1
Ben J'ammin M - Evolvic
2
Uncle 22 - Pain
3
Point Zero - Coastal
4
Escape - Escape (The Optical Mix)
5
Ike - Euphoria
6
Minimal Man - Outside The Window (Track 1232)
7
Mad Musician - Jazz Out
8
Sävel - Sunflower
Tracklist
Tracklist
A1. Ben J'ammin M - Evolvic
A2. Uncle 22 - Pain
B1. Point Zero - Coastal
B2. Escape - Escape (The Optical Mix)
C1. Ike - Euphoria
C2. Minimal Man - Outside The Window (Track 1232)
D1. Mad Musician - Jazz Out
D2. Sävel - Sunflower
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene
The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shop of the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music More
Tracklist
A1. Ben J'ammin M - Evolvic
A2. Uncle 22 - Pain
B1. Point Zero - Coastal
B2. Escape - Escape (The Optical Mix)
C1. Ike - Euphoria
C2. Minimal Man - Outside The Window (Track 1232)
D1. Mad Musician - Jazz Out
D2. Sävel - Sunflower
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene
The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shop of the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music More
More records from Musique Pour La Danse / Mental Groove
Cat-No:MPD045
Release-Date:25.10.2024
Configuration:2LP
Cat-No:MPD045
Release-Date:25.10.2024
Configuration:2LP
1
Basement 5 - Silicon Chip
2
Disconnection - Bali Ha'i (US Discomix)
3
A Certain Ratio - Shake Up
4
23 skidoo - Language
5
PIL - Home Is Where The Heart Is
6
Mark Stewart And The Maffia - Jerusalem
7
The Unknown Cases - Masimbabele (The Original Version)
8
Allez Allez - She's Stirring Up (Dub)
9
Animal Magic - Standard Man
10
Lifetones - Distance No Object
11
Snakefinger - I Gave Myself To You
12
Startled Insects - Overrzoom
13
Maximum Joy - Silent Street / Silent Dub
14
African Headcharge - Throw It Away
15
EP-4 - Tide Gauge
16
400 Blows - Declaration Of Intent
(incl 40p fanzine written by Matt Annis with photographs by Simon Pyke and Ian Brodie) Postpunk Theory is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo and more.
Defining post-punk is no easy task. While punk was defined by a raw, rebellious simplicity, post-punk (1978-1986) expanded into a diverse array of sounds and ideas. It maintained punk's independent spirit but embraced experimentation, incorporating influences from various musical and cultural traditions, resulting in a movement far more eclectic and fragmented than its predecessor.
At its core, post-punk broke away from traditional rock structures, blending genres like industrial, goth, and punk-funk with emerging dance music cultures. This era's spirit of innovation and defiance against musical norms continues to inspire, making post-punk a pivotal moment in music history that defies easy categorization.
Tony Thorpe presents Postpunk Theory - Alpha ? is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo, African Headcharge, and more.
Growing up in a vibrant musical environment in South London, Thorpe was deeply influenced by the eclectic sounds around him, from jazz-funk to Brit-Funk, and later, the post-punk records he discovered. As Thorpe recalls, "Post-punk was a mishmash of different cultures and ideas. Out of post-punk came dance music culture. That period was the most creative time because the culture was in its experimental phase." This compilation captures that innovative spirit, offering a glimpse into the era that shaped Thorpe's musical journey.
The album comes as a limited 2xLP set, accompanied by an extensive 40-page fanzine. The fanzine, written by Matt Annis (Join The Future), dives deep into the post-punk movement, offering insight and context enriched with striking photographs by Simon Pyke and Ian Brodie.
Tracklist
A1. Basement 5 - Silicon Chip
A2. Disconnection - Bali Ha'i (US Discomix)
A3. A Certain Ratio - Shake Up
A4. 23 skidoo - Language
B1. PIL - Home Is Where The Heart Is
B2. Mark Stewart And The Maffia - Jerusalem
B3. The Unknown Cases - Masimbabele (The Original Version)
B4. Allez Allez - She's Stirring Up (Dub)
C1. Animal Magic - Standard Man
C2. Lifetones - Distance No Object
C3. Snakefinger - I Gave Myself To You
C4. Startled Insects - Overrzoom
D1. Maximum Joy - Silent Street / Silent Dub
D2. African Headcharge - Throw It Away
D3. EP-4 - Tide Gauge
D4. 400 Blows - Declaration Of Intent More
Defining post-punk is no easy task. While punk was defined by a raw, rebellious simplicity, post-punk (1978-1986) expanded into a diverse array of sounds and ideas. It maintained punk's independent spirit but embraced experimentation, incorporating influences from various musical and cultural traditions, resulting in a movement far more eclectic and fragmented than its predecessor.
At its core, post-punk broke away from traditional rock structures, blending genres like industrial, goth, and punk-funk with emerging dance music cultures. This era's spirit of innovation and defiance against musical norms continues to inspire, making post-punk a pivotal moment in music history that defies easy categorization.
Tony Thorpe presents Postpunk Theory - Alpha ? is a meticulously curated compilation by the legendary Tony Thorpe, known for his work with The Moody Boys, 400 Blows, and The KLF. These classic tracks were played at parties by Thorpe at the time, making them his personal classics. The compilation features 16 rare and sought-after tracks from the post-punk era, including works by Mark Stewart and The Maffia, Basement 5, 23 Skidoo, African Headcharge, and more.
Growing up in a vibrant musical environment in South London, Thorpe was deeply influenced by the eclectic sounds around him, from jazz-funk to Brit-Funk, and later, the post-punk records he discovered. As Thorpe recalls, "Post-punk was a mishmash of different cultures and ideas. Out of post-punk came dance music culture. That period was the most creative time because the culture was in its experimental phase." This compilation captures that innovative spirit, offering a glimpse into the era that shaped Thorpe's musical journey.
The album comes as a limited 2xLP set, accompanied by an extensive 40-page fanzine. The fanzine, written by Matt Annis (Join The Future), dives deep into the post-punk movement, offering insight and context enriched with striking photographs by Simon Pyke and Ian Brodie.
Tracklist
A1. Basement 5 - Silicon Chip
A2. Disconnection - Bali Ha'i (US Discomix)
A3. A Certain Ratio - Shake Up
A4. 23 skidoo - Language
B1. PIL - Home Is Where The Heart Is
B2. Mark Stewart And The Maffia - Jerusalem
B3. The Unknown Cases - Masimbabele (The Original Version)
B4. Allez Allez - She's Stirring Up (Dub)
C1. Animal Magic - Standard Man
C2. Lifetones - Distance No Object
C3. Snakefinger - I Gave Myself To You
C4. Startled Insects - Overrzoom
D1. Maximum Joy - Silent Street / Silent Dub
D2. African Headcharge - Throw It Away
D3. EP-4 - Tide Gauge
D4. 400 Blows - Declaration Of Intent More
1
Jungle Neck - 8 Coffins
2
Jungle Neck - Kingdom Rise
3
Jungle Neck - Wadada
4
Jungle Neck - Body Guard
5
Jungle Neck - No Wicked
6
Jungle Neck - Vampire
7
Jungle Neck - Latin Flute
8
Jungle Neck - Zion
Tracklist
A1. Jungle Neck - 8 Coffins
A2. Jungle Neck - Kingdom Rise
B1. Jungle Neck - Wadada
B2. Jungle Neck - Body Guard
C1. Jungle Neck - No Wicked
C2. Jungle Neck - Vampire
D1. Jungle Neck - Latin Flute
D2. Jungle Neck - Zion
Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.
For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.
More
A1. Jungle Neck - 8 Coffins
A2. Jungle Neck - Kingdom Rise
B1. Jungle Neck - Wadada
B2. Jungle Neck - Body Guard
C1. Jungle Neck - No Wicked
C2. Jungle Neck - Vampire
D1. Jungle Neck - Latin Flute
D2. Jungle Neck - Zion
Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.
For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.
More
1
Hypnotone - Dream Beam
2
Hypnotone - Junovia
3
Hypnotone - Potion 90
4
Hypnotone - Italia
5
Hypnotone - In Joy
6
Hypnotone - SBX
7
Hypnotone - Sub
(limited edition white vinyl, printed innersleeve) Hypnotone's iconic self titled mini album reissued! Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Tracklist
A1. Hypnotone - Dream Beam
A2. Hypnotone - Junovia
A3. Hypnotone - Potion 90
A4. Hypnotone - Italia
B1. Hypnotone - In Joy
B2. Hypnotone - SBX
B3. Hypnotone - Sub
Hypnotone's iconic self titled mini album reissued!
Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson.
Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time.
With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music.
This is another must have for collectors and fans of early British (pop) house music, and very happy memories. More
Tracklist
A1. Hypnotone - Dream Beam
A2. Hypnotone - Junovia
A3. Hypnotone - Potion 90
A4. Hypnotone - Italia
B1. Hypnotone - In Joy
B2. Hypnotone - SBX
B3. Hypnotone - Sub
Hypnotone's iconic self titled mini album reissued!
Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson.
Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time.
With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music.
This is another must have for collectors and fans of early British (pop) house music, and very happy memories. More
1
100hZ - Catching Spyders (In This Place)
2
Airtight - Housewerk FXTC
3
Detroit Diesel - Dreams For Santiago
4
Techno Grooves - Hiawa
5
The Moody Boys - Jammin' (Ital Mix)
6
Shaka - Pussyfooter
7
Fortune & Fame - Is This Your Life
8
Nagai Eri - Delta
Tracklist
A1. 100hZ - Catching Spyders (In This Place)
A2. Airtight - Housewerk FXTC
B1. Detroit Diesel - Dreams For Santiago
B2. Techno Grooves - Hiawa
C1. The Moody Boys - Jammin' (Ital Mix)
C2. Shaka - Pussyfooter
D1. Fortune & Fame - Is This Your Life
D2. Nagai Eri - Delta
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
More
A1. 100hZ - Catching Spyders (In This Place)
A2. Airtight - Housewerk FXTC
B1. Detroit Diesel - Dreams For Santiago
B2. Techno Grooves - Hiawa
C1. The Moody Boys - Jammin' (Ital Mix)
C2. Shaka - Pussyfooter
D1. Fortune & Fame - Is This Your Life
D2. Nagai Eri - Delta
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
More
1
Lab Technicians - We Gave U Life
2
Aural Exciter - U = Euphoria
3
Original Clique - "F" (Whistle Mix)
4
Pierrepoint - Tonnerre
5
A.E.K. - Lick It
6
Zubbizerretta - Wake The Town (Somnabulist Mix)
7
Estudiantes - Let The Music Into Your Mind
8
Zeco - The Witch Trials
9
Big Showdown - They're Here
10
The Rhythm Squad - Animal House (Original Mix)
11
The Rhythm Squad - Manhunt (Instrumental)
12
Nine-L - Islands, Part 2
Featuring 24 restored and remastered tracks stretched across two volumes, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue is explored in detail across the two-part compilation.
TRACKLISTING
A1. Lab Technicians - We Gave U Life
A2. Aural Exciter - U = Euphoria
A3. Original Clique - "F" (Whistle Mix)
B1. Pierrepoint - Tonnerre
B2. A.E.K. - Lick It
B3. Zubbizerretta - Wake The Town (Somnabulist Mix)
C1. Estudiantes - Let The Music Into Your Mind
C2. Zeco - The Witch Trials
C3. Big Showdown - They're Here
D1. The Rhythm Squad - Animal House (Original Mix)
D2. The Rhythm Squad - Manhunt (Instrumental)
D3. Nine-L - Islands, Part 2
INFO
Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse
The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example.
Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and
co-productions - many rare or hard-to-find - for the first time.
Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of
the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation.
Fittingly, volume one features two previously unreleased recordings that mark his earliest explorations of the emerging house sound (both as The Rhythm Squad, with Richard Compton), alongside touchstone releases such as Zeco's 'The Witch Trials' (a 1989 production that marked his first outing on vinyl), celebrated workouts recorded with regular collaborator Mykey Tee (Lab Technicians' bleep-inspired 'We Gave U Life', Big Showdown's epic 'They're Here' and AEK's mind-mangling, bleep & breaks number 'Lick It'), and genuinely overlooked gems (the proto-tribal house of Pierrepoint's acid-smothered 'Tonnerre' and saucer-eyed rush of Estudiantes' 'Let The Music Into Your Mind').
It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived. More
TRACKLISTING
A1. Lab Technicians - We Gave U Life
A2. Aural Exciter - U = Euphoria
A3. Original Clique - "F" (Whistle Mix)
B1. Pierrepoint - Tonnerre
B2. A.E.K. - Lick It
B3. Zubbizerretta - Wake The Town (Somnabulist Mix)
C1. Estudiantes - Let The Music Into Your Mind
C2. Zeco - The Witch Trials
C3. Big Showdown - They're Here
D1. The Rhythm Squad - Animal House (Original Mix)
D2. The Rhythm Squad - Manhunt (Instrumental)
D3. Nine-L - Islands, Part 2
INFO
Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse
The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example.
Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and
co-productions - many rare or hard-to-find - for the first time.
Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of
the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation.
Fittingly, volume one features two previously unreleased recordings that mark his earliest explorations of the emerging house sound (both as The Rhythm Squad, with Richard Compton), alongside touchstone releases such as Zeco's 'The Witch Trials' (a 1989 production that marked his first outing on vinyl), celebrated workouts recorded with regular collaborator Mykey Tee (Lab Technicians' bleep-inspired 'We Gave U Life', Big Showdown's epic 'They're Here' and AEK's mind-mangling, bleep & breaks number 'Lick It'), and genuinely overlooked gems (the proto-tribal house of Pierrepoint's acid-smothered 'Tonnerre' and saucer-eyed rush of Estudiantes' 'Let The Music Into Your Mind').
It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived. More
1
Lab Technicians - We Gave You Life (Original Version)
2
Nine-L - Untitled (Houston, We Have A Problem B2)
3
Sykosis 451 - Monsoon
4
Original Clique - U = Underground
5
Original Clique - Now Hear Me Now
6
MI7 - Show I
7
Napoleon - Fortuna
8
Napoleon - La Chaux Du Fonds
9
Ragga Head - Give The People What They Want
10
Return Of The Living Acid - Big Dipper
11
Ministry Of Fear - Original Cliché
12
Nine-L - Untitled (Houston, We Have A Problem A2)
Featuring 24 restored and remastered tracks stretched across two volumes, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue is explored in detail across the two-part compilation.
TRACKLISTING
A1. Lab Technicians - We Gave You Life (Original Version)
A2. Nine-L - Untitled (Houston, We Have A Problem B2)
A3. Sykosis 451 - Monsoon
B1. Original Clique - U = Underground
B2. Original Clique - Now Hear Me Now
B3. MI7 - Show I
C1. Napoleon - Fortuna
C2. Napoleon - La Chaux Du Fonds
C3. Ragga Head - Give The People What They Want
D1. Return Of The Living Acid - Big Dipper
D2. Ministry Of Fear - Original Cliché
D3. Nine-L - Untitled (Houston, We Have A Problem A2)
INFO
Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse
The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example.
Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and
co-productions - many rare or hard-to-find - for the first time.
Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of
the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation.
Volume two continues in a similar vein while devoting more disc space to Boninsegna's breakbeat-driven productions of the early 1990s. So, alongside more must-have tracks from the producer's Chill-released projects (Return of The Living Acid's surging acid thumper 'Big Dipper', MI7's twisted bleep and breaks monster 'Show I', and a couple of killer cuts alongside Mykey Tee as Original Clique), Cold Blow & Musique Pour La Danse have also made room for the proto-jungle brilliance of Ragga Head's 'Give The People Junglis', the tongue-in-cheek excellence of Ministry of Fear's 'Original Cliché', two top tracks as Napoleon, and the wild, acid breaks breathlessness of 'Monsoon' by Sykosis 451.
It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived. More
TRACKLISTING
A1. Lab Technicians - We Gave You Life (Original Version)
A2. Nine-L - Untitled (Houston, We Have A Problem B2)
A3. Sykosis 451 - Monsoon
B1. Original Clique - U = Underground
B2. Original Clique - Now Hear Me Now
B3. MI7 - Show I
C1. Napoleon - Fortuna
C2. Napoleon - La Chaux Du Fonds
C3. Ragga Head - Give The People What They Want
D1. Return Of The Living Acid - Big Dipper
D2. Ministry Of Fear - Original Cliché
D3. Nine-L - Untitled (Houston, We Have A Problem A2)
INFO
Tony Boninsegna: Notes From The Underground 1986-1994 (Volumes 1 and 2) Cold Blow / Musique Pour La Danse
The story of dance music is littered with hidden heroes and underground activists whose immense contributions have been overlooked, ignored and under-documented. Tony Boninsegna, a producer who made and released countless classic cuts and forgotten gems during the acid house and rave era, is one such example.
Melding elements of all that was popular in underground clubs at the time to create his own dancefloor-friendly sound worlds, Boninsegna amassed a huge catalogue between 1986 and '94, while hiding his involvement via an array of oddball aliases and opaque pseudonyms. Boninsegna's story first came to light four years ago when he appeared in Join The Future: Bleep Techno and the Birth of British Bass Music, Matt Anniss's critically acclaimed alternative history of UK dance music in the rave era. Now Cold Blow has joined forces with Musique Pour La Danse to deliver a much-needed anthology of his greatest productions and
co-productions - many rare or hard-to-find - for the first time.
Featuring 24 restored and remastered tracks stretched across two volumes on vinyl and digital, including a handful of previously unreleased tracks and mixes, and accompanied by detailed sleeve notes by Anniss, Notes From The Underground 1986-1994 is a joyful celebration of one of British dance music's most under-appreciated artists. The full breadth and depth of Boninsegna's rave-ready catalogue, as well as an indication of
the sheer volume of aliases he utilised during the period, is explored in detail across the two-part compilation.
Volume two continues in a similar vein while devoting more disc space to Boninsegna's breakbeat-driven productions of the early 1990s. So, alongside more must-have tracks from the producer's Chill-released projects (Return of The Living Acid's surging acid thumper 'Big Dipper', MI7's twisted bleep and breaks monster 'Show I', and a couple of killer cuts alongside Mykey Tee as Original Clique), Cold Blow & Musique Pour La Danse have also made room for the proto-jungle brilliance of Ragga Head's 'Give The People Junglis', the tongue-in-cheek excellence of Ministry of Fear's 'Original Cliché', two top tracks as Napoleon, and the wild, acid breaks breathlessness of 'Monsoon' by Sykosis 451.
It all adds up to the definitive musical retrospective of a genuine underground, rave-era hero whose time in the spotlight may finally have arrived. More
(2023 remaster) Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
Cat-No:MPD041LP1
Release-Date:07.04.2023
Configuration:2LP
Cat-No:MPD041LP1
Release-Date:07.04.2023
Configuration:2LP
1
The Scientist - Spiral Symphony (Sample Me Mix) 03:00
2
KCC - Def Cõn Bass 04:36
3
R. Solution - Blowing My Mind 04:04
4
Biosphere - Baby Satellite 05:06
5
A Certain Ratio - Spirit Dance 05:39
6
A Man Called Adam - Midievil (The Inquisition) 06:46
7
Unique 3 - Digicality 04:48
8
Hypersonic - Dance Tones (Tekno Mix) 05:28*
9
Heychild - Heychild's Theme 06:08
(Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: THE SCIENTIST / KCC / R.SOLUTION / BIOSPHERE / A CERTAIN RATIO / A MAN CALLED GERALD / UNIQUE 3 / HYPERSONIC / HEYCHILD
TRACKLIST
A1 The Scientist - Spiral Symphony (Sample Me Mix) 03:00
A2 KCC - Def Cõn Bass 04:36
A3 R. Solution - Blowing My Mind 04:04
B1 Biosphere - Baby Satellite 05:06
B2 A Certain Ratio - Spirit Dance 05:39
C1 A Man Called Adam - Midievil (The Inquisition) 06:46
C2 Unique 3 - Digicality 04:48
D1 Hypersonic - Dance Tones (Tekno Mix) 05:28*
D2 Heychild - Heychild's Theme 06:08
* not on CD version / vinyl exclusive
+ (Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: THE SCIENTIST / KCC / R.SOLUTION / BIOSPHERE / A CERTAIN RATIO / A MAN CALLED GERALD / UNIQUE 3 / HYPERSONIC / HEYCHILD
+ Artwork from Legendary Designer Trevor Jackson
+ Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp)
+ Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl.
INFO
At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.
This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.
A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.
Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass. More
TRACKLIST
A1 The Scientist - Spiral Symphony (Sample Me Mix) 03:00
A2 KCC - Def Cõn Bass 04:36
A3 R. Solution - Blowing My Mind 04:04
B1 Biosphere - Baby Satellite 05:06
B2 A Certain Ratio - Spirit Dance 05:39
C1 A Man Called Adam - Midievil (The Inquisition) 06:46
C2 Unique 3 - Digicality 04:48
D1 Hypersonic - Dance Tones (Tekno Mix) 05:28*
D2 Heychild - Heychild's Theme 06:08
* not on CD version / vinyl exclusive
+ (Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: THE SCIENTIST / KCC / R.SOLUTION / BIOSPHERE / A CERTAIN RATIO / A MAN CALLED GERALD / UNIQUE 3 / HYPERSONIC / HEYCHILD
+ Artwork from Legendary Designer Trevor Jackson
+ Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp)
+ Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl.
INFO
At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.
This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.
A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.
Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass. More
Cat-No:MPD041LP2
Release-Date:07.04.2023
Configuration:2LP
Cat-No:MPD041LP2
Release-Date:07.04.2023
Configuration:2LP
1
Terra Incognita - Alien Element (UK Mix) 04:26
2
Tek 9 - Space 91 03:12
3
Boneshakers - Don't Go Away (Original Dub Mix) 03:38
4
Ubik - Bass Generation 06:08
5
Break The Limits - Drums Of Freedom 05:06*
6
Techno Excursion - Come With Me 06:01
7
Trak 1 - For This II 04:32
8
Three Sons - First Step 04:03
9
KLF - What Time Is Love? (Moody Boys vs KLF Mix) 07:38
(Heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by Trevor Jackson) Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: TERRA INCOGNITA / TEK 9 / UBIK BONESHAKER / BREAK THE LIMITS / TECHNO EXCURISON / TRAK 1 / KLF
TRACKLIST
A1 Terra Incognita - Alien Element (UK Mix) 04:26
A2 Tek 9 - Space 91 03:12
A3 Boneshakers - Don't Go Away (Original Dub Mix) 03:38
B1 Ubik - Bass Generation 06:08
B2 Break The Limits - Drums Of Freedom 05:06*
C1 Techno Excursion - Come With Me 06:01
C2 Trak 1 - For This II 04:32
D1 Three Sons - First Step 04:03
D2 KLF - What Time Is Love? (Moody Boys vs KLF Mix) 07:38
* not on CD version / vinyl exclusive
+ Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: TERRA INCOGNITA / TEK 9 / UBIK BONESHAKER / BREAK THE LIMITS / TECHNO EXCURISON / TRAK 1 / KLF
+ Artwork from Legendary Designer Trevor Jackson
+ Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp)
+ Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl.
INFO
At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.
This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.
A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.
Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass. More
TRACKLIST
A1 Terra Incognita - Alien Element (UK Mix) 04:26
A2 Tek 9 - Space 91 03:12
A3 Boneshakers - Don't Go Away (Original Dub Mix) 03:38
B1 Ubik - Bass Generation 06:08
B2 Break The Limits - Drums Of Freedom 05:06*
C1 Techno Excursion - Come With Me 06:01
C2 Trak 1 - For This II 04:32
D1 Three Sons - First Step 04:03
D2 KLF - What Time Is Love? (Moody Boys vs KLF Mix) 07:38
* not on CD version / vinyl exclusive
+ Weighty, Warehouse-ready Club Classics + Rarities from the UK Bleep, Bass + Breakbeat Hardcore Era, feat. Killer Cuts + Slept-on Gems from: TERRA INCOGNITA / TEK 9 / UBIK BONESHAKER / BREAK THE LIMITS / TECHNO EXCURISON / TRAK 1 / KLF
+ Artwork from Legendary Designer Trevor Jackson
+ Extended liner notes from Dance Music Historian Matt Anniss (Join The Future), Mastering by Robert Gordon (Forgemaster / Warp)
+ Half Speed mastering & cut at 45RPM for louder bass, pressed on heavy vinyl.
INFO
At the turn of the ‘90s, British dance music gave birth to two interconnected styles that put heavy sub-bass front and centre: bleep techno and breakbeat hardcore. Such was their popularity that the styles inspired countless imitations and mutations, both within the UK and far beyond.
This is the story told in a major new retrospective from Musique Pour La Danse, Bleeps, Breaks + Bass, a carefully curated and well-informed collection of rare and sought-after tracks from the early ‘90s selected by label founders Olivier Ducret and Bunkerheadz. Available on two limited-edition double LPs (each presented in heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl), compact disc and digital download, Bleeps, Breaks + Bass features artwork by legendary graphic designer Trevor Jackson and extensive liner notes from dance music historian Matt Anniss, author of the acclaimed book Join The Future: Bleep Techno and the Birth of British Bass Music.
A quick glance at the track listing will confirm the depth and variety of Bunkerheadz and Ducret’s selections, which largely sidestep celebrated anthems in favour of overlooked gems, deeper cuts and genuine rarities – all of which have been re-mastered by legendary bleep producer and engineer Rob Gordon (Forgemasters, Xon, co-founder of Warp Records) and half-speed mastered/cut by Sidney Meier at Emil Berliner.
Across the collection you’ll find lesser-celebrated gems from significant figures in the scene (Unique 3’s long-overlooked ‘Digicality’, rare tracks from 4 Hero side projects R-Solution and Tek9); surprise bass-heavy excursions from popular outfits of the period (A Man Called Adam, A Certain Ratio and The KLF’s ‘What Time Is Love’ as remixed by The Moody Boys); significant but frequently forgotten underground anthems (outings from Boneshakerz, Hypersonic, Ubik and KCC); secret weapons (Three Sons, Heychild, Techno Excursion); and even a sub-heavy classic from Norwegian ambient legend Biosphere. It all adds up to a significant celebration of one of the most fertile periods in the development of dance music with bleeps, breaks and bass. More
1
Reagenz - Ä (2021 Remaster)
2
Reagenz - Long Leaves (2021 Remaster)
3
Reagenz - ß (2021 Remaster)
4
Reagenz - Ö (2021 Remaster)
5
Reagenz - DJ Friendly (2021 Remaster)
6
Reagenz - Ü (2021 Remaster)
7
Reagenz - Tz
8
Reagenz - Hollow Mountain (2021 Remaster)
(limited edition white 180gr vinyl) rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network). Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.
TRACKLISTING
A1. rEAGENZ - Ä (2021 Remaster)
A2. rEAGENZ - Long Leaves (2021 Remaster)
B1. rEAGENZ - ß (2021 Remaster)
B2. rEAGENZ - Ö (2021 Remaster)
C1. rEAGENZ - DJ Friendly (2021 Remaster)
C2. rEAGENZ - Ü (2021 Remaster)
D1. rEAGENZ - Tz
D2. rEAGENZ - Hollow Mountain (2021 Remaster)
INFO
Musique Pour La Danse presents rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network).
Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.
Nearly 30 years after its release, rEAGENZ remains a crucial milestone of electronic music. The duo famously met at an early gig of British IDM heroes Autechre and then recorded its debut album between its respective studios in San Francisco and Heidelberg. This is a record where the sense of in betweenness is not only geographical. It is indeed a beautiful hybrid that explores the relationship between lush ambient textures and intricate IDM/techno rhythms, with striking and memorable results.
Rather than trying to fit in pre-determined templates, rEAGENZ invites you in a paradigm of its own. In these unprecedented times without access to clubs and dancefloors, this is a much needed reminder, as it is one of those albums that argues that the enjoyment of electronic music is anything but confined to the formulas and expectations of music for clubs. It's all about diving into gorgeous and compelling soundscapes, wherever you might be listening and dancing.
ä, ö, b, ü, ß, tz recorded at reflective studio, san francisco, summer 1993 long leaves, hollow mountain, dj friendly recorded at resource studio, heidelberg, summer 1994 by jonah sharp and david moufang.
originally released in 1994 on reflective records / source records
original artwork cebra & env / reissue design env (jonas grossman) More
TRACKLISTING
A1. rEAGENZ - Ä (2021 Remaster)
A2. rEAGENZ - Long Leaves (2021 Remaster)
B1. rEAGENZ - ß (2021 Remaster)
B2. rEAGENZ - Ö (2021 Remaster)
C1. rEAGENZ - DJ Friendly (2021 Remaster)
C2. rEAGENZ - Ü (2021 Remaster)
D1. rEAGENZ - Tz
D2. rEAGENZ - Hollow Mountain (2021 Remaster)
INFO
Musique Pour La Danse presents rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network).
Previously only available in CD format, this sought-after album which nonetheless remains too underappreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.
Nearly 30 years after its release, rEAGENZ remains a crucial milestone of electronic music. The duo famously met at an early gig of British IDM heroes Autechre and then recorded its debut album between its respective studios in San Francisco and Heidelberg. This is a record where the sense of in betweenness is not only geographical. It is indeed a beautiful hybrid that explores the relationship between lush ambient textures and intricate IDM/techno rhythms, with striking and memorable results.
Rather than trying to fit in pre-determined templates, rEAGENZ invites you in a paradigm of its own. In these unprecedented times without access to clubs and dancefloors, this is a much needed reminder, as it is one of those albums that argues that the enjoyment of electronic music is anything but confined to the formulas and expectations of music for clubs. It's all about diving into gorgeous and compelling soundscapes, wherever you might be listening and dancing.
ä, ö, b, ü, ß, tz recorded at reflective studio, san francisco, summer 1993 long leaves, hollow mountain, dj friendly recorded at resource studio, heidelberg, summer 1994 by jonah sharp and david moufang.
originally released in 1994 on reflective records / source records
original artwork cebra & env / reissue design env (jonas grossman) More
Cat-No:MPD043
Release-Date:02.12.2022
Configuration:12"
Cat-No:MPD043
Release-Date:02.12.2022
Configuration:12"
1
SPACE TIME CONTINUUM - Fluresence (2022 Remaster)
2
SPACE TIME CONTINUUM - Transmitter (2022 Remaster)
3
SPACE TIME CONTINUUM - Drift (2022 Remaster)
4
SPACE TIME CONTINUUM - Drug #6 (2022 Remaster)
(180 gr vinyl) Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021. This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.
TRACKLISTING
A1. Space Time Continuum - Fluresence (2022 Remaster)
A2. Space Time Continuum - Transmitter (2022 Remaster)
B1. Space Time Continuum - Drift (2022 Remaster)
B2. Space Time Continuum - Drug #6 (2022 Remaster)
INFO
Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.
This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.
There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.
Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.
Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.
Needless to say, zero gravity listening is strongly encouraged. More
TRACKLISTING
A1. Space Time Continuum - Fluresence (2022 Remaster)
A2. Space Time Continuum - Transmitter (2022 Remaster)
B1. Space Time Continuum - Drift (2022 Remaster)
B2. Space Time Continuum - Drug #6 (2022 Remaster)
INFO
Musique Pour La Danse presents another collaboration with SF-based Jonah Sharp following the first ever vinyl release of his Reagenz LP with Move D in 2021.
This time, the iconic Flurescence EP by his Spacetime Continuum solo project gets the reissue treatment, after being released on the Scotsman's own Reflective Records back in 1993 with an unforgettable holographic center label.
There is a good reason why this EP, actually Sharp's debut release, was so hard to find at reasonable prices and why it has appeared in countless compilations and top lists in the last 3 decades with no sign of slowing down.
Truly timeless, this masterclass in forward thinking electronic music focuses on deeply textured, masterfully arranged, and skillfully morphing tracks with a cosmic tinge that feels warm instead of cold, and rewards repeat listens.
Prepare to bend the very fabric of spacetime during the 28 minutes of heavenly chill out and celestial techno/trance contained in this 12" black hole, remastered and repackaged for the 21st century. Title track Flurescence is one of the very few that actually captures the ambience of those magical floating years and a trip to the edges of outer space that never ceases to amaze, while Transmitter is a deep dive to the bottom of an ethereal ocean of fur suspended in time, with mysterious samples from the producer's answering machine to boot. Drift is a bona fide gem of rhythmic psychedelic electronic music, breaking down and projecting early trance, IDM and electronica ideas like a prism turning revealing a colorful spectrum of colours after being hit by light. Finally, the fast-paced dancefloor weapon Drug#6 is up there with Choice's Acid Eiffel, Resistance D's Cosmic Love, and Red Planet's Cosmic Movement in the intergalactic pantheon of narcotic, acid techno cuts.
Needless to say, zero gravity listening is strongly encouraged. More
Cat-No:MPD042
Release-Date:24.06.2022
Configuration:2LP
Cat-No:MPD042
Release-Date:24.06.2022
Configuration:2LP
Limited Edition Ocean Blue Double Vinyl. DLP Donkey Kong Country OST DLP 3 [Recreated], mastered for vinyl, fully licensed, half speed mastering, colored vinyl (ocean blue).
TRACKLIST
Side 1 - The Beginning of The End
1. Dixie Beat 00:45
2. Crazy Calypso 01:15
3. Northern Kremisphere 02:28
4. Wrinkly's Safe Cave 00:34
5. Hangin' At Funky's 01:08
6. Crystal Chasm 01:08
7. Sub-map Shuffle 02:55
8. Stillt Village 02:33
9. Bonus Time! 01:31
10. Mill Fever 03:34
Side2 - Danger Zone
1. Brother Bear 00:49
2. Frosty Frolics 02:12
3. Swanky's Sideshow 01:29
4. Cranky's Showdown 01:05
5. Boss Boogie 01:38
6. Treetop Tumble 02:53
7. wrinkly 64 01:27
8. Hot Pursuit 03:37
9. Enchanted Riverbank 02:49
Side 3 - The Wild World
1. Brothers Bear Blues 01:08
2. Water World 02:53
3. Cascade Capers 03:01
4. Get Fit Agogo 00:19
5. Nuts and Bolts 02:17
6. Pokey Pipes 02:29
7. Rockface Rumble 02:15
8. Cavern Caprice 02:50
9. Jungle Jitter 02:49
Side 4 - K.Rool's Reckoning
1. Big Boss Blues 01:52
2. Game Over 00:16
3. Baddies On Parada 02:05
4. Krematoa Koncerto 02:03
5. Rocket Run 03:03
6. Mama Bird 01:48
7. Chase 01:16
8. Jangle Bells 03:08
INFO
Musique Pour La Danse is proud to present the Donkey Kong Country 3 OST [Recreated] of the much appreciated and globally followed Donkey Kong Country OST recreation project led by NY-based composer and producer Jammin’ Sam Miller.
Using hex SPC data crudely converted to MIDI, Jammin' Sam Miller painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effects and mastering. To find out more about his process watch an explanatory video here: cutt.ly/ulUHE6J
Remastered for vinyl, licensed, and presented in a limited edition blue cascade double LP. More
TRACKLIST
Side 1 - The Beginning of The End
1. Dixie Beat 00:45
2. Crazy Calypso 01:15
3. Northern Kremisphere 02:28
4. Wrinkly's Safe Cave 00:34
5. Hangin' At Funky's 01:08
6. Crystal Chasm 01:08
7. Sub-map Shuffle 02:55
8. Stillt Village 02:33
9. Bonus Time! 01:31
10. Mill Fever 03:34
Side2 - Danger Zone
1. Brother Bear 00:49
2. Frosty Frolics 02:12
3. Swanky's Sideshow 01:29
4. Cranky's Showdown 01:05
5. Boss Boogie 01:38
6. Treetop Tumble 02:53
7. wrinkly 64 01:27
8. Hot Pursuit 03:37
9. Enchanted Riverbank 02:49
Side 3 - The Wild World
1. Brothers Bear Blues 01:08
2. Water World 02:53
3. Cascade Capers 03:01
4. Get Fit Agogo 00:19
5. Nuts and Bolts 02:17
6. Pokey Pipes 02:29
7. Rockface Rumble 02:15
8. Cavern Caprice 02:50
9. Jungle Jitter 02:49
Side 4 - K.Rool's Reckoning
1. Big Boss Blues 01:52
2. Game Over 00:16
3. Baddies On Parada 02:05
4. Krematoa Koncerto 02:03
5. Rocket Run 03:03
6. Mama Bird 01:48
7. Chase 01:16
8. Jangle Bells 03:08
INFO
Musique Pour La Danse is proud to present the Donkey Kong Country 3 OST [Recreated] of the much appreciated and globally followed Donkey Kong Country OST recreation project led by NY-based composer and producer Jammin’ Sam Miller.
Using hex SPC data crudely converted to MIDI, Jammin' Sam Miller painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effects and mastering. To find out more about his process watch an explanatory video here: cutt.ly/ulUHE6J
Remastered for vinyl, licensed, and presented in a limited edition blue cascade double LP. More
Cat-No:MPD035
Release-Date:25.03.2022
Configuration:LP
Cat-No:MPD035
Release-Date:25.03.2022
Configuration:LP
An historical live recording at The Brain Club that captures the unique vibe and flow of a brand new life-changing musical era in 1990 London Soho. Includes liner notes by The Brain club co-owner Sean McLusky, writer ("Bass, Mids, Tops") and DJ Joe Muggs and original sleeve art by the other The Brain club co-owner Mark Wigan, like you were back there. For fans of ambient, acid house, and fucking brilliant live music!!
TRACKLIST
A1. Irresitable Force - Medley #1
A2. Ramjac Corporation - Wikki Loop
A3. Ramjac Corporation - Para Ti
A4. Irresistible Force - Let's Go Swimming
A5. Ramjac Corporation - Massif
B1. Irresitble Force - Medley #2
B2. Ramjac Corporation - Keep on Turning On
B3. Irrestible Force - Finale
INFO
Back in the late 80s label owner Olivier Ducret entered 11 Wardour Street in London, home of the mighty Brain Club, a gallery · club · bar owned by Sean McLusky and Mark Wigan, where many (acid) house and techno visionaries played their early live on Thursday night to less than 50 people, that was quite intimate: Orbital, Simon Lovejoy, Mr Monday, If?, Doi-Oing, Nexus 21, Funtopia, Hi-Ryze, Adamski, 808 State, Ultramarine and of course, Mixmaster Morris's Irresistible Force and Irdial's RAMJAC Corporation. The energy and the creativity was incredible, at its peak, everything was fresh, innocent, naïve, new and oh so exciting. Boundaries in genre did not exist, and everyone was welcome aboard, no superstar, no business, just pure great fun. The crowd was eclectic, you could bump into Mark Moore or Neneh Cherry while the oung guns Andrew Weatherall or Steve Bicknell were spinning. This is most possibly where it all started for me & the label and this unique recording captures it all like no other, like a time capsule, impressively, and amazingly, a classic slice of British rave history unearthed via Switzerland. Just close your eyes and go back to the phuture.
The Irresistible Force is underground legend, ambient dj, writer, critic of corporate dance business (thanks for that) and producer Mixmaster Morris. He became involved with the emerging UK acid house scene, touring with The Shamen and releasing his first and still outstanding album "Flying High" on Caspar Pound's great Rising High Records (to be reissued on WRWTFWW with that classic T-Shirt "I Think Therefore I Ambient"). He played all raves, clubs, radios and festival, all around the world, did so many mixtapes and compilations and more albums, always so enjoyable and and still is one of the most truly enthusiastic DJ around. He's currently preparing 3 new albums to be release on Ninja Tune.
mixcloud.com/mixmastermorris
Ramjac Corporation is Paul Chivers, producer, percussionist, sound artist and teacher, with first release on the cult London label Irdial Discs, one of UK's unsung electronic pioneers, known for his voltaic live shows during the heady Summer of Love in 1988 and beyond. Jamming his own flavour of sampled beats live from his Atari and Emulator, Ramjac performed at the now legendary Sunrise, Energy and Back To The Future raves and went on to tour with Orbital, The Shamen and The Irresistible Force. Ramjac went from playing from 50 to 10,000 ravers in a matter of months. In 2018 London-based record label Emotional Rescue have announced the reissue of Ramjac Corporation’s debut extended player “Cameroon Massif!” mixing a love of techno and house with dub bass and break beats into a proto-jungle swirl.
ramjac.co.uk
Sean McLusky went on to set up Brainiak Records with Tim Fielding, the legendary Live At The Brain albums, then they went to mastermind various London clubs like Love Ranch, Club UK, Sonic Mook and Mr C's The End. Today Sean McLusky runs Whitechapel Gallery in Hackney where this album release party is held on 11.03.2022. Sean wrote liners notes for this album.
whitechapelgallery.org
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
TRACKLIST
A1. Irresitable Force - Medley #1
A2. Ramjac Corporation - Wikki Loop
A3. Ramjac Corporation - Para Ti
A4. Irresistible Force - Let's Go Swimming
A5. Ramjac Corporation - Massif
B1. Irresitble Force - Medley #2
B2. Ramjac Corporation - Keep on Turning On
B3. Irrestible Force - Finale
INFO
Back in the late 80s label owner Olivier Ducret entered 11 Wardour Street in London, home of the mighty Brain Club, a gallery · club · bar owned by Sean McLusky and Mark Wigan, where many (acid) house and techno visionaries played their early live on Thursday night to less than 50 people, that was quite intimate: Orbital, Simon Lovejoy, Mr Monday, If?, Doi-Oing, Nexus 21, Funtopia, Hi-Ryze, Adamski, 808 State, Ultramarine and of course, Mixmaster Morris's Irresistible Force and Irdial's RAMJAC Corporation. The energy and the creativity was incredible, at its peak, everything was fresh, innocent, naïve, new and oh so exciting. Boundaries in genre did not exist, and everyone was welcome aboard, no superstar, no business, just pure great fun. The crowd was eclectic, you could bump into Mark Moore or Neneh Cherry while the oung guns Andrew Weatherall or Steve Bicknell were spinning. This is most possibly where it all started for me & the label and this unique recording captures it all like no other, like a time capsule, impressively, and amazingly, a classic slice of British rave history unearthed via Switzerland. Just close your eyes and go back to the phuture.
The Irresistible Force is underground legend, ambient dj, writer, critic of corporate dance business (thanks for that) and producer Mixmaster Morris. He became involved with the emerging UK acid house scene, touring with The Shamen and releasing his first and still outstanding album "Flying High" on Caspar Pound's great Rising High Records (to be reissued on WRWTFWW with that classic T-Shirt "I Think Therefore I Ambient"). He played all raves, clubs, radios and festival, all around the world, did so many mixtapes and compilations and more albums, always so enjoyable and and still is one of the most truly enthusiastic DJ around. He's currently preparing 3 new albums to be release on Ninja Tune.
mixcloud.com/mixmastermorris
Ramjac Corporation is Paul Chivers, producer, percussionist, sound artist and teacher, with first release on the cult London label Irdial Discs, one of UK's unsung electronic pioneers, known for his voltaic live shows during the heady Summer of Love in 1988 and beyond. Jamming his own flavour of sampled beats live from his Atari and Emulator, Ramjac performed at the now legendary Sunrise, Energy and Back To The Future raves and went on to tour with Orbital, The Shamen and The Irresistible Force. Ramjac went from playing from 50 to 10,000 ravers in a matter of months. In 2018 London-based record label Emotional Rescue have announced the reissue of Ramjac Corporation’s debut extended player “Cameroon Massif!” mixing a love of techno and house with dub bass and break beats into a proto-jungle swirl.
ramjac.co.uk
Sean McLusky went on to set up Brainiak Records with Tim Fielding, the legendary Live At The Brain albums, then they went to mastermind various London clubs like Love Ranch, Club UK, Sonic Mook and Mr C's The End. Today Sean McLusky runs Whitechapel Gallery in Hackney where this album release party is held on 11.03.2022. Sean wrote liners notes for this album.
whitechapelgallery.org
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
1
THE THRESHOLD HOUSEBOYS CHOIR - A1. Part One: A Time Of Happening
2
THE THRESHOLD HOUSEBOYS CHOIR - A2. Part Two: Intimations Of Spring
3
THE THRESHOLD HOUSEBOYS CHOIR - B. Part Three: So Young It Knows No Maturing
4
THE THRESHOLD HOUSEBOYS CHOIR - C. Part Four: So Free It Knows No End
5
THE THRESHOLD HOUSEBOYS CHOIR - D. Part Five: As Doors Open Into Space
THE THRESHOLD HOUSEBOYS CHOIR (PETER "SLEAZY" CHRISTOPHERSON OF COIL)
“FORM GROWS RAMPANT”
(Heavy 180g black vinyl. First time on vinyl. 350gsm Gatefold, interior sleeve printed. Half Speed Mastering. 45 rpm) The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.
TRACKLISTING
A1. The Threshold HouseBoys Choir - Part One: A Time Of Happening
A2. The Threshold HouseBoys Choir - Part Two: Intimations Of Spring
B. The Threshold HouseBoys Choir - Part Three: So Young It Knows No Maturing
C. The Threshold HouseBoys Choir - Part Four: So Free It Knows No End
D. The Threshold HouseBoys Choir - Part Five: As Doors Open Into Space
INFO
The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end.
Despite the name, it was a solo project which relied heavily on computer generated vocals. The name was derived from a play on words, combining the terms houseboy, house of boys, boys' choir, and Threshold House, which was Coil's own label. "Form Grows Rampant" is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical project since the tragic death of John Balance and the subsequent demise of Coil.
The music is a suite of lenghty dense atmospherics that combine shuddering electronics with sampled vocals, eerie digitalia, buried melodies and sinister undercurrents hinting at a gleaming heart of darkness, with a joyful melodic progression that sounds positively triumphant towards the end of the disc. It's both Coil-esque and quite different, and undoubtedly is the worthy successor of the legendary group that Christopherson created with his partner John Balance.
First released in small quantities in 2007 as a CD/DVD set, this is the first time it is released on vinyl, CD and digital. This reissue has been mastered from original files by Sidney Claire Meyer at former Deutsche Grammophon studios Emil Berliner in Berlin, using the half speed mastering process, and pressed on heavy vinyl.
File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.
More
“FORM GROWS RAMPANT”
(Heavy 180g black vinyl. First time on vinyl. 350gsm Gatefold, interior sleeve printed. Half Speed Mastering. 45 rpm) The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end. File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.
TRACKLISTING
A1. The Threshold HouseBoys Choir - Part One: A Time Of Happening
A2. The Threshold HouseBoys Choir - Part Two: Intimations Of Spring
B. The Threshold HouseBoys Choir - Part Three: So Young It Knows No Maturing
C. The Threshold HouseBoys Choir - Part Four: So Free It Knows No End
D. The Threshold HouseBoys Choir - Part Five: As Doors Open Into Space
INFO
The Threshold HouseBoys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour following Coil's end.
Despite the name, it was a solo project which relied heavily on computer generated vocals. The name was derived from a play on words, combining the terms houseboy, house of boys, boys' choir, and Threshold House, which was Coil's own label. "Form Grows Rampant" is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical project since the tragic death of John Balance and the subsequent demise of Coil.
The music is a suite of lenghty dense atmospherics that combine shuddering electronics with sampled vocals, eerie digitalia, buried melodies and sinister undercurrents hinting at a gleaming heart of darkness, with a joyful melodic progression that sounds positively triumphant towards the end of the disc. It's both Coil-esque and quite different, and undoubtedly is the worthy successor of the legendary group that Christopherson created with his partner John Balance.
First released in small quantities in 2007 as a CD/DVD set, this is the first time it is released on vinyl, CD and digital. This reissue has been mastered from original files by Sidney Claire Meyer at former Deutsche Grammophon studios Emil Berliner in Berlin, using the half speed mastering process, and pressed on heavy vinyl.
File under COIL Forever, Erotic Trance, Religious IDM, Ecstatic Classical, Post Ethnic Industrial Exotica and best album ever heard.
More
1
FRANKIE BONES - A1. Funky Acid Makossa
2
FRANKIE BONES - A2. Mondolay Break
3
FRANKIE BONES - B1. Techno Bass
4
FRANKIE BONES - B2. I Want The People To Know
(Vinyl part 2 of 2) Repress of eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever.
TRACKLIST
A1. Funky Acid Makossa
A2. Mondolay Break
B1. Techno Bass
B2. I Want The People To Know
INFO
Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music.
Spinning records since the early 80’s, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few.
The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.’s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever. More
TRACKLIST
A1. Funky Acid Makossa
A2. Mondolay Break
B1. Techno Bass
B2. I Want The People To Know
INFO
Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music.
Spinning records since the early 80’s, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few.
The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.’s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever. More
1
V.A. - No Title
2
V.A. - No Title
3
V.A. - No Title
4
V.A. - No Title
5
V.A. - No Title
6
V.A. - No Title
7
V.A. - No Title
8
V.A. - No Title
9
V.A. - No Title
10
V.A. - No Title
11
V.A. - No Title
(incl insert with illustrations & liner notes) SPACED OUT!, a compilation curated by Belgian artist and producer DJ Athome (Front de Cadeaux) which focuses on psychedelic dub, space rock, and early electronica created in the UK's festival scene between 1986 and 1996. Includes a riso print with foreword by acclaimed philosopher Timothy Morton, along with liner notes by David Borsu, one of the key players of Liège's musical collectives in the 90s and illustrations by designer Andrew Beltran.
TRACKLISTING
A1. Eat Static - Kothluwalawa
A2. Magic Mushroom Band - Aravinda
A3. The Ullulators - Zulu Proons
B1. Ozric Tentacles - Secret Names
B2. Revolutionary Dub Warriors - Dread v1
B3. Junkwaffel - Substrata
C1. The Ullulators - Simply Conscious dub
C2. Magic Mushroom Band - Squatter In The House
C3. Ozric Tentacles - Sploosh!
D1. Divine Soma Experience - Music Is Magic
D2. Extremadura - Epsilon
More
TRACKLISTING
A1. Eat Static - Kothluwalawa
A2. Magic Mushroom Band - Aravinda
A3. The Ullulators - Zulu Proons
B1. Ozric Tentacles - Secret Names
B2. Revolutionary Dub Warriors - Dread v1
B3. Junkwaffel - Substrata
C1. The Ullulators - Simply Conscious dub
C2. Magic Mushroom Band - Squatter In The House
C3. Ozric Tentacles - Sploosh!
D1. Divine Soma Experience - Music Is Magic
D2. Extremadura - Epsilon
More
1
Reagenz - No Title
2
Reagenz - long leaves
3
Reagenz - b
4
Reagenz - a
5
Reagenz - dj friendly
6
Reagenz - u
7
Reagenz - tz
8
Reagenz - hollow moutain
(limited edition neon green vinyl) rEAGENZ, the iconic self-titled debut album released in 1994 by the duo formed by Jonah Sharp (Spacetime Continuum) & David Moufang (Move D, Deep Space Network). Previously only available in CD format, this sought-after album which nonetheless remains too under appreciated for our liking is finally available on double vinyl for the first time ever and has been remastered for the occasion.
TRACKLISTING
A1. rEAGENZ - Ä (2021 Remaster)
A2. rEAGENZ - Long Leaves (2021 Remaster)
B1. rEAGENZ - ß (2021 Remaster)
B2. rEAGENZ - Ö (2021 Remaster)
C1. rEAGENZ - DJ Friendly (2021 Remaster)
C2. rEAGENZ - Ü (2021 Remaster)
D1. rEAGENZ - Tz
D2. rEAGENZ - Hollow Mountain (2021 Remaster) More
TRACKLISTING
A1. rEAGENZ - Ä (2021 Remaster)
A2. rEAGENZ - Long Leaves (2021 Remaster)
B1. rEAGENZ - ß (2021 Remaster)
B2. rEAGENZ - Ö (2021 Remaster)
C1. rEAGENZ - DJ Friendly (2021 Remaster)
C2. rEAGENZ - Ü (2021 Remaster)
D1. rEAGENZ - Tz
D2. rEAGENZ - Hollow Mountain (2021 Remaster) More
1
The Living Room aka Orland Voorn - No Title
2
The Living Room aka Orland Voorn - No Title
3
The Living Room aka Orland Voorn - No Title
4
The Living Room aka Orland Voorn - No Title
5
The Living Room aka Orland Voorn - No Title
6
The Living Room aka Orland Voorn - No Title
7
The Living Room aka Orland Voorn - No Title
8
The Living Room aka Orland Voorn - No Title
9
The Living Room aka Orland Voorn - No Title
10
The Living Room aka Orland Voorn - No Title
11
The Living Room aka Orland Voorn - No Title
12
The Living Room aka Orland Voorn - No Title
13
The Living Room aka Orland Voorn - No Title
14
The Living Room aka Orland Voorn - No Title
15
The Living Room aka Orland Voorn - No Title
Musique Pour La Danse presents Roomservice, Dutchman Orlando Voorn's forgotten yet unforgettable IDM-leaning, home-listening electronica / techno album from 1994 under his Living Room alias, originally released on the producer's cult Night Vision label. Praised unequivocally by those lucky enough to have heard it, this criminally underrated record nonetheless deserves pride of place when talking about forward-thinking electronic music from the early 90s.
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2024 official reissue
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Soundway Records delivers an exciting new compilation, diving ever deeper into South-East Asia. Ayo Ke Disco celebrates the musical identities emerging during the 1970s and 80s from the newly independent countries nestled around the South China Sea.
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors. More
This time, Soundway’s long-time general manager Alice Whittington (aka DJ Norsicaa) steps into the limelight, embracing her Malaysian heritage and selecting music from her heavy collection of Asian records. Aside from steering the label, she is often found on international stages and radio stations playing an eclectic array of music.
For Ayo Ke Disco (meaning ‘Let’s go to the disco’ in Indonesian), 10 rare tracks of disco-funk, psychedelic funk, synth, city pop, and Hindustani-Arabic rhythms were painstakingly licensed from local labels – forming a snapshot of the vibrant discotheques and live scenes across Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines.
The vinyl release is also accompanied by the Ayo Ke Disco zine from Norsicaa, with extensive research on the history of music in South-East Asia, archival photos and exclusive interviews with some of the region’s most respected collectors. More
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Gosha Martynov & Natasha Sinyakova - A1. Pozhaluysta
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Gosha Martynov & Natasha Sinyakova - A2.Osvobodi Menia
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Gosha Martynov & Natasha Sinyakova - A3.Ya Tebia Zhdala
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Gosha Martynov & Natasha Sinyakova - B1. Imena Rek
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Gosha Martynov & Natasha Sinyakova - B2.Rany
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Gosha Martynov & Natasha Sinyakova - B4. Iskra
LP
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
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File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
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A new chapter in the Spazio Disponibile story. Since 2016, Donato Dozzy and Neel released a wide range of their favorite electronics on their collaborative imprint. From here they inaugurate a new side branch named Spazio Nero, focussing on heady dancefloor techno only. First edition comes from Neel himself, his Movimente EP sets the tone for what to expect. Four cuts of flawless techno pressure for the late nights.
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100hZ - Catching Spyders (In This Place)
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A1. 100hZ - Catching Spyders (In This Place)
A2. Airtight - Housewerk FXTC
B1. Detroit Diesel - Dreams For Santiago
B2. Techno Grooves - Hiawa
C1. The Moody Boys - Jammin' (Ital Mix)
C2. Shaka - Pussyfooter
D1. Fortune & Fame - Is This Your Life
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File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
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A1. 100hZ - Catching Spyders (In This Place)
A2. Airtight - Housewerk FXTC
B1. Detroit Diesel - Dreams For Santiago
B2. Techno Grooves - Hiawa
C1. The Moody Boys - Jammin' (Ital Mix)
C2. Shaka - Pussyfooter
D1. Fortune & Fame - Is This Your Life
D2. Nagai Eri - Delta
File under house, breakbeat, techno and warehouse rave music. The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond. - Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
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Label:Kalahari Oyster Cult
Cat-No:OYSTER45
Release-Date:21.06.2024
Genre:House / Techno
Configuration:2LP
Label:Kalahari Oyster Cult
Cat-No:OYSTER45
Release-Date:21.06.2024
Genre:House / Techno
Configuration:2LP
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SW. - SKYnetOPENwindow
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SW. - daREAL90'sdeal
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SW. - shaCAT'selecTRON70's
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SW. - rimFLYgemini
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SW. - nightTRAIN29X
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SW. - deeepFLYYyyHIgh
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SW. - silverLIGHTrePHLEXTION
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SW. - gemiNIorigIN
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SW. - CUTlightDAY
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SW. - YZXY endERGY
The mercurial talent that is SW. back in the building with a new album, and if it weren’t already apparent, OYSTER45 goes some way to assert his place in the pantheon of pioneering producers. In fact, nobody can question his position right at the vanguard of forward-facing dancefloor dynamics.
myDEFINITION part II catches the SUED co-founder as vital as ever. Keeping it on that dusty, low-key flex that has long been his trademark, it harnesses ingenuity to conjure some of the most intriguing gear you’re likely to hear from a limited studio setup. Gone are the hi-tek jazz and ambient flourishes of the near-mythical ‘Untiled’ album, opting, instead, for pure dancefloor headiness. Precision-tooled breakbeats, opulent IDM cybernetics, tuff bleep n’ bass and late nite electro across 10 distinct trax.
Side quests into more abstract realms are fleeting. Dappled melodies evoke warmth in hues of pink and orange but any ambient-dub ephemera quickly dissipates into the peripheries in favour of club-ready pressure. The spectre of mid-‘90s dance music looms large but the SW. blueprint, with its captivating free-form approach, spins those vintage tropes into a distinct sound unto itself. Masterful, cinematic and hallucinatory.
Often drawing comparisons with B12’s seminal brand of ambient techno, SW. will surely be a stylistic reference point in his own right for years to come. Such is the indelible influence he has cast on contemporary electronic music. More
myDEFINITION part II catches the SUED co-founder as vital as ever. Keeping it on that dusty, low-key flex that has long been his trademark, it harnesses ingenuity to conjure some of the most intriguing gear you’re likely to hear from a limited studio setup. Gone are the hi-tek jazz and ambient flourishes of the near-mythical ‘Untiled’ album, opting, instead, for pure dancefloor headiness. Precision-tooled breakbeats, opulent IDM cybernetics, tuff bleep n’ bass and late nite electro across 10 distinct trax.
Side quests into more abstract realms are fleeting. Dappled melodies evoke warmth in hues of pink and orange but any ambient-dub ephemera quickly dissipates into the peripheries in favour of club-ready pressure. The spectre of mid-‘90s dance music looms large but the SW. blueprint, with its captivating free-form approach, spins those vintage tropes into a distinct sound unto itself. Masterful, cinematic and hallucinatory.
Often drawing comparisons with B12’s seminal brand of ambient techno, SW. will surely be a stylistic reference point in his own right for years to come. Such is the indelible influence he has cast on contemporary electronic music. More
1
RQZ - Cage Beam
2
RQZ - Secret Fantasies
3
RQZ - Eden In Dub
Tracklisting
A1 RQZ - Cage Beam
A2 RQZ - Secret Fantasies
B1 RQZ - Eden In Dub
Sales Note
Memoria Recordings is proud to present MEM057, an electrifying vinyl record that will transport you to the heart of the underground electronic scene. Dive deep into the world of Romanian maestro RQZ as he takes you on an exhilarating journey through the pulsating rhythms of "Club Cage."
A1: Get ready to be enveloped by the hypnotic grooves of "Cage Beam." RQZ crafts a sonic cage that captures your senses, allowing you to lose yourself in the relentless beats and ethereal melodies.
A2: Secret Fantasies beckons with a seductive blend of lush synths and tantalizing percussion. Let RQZ be your guide as you explore the hidden realms of electronic music, where desires are unveiled one note at a time.
B1: As the needle hits the B-side, "Eden in Dub" invites you to a blissful oasis of sound. Immerse yourself in the dub-infused rhythms and let the music wash over you, creating a sense of euphoria that's bound to linger. More
A1 RQZ - Cage Beam
A2 RQZ - Secret Fantasies
B1 RQZ - Eden In Dub
Sales Note
Memoria Recordings is proud to present MEM057, an electrifying vinyl record that will transport you to the heart of the underground electronic scene. Dive deep into the world of Romanian maestro RQZ as he takes you on an exhilarating journey through the pulsating rhythms of "Club Cage."
A1: Get ready to be enveloped by the hypnotic grooves of "Cage Beam." RQZ crafts a sonic cage that captures your senses, allowing you to lose yourself in the relentless beats and ethereal melodies.
A2: Secret Fantasies beckons with a seductive blend of lush synths and tantalizing percussion. Let RQZ be your guide as you explore the hidden realms of electronic music, where desires are unveiled one note at a time.
B1: As the needle hits the B-side, "Eden in Dub" invites you to a blissful oasis of sound. Immerse yourself in the dub-infused rhythms and let the music wash over you, creating a sense of euphoria that's bound to linger. More
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VARIOUS - Mindfield : Saturnalia 4
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VARIOUS - Apostolis : Clock Croc (House Quickly Mix)
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VARIOUS - F.U.S.E. : F.U.2 (Re-edit)
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VARIOUS - Peyote : Alcatraz
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VARIOUS - Psyche : The Saint Became A Lush
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VARIOUS - Man With No Name : From Within
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VARIOUS - Zen : Solar Data (Extended Tribal Mix)
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VARIOUS - Francesco Farfa & Joy Kitikonti : Beat Con
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VARIOUS - Public Relation : Eighty Eight (Instrumenta
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VARIOUS - Ghostdance : Ghostbeat (New Beat Mix)
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VARIOUS - Chris & Cosey : Exotika (12” Mix)
Sound Metaphors and Transmigration explore the early underground Goa party scene with a 2x12” compilation.
A collection of Techno, Italian-House, New Beat and Post Punk all heard on the same dancefloors amongst Goa's tropical beaches during the late 80's and early 90's. What is now understood as Goa Trance was once preceded by an amalgamation of many different genres smuggled to Goa in tape format by true music devotees that filtered through all that was being produced in the West shaping a unique dancefloor sound that could only pertain to the “Special Goa Music” genre. Sound Metaphors teams up with Transmigration and journalist, DJ and first hand witness of the scene at hand - Ray Castle – to present a meticulous body of research into the sound signature of that unique scene. 11 highly sought after tracks presented in a double LP gatefold format with an A1 poster insert and insightful liner notes by Ray Castle. A tracklist so lush, your discogs wantlists will forever be grateful – buy on sight.
“Everything about the Goa counterculture was illicit. The music from vinyl was bought with black market money and bootlegged onto cassettes and backpacked to India. Collectors and DJs would swap, dub and edit it, for free parties. The music was disseminated tape-to-tape by a clandestine traveller clique of ragtag party makers. This highly coveted ‘Special Goa Music’ contained a vibe—a brain-infesting vibe—capable of triggering apotheosis-like states for dosed up dancefloors, only possible for sunrise Goa parties in nature, in India.” - Ray Castle More
A collection of Techno, Italian-House, New Beat and Post Punk all heard on the same dancefloors amongst Goa's tropical beaches during the late 80's and early 90's. What is now understood as Goa Trance was once preceded by an amalgamation of many different genres smuggled to Goa in tape format by true music devotees that filtered through all that was being produced in the West shaping a unique dancefloor sound that could only pertain to the “Special Goa Music” genre. Sound Metaphors teams up with Transmigration and journalist, DJ and first hand witness of the scene at hand - Ray Castle – to present a meticulous body of research into the sound signature of that unique scene. 11 highly sought after tracks presented in a double LP gatefold format with an A1 poster insert and insightful liner notes by Ray Castle. A tracklist so lush, your discogs wantlists will forever be grateful – buy on sight.
“Everything about the Goa counterculture was illicit. The music from vinyl was bought with black market money and bootlegged onto cassettes and backpacked to India. Collectors and DJs would swap, dub and edit it, for free parties. The music was disseminated tape-to-tape by a clandestine traveller clique of ragtag party makers. This highly coveted ‘Special Goa Music’ contained a vibe—a brain-infesting vibe—capable of triggering apotheosis-like states for dosed up dancefloors, only possible for sunrise Goa parties in nature, in India.” - Ray Castle More
1
Terraflow - Dysania
2
Terraflow - Clay
3
Terraflow - 5am Gillian House
4
Terraflow - Intergalactic Space Time Travel
The Comfort continues on their mission to release heady, innovative dance music of the upmost quality and their fourth release comes from Terraflow aka Alasdair Jenkins, a Reading-born, London-based young English producer debuting with his first release “Mystic Vista”. A record that drew inspiration from the sets of The Comforts founder and it definitely shows.
The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out. More
The record kicks off with “Dysania”, a dramatic synth-heavy track with a vortex-inducing bass providing the foundation. A track best described as mystical and inviting, perfect for setting a specific tone. Following up is “Clay”, a track rooted in the fundamental essence of electro music yet elevated with an irresistible groove—an ideal track for when you want time to stay still on the dance floor.
The B side flips the mood from low-key melancholia towards something more intense and inspired from trance influences. The first track “5am Gillian House” feels like a fast-paced race or an intense battle that induces a feeling of energy suitable for the peakest hours of the night.
The record ends with “Intergalactic Space Time Travel”, a track as true to its name as it is to the fundamentals of what makes good dance music good. Dynamic, catchy on the melody and irresistibly funky with hints of progressive fading in and out. More