1
dBridge Vs Forest Drive West - Death Race 3000
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dBridge Vs Forest Drive West - Vignette
3
dBridge Vs Forest Drive West - Van Mij
4
dBridge Vs Forest Drive West - Spitefull Lips
dBridge & Forest Drive West, doing what they do, together
More
More records from Exit Records
1
Tasha & Cadans - - Soft Grimness
2
Joe Seven - - Typh Jam
3
Flore - - Sharp
4
Poison Arrow - - Juego Carnal
5
Consequence - - I Forgot You and You Forgot Me
6
Carrier - - A Victim of Gravity
7
Steffi - - Yellow Background
8
Freedom Engine - - Welcome to the Pharmacy
dBridge - "So here we have it: the final plate of the Exit 100 series. I’ve been immensely proud of this project, and I believe this release is a fitting way to conclude it. We’ve curated a collection full of great music from artists I love, and I’m pleased that we’ve created a project that represents Exit’s future rather than its past."
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1
Fixate - Conundrum
2
Fixate - Scatterbrain
3
Fixate - Reflections
4
Fixate - Subject To Change
5
Fixate - Maxibon
6
Fixate - Locomotive
Fixate, a core artist of Exit Records, is proud to present Conundrum, a dynamic mini LP. Spanning a variety of tempos, this collection showcases Fixate’s love for house and techno, blending loop-driven beats with dancefloor energy. In his own words, “I made these tracks to fit into my own DJ sets, bridging the gap between tempos when playing out."
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1
EVA808 - LETS BE HAVIN U
2
EVA808 - Y R U N KET
3
EVA808 - BLUEBERRYPOISONDARTFROG
4
EVA808 - GEIMVERA
“After releasing my album 'ÖÐRUVÍSI,' which was a very personal and emotionally challenging project, I felt the need to make something weird and energetic for the club. I’m really into tunes that feel both slow and fast simultaneously. The first track on the EP, 'Let’s be Havin u,' was initially hard to place genre-wise, i ended up sending it to Darren, who loved it and wanted to sign it. Releasing on Exit kinda feels like earning a black belt as a producer hah. I never imagined that a decade after buying Exit 12”s in 2014, I’d be releasing my own music on the label. When I started making the EP, I had just begun performing again. I often saw people on the dance floor, too out of it to enjoy the music and often some of them having to be carried by their friends to backstage. This made me wanna make tunes for the dance floor as a bit of a statement on this. I first tested 'Let’s be Havin u' at Prikið in Reykjavik, sounded mad on the little old funktion one. The moment I knew that I was onto something with the EP was when I was Performing in Bristol at Thekla for my friend Boofy. It was wild, the ceiling started leaking during the show. I Love Bristol, feels like home to me. Most of the percussion and hats on the EP are made with an Elektron Model Cycles, and the synths and pads are from a 80s Yamaha hybrid FM/sample synth I found at a thrift store. It doesn’t have MIDI, so I have to record perfect takes for chords and melodies. I often use pedals afterwards or resample the sounds for more tonal control. I enjoy digging for records with unique breaks to sample, as I feel this is lacking nowadays. I usually make all my drums from scratch but when I use breaks I like it to be something I haven’t heard before. The alien percussion sound in the last track is actually me biting my teeth together, resampled repeatedly and ran through pedals and interfaces. I also recorded myself chewing gum for the second track to give it that hand on the hip feel. Most of the EP is made with hardware, outboard gear, or real-life recordings. I’m not concerned about the EP fitting a specific genre or playlist. Too many artists play it safe by focusing on their Spotify stats and abandoning projects that don’t work instantly. I think also Obsessive nostalgia stifles innovation, keeping things stuck in a loop by replicating to the tee, tunes from 2 decades ago. I get it, but there has to be a middle ground sometimes.
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1
Xtrah, Submotive, SP MC - Unique Style
2
Loxy & Resound - Tyranny
3
Skeptical & Kid Drama - Scorn
4
Wagz - Scorpio
5
Skeptical & Loxy - Krakoa
6
Mark System - Chinook
Exit 100.3 Part 3 is a return to our DnB roots, with artists who have and will shape the Exit sound
More
1
dBridge - Teenage Echo
2
dBridge - My Resolve
3
dBridge - Meridian
4
dBridge - I'm Damned
“I kept this Cat no for me as it was the year I was born but I never had anything at the time. Now I do lol”
More
1
Leftlow - Queasy
2
Leftlow - Green Eyes
3
Leftlow - Pistons
4
Leftlow - Distractions
5
Leftlow - Adrift
6
Leftlow - Thoughtful
Leftlow’s ‘Distractions’ is a thought-provoking Mini LP which is the London-based duo's largest body of work to date and sees them welcomed to dBridge's iconic label, Exit Records.
Designed to be experienced in a club setting with a focus on low end and intricate percussion, the fluidity of these tracks and underlying theme throughout make for an equally enjoyable and intimate "headphones on" experience.
From the industrial, dystopian hard-hitter "Piston's" to the dreamy, euphoric "Thoughtful," these tracks shine a light on a slightly different production style that Leftlow has not yet explored in previous releases. While staying true to their recognisable style, the drum-fueled "Green Eyes" and mind and body twisting "Queasy" push boundaries in the unexplored territories of their sound. This is a must-listen collection of tracks that will provoke the senses. More
Designed to be experienced in a club setting with a focus on low end and intricate percussion, the fluidity of these tracks and underlying theme throughout make for an equally enjoyable and intimate "headphones on" experience.
From the industrial, dystopian hard-hitter "Piston's" to the dreamy, euphoric "Thoughtful," these tracks shine a light on a slightly different production style that Leftlow has not yet explored in previous releases. While staying true to their recognisable style, the drum-fueled "Green Eyes" and mind and body twisting "Queasy" push boundaries in the unexplored territories of their sound. This is a must-listen collection of tracks that will provoke the senses. More
1
Heart Drive - - It's Ok
2
instramental - - Hanger
3
Synkro - - Graisse
4
Madison Willing - - Youth
5
Lewis James, Kid drama, Alia fresco - - Flawless
6
Joe Seven & Consequence - - Noreso
7
Sinistarr - - Lose Track
8
Currency Audio - - Adder
Exit Records proudly heralds a monumental achievement in its legacy with the advent of EXIT 100 - a celebration of innovation and creativity. Following the success of Part 1, we are proud to present Part 2 of our 4-part album series. This instalment features a diverse array of tracks from both established and emerging artists. Their contributions not only redefine our sound but also embody the future trajectory of Exit Records. Thank you for being a part of our journe
More
1
Fixate - - Dead End
2
Addison Groove - - Meaty Business
3
SertOne - - Badly Tripped
4
Dolenz - - Bassic
5
Itoa - - Sous Vide Foot Bath
6
borderlandstate_the best kisser in l.a. - Minimal input
7
Sun People - - Tell Me Something
8
Dub Phizix - - Wasted
We are pleased to announce a momentous milestone in the history of Exit Records - EXIT 100. To mark this special occasion, we've curated a 4 part album featuring both new and seasoned artists which is a is a testament to Exit Records' commitment to pushing the boundaries of electronic music. It features tracks from emerging talents that showcase the future of Exit while paying homage to the pioneers who have defined our sound over the years. As we celebrate this incredible journey of music and creativity, we want to extend our heartfelt thanks to you, our dedicated supporters, for being part of the Exit Records family. Your passion for our take on electronic music has fuelled our 100 releases, and we're happy to share Part 1 of this compilation with you. We look forward to embarking on the next chapter with you and continue pushing the boundaries whilst keeping it True To The Craft!
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1
dBridge & Madison Willing - Made In Silence
2
dBridge & Madison Willing - Set Me Free
3
dBridge & Madison Willing - One Note
4
dBridge & Madison Willing - Pulse
Almost a year ago, dBridge reached out after hearing a self released album I made in the summer of 2020. I’ve been a fan of his work since I started listening to electronic music ten years ago, and still stand by a comment I posted stating that Inhibited LP is the best album of 2020. Naturally, I accepted the offer to work together. Over the following three months we exchanged text messages, often, sending music back and forth in an effortless work flow. He challenged the way I thought about music, questioned what the meaning was behind the music, showed me how to develop a small idea into an evolving track, and most of all, treated me with kindness and generosity throughout. There was no sense of ego, we just wanted to create something new. Our styles couldn’t be more different, I’m a film composer who makes ambient/orchestral soundscapes, while his enigmatic ‘talking drums’ are mechanical, dislocated, groovy and continuously mutating. While we compliment each other through our difference, it felt like we shared a similar musical sensibility. And it was completely unspoken; the entirety of our relationship carried out through text messages, the entirety of the album being made in silence.
The benefit of this silent messaging was that the music felt incredibly personal. I revealed that I was going through a break up which left me feeling liberated and free, after a toxic relationship had shattered my confidence. You Set Me Free began with the dark, heavy beat dBridge had sent to me, which inspired me to vocalize how I felt. The vocal sample is an honest voice memo recording of how I felt at the time. dBridge responded by adding a beat at the end of the track after the break, “to represent you moving on.” The chords are hopeful because I was grateful I had my life back. Sometimes the person you think you’ll spend your life with turns out to be the worst thing for you. It was incredibly empowering to realize that I was grateful that this person in my life had said goodbye.
One Note began with a piano part, a whole track constructed from one repeated note. After sending it to dBridge, he gradually built up this evolving distorted break, as if it was revolving around the note. Similarly with Pulse, the strings have this onward moving journey while the metal bowl sample has a lightness that compliments dBridge’s polyrhythmic percussion and bass. Words I would use to describe Pulse are aspirational, progressive and spiritual.
The music video for One Note is apocalyptic. It was filmed just after lockdown, using places of travel as an indicator for our dystopian ‘new normal.’ The video tells the story of someone going on a journey, to a place she remembers and feels nostalgic for, but is gone when she arrives. It’s that feeling of striving toward a goal in life, only to realize when you get there, the destination is not as expected. The filmmaker likes to remain anonymous but goes under the alias name Ruma, and uses old super 8 family videos to create the feeling of nostalgia and memory, combined with the character’s realtime journey. More
The benefit of this silent messaging was that the music felt incredibly personal. I revealed that I was going through a break up which left me feeling liberated and free, after a toxic relationship had shattered my confidence. You Set Me Free began with the dark, heavy beat dBridge had sent to me, which inspired me to vocalize how I felt. The vocal sample is an honest voice memo recording of how I felt at the time. dBridge responded by adding a beat at the end of the track after the break, “to represent you moving on.” The chords are hopeful because I was grateful I had my life back. Sometimes the person you think you’ll spend your life with turns out to be the worst thing for you. It was incredibly empowering to realize that I was grateful that this person in my life had said goodbye.
One Note began with a piano part, a whole track constructed from one repeated note. After sending it to dBridge, he gradually built up this evolving distorted break, as if it was revolving around the note. Similarly with Pulse, the strings have this onward moving journey while the metal bowl sample has a lightness that compliments dBridge’s polyrhythmic percussion and bass. Words I would use to describe Pulse are aspirational, progressive and spiritual.
The music video for One Note is apocalyptic. It was filmed just after lockdown, using places of travel as an indicator for our dystopian ‘new normal.’ The video tells the story of someone going on a journey, to a place she remembers and feels nostalgic for, but is gone when she arrives. It’s that feeling of striving toward a goal in life, only to realize when you get there, the destination is not as expected. The filmmaker likes to remain anonymous but goes under the alias name Ruma, and uses old super 8 family videos to create the feeling of nostalgia and memory, combined with the character’s realtime journey. More
1
Sun People - All Creation
2
Sun People - Dark Days" (feat Yorobi)
3
Sun People - Transitions
4
Sun People - To Give
Customers who bought this also bought this
1
1morning - Samba De Verão
2
1morning - Flux
3
1morning - Push
4
1morning - Rotation
We are super happy to welcome the inspiring and very talented LA producer 1morning to Character. The amazing vinyl DJ provides four cuts of new school funky and tribal techno with a nod to genre originators like Ben Sims and Dave Angel. We are grateful to have the most exciting LA DJ/producer on board!
Tracklist
A1. 1morning - Samba De Verão
A2. 1morning - Flux
B1. 1morning - Push
B2. 1morning - Rotation
More
Tracklist
A1. 1morning - Samba De Verão
A2. 1morning - Flux
B1. 1morning - Push
B2. 1morning - Rotation
More
1
1morning - Access Point
2
1morning - Signal Flow
3
1morning - Escape
4
1morning - Escape (Straykid's Weapon Remix)
It’s time to wake up to 1morning if you haven’t yet. “Modus Operandi” is the perfect spot to hop on board. The been-up-and-rising techno producer and DJ based in Los Angeles has been jetset all over the US playing parties coast to coast, dropping releases like his cannonball of a self-released EP “TRANSITIONS”, an upcoming split EP with Céilí on Mála Ádh, and steady staying on the remix grind. His DJ sets are all-vinyl, in conversation with the adventurousness, hypnotic tunes, pro-blends-but-keeping-it-raw mixing style of US techno DJ greats Robert Armani, DJ Rush, Joey Beltram, etc. This is no-bullshit, no-business, all-thriller techno for the real ravers. Not a throwback, this is the continuation of Legacy. Turn up, hydrate up, stay up.
More
Following last year's 'Vitriol' EP and 'Otider' album, SSTROM is back on Rosten with 'Drenched', 12 tracks for the floor, divided on 3 EPs, each to be released three weeks apart. SSTROM is the project of Hannes Stenstrom, once part of Swedish band Slagsmalsklubben, and one half of enigmatic techno duo SHXCXCHCXSH (SHX). SSTROM's output is explicitly immersive, relying on tense immediacy and spontaneity. The subtle 4x4 pulsations frame vivid narratives, rich layers of texture with lush harmonies surfacing from the warm and alien flow. On his 'Otider' LP SSTROM manifested a sonic diversity relating to his personal experiences and incorporated a diversity of genres and elements ranging from '90s rave to hints of minimal synth or outsider house melodic sensibility, yet everything carefully merged into a coherent whole. On 'Drenched' SSTROM concretizes his ideas even further. The EP's came to life after he broke his computer by spilling a drink on it. It forced him to try out different techniques of composing and recording. With limited ways of working, a more minimalistic form of expression emerged, based on very short but mind-bending harmonic structures and layered pulsations. The process proved to be very creative and resulted in these twelve tracks whose magic will work best on EP format and for the floor.
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1
Radioactive Man & Ben Pest - A Gentleman From London Was Very Upset
2
Radioactive Man & Ben Pest - Rock Farm Rave
3
Radioactive Man & Ben Pest - Our Survey Says..
4
Radioactive Man & Ben Pest - Hello Wee'n
Radioactive Man & Ben Pest deliver their 2nd EP on Asking For Trouble.
4 Trax of ravey acid vibes for the dirty dancefloor. Both have been doing their own live sets across the planet, the trax reflect this in the way these were built. Contrary to the EP title, you do actually want this in your house.
Artwork By Lung. More
4 Trax of ravey acid vibes for the dirty dancefloor. Both have been doing their own live sets across the planet, the trax reflect this in the way these were built. Contrary to the EP title, you do actually want this in your house.
Artwork By Lung. More
1
Jerome Hill - Stealth Imp
2
Fear-E - Principles
3
Fear-E - 7.4 On The Richter
4
Jerome Hill - The Shoffler
Posh End Music welcomes UK techno legend and all round top geezer Jerome Hill to the label for a split EP with label boss Fear-E. 4 tracks that bounce between techno, acid and oddball house, which are all aimed at ripping up the dance. Pressed onto purple translucent vinyl.
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1
Not A Headliner, DJ HANDIKAP - A1. Not A Headliner - We are not the same
2
Not A Headliner, DJ HANDIKAP - A2. DJ HANDIKAP - Prayer 007 (Remake)
3
Not A Headliner, DJ HANDIKAP - B1. DJ HANDIKAP - Overdrive
4
Not A Headliner, DJ HANDIKAP - B2. Not A Headliner - Emotional Boys
12"
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
DMX Krew - Mutated Brain Process
2
DMX Krew - Electric Mutant
3
DMX Krew - Non-Euclidean Coordinates
4
DMX Krew - Tunnel Mutant
5
DMX Krew - Depressed Mutant
Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP.
NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.
Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. More
NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.
Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. More
1
Model 500 - I.D.L.E. 05:39
2
Ectomorph - Searching (Live at Globus) 04:54
3
AMX - Your Body 05:20
4
DJ Stingray 313 - Dynamic Instability 04:14
5
JakoJako - Metal Goat 05:05
6
Erik Jabari - Screamore 04:47
Territories: World excl. UK
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
1
UFO95 - A1 Cogitor 06:27
2
UFO95 - A2 Sexual Tension 06:05
3
UFO95 - B1 Fragment 04:17
4
UFO95 - B2 Solar 05:11
5
UFO95 - B3 Gargk 04:30
6
UFO95 - DX Wallon (Digital Bonus) 05:49
2024 Repress
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
1
Larionov - Space Threat
2
Larionov - Asteroid Attack
3
Larionov - Flying High
4
Larionov - Vimana Ride
After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy. The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean. 'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally. Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night. 'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro. Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.
More
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More