1
Alton & Eddie - Muriel
2
Jiving Juniors - Dearest Darling
3
The Echoes & Celestials - Are You Mine
4
Jimmy Cliff - Dearest Beverley
5
Keith & Enid - Send Me
6
The Downbeats - Midnight Love
7
Chuck & Dobby - 'Til The End Of Time
8
The Mellowlarks - Album Of Memory
9
Horthens & Stranger - True Love
10
Dobby Dobson - Diamonds & Pearls
11
The Charmers - I'm Going Back
12
The Blues Busters - Pleading For Mercy
13
Owen & Millie - Do You Know
14
Laurel Aitken - Heavenly Angel
Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
More records from Death Is No The End
1
Sweet As An Angel - Jiving Juniors
2
My Heaven - Alton & Eddie
3
Higgs & Wilson - When You Tell Me Baby
4
Lloyd Adams - I Wish You Picture Was You
5
The Moonlighters - Don't You Know
6
Ricketts & Rowe - Dream Girl
7
Annette & Shenley - The First Time We Met
8
Belltones - I'll Always Call Your Name
9
Ruddy & Sketto - Little Schoolgirl
10
Derrick & Patsy - Crying In The Chapel
11
The Blues Busters - I've Done You Wrong
12
Jiving Juniors - My Sweet Angel
13
Higgs & Wilson - Change Of Mind
14
Wilfred Jackie Edwards - Never Go Away
Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
1
Lloyd Clark Smithie's Sextet - Now I Know The Reason
2
The Charmers & Prince Buster - Now You Want To Cry
3
The Rhythm Aces & The Caribs - A THousand Teardrops
4
Jiving Juniors - Have Faith In Me
5
Chuck & Dobby - I Love My Teacher
6
The Blues Busters - Call Your Name Forever
7
The Echoes Celestials - I Love You Forever
8
Wilfred Jackie Edwards - Hear My Cry
9
Jiving Juniors - Valerie
10
The Magic Notes - Why Did You Leave Me
11
Rupert Edwards - Guilty Convict
12
Keith & Enid - Worried Over You
13
The Moonlighters - Julie
14
Higgs & Wilson - How Can I Be Sure
Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Customers who bought this also bought this
CD Jewel Case
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
1
Al Hirt - Honey Pot
2
Al Hirt - Mess Around
3
Al Hirt - Calypsoul
4
Al Hirt - Long Gone
5
Al Hirt - Sweetlips
6
Al Hirt - Girl
7
Al Hirt - Love Ya' Baby
8
Al Hirt - Sunday-Goin' To Meetin' Time
9
Al Hirt - Snap Back
10
Al Hirt - Harlem Hendoo
11
Al Hirt - Ludwig
Format Notes: 2024 first time vinyl reissue, remastered audio with original artwork, 140g vinyl
Track List:
A1 Honey Pot
A2 Mess Around
A3 Calypsoul
A4 Long Gone
A5 Sweetlips
A6 Girl
B1 Love Ya' Baby
B2 Sunday-Goin' To Meetin' Time
B3 Snap Back
B4 Harlem Hendoo
B5 Ludwig
Release Notes:
Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!
Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.
However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.
A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!
Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".
The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.
The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.
More
Track List:
A1 Honey Pot
A2 Mess Around
A3 Calypsoul
A4 Long Gone
A5 Sweetlips
A6 Girl
B1 Love Ya' Baby
B2 Sunday-Goin' To Meetin' Time
B3 Snap Back
B4 Harlem Hendoo
B5 Ludwig
Release Notes:
Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!
Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.
However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.
A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!
Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".
The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.
The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.
More
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)
Special remarks : 4p Digipack
Genre: Electronic/Indie Dance
TRACKLIST:
CD:
01. Hollow
02. Generation
03. Seagull Nun
04. Choices & Robot Koch
05. Hansaplast
06. Stranger
07. Kilda
08. Endless Youth
09. Hey Little Precious
10. Don´t Turn Me Out feat. Other Lives
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
More
Special remarks : 4p Digipack
Genre: Electronic/Indie Dance
TRACKLIST:
CD:
01. Hollow
02. Generation
03. Seagull Nun
04. Choices & Robot Koch
05. Hansaplast
06. Stranger
07. Kilda
08. Endless Youth
09. Hey Little Precious
10. Don´t Turn Me Out feat. Other Lives
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
More
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)
Special remarks : Gatefold 2LP ( 2x 180g black) + Downloadcode + 4 Bonustracks/Special Versions
Genre: Electronic/Indie Dance
TRACKLISTS:
LP:
A1 Hollow
A2 Generation
A3 Seagull Nun
B1 Choices & Robot Koch
B2 Hansaplast
B3 Stranger
C1 Kilda
C2 Endless Youth
C3 Hey Little Precious
C4 Don´t Turn Me Out feat. Other Lives
D1 Hollow (Live In-Studio)
D2 Don't Turn Me Out (Live In-Studio)
D3 Hansaplast (Piano Version)
D4 Seagull Nun (Piano Version)
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
More
Special remarks : Gatefold 2LP ( 2x 180g black) + Downloadcode + 4 Bonustracks/Special Versions
Genre: Electronic/Indie Dance
TRACKLISTS:
LP:
A1 Hollow
A2 Generation
A3 Seagull Nun
B1 Choices & Robot Koch
B2 Hansaplast
B3 Stranger
C1 Kilda
C2 Endless Youth
C3 Hey Little Precious
C4 Don´t Turn Me Out feat. Other Lives
D1 Hollow (Live In-Studio)
D2 Don't Turn Me Out (Live In-Studio)
D3 Hansaplast (Piano Version)
D4 Seagull Nun (Piano Version)
SHORT INFO:
Kaleida are the transatlantic duo whose darkly mystic soundworld finds glimmers of hope in the disquiet. Span- ning an ocean, the pair have nurtured a long-distance partnership that withstands the shifting patterns of life. They first formed in 2013 when a friend introduced them over email. Christina Wood was working in the Indone- sian forest while recording demos in her bedroom each night, and Cicely Goulder had been composing for film productions in London. Despite the miles between them, they found an instant musical chemistry.
Kaleida first came to international renown in 2014, when their single “Think” went viral overnight and was featured in the soundtrack for the cult Keanu Reeves film, John Wick. Their debut album Tear The Roots arrived in 2017 and crystallised the pair’s moody pop aesthetic, which merges Wood’s sylph-like, operatic vocals with Goulder’s neo-Noir electronica. The record earned the duo their sec- ond spot in a film soundtrack, this time for Atomic Blonde with a tender take on Nena’s 1980s anti-war classic “99 Luftballons”. It was followed in 2020 by the pair’s second album Odyssey dubbed “a consummate work of electronic artistry.” Their new album In Arms is a record that leans into a near transcendent spiritualism, where their minimalist production conceals a raw, celestial power. With a departure from their previously insular way of working, they invited other musicians into the production process, most notably producer Johan Hugo (Self Esteem, M.I.A, Skepta).
More
1
DJ Pierre - acid love
2
DJ Pierre - acid love dub
1
Len Faki - Sexuality (My Reality) (Hardspace Mix)
2
Len Faki - Shri Yantra (Luke Slater Deep Heet Remix)
3
Len Faki - Make Me Scream (Amotik Remix)
4
Len Faki - Raum 422 (Ploy Remix)
5
Len Faki - Hymn (ANNA Remix)
6
Len Faki - Astra (Len Faki Beat Room Mix)
7
Len Faki - Don't Be Stupid Day (Modeselektor Remix)
8
Len Faki - Waver (Beste Hira Remix)
2x 12” vinyl with full cover print
TRACKLIST:
A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))
B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)
C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)
D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)
INFO:
Len Faki assembles second star-studded Fusion Remixes instalment
The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks
Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.
Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.
Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.
On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.
Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.
Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’
Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…
More
TRACKLIST:
A1. Sexuality (My Reality) (Hardspace Mix)
A2. Shri Yantra (Luke Slater Deep Heet Remix))
B1. Make Me Scream (Amotik Remix)
B2. Raum 422 (Ploy Remix)
C1. Hymn (ANNA Remix)
C2. Astra (Len Faki Beat Room Mix)
D1. Don't Be Stupid Day (Modeselektor Remix)
D2. Waver (Beste Hira Remix)
INFO:
Len Faki assembles second star-studded Fusion Remixes instalment
The Berliner recruits his favourite producers for the second edition of ‘Fusion’ reworks
Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out 19th April on his label imprint Figure.
Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment.
Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high octane screamer.
On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old school feel.
Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects.
Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s take on ‘Waver’
Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise…
More
Label:A Tribe Called Kotori
Cat-No:ATCK045LP
Release-Date:12.04.2024
Genre:House / Techno
Configuration:LP Excl
Label:A Tribe Called Kotori
Cat-No:ATCK045LP
Release-Date:12.04.2024
Genre:House / Techno
Configuration:LP Excl
1
Fabian Krooss - Oh Darlin‘
2
Fabian Krooss, Samaha - Staring
3
Fabian Krooss, Frida Darko - Phoenix
4
Fabian Krooss - Move Your Booty
5
Fabian Krooss - Your Soul
6
Fabian Krooss - Inside of Me
7
Fabian Krooss - Manaki
8
Fabian Krooss, Atish - Elasticity
9
Fabian Krooss - Back to the Oldschool
10
Fabian Krooss - Coquin
11
Fabian Krooss - Mtende
12
Fabian Krooss, Harry Charles - Tied in Knots
[ 2x12” LP] incl. 13 Tracks for download
GENRE/S: House / Techno
Vinyl:
A1 Fabian Krooss - Oh Darlin‘
A2 Fabian Krooss, Samaha - Staring
A3 Fabian Krooss, Frida Darko - Phoenix
B1 Fabian Krooss - Move Your Booty
B2 Fabian Krooss - Your Soul
B3 Fabian Krooss - Inside of Me
C1 Fabian Krooss - Manaki
C2 Fabian Krooss, Atish - Elasticity
C3 Fabian Krooss - Back to the Oldschool
D1 Fabian Krooss - Coquin
D2 Fabian Krooss - Mtende
D3 Fabian Krooss, Harry Charles - Tied in Knots
Download:
01 Fabian Krooss - Oh Darlin‘
02 Fabian Krooss, Samaha - Staring
03 Fabian Krooss, Frida Darko - Phoenix
04 Fabian Krooss - Move Your Booty
05 Fabian Krooss - Your Soul
06 Fabian Krooss - Inside of Me
07 Fabian Krooss - Manaki
08 Fabian Krooss, Atish - Elasticity
09 Fabian Krooss - Back to the Oldschool
10 Fabian Krooss - Coquin
11 Fabian Krooss - Mtende
12 Fabian Krooss, Harry Charles - Tied in Knots
13 Fabian Krooss, Frida Darko - Phoenix (Oliver Koletzki Remix)
SHORT INFO:
Following a cascade drop of singles that kept everyone on their toes this past couple of months, time has come to unveil Fabian Krooss' eagerly awaited debut long-player, 'Colorfuel'. A portmanteau word for the vivid colourful spectrum that infuses Krooss' blends and that role of energetic provider it plays, 'Colorfuel' oozes a vibrant mix of dance floor-ready dynamism and effervescing curiosity, packed with surprises at every corner. Completed and finished in the Autumn of 2023, Krooss' debut album takes you on a smooth journey from start to finish, showing the variety in his productions, spanning from melancholic to uplifting, playful to funky and deep to chill.
Starting with the soulful 'Oh Darlin', Krooss steers us on the path of laid-back Chicagoan rhythms and feelgood Afro soulfulness, weaving solar-powered sensitivity with vaporous floor dynamics to hypnotic effect. A further balmy slice of atmospheric electronica tinged with hints of dream-pop and balearic house, "Staring" cruises at its own tranquil pace across colour-shifting horizons and gently jagged reliefs. Pumping out an exquisite blend of sluggish house jack alongside archetypal Andalusian flavours and bass-driven manoeuvres, 'Phoenix' (feat. Frida Darko) ticks all the boxes of a festival season-ready chugger, whereas 'Move Your Booty' relies on a slightly more low-slung melody and further languid swing.
All in bounce and playfulness, 'Your Soul' pulls out a bass-heavy chassis mounted with EBM synths' firepower, nostalgic riffs and orient-flavoured melodic flights, injecting a sense of spiritual elevation to its solid club-focussed engineering. Drawing in a more subdued palette of rhythmic elements, sprinkled with an eerie melody and stripped-back synth funk, 'Inside of Me' makes for a perfect transition track, with 'Manaki' going a further jagged route, as Krooss draws further deep into the Italo style, infusing his stellar arps and brittle piano chords with a thick FX gravy. Contorting itself at the junction of straightforward jack and a more prog-minded construction that seem tailored for stadiums, 'Elasticity' (with Atish) finds Krooss at his most precise and adroitly versatile.
Beaming up unadulterated joy and sunrays across its six minute-ish ride, 'Coquin' bounces back and forth, ushering us into a jam-packed hacienda where the thick volutes of freshly lit havanas coalesce with the exhilarating scent of ron. A trippy ride down memory lane, 'Back To The Oldschool' conjures up images and components straight out the 90s, buzzing with that fun swash of hip-hop and tech-tinged hybrid. A delicate slab of balearic-informed deep house, 'Mtende' serves up a lascivious mishmash of coastal iridescence and sub-Saharan style polyrhythms. Topping off that broad sweep across house's manifold colour chart, 'Tied In Knots' (feat. Harry Charles) treats us to an elevating mix of Spanish guitars and 303-marinated acid bass, taking us from classicism up the modernist ladder in the blink of an eye.
More
GENRE/S: House / Techno
Vinyl:
A1 Fabian Krooss - Oh Darlin‘
A2 Fabian Krooss, Samaha - Staring
A3 Fabian Krooss, Frida Darko - Phoenix
B1 Fabian Krooss - Move Your Booty
B2 Fabian Krooss - Your Soul
B3 Fabian Krooss - Inside of Me
C1 Fabian Krooss - Manaki
C2 Fabian Krooss, Atish - Elasticity
C3 Fabian Krooss - Back to the Oldschool
D1 Fabian Krooss - Coquin
D2 Fabian Krooss - Mtende
D3 Fabian Krooss, Harry Charles - Tied in Knots
Download:
01 Fabian Krooss - Oh Darlin‘
02 Fabian Krooss, Samaha - Staring
03 Fabian Krooss, Frida Darko - Phoenix
04 Fabian Krooss - Move Your Booty
05 Fabian Krooss - Your Soul
06 Fabian Krooss - Inside of Me
07 Fabian Krooss - Manaki
08 Fabian Krooss, Atish - Elasticity
09 Fabian Krooss - Back to the Oldschool
10 Fabian Krooss - Coquin
11 Fabian Krooss - Mtende
12 Fabian Krooss, Harry Charles - Tied in Knots
13 Fabian Krooss, Frida Darko - Phoenix (Oliver Koletzki Remix)
SHORT INFO:
Following a cascade drop of singles that kept everyone on their toes this past couple of months, time has come to unveil Fabian Krooss' eagerly awaited debut long-player, 'Colorfuel'. A portmanteau word for the vivid colourful spectrum that infuses Krooss' blends and that role of energetic provider it plays, 'Colorfuel' oozes a vibrant mix of dance floor-ready dynamism and effervescing curiosity, packed with surprises at every corner. Completed and finished in the Autumn of 2023, Krooss' debut album takes you on a smooth journey from start to finish, showing the variety in his productions, spanning from melancholic to uplifting, playful to funky and deep to chill.
Starting with the soulful 'Oh Darlin', Krooss steers us on the path of laid-back Chicagoan rhythms and feelgood Afro soulfulness, weaving solar-powered sensitivity with vaporous floor dynamics to hypnotic effect. A further balmy slice of atmospheric electronica tinged with hints of dream-pop and balearic house, "Staring" cruises at its own tranquil pace across colour-shifting horizons and gently jagged reliefs. Pumping out an exquisite blend of sluggish house jack alongside archetypal Andalusian flavours and bass-driven manoeuvres, 'Phoenix' (feat. Frida Darko) ticks all the boxes of a festival season-ready chugger, whereas 'Move Your Booty' relies on a slightly more low-slung melody and further languid swing.
All in bounce and playfulness, 'Your Soul' pulls out a bass-heavy chassis mounted with EBM synths' firepower, nostalgic riffs and orient-flavoured melodic flights, injecting a sense of spiritual elevation to its solid club-focussed engineering. Drawing in a more subdued palette of rhythmic elements, sprinkled with an eerie melody and stripped-back synth funk, 'Inside of Me' makes for a perfect transition track, with 'Manaki' going a further jagged route, as Krooss draws further deep into the Italo style, infusing his stellar arps and brittle piano chords with a thick FX gravy. Contorting itself at the junction of straightforward jack and a more prog-minded construction that seem tailored for stadiums, 'Elasticity' (with Atish) finds Krooss at his most precise and adroitly versatile.
Beaming up unadulterated joy and sunrays across its six minute-ish ride, 'Coquin' bounces back and forth, ushering us into a jam-packed hacienda where the thick volutes of freshly lit havanas coalesce with the exhilarating scent of ron. A trippy ride down memory lane, 'Back To The Oldschool' conjures up images and components straight out the 90s, buzzing with that fun swash of hip-hop and tech-tinged hybrid. A delicate slab of balearic-informed deep house, 'Mtende' serves up a lascivious mishmash of coastal iridescence and sub-Saharan style polyrhythms. Topping off that broad sweep across house's manifold colour chart, 'Tied In Knots' (feat. Harry Charles) treats us to an elevating mix of Spanish guitars and 303-marinated acid bass, taking us from classicism up the modernist ladder in the blink of an eye.
More
1
Métaraph - Ultimatum
2
OCD - patriarchat violence
3
dj genderfluid - convergence
4
Akribisch Rapid - Opera UBHFX
5
H369 & Trancemaster Krause - Gate to Heaven
6
Tonni 3000 - The Hope
7
Sabu! feat. $errano$chinken - bbballet
Territories: WORLD MINUS US
Tracklist:
A1 / Métaraph - Ultimatum
B1 / OCD - patriarchat violence
B2 / dj genderfluid - convergence
C1 / Akribisch Rapid - Opera UBHFX
C2 / H369 & Trancemaster Krause - Gate to Heaven
D1 / Tonni 3000 - The Hope
D2 / Sabu! feat. $errano$chinken - bbballet
Key Selling Points
It was just a matter of time till these two pearls of the Berlin club scene came together for the ultimate master combo: SACHSENTRANCE x DURCH.
The result stands for the core values of both collectives itself: pressed into a double vinyl with tracks of Metaraph, OCD, dj genderfluid, H369 & Trancemaster Krause, Tonni3000, Sabu! ft. $errano $chinken and Akribisch Rapid, this collaboration embodies a harmonious blend pushing the ideals of inclusivity, diversity and a liberated mindset, celebrating the beauty of different perspectives expressed through music and paving the way for a culture founded on openness and freedom of existence.
More
Tracklist:
A1 / Métaraph - Ultimatum
B1 / OCD - patriarchat violence
B2 / dj genderfluid - convergence
C1 / Akribisch Rapid - Opera UBHFX
C2 / H369 & Trancemaster Krause - Gate to Heaven
D1 / Tonni 3000 - The Hope
D2 / Sabu! feat. $errano$chinken - bbballet
Key Selling Points
It was just a matter of time till these two pearls of the Berlin club scene came together for the ultimate master combo: SACHSENTRANCE x DURCH.
The result stands for the core values of both collectives itself: pressed into a double vinyl with tracks of Metaraph, OCD, dj genderfluid, H369 & Trancemaster Krause, Tonni3000, Sabu! ft. $errano $chinken and Akribisch Rapid, this collaboration embodies a harmonious blend pushing the ideals of inclusivity, diversity and a liberated mindset, celebrating the beauty of different perspectives expressed through music and paving the way for a culture founded on openness and freedom of existence.
More
1
Lloyd Clark Smithie's Sextet - Now I Know The Reason
2
The Charmers & Prince Buster - Now You Want To Cry
3
The Rhythm Aces & The Caribs - A THousand Teardrops
4
Jiving Juniors - Have Faith In Me
5
Chuck & Dobby - I Love My Teacher
6
The Blues Busters - Call Your Name Forever
7
The Echoes Celestials - I Love You Forever
8
Wilfred Jackie Edwards - Hear My Cry
9
Jiving Juniors - Valerie
10
The Magic Notes - Why Did You Leave Me
11
Rupert Edwards - Guilty Convict
12
Keith & Enid - Worried Over You
13
The Moonlighters - Julie
14
Higgs & Wilson - How Can I Be Sure
Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
1
Sweet As An Angel - Jiving Juniors
2
My Heaven - Alton & Eddie
3
Higgs & Wilson - When You Tell Me Baby
4
Lloyd Adams - I Wish You Picture Was You
5
The Moonlighters - Don't You Know
6
Ricketts & Rowe - Dream Girl
7
Annette & Shenley - The First Time We Met
8
Belltones - I'll Always Call Your Name
9
Ruddy & Sketto - Little Schoolgirl
10
Derrick & Patsy - Crying In The Chapel
11
The Blues Busters - I've Done You Wrong
12
Jiving Juniors - My Sweet Angel
13
Higgs & Wilson - Change Of Mind
14
Wilfred Jackie Edwards - Never Go Away
Repressed by popular demand!
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
Lauren Laverne's comp of the week on BBC Radio 6 Music.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz More
1
Jeff Mills - Entering The Black Hole
2
Jeff Mills - Time In The Abstract
3
Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
4
Jeff Mills - Wandering
5
Jeff Mills - When Time Stops
6
Jeff Mills - Time Reflective
7
Jeff Mills - Infinite Redshift
8
Jeff Mills feat. Jun Togawa - Hole
Tracklist
A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract
B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering
C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective
D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole
(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.
An art performance focusing on being lost In space
``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.
Special guest: Jun Togawa
The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.
Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.
Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.
More
A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract
B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering
C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective
D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole
(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.
An art performance focusing on being lost In space
``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.
Special guest: Jun Togawa
The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.
Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.
Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.
More
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More