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8 track LP from Elza Soares released by Mais Um Discos

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Tom Zé and Faust collide in Domenico Lancellotti's "machine samba". Domenico Lancellotti's SRAMBA reaches back to the roots of samba whilst completely revamping its blueprint, indoctrinating guitar and percussion-led rhythms with analogue synthesisers, courtesy of album producer Ricardo Dias Gomes. Both Domenico Lancellotti and Ricardo Dias Gomes are revered names within Brazilian music over the past 20 years. As a member of the +2's, with Moreno Veloso and Kassin, Domenico released a trio of albums on Luaka Bop in the early 00s that pioneered a new Rio samba sound with elements of funk and psychedelia. With Veloso and Kassin he would later form Orquestra Imperial, a big band intent on reviving ballroom (gafieira) samba, and that has worked with guest vocalists such as Seu Jorge, Elza Soares and Ed Motta. SRAMBA is his fourth solo album. Multi-instrumentalist Ricardo Dias Gomes first came to notice as a member of Caetano Veloso's band Cê which helped reinvigorate Caetano's career with a sound influenced by British new wave. As well as collaborations with Lucas Santtana, Negro Leo and Thiago Nassif, and work with his own group Do Amor, he has released a series of acclaimed solo albums that reveal a restless music-maker. SRAMBA is a glorious showcase of the duo's style, uniting Domenico's playful lyrics and rhythmic, samba-rooted songs with with Ricardo's assured accompaniment of unorthodox textures and instrumentations. It may be a new language for samba, machine samba (samba de máquina), but as Domenico says, "samba da máquina is samba".

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Tracklisting
A1 Veak - Jurney
A2 Veak - Internal Force
B1 Veak - Dig It
B2 Veak - Forward

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New Burial 12" on XL.

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1. Come To Daddy (Pappy Mix) 2. Come To Daddy (Flim) 3. Come To Daddy (Little Lord Faulteroy Mix) 4.Come To Daddy (Bucephalus Bouncing Ball) / classic Aphex Twin 12" back in stock!

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Tracklisting
A1 JKS - It's A Vibe
A2 Bailey Ibbs - Tempo
B1 Bailey Ibbs & JKS - Shake
B2 Bailey Ibbs & JKS - Rituals

Sales Note
JKS is back on his own imprint. Together with Bailey Ibbs they have collaborated on a groundbreaking EP. This partnership encapsulates the evolution of techno, blending spiritual intros, vibrant vocals, and pulsating rhythms. Each track offers a captivating journey, reflecting the creative depth of Smile Sessions and the philosophy of the label.

Drawing from diverse influences, yet meticulously guided by a singular artistic vision, this EP promises to immerse listeners in a hypnotic journey. From the captivating "It's a Vibe", fusing tribal and soulful techno, to the intense "Tempo," paying homage to 2000s-influenced techno, each track on the EP showcases meticulous curation.

"Shake" stands as a collaborative gem, melding distinct sounds into a driving techno groove enriched with warm, progressive tones and organ textures, while "Rituals" closes the EP with tribal-infused vibes and a seductive vocal flair, ending on a emotional note with its melancholic synth conclusion.

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Making his Dekmantel debut with a flourish of symphonic, transcendental techno, Sepehr takes us into a fictional metaphysical zone he calls the Genesis Domain. Over the past 10 years NYC-based Sepehr Alimagham’s versatile club music practice has taken in techno, D&B, electro, EBM and acid on a suite of scene-leading labels. This new EP builds on the pseudo-spirituality he explored on recent LP Fall From Grace with an exploration of an imagined space “where your reality can be reinvented at any given moment.”

On the A side, the title track sets the pace with a throbbing, sparkling-yet-spooky trip that allows a touch of trance into the mix, while ‘Delicate Senses’ explores snappier broken beat rhythms and edgy atmospherics with a distinctly moody outlook.

The mystical electro shades of ‘Twisted Solstice’ and ‘Planet Lonely’s melancholic 4/4 pastures strike a note between contemplative introspection and anthemic main stage energy. ‘Queen Of Demons’ is the consummate EP closer, leaning on brooding low end and snaking, intricate beats with a healthy dose of shimmering beauty up top.

Consistent with his versatile approach since day one, Sepehr proves any blend of tempos and rhythms can be folded into his vivid, evocative sound world — the results will always draw you in close until his vision becomes yours.

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After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more. The LP is set to release on 10th May 2024

Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to wind up with some of the most enduring electronic music of the past 30 years. From the grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover.

On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural intake which set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. The drums have remained a source of fascination despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.

The subtle imperfections of human rhythm are a big draw - Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones which were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022.

Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as legendary deep house original Robert Owens and dub techno crooner Paul St. Hilaire. Iconic French electro provocateur Miss Kittin also makes an appearance. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins.

Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, who passed away in 2020, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre, creating a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.

It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past.

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