1
Persian & Mixmaster Max - Don't Deal Wid Violence (Persian)
2
Persian & Mixmaster Max - Don't Deal Wid Violence Part 2 (S.Bell Mix)
3
Persian & Mixmaster Max - Dunya (Persian & Mixmaster Max)
4
Persian & Mixmaster Max - Dunya Part 2 (Mixmaster Max & Persian)
Dubplate’s Don Persian has repressed this Hardcore Breaks Techno Riddim, seeing there were only 100 in existence before going for crazy prices, now including a mix from S.Bell capturing a shimmering soundscape vibe, adding perfection to his unsung abilities. This E.P. has some speaker destroyer’s on there, introducing the MixMaster Max into the pot alongside the Persian doing what can only be called world dub music. Sterling breaks shuffling at a downtempo 8 bit vibe with a really heavy bass! MixMaster Max’s history is interesting to say the least...
Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named The Back Street Warriors, busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with The Rock Steady Crew in Camden Palace in front of an audience.
Then in 1987 he became a DJ, playing all genre’s of music, he first played on RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90’s he played on Weekend Rush & then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.
In the early day’s, MixMaster Max was one of the Innovator’s of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping other’s to produce, fuse & gain idea’s in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.
In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the Famous Hacienda Club in Manchester.
He was the first DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC World Championships in the early 90’s.
He played at some of the Biggest Rave’s back in the day, Pirate club 93, Fantazia 92, Dungeon’s 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People’s Choice, which were legal Radio Station’s, not forgetting Kool FM & Centreforce.
He performed on stage with the We Papa Girl Rapper’s in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchucker’s & TurnTable’s!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!
For those that listened to pirate radio back in the day, he was the legendary cult figure that inspired us all, giving us the freshest musical styles that had never been heard before!
He can still be heard on OriginUK.Net Radio today...What an inspiration this Unsung Hero has been to us All! More
Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named The Back Street Warriors, busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with The Rock Steady Crew in Camden Palace in front of an audience.
Then in 1987 he became a DJ, playing all genre’s of music, he first played on RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90’s he played on Weekend Rush & then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.
In the early day’s, MixMaster Max was one of the Innovator’s of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping other’s to produce, fuse & gain idea’s in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.
In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the Famous Hacienda Club in Manchester.
He was the first DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC World Championships in the early 90’s.
He played at some of the Biggest Rave’s back in the day, Pirate club 93, Fantazia 92, Dungeon’s 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People’s Choice, which were legal Radio Station’s, not forgetting Kool FM & Centreforce.
He performed on stage with the We Papa Girl Rapper’s in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchucker’s & TurnTable’s!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!
For those that listened to pirate radio back in the day, he was the legendary cult figure that inspired us all, giving us the freshest musical styles that had never been heard before!
He can still be heard on OriginUK.Net Radio today...What an inspiration this Unsung Hero has been to us All! More
More records from Existence Is Resistance
1
DJ Dlux & Persian Prince - Science
2
DJ Dlux - Sweet Potatoe
Held on Dubplate since 1993...
More
1
Persian - We Should Shout (Ft. Nicola Duncan)
2
Persian - Babylon Fall (Ft. Sevi G)
3
Persian - Existence Is Resistance
4
Persian - Pot Of Gold
‘We Should Shout’ features Nicola Duncan over a classic House vibe with a beautiful moody organ rolling over a hard house bass line
‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G
The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder
‘Pot Of Gold’ : Disco sounds of the roller skating era. More
‘Babylon Fall’ classic – beautiful – sweet stuff from the Persian featuring vocal snippets from the talented Sevi G
The name of the next track is the same as the label: ‘Existence Is Resistance’ this has electronic tinged synths with a hard electronic bass riff, it has glimpses of the Authentic early Electro sound of 83-84 complete with vocoder
‘Pot Of Gold’ : Disco sounds of the roller skating era. More
1
Persian - Deep Pressure
2
Persian - Musical Rush
3
Persian - I Wanna Do My Thing
4
Persian - Favourite Song
UK Garage Classic. Repress Alert!
More
1
Persian - UK Apache Dubplate
2
Persian - Omid A Man Dubplate
3
Persian - Rockin With The Best
4
Persian - Morning Sun (UKG Mix)
Presented here are unreleased mix’s of Old Garage Classic’s, lifted from Old Dubplates.
‘Omid A Man’ fusing East & West in a Heavy Techno format and ‘Brand New Slam’ Ft UK Apache’s driving vocal being the other.
Finally there’s a UKG version of ‘Morning Sun’ you’ll remember Shanti Celeste using it on her ‘Love International’ Album.
Gritty Sounding E.P. from the Persian with the forth runner being ‘Rockin With The Best’ it has arguably everything identifying it as an Instant Breakbeat Classic!
Top Bits here, one for the keeper’s... Tipp! More
‘Omid A Man’ fusing East & West in a Heavy Techno format and ‘Brand New Slam’ Ft UK Apache’s driving vocal being the other.
Finally there’s a UKG version of ‘Morning Sun’ you’ll remember Shanti Celeste using it on her ‘Love International’ Album.
Gritty Sounding E.P. from the Persian with the forth runner being ‘Rockin With The Best’ it has arguably everything identifying it as an Instant Breakbeat Classic!
Top Bits here, one for the keeper’s... Tipp! More
1
Persian - Cannot Face Clash
2
Persian - Dubplates
3
Persian - Mixmaster Max & MC Shya
Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.
Then in 1987 he became a DJ, playing all genres of music, he first played on
RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.
In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.
In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester.
He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.
He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.
He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!
For those that listened to pirate radio back in the day, he was the legendary cult
figure that inspired us all, giving us the freshest musical styles that had never been heard before!
He can still be heard on OriginUK.Net Radio today... What an inspiration this unsung hero has been to us All! More
Then in 1987 he became a DJ, playing all genres of music, he first played on
RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.
In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.
In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester.
He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.
He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.
He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!
For those that listened to pirate radio back in the day, he was the legendary cult
figure that inspired us all, giving us the freshest musical styles that had never been heard before!
He can still be heard on OriginUK.Net Radio today... What an inspiration this unsung hero has been to us All! More
1
Persian - Get Down
2
Persian - Dangerous Dub Retwist
3
Persian - Space Within Art
These run of releases on ‘Existence Is Resistance’ comes from the Legendary Proto Garage Record Label ‘Same People’, and see’s Persian & Long time musical partner DJ Texsta, repressing some of their most pioneering UKG E.P.s.
More
These run of releases on ‘Existence Is Resistance’ comes from the Legendary Proto Garage Record Label ‘Same People’, and see’s Persian & Long time musical partner DJ Texsta, repressing some of their most pioneering UKG E.P.s.
More
1
Persian & DJ Texsta - No Title
2
Persian & DJ Texsta - No Title
3
Persian & DJ Texsta - No Title
4
Persian & DJ Texsta - No Title
5
Persian & DJ Texsta - No Title
Break dancer, Body popper, Graff Artist, brought up in B Boy / Sound System Culture, transitioned to Deejaying at a young age, Deejayed during the Rave era, began production in the early 90’s under the moniker ‘Persian Prince’ releasing pioneering Jungle on Labels ‘Haul & Pull’ & ‘Nagmeh Records’.
Then made ‘Dangerous’ in 1995 which inspired the Grime, Dubstep & Speed Garage scenes. Under the moniker ‘Artist Formally Known As PP’ & ‘Persian’ (which he still uses today) later released many Underground UKG tunes on different label’s such as ‘Same People, S.J.L., Mixing Potions & Locked On’. More
Then made ‘Dangerous’ in 1995 which inspired the Grime, Dubstep & Speed Garage scenes. Under the moniker ‘Artist Formally Known As PP’ & ‘Persian’ (which he still uses today) later released many Underground UKG tunes on different label’s such as ‘Same People, S.J.L., Mixing Potions & Locked On’. More
1
Persian Prince - No Title
2
Persian Prince - No Title
3
Persian Prince - No Title
4
Persian Prince - No Title
5
Persian Prince - No Title
Displaying the ability to write Big Tunes from a young age, Persian was 19 years old when he wrote these tunes. Some held on Dubplates, some lost & found, restored and now remastered. Persian can pretty much turn his hand to any style of Dance Music, a True Underground Legend!
These are Stone Cold Classic’s that are highly sought after ‘Jungle’ from the Golden Era, Genre pioneering music from the talented Artist.
Definite Collector’s piece of Jungle History...Tipp! More
These are Stone Cold Classic’s that are highly sought after ‘Jungle’ from the Golden Era, Genre pioneering music from the talented Artist.
Definite Collector’s piece of Jungle History...Tipp! More
1
Persian - No Title
2
Persian - No Title
3
Persian - No Title
4
Persian - No Title
Break dancer, Body popper, Graff Artist, brought up in B Boy / Sound System Culture, transitioned to Deejaying at a young age, Deejayed during the Rave era, began production in the early 90’s under the moniker ‘Persian Prince’ releasing pioneering Jungle on Labels ‘Haul & Pull’ & ‘Nagmeh Records’.
Then made ‘Dangerous’ in 1995 which inspired the Grime, Dubstep & Speed Garage scenes. Under the moniker ‘Artist Formally Known As PP’ & ‘Persian’ (which he still uses today) later released many Underground UKG tunes on different label’s such as ‘Same People, S.J.L., Mixing Potions & Locked On’. More
Then made ‘Dangerous’ in 1995 which inspired the Grime, Dubstep & Speed Garage scenes. Under the moniker ‘Artist Formally Known As PP’ & ‘Persian’ (which he still uses today) later released many Underground UKG tunes on different label’s such as ‘Same People, S.J.L., Mixing Potions & Locked On’. More
1
V.A. ( Persian, Ever Vivid...) - No Title
2
V.A. ( Persian, Ever Vivid...) - No Title
3
V.A. ( Persian, Ever Vivid...) - No Title
4
V.A. ( Persian, Ever Vivid...) - No Title
Known for his pioneering Smash ‘Dangerous’ which inspired the Grime, Dubstep & Speed Garage scenes. Here we have another E.P. of highly sought after, rare, deleted Gems, such as ‘Musical Rush’ & ‘Favorite Song’ al be it from an old crusty Dat tape recently found, these tracks were unobtainable until now.
These Gems were never officially released, but now get an outing on his imprint Existence Is Resistance Cult Record Label.
A true Underground Artist that is still inspiring the next generation, ‘’watch ya bass bins im tellin ya’’ This is another one for your collection... More
These Gems were never officially released, but now get an outing on his imprint Existence Is Resistance Cult Record Label.
A true Underground Artist that is still inspiring the next generation, ‘’watch ya bass bins im tellin ya’’ This is another one for your collection... More
1
V.A. ( Persian, Ever Vivid...) - No Title
2
V.A. ( Persian, Ever Vivid...) - No Title
3
V.A. ( Persian, Ever Vivid...) - No Title
4
V.A. ( Persian, Ever Vivid...) - No Title
Kicking off the EP we have a Jungle Techno track from 2007 ‘Revolution’ made by Persian & DJ Staf, ‘Kool London’s finest DJ’...
‘D dub retwist’, see’s a minimal Break Heavy Dub amidst a Trippy background soundscape from a Japanese Movie.
‘Rumbling interlude’ There’s some interesting Organ at play over modern D&B being played here, al be it with the room vibrating (hence the title) this short segment is a nice escape!
‘Milton 21’ This track dates from 2001, this is a rare glimpse of what Jungle Techno may have become, a direction of futurist sound play amidst Bone Crunching Heavy Bass! Again, Genre pioneering stuff, from True Underground Artists.
‘Not nuff time’, feature’s Lauryn’s freshly sounding Tone, over one of Persian’s Breakbeat projects...
This has variations of electronic shades of what a deejay would love! These tracks were found & lovingly remastered for this ‘ Collector’s Breaks’ EP.
The cross over has been kept! More
‘D dub retwist’, see’s a minimal Break Heavy Dub amidst a Trippy background soundscape from a Japanese Movie.
‘Rumbling interlude’ There’s some interesting Organ at play over modern D&B being played here, al be it with the room vibrating (hence the title) this short segment is a nice escape!
‘Milton 21’ This track dates from 2001, this is a rare glimpse of what Jungle Techno may have become, a direction of futurist sound play amidst Bone Crunching Heavy Bass! Again, Genre pioneering stuff, from True Underground Artists.
‘Not nuff time’, feature’s Lauryn’s freshly sounding Tone, over one of Persian’s Breakbeat projects...
This has variations of electronic shades of what a deejay would love! These tracks were found & lovingly remastered for this ‘ Collector’s Breaks’ EP.
The cross over has been kept! More
Known for his pioneering Smash ‘Dangerous’ which inspired the Grime, Dubstep & Speed Garage scenes. Here we have another E.P. of highly sought after, rare, deleted Gems, such as ‘Musical Rush’ & ‘Favorite Song’ al be it from an old crusty Dat tape recently found, these tracks were unobtainable until now.
These Gems were never officially released, but now get an outing on his imprint Existence Is Resistance Cult Record Label.
A true Underground Artist that is still inspiring the next generation, ‘’watch ya bass bins im tellin ya’’ This is another one for your collection... More
These Gems were never officially released, but now get an outing on his imprint Existence Is Resistance Cult Record Label.
A true Underground Artist that is still inspiring the next generation, ‘’watch ya bass bins im tellin ya’’ This is another one for your collection... More
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Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
1
UR - Jaguar
2
UR - Ascesion
Next batch coming in on the 14th of july.
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More
Label:underground resistance
Cat-No:UR-005
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
Label:underground resistance
Cat-No:UR-005
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
1
Underground Resistance - Big Stone Lake
2
Underground Resistance - Sometimes I Feel Like
3
Underground Resistance - Nation 2 Nation
4
Underground Resistance - Body And Soul
5
Underground Resistance - The Theory (Mind Mix)
6
Underground Resistance - 303 Sunset
Repress!
“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?
What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?
The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.
Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.
Hmm sound familiar?
As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.
There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,
Nation 2 Nation a work inspired and that inspired what’s next. More
“UR wonders” What happens to jazz if combined with the current electronic sound tools used to make Detroit techno now?
What might Jazz sound like if the inspirational pioneers of fusion ie; Return to Forever, Astral Pirates or Weather Report had access to the music production technology available now or in the future?
The artform called Jazz was a unique reflection of “The African American experience here in the United States.Unfortunately by the 90"s it had been compromised by major record companies and made “smoother” for mainstream consumption and more profits.
Born in America’s rural black south Rock & Roll had suffered the same fate years earlier. Original artists eventually replaced by well studied clones and corporate mega profits!! Also happening the original artform of jazz appeared to be caught, processed & throughly EXPLAINED by people who sought to intellectualize “struggle & human emotion” into mere words and then benefit immensely financially by being authorities on the subject.
Hmm sound familiar?
As you watch the current intellectual colonization of the urban inner city African American art forms house music, hip-hop, Jungle & Detroit techno get studied, bent, twisted renamed and turned into EDM profit formulas.
There stands records like Nation 2 Nation that defy these definitions and inspire the next generation of Pioneers who continue the undefined exploration of Jazz like Derek Jamerson, Jon Dixon, Raphael Merriweathers, Desean Jones, Timeline, Galaxy 2 Galaxy, Raphael Statin & Ian Finkelstein. Mother to daughter, Father to son,
Nation 2 Nation a work inspired and that inspired what’s next. More
1
Jeff Mills - Entering The Black Hole
2
Jeff Mills - Time In The Abstract
3
Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
4
Jeff Mills - Wandering
5
Jeff Mills - When Time Stops
6
Jeff Mills - Time Reflective
7
Jeff Mills - Infinite Redshift
8
Jeff Mills feat. Jun Togawa - Hole
Tracklist
A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract
B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering
C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective
D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole
(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.
An art performance focusing on being lost In space
``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.
Special guest: Jun Togawa
The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.
Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.
Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.
More
A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract
B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering
C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective
D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole
(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.
An art performance focusing on being lost In space
``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.
Special guest: Jun Togawa
The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.
Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.
Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.
More
1
U.R - Hi-Tech Dreams
2
U.R - Hold My Own
3
U.R - Lo-Tech Reality
Repress!
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More
Detroit a city of great contrasts. Feats of engineering that spurred the world forward. For a few decades wealth and prosperity. Hi-tech dreams seemed achieved. But with the dream also comes nightmares…..Traffic Jams, Predatory Insurance Companies prey on municipalities with no mass transporation, freeways built specifically to ruin minority prosperity & to build walls between people. Beautiful countries all over the world wrecked at war over the thirst for oil, entire neighborhoods decimated when the corporate greed for profit forces engineers to build throw away cars that are quickly replaced by better built foreign competition. Even Worse……Climate change. Detroit the city that knows the best NO CORPORATIONS SHOULD DICTATE CITY FUNCTION the people should……listen to the sound and learn from it……or deal with the Lo-tech reality that Corporate greed actually is so good at building. UR the future UR the change…… More
2024 Repress
Oliver Koletzki's most successful album will be finally released on vinyl.
Tracklist:
A-Seite
1. This is Leisure feat. Mieze Katz
2. Zuckerwatte feat. Juli Holz
3. U-Bahn feat. Axel Bosse
4. Kusskompatibel
5. Warschauer Straße
B-Seite
1. Hypnotized feat. Fran
2. Kleines Zwischenspiel
3. Headshaped Box feat. Kate Mosh
4. These Habits feat. Pyur
5. Die Raketen - Nimm mich mit (Oliver Koletzki Remix)
The Berlin-based techno and house producer and DJ Oliver Koletzki has fully committed himself to his roots for this album. They can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today's electronic music productions. "Großstadtmärchen" is a perfect example for a producer's album: Oliver Koletzki has created a musically compact long player while working together with many different singers. Both established artists like Mieze Katz from the German electro-pop outfit MIA., the hot German pop-rock-singer Axel Bosse, critically acclaimed indie band Kate Mosh as well as newcomers such as Fran, Pyur and Juli Holz have contributed to the album. The result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own Koletzkieske sound dynamic.
"Großstadtmärchen", which translates as "The tale of the big city" starts off with "THIS IS LEISURE". Famous pop singer Mieze Katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. After hearing this, the listener is directly fully drawn into this world when hearing Juli Holz's softly whispering voice singing about the dilemmas of love in the big city on "ZUCKERWATTE" (Single release date: 7.9.09). This is a very fine electro-pop tune. Coming up next Oliver Koletzki and Axel Bosse board an underground train that takes them around the Berlin U-Bahn system and back. Axel Bosse, who has had a massive success with his song "3 Millionen" adds his melancholic voice to this groovy pop anthem and sings about the poetic magic of public transport, while we hear the sounds of the trains on top. Of course, Oliver Koletzki has added some purely instrumental tracks on his album, too: "KUSSKOMPATIBEL" and "WARSCHAUER STRASSE" are a journey back to Oliver's first years in Berlin and his love for house music. "KLEINES ZWISCHENSPIEL" also celebrates the energetic sound of electronic music. Then there is another great shine of bright light with the pop track "HYPNOTIZED" that is already making airwaves on German radio. It features the newcomer singer Fran that turns this track into a wonderful electronic love story. In her beautiful crystal clear voice Fran tells the story of those moments during the night that decide where it's going to end: a song about love, passion and the energy between male and female, a catchy pop anthem about the first dance, the first kiss and that special moment when the night turns into day. Oliver has equipped this song with a wonderful piano melody and a very smooth and poppy electronic beat. Actually it sounds like Fran and Oliver have never been doing anything else than produce wonderfully fresh pop songs together.
The tale of the city carries on with a very appealing mixture of indie rock and electronic music. "HEADSHAPED BOX" encapsulates what Indietronic sounds like in the year 2009: symphonic, melodic and simply unique. On "THESE HABITS" the just seventeen-year-old singer Pyur makes her debut. This down-beat triphop-groove is a wonderful hit for the late summer. Last up is a bonus track: Oliver Koletzki remixes "NIMM MICH MIT" by the electronic boy-band Die Raketen.
"Großstadtmärchen": This title is chosen for a reason. The story behind Oliver Koletzki is also a magical tale of believing in yourself. Since he is 12 years old, Oliver makes music, by himself or in bands: it is the love for the energy of soundwaves that makes him work hard on himself. In 2005 Oliver Koletzki celebrates the big breakthrough by releasing his hit "Mückenschwarm" on the label of techno grand daddy Sven Väth Cocoon Records. It becomes not only the biggest tune of the year, but also the best selling single on Cocoon Records ever. With this success in mind, Oliver directly realises his dream of starting his own label to promote newcomers. Stil vor Talent also becomes the platform for the release of his first album "Get Wasted" in 2007. One year later, Oliver proves his intuition for pop music when he signs the track "3 Tage Wach" by Lützenkirchen. He makes a low-budget-video for the track that gets an astronomically large half a million views on YouTube within the first three weeks. At least from here it is obvious: Oliver Koletzki is not your average techno producer. His productions and his sense for orginal music also have a deep rooting within pop culture. Thus "Großstadtmärchen" is the logical consequence from two decades of intense musical production: here comes a mature, yet still playful pop album that manages to combine many different influences into one harmonious oeuvre. It shows just how close the dancefloor and pop music really always were, and still are.
More
Oliver Koletzki's most successful album will be finally released on vinyl.
Tracklist:
A-Seite
1. This is Leisure feat. Mieze Katz
2. Zuckerwatte feat. Juli Holz
3. U-Bahn feat. Axel Bosse
4. Kusskompatibel
5. Warschauer Straße
B-Seite
1. Hypnotized feat. Fran
2. Kleines Zwischenspiel
3. Headshaped Box feat. Kate Mosh
4. These Habits feat. Pyur
5. Die Raketen - Nimm mich mit (Oliver Koletzki Remix)
The Berlin-based techno and house producer and DJ Oliver Koletzki has fully committed himself to his roots for this album. They can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today's electronic music productions. "Großstadtmärchen" is a perfect example for a producer's album: Oliver Koletzki has created a musically compact long player while working together with many different singers. Both established artists like Mieze Katz from the German electro-pop outfit MIA., the hot German pop-rock-singer Axel Bosse, critically acclaimed indie band Kate Mosh as well as newcomers such as Fran, Pyur and Juli Holz have contributed to the album. The result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own Koletzkieske sound dynamic.
"Großstadtmärchen", which translates as "The tale of the big city" starts off with "THIS IS LEISURE". Famous pop singer Mieze Katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. After hearing this, the listener is directly fully drawn into this world when hearing Juli Holz's softly whispering voice singing about the dilemmas of love in the big city on "ZUCKERWATTE" (Single release date: 7.9.09). This is a very fine electro-pop tune. Coming up next Oliver Koletzki and Axel Bosse board an underground train that takes them around the Berlin U-Bahn system and back. Axel Bosse, who has had a massive success with his song "3 Millionen" adds his melancholic voice to this groovy pop anthem and sings about the poetic magic of public transport, while we hear the sounds of the trains on top. Of course, Oliver Koletzki has added some purely instrumental tracks on his album, too: "KUSSKOMPATIBEL" and "WARSCHAUER STRASSE" are a journey back to Oliver's first years in Berlin and his love for house music. "KLEINES ZWISCHENSPIEL" also celebrates the energetic sound of electronic music. Then there is another great shine of bright light with the pop track "HYPNOTIZED" that is already making airwaves on German radio. It features the newcomer singer Fran that turns this track into a wonderful electronic love story. In her beautiful crystal clear voice Fran tells the story of those moments during the night that decide where it's going to end: a song about love, passion and the energy between male and female, a catchy pop anthem about the first dance, the first kiss and that special moment when the night turns into day. Oliver has equipped this song with a wonderful piano melody and a very smooth and poppy electronic beat. Actually it sounds like Fran and Oliver have never been doing anything else than produce wonderfully fresh pop songs together.
The tale of the city carries on with a very appealing mixture of indie rock and electronic music. "HEADSHAPED BOX" encapsulates what Indietronic sounds like in the year 2009: symphonic, melodic and simply unique. On "THESE HABITS" the just seventeen-year-old singer Pyur makes her debut. This down-beat triphop-groove is a wonderful hit for the late summer. Last up is a bonus track: Oliver Koletzki remixes "NIMM MICH MIT" by the electronic boy-band Die Raketen.
"Großstadtmärchen": This title is chosen for a reason. The story behind Oliver Koletzki is also a magical tale of believing in yourself. Since he is 12 years old, Oliver makes music, by himself or in bands: it is the love for the energy of soundwaves that makes him work hard on himself. In 2005 Oliver Koletzki celebrates the big breakthrough by releasing his hit "Mückenschwarm" on the label of techno grand daddy Sven Väth Cocoon Records. It becomes not only the biggest tune of the year, but also the best selling single on Cocoon Records ever. With this success in mind, Oliver directly realises his dream of starting his own label to promote newcomers. Stil vor Talent also becomes the platform for the release of his first album "Get Wasted" in 2007. One year later, Oliver proves his intuition for pop music when he signs the track "3 Tage Wach" by Lützenkirchen. He makes a low-budget-video for the track that gets an astronomically large half a million views on YouTube within the first three weeks. At least from here it is obvious: Oliver Koletzki is not your average techno producer. His productions and his sense for orginal music also have a deep rooting within pop culture. Thus "Großstadtmärchen" is the logical consequence from two decades of intense musical production: here comes a mature, yet still playful pop album that manages to combine many different influences into one harmonious oeuvre. It shows just how close the dancefloor and pop music really always were, and still are.
More
1
Juan Atkins & Moritz von Oswald present - Transport 07:28
2
Juan Atkins & Moritz von Oswald present - Odyssey 07:28
3
Juan Atkins & Moritz von Oswald present - Lightyears 06:08
4
Juan Atkins & Moritz von Oswald present - 2600 06:44
5
Juan Atkins & Moritz von Oswald present - Merkur 04:09
6
Juan Atkins & Moritz von Oswald present - Riod 09:14
7
Juan Atkins & Moritz von Oswald present - Zeolites 10:30
FORMAT 2LP 180g vinyl, printed sleeve, dl card
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
More
TRACKLIST
1. / A1 Transport 07:28
2. / A2 Odyssey 07:28
3. / B1 Lightyears 06:08
4. / B2 2600 06:44
5. / C1 Merkur 04:09
6. / C2 Riod 09:14
7. / D1 Zeolites 10:30
Juan Atkins and Moritz von Oswald – the two indispensable protagonists of the Electric Garden – plug back into the wilderness.
‘Transport’ – the full length effort brings together a set of studio-refined sequences aimed at colonizing some of the dark energy that
pulsates through those areas that are thoroughly electrified, even if not ‘on the grid’.
The Detroit-Berlin axis triangulated to a third point which, like the atomic particle that lives in two places at once, flickers between a
form of techno-charged ambience and a futuristic club-jazz which cannot be broken down into constitutive parts.
Borderland remains caught in a state of enraptured stillness, invisibly moving between every imagined future for electronic sound
making.
The result: a font from which springs serene and exhilarating musical ideas that vibrate with refined energy for sixty seconds in every
minute.
More
1
Luca Lozano - Number One Difficult Man
2
Luca Lozano - RE MIX
3
Luca Lozano - Save Me From The Rave
4
Luca Lozano - Root
Somehow Klasse Wrecks has made it to 50 official releases, not bad for a label that wears its ignorance for others and 'the norm' proudly on its dirty sleeve. Over the years the label has released a multitude of various sounds, spanning bleep, rave, deep house, down tempo and the 50th release does well to encapsulate that free spirit and openess. Without much planning and totally by way of coincidence the responsibility lies with label co-owner Luca Lozano and its sonically a typical mixed bag as to be expected. Kicking off with restless acid stomping, the title track barges through the door...knocks over a few drinks before blossoming into a breakdown that propels the 303 deep into space and back again. On the A2, Lozano shows off his love for creaky breakbeats and DX donks on a track called 'Re-Mix'...which as far as we know isnt a remix of anything at all. The flip contains more raving beauties, 'Save Me From The Rave' might be a desperate plea but by the sounds of it he's still enjoying the madness, the producer makes an epic breakdown that might well signify the end of all Trance homages. Then the final track of the EP sounds like it could be played in a field in Glastonbury in 1993, its haunting vocal harmonies signify the sun is coming up soon and likely that we're about to start Chapter 2 of the Wrecks Wrebellion. The special edition sleeve artwork features examples of previous artwork from the last 50 records, overlaid in a typically chaotic manner by the label's designer, PLANETLUKE.COM.
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1
KiNK - Soar
2
KiNK - Yom Thorke
3
KiNK - Russian
4
KiNK - Samodiva
5
KiNK - Suncatcher
6
KiNK - Perth
7
KiNK - Teo Techno
8
KiNK - Peter Plet Plete
9
KiNK - Organ
10
KiNK - Taste Of Metal
11
KiNK - Five
12
KiNK - The_Universe_In_Her_Eyes
Tracklist:
A1 Soar A2 Yom Thorke B1 Russian B2 Samodiva C1 Suncatcher C2 Perth D1 Teo Techno D2 Peter Plet Plete E1 Organ E2 Taste of Metal F1 Five F2 The Universe In Her Eyes
Shortinfo:
Say what you wanna say, but you have to give Strahil Velchev this: the man's a powerhouse. Recording and playing live under the KiNK alias, he went on to become one of finest purveyor's of funk in techno and house. What it is, by definition, ain't exactly clear. And that is the beauty of it.
KiNK's music is unifying in the best possible way. Channeling the spirit and feeling of a time where it didn't really matter who the faces behind the music were, KiNK plays with the elements of genres and sub-genres as if the future of it all is still wide-open. At the same time it could be accused of retro-fetishism, as much as the Pope himself is infallible.
The pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started KiNK's production work. Hailing from Bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from Sofia, and financially it might as well have meant another galaxy. Wanting to DJ without having access to the tracks that spun the carousel meant that you had to create them yourselves. So, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond.
From KiNK's early productions with Neville Watson to his smash-hit for Ovum, a cerebral album for Macro, tons of remixes & tracks and his mind-bending live act, Playground seems to take all that into a blender. Simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of KiNK dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions find their idiosyncratic and contemplative counterparts - all of it coming down like a torrent in a drought.
More
A1 Soar A2 Yom Thorke B1 Russian B2 Samodiva C1 Suncatcher C2 Perth D1 Teo Techno D2 Peter Plet Plete E1 Organ E2 Taste of Metal F1 Five F2 The Universe In Her Eyes
Shortinfo:
Say what you wanna say, but you have to give Strahil Velchev this: the man's a powerhouse. Recording and playing live under the KiNK alias, he went on to become one of finest purveyor's of funk in techno and house. What it is, by definition, ain't exactly clear. And that is the beauty of it.
KiNK's music is unifying in the best possible way. Channeling the spirit and feeling of a time where it didn't really matter who the faces behind the music were, KiNK plays with the elements of genres and sub-genres as if the future of it all is still wide-open. At the same time it could be accused of retro-fetishism, as much as the Pope himself is infallible.
The pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started KiNK's production work. Hailing from Bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from Sofia, and financially it might as well have meant another galaxy. Wanting to DJ without having access to the tracks that spun the carousel meant that you had to create them yourselves. So, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond.
From KiNK's early productions with Neville Watson to his smash-hit for Ovum, a cerebral album for Macro, tons of remixes & tracks and his mind-bending live act, Playground seems to take all that into a blender. Simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of KiNK dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions find their idiosyncratic and contemplative counterparts - all of it coming down like a torrent in a drought.
More
1
Ahmad Albar - Secita Cerita (Extended)
2
Ahmad Albar - Secita Cerita (Original)
First ever 12” edition of Ahmad Albar’s spacey 1981 Indonesian disco rarity, including an additional extended edit. Produced by Fariz RM. Tip!
More
1
Aroma Pitch - Millennium Surfer (06:00 min)
2
Aroma Pitch - Balearic Shift (05:40 min)
3
Aroma Pitch - Staub Groove (06:44 min)
4
Aroma Pitch - Areal Earth (06:11 min)
Tracklist:
A-Side
A1) Aroma Pitch - Millennium Surfer (06:00 min)
A2) Aroma Pitch - Balearic Shift (05:40 min)
B-Side
B1) Aroma Pitch - Staub Groove (06:44 min)
B2) Aroma Pitch - Areal Earth (06:11 min)
Short info:
Aroma Pitch is back with a 4 Track EP including all traits of their warm analogue sound, that has
gained them so much appreciation in the past. Find a bouquet of styles including driving, balearic nu
disco for big rooms, playful breakbeats, dreamy lofi & more. Dig in!!
More
A-Side
A1) Aroma Pitch - Millennium Surfer (06:00 min)
A2) Aroma Pitch - Balearic Shift (05:40 min)
B-Side
B1) Aroma Pitch - Staub Groove (06:44 min)
B2) Aroma Pitch - Areal Earth (06:11 min)
Short info:
Aroma Pitch is back with a 4 Track EP including all traits of their warm analogue sound, that has
gained them so much appreciation in the past. Find a bouquet of styles including driving, balearic nu
disco for big rooms, playful breakbeats, dreamy lofi & more. Dig in!!
More
1
Raphael Schön - Baerhit
2
Raphael Schön - Do You Like That?
3
Raphael Schön - Breathe
4
Raphael Schön - Want Me
5
Raphael Schön - Distant City Tranceport
6
Raphael Schön - Sometimes I Miss You
mini-LP
Tracklist
A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You
Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.
Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?
More
Tracklist
A1. Baerhit
A2. Do You Like That?
A3. Breathe
B1. Want Me
B2. Distant City Tranceport
B3. Sometimes I Miss You
Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.
Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?
More
1
Joyce - Joya
2
Joyce - De Frento Pro Crime
3
Joyce - Pesadelo
4
Joyce - Pelo Telefone
5
Joyce - Pede Passagem
6
Joyce - Marcha De IV Feira De Cinzas
7
Joyce - Opinião
8
Joyce - Chora Doutor
9
Joyce - Quartorze Anos
10
Joyce - A Historia Do Samba
11
Joyce - O Trem Atrasou
12
Joyce - Radiopatrulha
13
Joyce - Acorda Amor
14
Joyce - Mudando De Conversa
15
Joyce - Fado Tropical
16
Joyce - Bodas
17
Joyce - Viola Fora De Moda
18
Joyce - Passarinho
In 1975, Joyce Moreno, who had just wrapped up a tour with legendary Brazilian composer Vinicius de Moraes, found herself in a studio with producer Sergio Bardotti in Rome, Italy. She had been taking a break from writing and she decided to pick up a selection of her favorite compositions from contemporary Brazilian writers who‘s songs were beacons of hope in times of an ongoing intense Military leadership in her home country. Unlike their previous albums, these recordings live from their reductiveness and intimacy. For a long time, Passarinho Urbano was considered a secret masterpiece and was highly sought after by record collectors, now Week–End Records is glad to be making it available internationally on vinyl for the first time ever.
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