets of other people’s arrangements deconstructed through a sampler into loops and then splashed onto an audio canvas.” (ATM)
“Jelinek’s sound evolved out of his dislike for (and inability to play) keyboards.” (RPM)
“Jelinek has abstracted his sources beyond recognition, looping his millisecond samples into flickering patterns of sonic moiré laid atop a dub Techno framework. (...) Jelinek might as well have sampled a horn player’s hissing intake of breath – it would have been ‘jazz’ enough for his purposes.“ (The Wire)
“It’s a perfect inversion of conventional music, a sonic negative. Everything that would typically be foreground is moved back or pushed off the screen altogether, and the flecks of sonic debris that would normally be covered by other sounds are left to carry the melody and rhythm.” (Pitchfork)
“All you need to know is that these onomatopoeic non-specific songs (...) are warm, paradisical creations”. (NME)
“Listen carefully and you’ll hear textures slowly unfolding and mutating. Presuming you’ve not fallen asleep of course.” (iDJ)
“At times, it’s all a bit dripping tap Japanese water torture; so sedentary it drowns in its own motionlessness” (DJ)
“Loop Finding Jazz Records' is a genuine modern classic whose re-release is anything but a cynical mortgage repayment exercise. Consider this a second chance, then pretend you had it all along.” (Boomkat)
PS:
“I’ve been fortunate enough to see Jan Jelinek live once, at Tonic NYC (...). Wearing a black and white striped shirt, he looked like a nihilistic Charlie Brown.” (beachsloth) More
White Vinyl 2LP (Contains original album and mono-mix retrieved from original tapes)
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA More
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA More
Released via 'Insanity' - Purple Disco Machine's third studio album 'Paradise'. Purple Disco Machine has collaborated with artists such as Metronomy, Jake Shears, Duke Dumont, Sophie and the Giants, Nothing But Thieves and many more. The album is another homage to the new age of disco and surprises with numerous top-class dance features, as well as of course the big hits of recent months. A x15 song album available on Double Purple LP Vinyl,
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Eden Burns - A1) Invercargirl (06:10 min)
2
Eden Burns - A2) Intro Manus (03:48 min)
3
Eden Burns - B1) 22 Dance Demo (07:48 min)
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Eden Burns - B2) Yes You Sexy (05:21 min)
2022 Repress
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
This Volume comes in a limited Vinyl Edition of 200. Collect them all!
More
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
This Volume comes in a limited Vinyl Edition of 200. Collect them all!
More
1
Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
2
Tommiboy feat. DM Disco Band - La Sfinge
3
M¥SS KETA & Kapote - Italomania Intermezzo
4
Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
5
Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
6
Munk & Kapote - La Musica (Hot DJ Version)
7
Fimiani & Angeleri - SessoSpaghetti (Extended Version)
8
Kapote - Sono Tropical (Extended Version)
9
Giovanni Damico - Tropica (feat. Martina)
10
Lele Sacchi Feat Elasi - Malamore (Extended Version)
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Daniel Monaco Band - Milly
2 x 12"
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
More
Tracklist:
A1 Sam Ruffillo & Fimiani - Mediterranea (Party Mix Extended)
A2 Tommiboy feat. DM Disco Band - La Sfinge
B1 M¥SS KETA & Kapote - Italomania Intermezzo
B2 Severino & Giacomo Moras ft. M¥SS KETA - Maledetto
B3 Stump Valley feat. Femmina - Non Dire Di No (Extended Version)
C1 Munk & Kapote - La Musica (Hot DJ Version)
C2 Fimiani & Angeleri - SessoSpaghetti (Extended Version)
C3 Kapote - Sono Tropical (Extended Version)
D1 Giovanni Damico - Tropica (feat. Martina)
D2 Lele Sacchi Feat Elasi - Malamore (Extended Version)
D3 Daniel Monaco Band - Milly
Toy Tonics ITALOMANIA Vol. 2 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.)
13 young contemporary Italian producers made new organic disco, indie dance, avant pop and house tracks with Italian vocals.
Everything on this compilation has been produced in 2023. Fresh dance music by Italian indie electronic star Myss Keta together with DJ Severino (of Horse Meat Disco) and newcomers Sam Ruffillo, Fimiani, Magou, Tommiboy, Daniel Monaco, Giovanni Damico. And new music by artists Stump Valley (from Dekmantel), Munk (Gomma records), Rodion (Slow Motion Records) and DJ legend Lele Sacchi,
The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. The idea is to show the status of Italian Disco of today. It’s like a „manifesto“!
Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco, dance and house music.
with Italian vocals. All tracks compiled by Kapote aka Mathias Modica aka Munk. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records.
Italian Disco is not Italo Disco.
While the last years the slightly trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But now also the attention for more quality and organic dance music with Italian language is rising. This compilation is about this Italian Disco,
It’s a fact that not just in Italy but also in France and Germany there are now artists singing in Italian or using Italian words and names - even if they are not Italian.
Let’s not forget: The world’s culture of party, dancing, showbizness and pop music would be unimaginable without the heritage and creativity that Italians contributed.
Italy is not just the country of good food, beautiful beaches and high fashion, but it’s also the original country of dance music. Since almost 3000 years, since the ancient roman times the Italians have been making (dance) music culture, creating popular culture and being the maestros in organizing parties.
Also the disco wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italo-americans in New York).
The ITALOMANIA artists & tracklist:
M¥SS KETA
The most famous artist on the compilation is singer M¥SS KETA. The Italian press calls her "the Italian Lady Gaga“. M¥SS KETA is an edgy performer that reached the top of the charts with indie pop songs, but is also well rooted in the Milan art, fashion and LGTB scene.
To create a song for Italomania she teamed up with DJ Severino. The Italian part of London’s Horse Meat Disco DJ collective. Probably the world leading queer DJ team. (M¥SS KETA recently was invited to perform Berghain in Berlin).
Sam Ruffillo
Sam Ruffilo has contributed a new (party) version of his song Mediterranea. A organic disco track with lyrics in Neapolitan dialect. Sam Ruffillo is an upcoming Italian DJ and producer and one of the lead artists of Toy Tonics (along with Coeo, Kapote and Cody Currie). He had a few underground hits combining leftfield disco and Lofi House with Italian vocals creating a new genre that is finding lot of fans right now. One of his songs (Chiamami Subito) made it into the rotation of big Italian radio station M20. On Instrgam you can see his DJ sets where hundreds of Italians sing his songs at Toy Tonics parties.
Munk
Toy Tonics head honcho Kapote reworked the Munk song ‚La Musica‘ for this compilation. Munk is the former producer name of Mathias Modica aka Kapote. The creative mind behind Toy Tonics and Gomma records. ‚La Musica‘ is an Italo house song that he originally released 2010 when he was doing his former label Gomma records. Now there is this new version of this catchy dance song with the Italian hookline that became almost iconic when first released.
It made sense to include a new version of this track on ITALOMANIA because its a blueprint of italian disco and sounds so fresh again now.
Giovanni Damico
The south Italian DJ, producer made „Tropica“. The song is a tribute to the music of the Italian discos of south Italy of the 1980ies. A Balearic session that can be great at a beach in the afternoon, but also for dancing in the early morning. Damico is part of the new Italian disco scene releasing his dance tracks on international labels like Lumberjacks in hell and White Rabbit records since 2013.
Kapote
His new song „Sono tropical“ is an ironic Latin pop song based on a classic salsa piano riff and a strong Latin soul bassline. It reminds the big tunes from the 1970ies New York Salsa Scene (Tito Puente, Willie Colon, Fania All Stars). The vocals performed by Kapote are a mix of Italian and Spanish. The girl’s voice is also performed by Kapote. But transferred into a female voice by an AI. All instruments played by Kapote who before starting to get into the DJ and label business used to to study jazz piano. Before starting Toy Tonics Kapote he released 3 albums under his former name Munk and produced records with big names from the electronic music scene like James Murphy of LCD Soundsystem, Peaches, The Rammellzee and three albums of Danish band WhoMadeWho. Mathias/ Kapote also worked with artists like Franz Ferdinand, The Rapture and Asia Argento.
Lele Sacchi
Lele Sacchi is an Italian DJ legend and host of Italy's most important DJ radio show on RAI national radio. He has been djing all around the world playing from Circoloco Ibiza to Avalon LA. He has Besides being on Italian national radio he has been doing shows on NTS Radio or guest on BBC Six. He produced for labels like Soul Clap, !K7, Internasjonal, Nervous, Snatch, Crosstown Rebels, Poker Flat and his own Stolen Goods imprint.
Sacchi teamed up with young vocalist Elasi, a new talent from Milano that is making waves in Italy for a few songs she released in a indie disco style. Their song is an interpretation of late 70’s cult slow disco pop classic ‘Malamore’ by the underdog Enzo Carella. A mix of slow house and playful pop with a slight touch of acid!
Tommiboy
Tommiboy made a nasty, disco rock song called Sfinge. Only 26 years old he is one of the most hyped up Italian disco diggers and collectors. Originally from Rimini, the capital of discos, he is the son of a father who was a regular dancer in Rimini’s clubs of the 1980is and fed his son with all things disco.
Tommiboy started to do parties and compilations under the name Disco Stupenda three years ago. By now he and his parties are a big thing in Italy and has fans all around the country. He also is DJ for fashion brands like Gucci and he is the guy who re-introduced 1980s stars like Pino D’Angio.
Fimiani aka BPlan
The DJ und producer from Napoli is part of the new, vibrant disco scene from Napoli. (NuGenea, Mystik Jungle, Manny Whodamanny )
His collabo with italian 1980ies crooner Angeleri called SessoSpaghetti is a remake of a song originally released in 1983, but never became famous when it came out. The drums on the song are played by Napoli legend Tullio De Piscopo and the guitar by Lucio Battisti guitar player Massimo Luca.
The new version is a ironic summer disco with sexy vocals and Italian fun rapping about beach life, beautiful girls and sex on the beach. Fimiani also does edits of rare italo disco under the name of BPlan
Daniel Monaco
Daniel Monaco is a multi-talented artist, producer, and bass player DJ, bandleader and producer from Napoli - but has been living for many years in Amsterdam where he hosted show on Red Light Radio released on Labels of the likes of Rush Hour and Bordello a Parigi. Is one of the key figures of the scene due to unique fusion of Italo Disco, Proto House, Obscure Disco, and a captivating tropical touch. His latest EPs came out on Slow Rush Hour records and Periodica Records contributed the song ‚Milly‘ for Italomania. Played with a 5 person band.
Stump Valley
The two DJs, producers and vinyl collector are experts in all things Italo Disco and Balearic music. Before joining Toy Tonics they released an album on Dekmantel records. One of the guys (Brain de Palma) is the favorite DJ of Peggy Gou. He is regularly opening the shows of Peggy as a warm up DJ and releases his solo records on Peggy's label Gudu records. For this compilation they made Non dire di no. An old school piano house track with catchy vocals in the finest tradition of the piano house style that Italians invented in the early 1990ies.
More
1
Pete Blaker - Harry's Little Vocoder
2
Pete Blaker - Neverending (Cosmic Version) Feat. Dionisos
DISCO EDITS
More
2022 Repress
Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
More
Tracklist:
A1) Rat’s a Rat 07:32 min
A2) Smudge 05:30 min
B1) Yardmaster Pt. I feat. Nice Girl 08:25 min
B2) Quick Match 06:33 min
Short info:
BBM mystery edition. Super natural feelings, Acid Magick, Rats in hats.
Big Beat Manifesto has grown beyond the empirical comprehensible.
Join the tribe & help to spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is afterlife. Afterlife is present.”
More
1
Eden Burns - A1) Big Beat Manifesto (00:07:50)
2
Eden Burns - A2) Robokinky (00:06:13)
3
Eden Burns - B1) Big Bark Manifesto (00:06:19)
4
Eden Burns - B2) A Far Way To Fall (00:09:01)
Tracklist:
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Each Volume comes in a limited Vinyl Edition of 100. Collect them all!
More
A1) Big Beat Manifesto 00:07:50
A2) Robokinky 00:06:13
B1) Big Bark Manifesto 00:06:19
B2) A Far Way To Fall 00:09:01
Short info:
Join the tribe. Help spreading the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.“
Transmission activated!
Each Volume comes in a limited Vinyl Edition of 100. Collect them all!
More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
1
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco Blend)
2
voilaaa - Spies Are Watching Me (Africaine 808 Remix)
3
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
Label:Smallville Records
Cat-No:smallville64
Release-Date:26.07.2024
Genre:Deephouse
Configuration:12" Excl
1
Edward - A1 Primal Dream
2
Edward - A2 Blue Glue
3
Edward - B1 Eddie Green
4
Edward - B2 So Slow
12" - Cover Artwork by Stefan Marx
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
Edward delivers his latest collection of works, the ‘Eddie Green’ EP via Smallville Records this July,
comprised of four originals.
For the past decade and a half, Frankfurt-original Gilles Aiken, better known to most as simply, Edward, has been
unveiling his productions regularly via the likes of his most regular home Giegling, but also Baby Ford & Eon’s
Trelik, White, Die Orakel or DFA, plus teaming up with Ricardo Villalobos in 2020 for their Disordered Rhythm
Metronomy project on Perlon. Here though, we see Edward mark his debut for Smallville Records, a fitting home
for his deep, dynamic and hypnotic style which regularly blurs the lines of House, Techno and beyond.
Up first is ‘Primal Dream’, a raw and reduced journey through modulating synth flutters, squeaky percussive
twitches and a bumpy, robust rhythm section. ‘Blue Glue’ follows and diverges into a more mystical sonic world
with haunting chants, resonant synth licks, meditative chimes and ethereal textures intertwined with crisp, crunchy
drums.
Title-track ‘Eddie Green’ opens the B-side, embracing a more dubbed out, deep techno aesthetic via murky chord
swells, clattering organic percussion, throbbing low end pulsations and vocoded spoken word vocal lines. The
aptly title ‘So Slow’ then rounds out the release, dropping the tempo and shifting focus Edward’s more jazz-tinged
influences with wandering piano melodies and soulful vocal chants uttering the track’s title, underpinned by
shuffled drums and waves of sporadic oscillating synth.
Tracklist:
A1 Primal Dream
A2 Blue Glue
B1 Eddie Green
B2 So Slow
All tracks written & produced by Gilles Aiken
Mastering and Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound More
1
Rene Wise - Escaping Siro
2
Rene Wise - Caging Green
3
Rene Wise - Dry Beetle
4
Rene Wise - Lonely Singing
2024 repress
Tracklisting
A1 Rene Wise - Escaping Siro
A2 Rene Wise - Caging Green
B1 Rene Wise - Dry Beetle
B2 Rene Wise - Lonely Singing
Sales Note
Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.
As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise's music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it's the space between the notes that resonate the loudest. More
Tracklisting
A1 Rene Wise - Escaping Siro
A2 Rene Wise - Caging Green
B1 Rene Wise - Dry Beetle
B2 Rene Wise - Lonely Singing
Sales Note
Founded by Rene Wise, Moving Pressure is a record label aimed to explore the immersive dialogue between soundsystem music and the human body, celebrating the profound connection of sound and movement.
As the inaugural release, Moving Pressure 01 serves as a sonic diary showcasing Rene Wise's music storytelling. Each track on the EP contributes to a harmonious blend of innovation and restraint, inviting listeners to embark on a captivating journey through the artistry of sound and rhythm. Sometimes, it's the space between the notes that resonate the loudest. More