12"
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Label:A-Tune Recordings
Cat-No:at001
Release-Date:14.06.2024
Genre:Deephouse
Configuration:12"
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Label:A-Tune Recordings
Cat-No:at001
Release-Date:14.06.2024
Genre:Deephouse
Configuration:12"
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1
Ricky Montanari presents Dandi & Ugo - I Get Lost (Extended Mix)
2
Ricky Montanari presents Dandi & Ugo - I Get Lost (Sebra Cruz Remix)
3
Ricky Montanari presents Dandi & Ugo - I Get Lost (Acapella)
Non Exclusive.
Format / Colour : 12" BLACK
Style: House Deep
Name Tracks :
A. Ricky Montanari - I Get Lost (Extended Mix)
B1. Ricky Montanari - I Get Lost (Sebra Cruz Remix)
B2. Ricky Montanari - I Get Lost (Acapella)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format / Colour : 12" BLACK
Style: House Deep
Name Tracks :
A. Ricky Montanari - I Get Lost (Extended Mix)
B1. Ricky Montanari - I Get Lost (Sebra Cruz Remix)
B2. Ricky Montanari - I Get Lost (Acapella)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:24.10.2024
Label:Roots
Cat-No:ROO002
Release-Date:11.10.2024
Genre:Techno
Configuration:12"
Barcode:
1
Speedy J - Rise
2
Speedy J - Something For Your Mind
3
Speedy J - Tresor
4
Speedy J - De Orbit
Repress coming mid January 2025.
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ''Rise'', ''Tresor'' and ''De-orbit''. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ''Something For Your Mind''. This release and in particular ''Something For Your Mind'' was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ''Rise'', ''Tresor'' and ''De-orbit''. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ''Something For Your Mind''. This release and in particular ''Something For Your Mind'' was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:12.12.2024
Label:Roots
Cat-No:ROO001
Release-Date:11.10.2024
Genre:Techno
Configuration:12"
Barcode:
1
Speedy J - Wicked Saw
2
Speedy J - Minimal
3
Speedy J - Journey
4
Speedy J - Spectrum
Remastered reissue of this seminal EP by Speedy J originally released on Detroit's Plus 8 records. Taking his inspiration from the early Detroit and Chicago imports that landed on the Dutch coast in the late 80's Speedy J ended up creating a classic that innovated and embodied the raw energy of the then still emerging sound of Techno. After all these years this is the very first repress of this landmark release!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Last in:27.09.2024
Label:Milq
Cat-No:MILQ004
Release-Date:09.02.2024
Genre:techhouse
Configuration:12"
Barcode:
1
Milq - The Hate Makes You Great
2
Milq - Le Pouvoir
2 New infectious bootlegs from Milq
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:4099964054057
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Last in:23.05.2024
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Last in:23.05.2024
Label:Tresor Records / BMG
Cat-No:TRESOR313EP2
Release-Date:01.11.2024
Genre:Techno
Configuration:12" Excl
Barcode:4099964054057
1
Cybotron - Parallel Shift 04:39
2
Cybotron - Earth 05:39
3
Cybotron - Earth - Edit (Digital Bonus) 05:08
Format: 12” vinyl, printed labels, printed inner sleeve, dl code
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08
Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:MPD050
Release-Date:21.06.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:27.11.2024
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Cat-No:MPD050
Release-Date:21.06.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Hypnotone - Dream Beam
2
Hypnotone - Junovia
3
Hypnotone - Potion 90
4
Hypnotone - Italia
5
Hypnotone - In Joy
6
Hypnotone - SBX
7
Hypnotone - Sub
(limited edition white vinyl, printed innersleeve) Hypnotone's iconic self titled mini album reissued! Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Tracklist
A1. Hypnotone - Dream Beam
A2. Hypnotone - Junovia
A3. Hypnotone - Potion 90
A4. Hypnotone - Italia
B1. Hypnotone - In Joy
B2. Hypnotone - SBX
B3. Hypnotone - Sub
Hypnotone's iconic self titled mini album reissued!
Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson.
Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time.
With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music.
This is another must have for collectors and fans of early British (pop) house music, and very happy memories.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A1. Hypnotone - Dream Beam
A2. Hypnotone - Junovia
A3. Hypnotone - Potion 90
A4. Hypnotone - Italia
B1. Hypnotone - In Joy
B2. Hypnotone - SBX
B3. Hypnotone - Sub
Hypnotone's iconic self titled mini album reissued!
Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson.
Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time.
With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music.
This is another must have for collectors and fans of early British (pop) house music, and very happy memories.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Sound Migration
Cat-No:SMI-012
Release-Date:10.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Last in:13.05.2024
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Last in:13.05.2024
Label:Sound Migration
Cat-No:SMI-012
Release-Date:10.05.2024
Genre:House / Techno
Configuration:12"
Barcode:
1
Zsa Zsa "La Boum" - Something Scary
2
Zsa Zsa "La Boum" - Something Scary (Instrumental)
3
Zsa Zsa "La Boum" - Something Scary (Anatolian
4
Zsa Zsa "La Boum" - Something Scary (Anatolian
"Something Scary" is probably one of the most representative examples of Belgian New Beat as the genre shifted to Hard Beat, by one of the key figures in the explosion of the early Belgian rave scene Rembert De Smet. Starting with the first few seconds of the track, the listener is presented with what could arguably be one of the most unforgettable New Beat acid bass lines to attack the human ear. Very much in your face, characteristic of a genre that emerges from studio experimentation during a time when Chicago Acid was establishing itself and already contaminating the UK. Although relatively simple in terms of production, the way De Smert employs all the elements at play is ingeniously effective, from the simple vocal sample placement to the bassline, propelling it timelessly throughout decades to follow as an iconic example of the Acid sound in Europe. Re-released with two new remixes by the masterful Anatolian Weapons. Remastered at Manmade Mastering in Berlin.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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Last in:21.05.2024
Label:DATA DISK
Cat-No:DISK3
Release-Date:17.05.2024
Genre:techhouse
Configuration:12"
Barcode:
1
Rudolf C - Lattice
2
Rudolf C - Green Screen
3
Rudolf C - AM2S2000X
4
Rudolf C - C.E. 2002005
Continuing his rippin’ run of stellar EPs on the likes of Limousine Dream and Pleasure Club, Rudolf C rolls through with a new plate of precision engineered hardware for DATA DISK. The cryptic cabal laying down the 1’s and 0’s at DD have been tracking Rudi’s work via stealth satellite since his early production and A&R work at his own Salt Mines imprint. Smitten with his maximalist mutations, we’ve skulljacked four tracks of recursive, roiling Techno directly from Rudi’s brainstem and lovingly laid them wax. Mild acidity throughout has etched continuous looping grooves onto the medium, allowing the end user to retransmit this DATA through their choice of high-powered audio amplification system.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Label:Macadam Mambo
Cat-No:MMLPXX909
Release-Date:12.07.2024
Configuration:LP
Barcode:
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Last in:15.07.2024
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Last in:15.07.2024
Label:Macadam Mambo
Cat-No:MMLPXX909
Release-Date:12.07.2024
Configuration:LP
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1
Poperttelli - John
2
Poperttelli - BB1949
3
Poperttelli - Impersonal
4
Poperttelli - Youmaf
5
Poperttelli - Ukrussiain
6
Poperttelli - Yelloww
7
Poperttelli - Potain
8
Poperttelli - Suceava
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Poperttelli - Dr Raw
10
Poperttelli - Simplifie
11
Poperttelli - Flaner
The new Macadam Mambo release by Poperttelli is a great piece of music ! In the Ambient vibe of the originators Future Sound Of London or The Orb, this album concept around dreams travelling, brings us into tribal futuristic landscapes, dark atmospheres on heavy beats and trippy floatings. Poperttelli is not a new artist in the electronic scene, he has already put out few releases on labels like Lost Dogs, Brokntoys, Maturre or Pinkman more recently, and is definetely a name to follow if you didn’t alredy do…
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Liebigstrasse 2-20
DE - 22113 Hamburg
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:Sound Metaphors Records
Cat-No:SMR024
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
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Last in:17.09.2024
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Label:Sound Metaphors Records
Cat-No:SMR024
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Neuro State - I Remember Gino (Cruel Mix)
2
Neuro State - I Remember Gino (Percappella Mix)
3
Neuro State - Pleasures In Africa (Extended Version)
4
Neuro State - Pleasures In Africa (Open Space Mix)
Another EP from the vaults of West Coast rave scene specialists, Michael Kandel and Tom Chasteen. A side has two versions of a fast passed dancefloor oriented production tactfully presenting woven layers of rhythmic elements underneath dubbed out effects, “Crazy Jane” possibly channeling moments of Debbie Harris' “Heart of Glass” on LSD. B side gets more aggressive on many levels with a bit of a downtempo Gabber feel to it, raging synths and generous cymbal action all around, 3 versions, one of them featuring samples from Jimmy Stewart's 1946 monologue in “It's A Wonderful Life”, another one with very non-western elements mixed in, and finally Juan Ramos bringing a very dancefloor friendly version with a slight Euro-Dance late Hi-NRG edge to it.
"Recorded in Heaven".
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Recorded in Heaven".
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Label:Other People
Cat-No:OP070
Release-Date:28.06.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144377
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Last in:24.04.2024
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Last in:24.04.2024
Label:Other People
Cat-No:OP070
Release-Date:28.06.2024
Genre:Electronic
Configuration:LP Excl
Barcode:4251804144377
1
Solpara - Time To Hold Better
2
Solpara - This Time Last Year
3
Solpara - We Keep Us Safe
4
Solpara - Melancholy Sabotage
5
Solpara - Measures
6
Solpara - We Don't Owe
7
Solpara - Breaking Points
8
Solpara - Eviction
LP
2. GENRE/S: Electronic / Trip Hop / Breaks
3. TRACKLISTS:
1 - Time To Hold Better
2 - This Time Last Year
3 - We Keep Us Safe
4 - Melancholy Sabotage
5 - Measures
6 - We Don't Owe
7 - Breaking Points
8 - Eviction
The new album from Lebanese-American musician Solpara, Melancholy Sabotage, marks his full length debut and return to Nicolas Jaar's Other People label. While it was recorded over Covid lockdowns, Jaar had been talking about wanting to back a Solpara full-length since he put out Swing. The album came to life while Solpara was living alone in a Brooklyn loft, collecting unemployment checks and viewing ample free time as the artist residency he'd dreamed of; he'd previously been forced to make music in odd windows between numerous jobs and the unmerciful pace of city life. Free from obligations, he would wake up early to take Arabic lessons online, read Tracey Thorn's autobiography, and skateboard the deserted streets, then come home and design sounds until he had a track that felt like it needed to be released. While this easy going lifestyle was peaceful in many ways, Solpara found more complex inspiration in the emotion that stemmed from participation in Black Lives Matter protests and the 2020 Beirut Port explosion, which rocked all of his extended family members in Lebanon.
Melancholy Sabotage explores the theme of sabotaging melancholy. Echoing sounds from the post-punk, trip-hop, and ambient genres, it is about sabotaging the cycle of melancholy and looking at this process without ignoring the sources that put it into motion. It may be compared to a rattling breaking free from retention, reaching states of dreamy euphoria while simultaneously acknowledging the sources of retention, viewed from above. The sources can be personal, political, or socio-economic. They are to be apprehended post-melancholy, after the sabotaging of the initial cycle of melancholy. In other words, it is about transcending melancholy and understanding where it came from with some distance. It may be beautiful and healthy to feel for a while, but how may one sabotage this cycle when it becomes paralyzing? Ultimately, this album is about feeling melancholy but also resisting it and naming the sources that initiated it.
"Time To Hold Better" points to neglect on both personal and group levels. "This Time Last Year" is a personal time capsule. "We Keep Us Safe" is about solidarity, autonomy, and care witnessed within protest groups. "Melancholy Sabotage" is a sonic exploration of the album concept illustrating anger and sadness, but finally, resistance and liberation from these feelings. "Measures" is a more fluid exploration of the latter after the initial storm has passed. "We Don't Owe" points to bigger bodies inflicting harm on populations that we owe nothing to. "Breaking Points" harkens the times that we may lose focus while pushing to transcend melancholy. "Eviction" is about being pushed out of a space unwillingly while simultaneously being forced to move forward.
Melancholy Sabotage pulls from a range of genres, uniting electronic sounds under the same post-punky glow. It pulls from complex, heavy themes including damage and injustice, presenting Solpara's most moving body of work to date. It highlights the poignance that has always been at the heart of his fluid sound, which caters to dancefloors and avant-garde spaces in equal measure. Working with a mix of dissonant guitars, distorted drum machines, and distant, reverb-washed vocals, Melancholy Sabotage is Solpara's uneasiest outing to date. The record pinpoints the duality at the heart of Solpara's sound, which is as plaintive as it is searing.
5. VITAL SALES POINTS:
Solpara launched the label and event series Booma Collective with Oren Ratowsky and Valentin Stip - a lowkey institution in the international techno circuit.
His 2015 EP, Swing, marked both a sonic and professional turning point. It split the difference between noisy techno and spacey ambience, capturing the essence of a young artist settling into a singular lane. Issued by Nicolas Jaar's esteemed Other People label, it solidified Solpara's place as an inimitable up-and-comer. "Nicolas and I met in high school, played in a band together, and have been exchanging music ever since," he says. In part thanks to Jaar's powerful co-sign, subsequent Solpara releases landed on imprints such as Quiet Time Tapes and Bruta?.
Solpara fuses elements of post-punk, ambient, house, and dub techno. While plenty of his cuts would fit within the context of an energizing DJ set, many are arrhythmic and avant-garde. When asked about his influences, Solpara cites artists ranging from Laurel Halo to Laurie Spiegel to Massive Attack to Denis Mpunga to Lily Tchiumba. His eclectic tastes were nurtured while studying film and philosophy in college, with German expressionism, Tarkovsky, and Chris Marker's La Jetee allowing him to realize the atmosphere he had been searching for. This curiosity was further encouraged by Booma Collective members and his roommate Jurg Haller, who went on to found the label Forbidden Planet Records. Later, after Solpara returned to his New York City hometown, he worked as a buyer for the now-shuttered record store Halcyon. In that job, he listened to copious amounts of music every day. His deep knowledge of culture has had a strong impact on a sound that is simultaneously fluid and commanding.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2. GENRE/S: Electronic / Trip Hop / Breaks
3. TRACKLISTS:
1 - Time To Hold Better
2 - This Time Last Year
3 - We Keep Us Safe
4 - Melancholy Sabotage
5 - Measures
6 - We Don't Owe
7 - Breaking Points
8 - Eviction
The new album from Lebanese-American musician Solpara, Melancholy Sabotage, marks his full length debut and return to Nicolas Jaar's Other People label. While it was recorded over Covid lockdowns, Jaar had been talking about wanting to back a Solpara full-length since he put out Swing. The album came to life while Solpara was living alone in a Brooklyn loft, collecting unemployment checks and viewing ample free time as the artist residency he'd dreamed of; he'd previously been forced to make music in odd windows between numerous jobs and the unmerciful pace of city life. Free from obligations, he would wake up early to take Arabic lessons online, read Tracey Thorn's autobiography, and skateboard the deserted streets, then come home and design sounds until he had a track that felt like it needed to be released. While this easy going lifestyle was peaceful in many ways, Solpara found more complex inspiration in the emotion that stemmed from participation in Black Lives Matter protests and the 2020 Beirut Port explosion, which rocked all of his extended family members in Lebanon.
Melancholy Sabotage explores the theme of sabotaging melancholy. Echoing sounds from the post-punk, trip-hop, and ambient genres, it is about sabotaging the cycle of melancholy and looking at this process without ignoring the sources that put it into motion. It may be compared to a rattling breaking free from retention, reaching states of dreamy euphoria while simultaneously acknowledging the sources of retention, viewed from above. The sources can be personal, political, or socio-economic. They are to be apprehended post-melancholy, after the sabotaging of the initial cycle of melancholy. In other words, it is about transcending melancholy and understanding where it came from with some distance. It may be beautiful and healthy to feel for a while, but how may one sabotage this cycle when it becomes paralyzing? Ultimately, this album is about feeling melancholy but also resisting it and naming the sources that initiated it.
"Time To Hold Better" points to neglect on both personal and group levels. "This Time Last Year" is a personal time capsule. "We Keep Us Safe" is about solidarity, autonomy, and care witnessed within protest groups. "Melancholy Sabotage" is a sonic exploration of the album concept illustrating anger and sadness, but finally, resistance and liberation from these feelings. "Measures" is a more fluid exploration of the latter after the initial storm has passed. "We Don't Owe" points to bigger bodies inflicting harm on populations that we owe nothing to. "Breaking Points" harkens the times that we may lose focus while pushing to transcend melancholy. "Eviction" is about being pushed out of a space unwillingly while simultaneously being forced to move forward.
Melancholy Sabotage pulls from a range of genres, uniting electronic sounds under the same post-punky glow. It pulls from complex, heavy themes including damage and injustice, presenting Solpara's most moving body of work to date. It highlights the poignance that has always been at the heart of his fluid sound, which caters to dancefloors and avant-garde spaces in equal measure. Working with a mix of dissonant guitars, distorted drum machines, and distant, reverb-washed vocals, Melancholy Sabotage is Solpara's uneasiest outing to date. The record pinpoints the duality at the heart of Solpara's sound, which is as plaintive as it is searing.
5. VITAL SALES POINTS:
Solpara launched the label and event series Booma Collective with Oren Ratowsky and Valentin Stip - a lowkey institution in the international techno circuit.
His 2015 EP, Swing, marked both a sonic and professional turning point. It split the difference between noisy techno and spacey ambience, capturing the essence of a young artist settling into a singular lane. Issued by Nicolas Jaar's esteemed Other People label, it solidified Solpara's place as an inimitable up-and-comer. "Nicolas and I met in high school, played in a band together, and have been exchanging music ever since," he says. In part thanks to Jaar's powerful co-sign, subsequent Solpara releases landed on imprints such as Quiet Time Tapes and Bruta?.
Solpara fuses elements of post-punk, ambient, house, and dub techno. While plenty of his cuts would fit within the context of an energizing DJ set, many are arrhythmic and avant-garde. When asked about his influences, Solpara cites artists ranging from Laurel Halo to Laurie Spiegel to Massive Attack to Denis Mpunga to Lily Tchiumba. His eclectic tastes were nurtured while studying film and philosophy in college, with German expressionism, Tarkovsky, and Chris Marker's La Jetee allowing him to realize the atmosphere he had been searching for. This curiosity was further encouraged by Booma Collective members and his roommate Jurg Haller, who went on to found the label Forbidden Planet Records. Later, after Solpara returned to his New York City hometown, he worked as a buyer for the now-shuttered record store Halcyon. In that job, he listened to copious amounts of music every day. His deep knowledge of culture has had a strong impact on a sound that is simultaneously fluid and commanding.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Thank You
Cat-No:LIO002
Release-Date:10.05.2024
Configuration:12"
Barcode:
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Last in:17.06.2024
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Last in:17.06.2024
Label:Thank You
Cat-No:LIO002
Release-Date:10.05.2024
Configuration:12"
Barcode:
1
Innuendo - Painful Disguise
2
Innuendo - Zukunft oder Vergangenheit
3
Innuendo - Kreaturen der Nacht
4
Innuendo - LET GO
"Kreaturen der Nacht" is a story about what we all could become when bitten by the music bug. The debut EP from Innuendo on LíO Press is just a small glimpse into his musical world.
Innuendo roots his inspiration from the past while keeping his sight on the present. His signature sound is a seamless blend of old-school charm and aesthetics, characterized by genuine melodies and infectious basslines that bridge the gap between home listening and dancefloor moments.
Comprising four tracks, each one showcases a diverse range of influences, "Kreaturen der Nacht" is a musical journey through the archives of time while maintaining his own personal approach. Each track meets the aesthetics of the new wave to the spirit of late 80s club culture, making Innuendo's EP a love letter to a bygone era, reimagined for the present day.
When the summer night arrives, lost in contemplation, gazing up at the sky full of stars, it's a moment of reflection or a fleeting pause in the chaos of everyday life.
In that moment, there are wonders about the mysterious creatures of the night — are they relics of the past or an augury of the future?
Nobody can answer.
But why not embrace the sense of wonder, rather than dwell on it?
Feel allowed to be swept away by imagination in the so-called 'Nightclub of the Mind,' where the music never stops and the possibilities are endless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Innuendo roots his inspiration from the past while keeping his sight on the present. His signature sound is a seamless blend of old-school charm and aesthetics, characterized by genuine melodies and infectious basslines that bridge the gap between home listening and dancefloor moments.
Comprising four tracks, each one showcases a diverse range of influences, "Kreaturen der Nacht" is a musical journey through the archives of time while maintaining his own personal approach. Each track meets the aesthetics of the new wave to the spirit of late 80s club culture, making Innuendo's EP a love letter to a bygone era, reimagined for the present day.
When the summer night arrives, lost in contemplation, gazing up at the sky full of stars, it's a moment of reflection or a fleeting pause in the chaos of everyday life.
In that moment, there are wonders about the mysterious creatures of the night — are they relics of the past or an augury of the future?
Nobody can answer.
But why not embrace the sense of wonder, rather than dwell on it?
Feel allowed to be swept away by imagination in the so-called 'Nightclub of the Mind,' where the music never stops and the possibilities are endless.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Transmigration
Cat-No:TM022
Release-Date:10.05.2024
Genre:Electronic
Configuration:12"
Barcode:
backorder
Last in:17.06.2024
+ Show full info- Close
backorder
Last in:17.06.2024
Label:Transmigration
Cat-No:TM022
Release-Date:10.05.2024
Genre:Electronic
Configuration:12"
Barcode:
1
Jake Stephenson - No Title
2
Jake Stephenson - Dr. Psychedelic - Hypnotic Tripnotic
3
Jake Stephenson - Shamanic Tribes On Acid - With The Wind
4
Jake Stephenson - Shamanic Tribes On Acid - Voyage To Atlantis (Percussion Mix)
Transmigration opens the vaults of prolific UK psychedelic producer Jake Stephenson, compiling a selection of his rarest and most sought after tracks including the Detroit inspired acid techno track "Symbiotic" and two previously CD only productions under the alias "Shamanic Tribes On Acid". Licensed in collaboration with the Stephenson family and remaster by ManMade Mastering.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More